Preview – Fridericianum
Source: https://fridericianum.org/preview
Archived: 2026-04-23 17:09
Preview – Fridericianum
Preview
Photo Credit
Peter Fischli
May, 23 – September 13, 2026
Flashing lights, mirrors, and loose power cords: With their vertical supports, horizontal arms, and luminaires, Peter Fischli’s kinetic sculptures are reminiscent of urban traffic lights or stage elements. Fashioned out of simple materials and coated in layers of gray paint they hint at urban surfaces and reveal an enigmatic rhythm of light and sound in the exhibition space. Their alternating signals follow no fixed logic. Instead the sculptures develop their own sequences in white, orange, or yellow tones.
More
Photo Credit
Mohammed Sami
Hostless
October 3, 2026 – January 3, 2027
In his new body of work
Hostless
, Mohammed Sami focuses predominantly on internal spaces. The paintings become a site for mnemonic processes, mental operations in which abstraction falters and something unsettling begins to seep through. Rooms become spectral containers, holding the residue of events that agreed to stay unnamed despite of the availability of the crime evidence.
More
Preview
Photo Credit
Peter Fischli
May, 23 – September 13, 2026
Flashing lights, mirrors, and loose power cords: With their vertical supports, horizontal arms, and luminaires, Peter Fischli’s kinetic sculptures are reminiscent of urban traffic lights or stage elements. Fashioned out of simple materials and coated in layers of gray paint they hint at urban surfaces and reveal an enigmatic rhythm of light and sound in the exhibition space. Their alternating signals follow no fixed logic. Instead the sculptures develop their own sequences in white, orange, or yellow tones.
More
Photo Credit
Mohammed Sami
Hostless
October 3, 2026 – January 3, 2027
In his new body of work
Hostless
, Mohammed Sami focuses predominantly on internal spaces. The paintings become a site for mnemonic processes, mental operations in which abstraction falters and something unsettling begins to seep through. Rooms become spectral containers, holding the residue of events that agreed to stay unnamed despite of the availability of the crime evidence.
More