Central Library Video Wall | Los Angeles Public Library

Central Library Video Wall | Los Angeles Public Library
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Central Library
The Central Library Video Wall is a 28-foot video screen located in the
library
’s Tom Bradley Wing. A component of the S. Mark Taper Foundation
Digital Commons
, the video wall is a space for storytelling—about our community, our institution, and our world. Video Wall content is intended to delight, inform and educate library visitors with compelling visual stories.
Commissioned Work
Historical Portraits Project
In partnership with
StandardVision
, we've produced a series of digital art pieces for the Central Library Video Wall.
This project involved creating cinematic moving "portraits" of Los Angeles historical figures, portrayed by library patrons and community members.
Read more
about this project.
Generative Animations
A series of generative digital animations which draw inspiration from the art and architecture of Central Library, especially the decorative ceiling patterns painted by Julian Garnsey. There are roughly 6 or 7 unique patterned rooms in the Library—each with their own color palette, shapes, and compositions. The generative pattern system is organized as a series based on these various rooms—freeing the ornament from the bounds of ceiling decoration and reintroducing it as dynamic digital content. The final result is a piece that illustrates a systematic approach to decoration, placemaking, and interior design—both new and old.
Learn more
about this project.
Collaborations
Universum
Universum
is the first product of Substrate, a LACMA Art + Technology Grant project by artist Nancy Baker Cahill, which examines the equitable distributive properties of mycelial networks, and how they relate to emerging data-sharing technologies. Substrate connects civic institutions, cultural resources, and data storage systems as a collaborative test case for civic hubs citywide, including the Los Angeles Public Library, LACMA, and Long Beach City College working in tandem, imagining new ways of eliminating barriers to access, of structuring permission, and of producing and sharing knowledge. Using blockchain, Substrate connects these public resources as metaphoric "Mother Trees" with the potential to nourish communities through distributed networks of multi-stakeholder cultural initiatives.
Curated Selections
In addition to original content, the video wall features original art, films, and animation. Current selections include works by the following artists:
WE by Sarah Elgart
Sarah Elgart
is a Los Angeles–based choreographer
and director whose award-winning work spans stage,
screen, and site-specific performance. Her film WE
situates dance in the layered landscape of Venice
Beach, where displacement and scarcity coexist with
affluence. Through a meeting between two men at an
alleyway intersection, the work navigates themes of
belonging, isolation, compassion, and disdain—
painting a portrait of the city’s contradictions and the
human longing that lives within them.
Western Fronts by Rick Silva
Rick Silva
is an Oregon-based artist whose digital media works
explore the aesthetics and politics of the natural world. His film
Western Fronts responds to the proposed reductions of four
U.S. national monuments, juxtaposing sweeping drone footage
of the American West with geometric overlays and a
foreboding soundscape. At once beautiful and unsettling, the
work critiques authoritarian threats to public lands while
reflecting on the urgent intersections of environmental
exploitation, climate crisis, and cultural preservation in America
today.
In Our Time by Jaime Yao
Jaime Yao is a Los Angeles–based digital artist whose
work blends advanced software and generative AI to
craft immersive, human-centered narratives. His short
film In Our Time unfolds over a single night in Barcelona,
following an ordinary volunteer in the International
Brigades. A quiet tribute to solidarity across borders and
languages, the piece reflects on fate, transformation,
and the unseen ecosystems born of sacrifice. Using
emerging technologies as storytelling instruments rather
than spectacle, Yao expands the emotional possibilities
of narrative, illuminating intimate histories and collective
memory in ways that feel both timely and deeply
humane.
Micronaut Odyssey by Wendi Yan
Wendi Yan
constructs speculative epistemologies through
research-driven worldbuilding and metafictional
simulation, using CGI, game engines, and documentary
practices to probe and play with the artifice of
knowledge. Inspired by scientist Michael Levin’s research
in bioelectricity and regenerative biology, Micronaut
Odyssey imagines speculative biological robots with
different shapes and movements wandering in space,
against the backdrop of Martian terrains under a
microscopic lens. Yan’s film visualizes a science fictional
world centering the soft, the living and the microscale
high–tech futures.
The Perfect Mashed Potatoes by Elena Rendina
Swiss-Italian visual artist
Elena Rendina
works across
photography, performance, and animation to create stylized,
intimate worlds that explore the tension beneath traditional
ideals of femininity. Often using her own image, she stages
ironic and uncanny vignettes that subvert domesticity through
hand-crafted sets, costumes, and props made from everyday
materials like bread, pasta, and tablecloths. Her work
humorously reclaims the language of homemaking as a form of
self-expression and critique.
Mountains by Daniel Savage
Daniel Savage
is an artist and animator based in Los Angeles
CA. Daniel’s work is inspired by printmaking techniques,
creating a grid-like structure that brings consistency to organic
forms, often depicting nature with an aesthetic that blurs the
lines between digital and physical. This piece expands on his
Mountains series, exploring the layers and vibrant colors of an
abstract landscape, drawing rhythm from the natural
waveforms of mountains.
Winter by Jamie Scott
Jamie Scott
is an artist and visual effects specialist whose work captures the quiet poetry of nature in transition. His time-lapse films are composed from thousands of meticulously gathered photographs, revealing seasonal change as a slow, immersive rhythm. Scott weaves shifting colors, light, and atmosphere into cinematic portraits of landscapes in flux. His process blends patient observation with technical precision, allowing viewers to experience transformation as both intimate and expansive.
LA Impression by Jaime Yao
Jaime Yao is a Los Angeles–based digital artist whose work blends advanced software and AI to create immersive, human-centered abstractions. LA Impression drifts between clarity and disappearance, rendering the city as something remembered more by feeling than by sight. Familiar structures dissolve into thousands of shifting particles that collapse and rise in gentle, breath-like rhythms. The piece gathers, disperses, and reforms with patient fluidity, inviting viewers into a space of quiet reflection.
Past Artists
The following artists have previously exhibited work on the video wall.
Alice Bucknell
Alexis Jamet
Ana Maria Caballero
Andreas Fischer
Andrew Bryce Myers
Behnaz Farahi
Casey Kauffmann
Casey Reas
Christy Lee Rogers
Dalena Tran
Dan Chen
Danielle Parsons
David Guerrero
Dirk Koy
Enrique Agudo
Johnathan McCabe
Kristen Roos
Leo Isikdogan
LIA
Lifeforms.io
Pascual Sisto
Robert Seidel
Sabrina Ratté
Sandro Bocci
Sasha Stiles
Sean Capone
Teun van der Zalm
Tom Carroll
Yuge Zhou
If you have a comment, question or suggestion related to content on the Video Wall, contact us below:
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