…algrave Macmillan. Gramsci, Antonio. 1999 (1971). Selections from the Prison Notebooks. Edited by Quentin Hoare and Geoffrey Nowell Smith. London: Elec Book. Grewal, Inderpal. 2005. Transnational America: Feminisms, Diasporas, Neoliber- alisms. Durham: Duke University Press. Grew…
…e (?); crude. 15. 2.72g, 17.0mm, worn, corroded, partially oxidised. Inv. № BKG 11333. Season Autumn 2024. Trench BKG 24 (1) [Bastion D]. Macrophase 9a. Unpublished. 16. 2.49g, 18.0mm, worn, heavily corroded. Inv. № BKG 4667. Season Spring 2019. Trench BKG 13 (56). Macrophase 8b.…
… needs to be clear about FROM MAKING REVOLUTION TO MAKING CHARTERS: LIBERALISM… 113 this, even if Liu’s own political views and advocacies were eminently objec- tionable if not downright reactionary. Put another way, that his fate was unjust is certainly true; but this does not, …
…Ibáñez Fernández (Universidad de Zaragoza), Our publications, both as books and ebooks, Beatriz Mugayar Kühl (Universidade de São Paulo), Marco Rosario Nobile (Università are available in Italy and abroad. di Palermo), Caterina Palestini (Università “Gabriele d’Annunzio” di Chiet…
…nd instructions (including the Instructions for Form 1040) on mobile devices as eBooks at IRS.gov/eBooks IRS eBooks have been tested using Apple’s iBooks for iPad. Our eBooks haven’t been tested on other dedicated eBook readers, and eBook functionality may not operate as intended…
…shot principle [2002a, 64]). The impetus of Time and the Other dates back to notebooks Levinas wrote while interned in a Nazi prisoner-of-war camp. The book consists of provisional lectures that put forward a “phenomenology of alterity,” an account of the subject stripped of the …
…2), p. 155. Public domain. 3. The Timeless Imprint of Das deutsche Volksgesicht 113 What could be described as her formalist approach to photography encoded this imprinted history in the pictorial rhetoric of the hyper- legible stamped image. Where old trees have rings, her aged …
…atures to navigate ‘lo gran mar de l’essere’ [the great sea of being] (Par., i. 113), but can also set the creatures off course when that desire is ‘torto da falso piacere’ [twisted by false pleasure] (i. 135). That very sea is, according to Piccarda Donati in Paradiso iii, the i…
…entite en Grece ancienne’, The Classical Review, Vol. 46, No. 1 (1996), pp. 111-113. 7 D. Wiles, Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation, Cambridge University Press, Cambridge, 2007, p. 202. 8 Keiji Nishitani (1900-1990) is one of th…
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