59 results found (page 1 of 4)
https://www.academia.edu/207383/Cultural_Borrowings_Appropriation_Reworking_Transformation…

…cation of ancient primeval terror. A more complex intertextual secret sharer is Disney's 20,000 Leagues Under the Sea (1954). Captain Nemo, who rams ships with his shark- like submarine, The Nautilus, is, like Ahab, another prototype for Quint's obses- sion with nautical revenge.…

https://www.academia.edu/122709907/The_Right_to_Home_Exploring_How_Space_Culture_and_Ident…

…y asked the mirror, “Magic Mirror on the wall, Who is the fairest one of all?” (Disney, 1999, p. 3). As a single Black woman, Madison could see in the mirror the varying stereotypes she had to navigate and the choices she had to make in declaring her identity and stance. She coul…

https://www.academia.edu/64811845/Visualising_young_childrens_play_exploring_multimodal_tr…

…). The boys who would be princesses: playing with gender identity intertexts in Disney Princess transmedia. Gender and Education, 24(6), 593–610. https://doi.org/10.1080/09540253.2012.674495 203 Wood, A. (2017). A School’s Lived Architecture: the politics and ethics of flexible l…

https://www.academia.edu/68678611/A_Model_Citizen_Ethos_Conservation_and_the_Rhetorical_Co…

…tee’s tour of overbrowsed deer yards (Meine 446), and, much more publicly, Walt Disney’s Bambi had recently been released (Meine 442). It is understandable that Leopold would prioritize scientific knowledge in 160 an ecological crisis where time was of the essence. But the rhetor…