…ores the late nineteenth-century embrace of communication technologies like the phonograph, the stereopticon and the motion picture in four presidential campaigns (1888, 1892, 1896, and 1900), thus making a major contribution to the fields of Film Studies, Media Archaeology, Amer…

…t in Early Recordings 251 it is easy to imagine how a new technology, such as a phonograph, might have been confrontational to performers who had never previously experienced such a device, perhaps being detrimental to their practice. The real answer, of course, is that we do not…

…196], David Byrne [45] and Tom Waits [248]. The first exper- iments with use of phonograph to create music started about 1915 and were car- ried on through the next three decades by Stephan Wolpe, Paul Hindemith, Ern- est Toch, Percy Grainger, Edgar Varèse, Darius Milhaud and Las…

…CKSON, Antonia y William K. L. DICKSON (1894). Edison’s Invention of the Kineto-phonograph. En: The Century, vol. 48, nº 2, pp. 207-214. ___. (1895) History of the kinetograph, kinetoscope and kineto-phonograph. New York: Albert Sunn. GAUDREAULT, André (2006). From ‘primitive Cin…

…more pertinent than ever to turn our attention towards what Katz (2004) called ‘phonograph effects’. The author refers with this concept to the tendency of music creators to adapt their artistic contents and practices to the technical devices in widespread use, thus internalizing…

…ddle of the nineteenth century; radio broadcasts, which began in the 1920s; and phonograph recordings, increasingly popular from the 1890s onward. These modern media and types of performance helped create an urban public culture in the early twentieth century that was largely ind…

…gepub.com/home/sms Jeremy Wade Morris Abstract Drawing on Mark Katz’s notion of phonographic effects—where musicians, during the advent of early recording technology, altered their style of play to be better captured by microphones—this article explores some of the “platform effe…

…singers of tales. Ryabinin was the first singer whose voice was recorded on the phonograph in 1894. In 1902 he made a three-month overseas on tour in Bulgaria, Serbia, Austria-Hungary, Poland. His performances in the Slavic countries were of a nationwide importance. They began on…

…would be remiss not to mention Percy Grainger, who (unlike Sharp) worked with a phonograph and was fascinated by individual idiosyncrasies in performance (1908a, 1908b). Such modern technology, however, was not especially popular among folk song enthusiasts and often introduced m…

…works in the formal sense given to this term in the modern West. [...] It is to phonographic engraving, ... that we attribute the virtue of this individuation (Stiegler 1986, 129)1. More precisely, the history of “sound” in jazz is directly linked to the history of recording tech…

… preamp noise, wiring and interconnection noise, media noise, etc. Early 78 rpm phonograph discs had a dynamic range of up to 40 dB, [ 24 ] soon reduced to 30 dB and worse due to wear from repeated play. Vinyl microgroove phonograph records typically yield 55-65 dB, though the fi…

…ciic memories or events, as can be seen in the sequence in the bedroom with the phonograph. The bedroom relects the time from both before and after the Wife’s injury, in the same way the nursery changes to relect the presence and absence of the Daughter in it in front of the play…

…igns and the effects on time and temporalities that inventions such as film and phonography would have. With such technical media, events taking place at different points in time (and in different places) could be juxtaposed in an amazing way, the speed of events could be increas…

…der – · Krag–Jørgensen – · Krag–Petersson – · Oil shale – · Pattern welding – · Phonograph cylinder – · Plug-in hybrid – · Radar – · Restoration of the Everglades – · Saturn V – · Shale oil extraction – · Shielded metal arc welding – · Spacecraft propulsion – · Speech synthesis –…

…cribing the music as "exciting, literate and imaginative". [ 127 ] Jon Tiven of Phonograph Record praised the album, calling it "the Aftermath of the Seventies", where there are no filler tracks. He further called Bowie "one of the most distinctive personalities in rock" believin…