…s Lindbergh’s endorsement of the non-interventionist America First Committee in 1940 and his fears that “our inheritance of European blood” might be subject to “dilution by foreign races.”16 The revivification of ethno-nationalism and identity pol- itics encompasses not only the …

…blishers. Plato (2010), The republic book III, Adelaide: University of Adelaide ebooks. Plunka, G. (1992), The rites of passage of Jean Genet: the art and aesthetics of risk taking, London; New Jersey : Fairleigh Dickinson University Press. This ebook belongs to Adam Broinowski (…

…er, David, (prod), The Project Gutenberg, ebook, 2009. http://www.gutenberg.org/ebooks/598 Accessed 10 October 2020. --- The Prose Edda, Byock, Jesse, (trans.), London: Penguin, 2005. --- “Óláfs saga Tryggnasonar”, in Heimskringla, Aðalbjarnarson, Bjarni (ed.), Íslenzk fornrit xx…

…ction of those pieces rather than the early hypothesis proposed by Ballardini (1940), Callegari (1934), Moschetti (1931) and Rackham (1936), in association with the symbols or the initials painted on the back of the ceramic bodies. It is pretty reasonable to assume then that arti…

…ted Reality 2.6.3 Serious Games 2.6.4 Multivision Technologies 2.6.5 iBooks and eBooks 3 THE CULTURAL HERITAGE EXPERIENCE 3.1 Definitions 3.2 Co-creation 3.3 Heritage Settings 3.4 Non captive audiences 3.5 Heritage Education 3.6 Experience Opportunities 3.6.1 Authenticity 3.6.2 S…

…F, Dizionario di politica, Vol. IV, Istituto della Enciclopedia italiana, Roma, 1940, p. 18 e ss. 85 CAMERA DEI DEPUTATI, Atti parlamentari, 25 novembre 1922, p. 8715. 86 “La monarchia rimase ma il Fascismo sentì quasi immediatamente il bisogno di crearsi istituti suoi propri com…

…wn. At least two sources can be traced back, but these sources date back to the 1940 years; long time after Lincoln's death. Source 1 : The 2003 "Masonic Historiology" from Allotter J. McKowe contains on page 55 (page 55 is dated on Jan. 11, 1944) the poem " What Is a Boy? " from…

…010, 34 [referring to Clément Huart’s articles of 1894 and 1895]. 23 Sarkisian (1940, 61) and Yetkin (1962, 31) read ʻKelukʼ, a form adopted by Hoag (1987, 117). 24 Vryonis 1981, 282: “Perhaps the best known of these architects was the Greek from Konya, Kaloyan, who worked on the…

…esso avançar, como foi o caso da chamada Revolução Verde, iniciada na década de 1940. A expressão, cunhada em 1966, refere-se a um programa para aumentar a produção agrícola no mundo e assim acabar com a fome, por meio de sementes geneticamente melhoradas, uso de agrotóxicos, fer…

…tes. 2002 Regional Testing Field Notes. 2008 Bui Kataa and Ngre Kataa. Field Notebooks. 2009 Ngre Kataa. Field Notes. O T H E R S OU R C E S Abbiw, D. K. 1990. Useful Plants of Ghana. London: Intermediate Technology Publications and Royal Botanic Gardens, Kew. Acemoglu, Daron, S.…

…algrave Macmillan. Gramsci, Antonio. 1999 (1971). Selections from the Prison Notebooks. Edited by Quentin Hoare and Geoffrey Nowell Smith. London: Elec Book. Grewal, Inderpal. 2005. Transnational America: Feminisms, Diasporas, Neoliber- alisms. Durham: Duke University Press. Grew…

…haeology and Museums Khyber Pakhtunkhwa. Samarqandī = Niẓāmī ʿArūḍī Samarqandī (1940) Chahār Maqāla (M. Qazwīnī, ed.). Teheran. Sarker, A. (2020) The kirtimukha in Ancient Indian Art and its Association with the ‘grotesque’. Chitrolekha International Magazine on Art & Design, 4, …

…en remarkably adapt- able, a la the guerrilla warfare strategy of the 1930s and 1940s. This has led some scholars to aptly refer to it as being guided not by Adam Smith’s but by Mao’s invisible hand.7 This includes its embrace of uncertainty, as Sebastian Heilmann and Elizabeth P…

…erichte zur sächsischen Bodendenkmalpflege 37, 139–161. BMC RE 4: Mattingly, H. 1940: Coins of the Roman Empire in the British Museum. Volume IV. Antoninus Pius to Com‑ modus. London. BMC RE 5: Mattingly, H. 1950/1975: Coins of the Roman Empire in the British Museum. Volume V. Pe…

…uer Graphik und Buchkunst (University for Graphics and Book Arts) in Leipzig in 1940.55 Workshops were carried out by photographers already engaged by the regime for creative and artistic propaganda photography, such as Paul Wolff, Walter Hege, Erich Retzlaff, Erna Lendvai-Dircks…