Fat Ham | Portland Center Stage

Fat Ham | Portland Center Stage
PCS Announces
Heather de Michele
as New Managing Director.
Read More.
128 NW Eleventh Ave, Portland, OR 97209 · 503-445-3700 · www.pcs.org
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Fat Ham
What is a co-production?
Co-productions are a special collaborative process that allows different theatre companies to join forces, with staff, resources, and creative ideas all working in harmony to create an experience that audiences deserve to see. Think of it like the Marvel Avengers of theater! Some shows provide logistical puzzles that are too much for one company to solve, and choosing to undertake these problems with other theatres allows companies with different strengths to assist each other and bring important works to more audiences.
—Haille Lantz-Sweeney, Production Coordinator
A co-production with Portland Playhouse
[?]
April 19 – May 17, 2026
On the Main Stage
Buy Tickets
If you like:
Primary Trust
The Light
The Brothers Size
Clyde’s
Details
Features
Events
Cast & Creative Team
Production Details
Details
Features
Events
Cast & Creative Team
Fat Ham
By James Ijames
Directed by Charles Grant
JUMP TO: Dates, Run Time, Playbill, & More
A week after Juicy’s father dies, he finds himself at a backyard barbecue celebrating the marriage of his mother and uncle—sound familiar? James Ijames’s Pulitzer Prize-winning reimagining of Shakespeare's
Hamlet
casts the sweet prince of Denmark as a queer, Black boy from the South. In this comedy born from tragedy, Juicy must choose between seeking vengeance for his father’s death or staying true to his own heart—a story of identity, family, and liberation as we become our truest selves.
“[Fat Ham] will keep you howling from beginning to end. DO NOT MISS THIS SHOW!!!” — Broadway World
Show Dates & Times
Apr. 19
May. 17, 2026
Previews
Apr. 19
23
Preview Performances
Previews are full-length, reduced-price performances scheduled during the final week of rehearsals while the creative team is fine-tuning the show before its official opening.
GENERAL PERFORMANCE TIMES*
Evenings
Wednesdays – Sundays at 7:30 p.m.
Matinees
Saturdays & Sundays at 2 p.m.
Select Thursdays at 2 p.m.
*Schedule may vary for some shows. Please
check our season calendar
to confirm.
Calendar
Run Time
Approximately 1 hour and 45 minutes, no intermission
Access
Audio Described
May 3, 2 p.m.
Sign Interpreted
May 7, 7:30 p.m.
Open Captioned
May 9, 2 p.m.
Assistive listening devices
are available for all performances.
We are committed to making our performances and facilities
accessible to all of our patrons
BIPOC Affinity Night
Sat, Apr 25, 2026
For the
7:30 p.m.
performance of
Fat Ham
BIPOC Affinity Nights
are a mindful curation of an environment meant to center the experience of people who identify as part of the BIPOC community (Black, Indigenous, and People of Color) — dedicated to generating a space for BIPOC individuals to engage with the performance in ways that are authentic to them.
All people who self-identify as BIPOC, and their guests, are specifically invited to attend. Though no one will be turned away, it is encouraged that folks outside of the BIPOC community join us on another night.
Content Advisory
Fat Ham
includes strong language, the use of the "n-word" (spoken by characters of color), sexual content, and depictions of violence. Recommended for high school audiences and older. The play also contains moments of flashing lights and atmospheric haze. Read the full content advisory below.
Learn more by calling 503-445-3700.
Pre-show Talks
Prologues
Join us for brief informational talks at 6:55 pm before the following Thursday shows. Staff provide a glimpse into the history of the play, the artists, as well as behind the scenes information on how the magic gets made.
April 30 and May 14
Calendar
Playbill
Explore the Playbill
Resource Guide
Resource Guide for James Ijames' FAT HAM
Ticket Specials
We have deals to meet every schedule and budget!
Health & Safety
Health and flexibility are our top priorities. Please read about the protocols we have in place to ensure the health and safety of our patrons, artists, staff, and community.
Full Content Advisory
Fat Ham
includes strong profanity, the “n-word” (spoken by characters of color), and language that may be considered culturally derogatory, fatphobic, or homophobic. The play also includes candid sexual content, including discussion of oral sex, simulated sexual acts, comic gestures, and sounds of pornography from a phone. Physical violence is depicted, along with alcohol use and references to drug use.
Recommended for high school audiences and older. Parents and guardians know their children best and are encouraged to review this advisory when deciding if the production is appropriate for younger viewers. At its core,
Fat Ham
is a joyful, comic reimagining of Shakespeare’s
Hamlet
about love and family.
Tech/Scenic Advisory
This play also contains moments of flashing lights and atmospheric haze. Please contact the Box Office for more details.
More About This Production
Behind the Curtain: Straight Up Shakespeare
PCS's Literary Manager, and
Fat Ham
Dramaturg,
Kamilah Bush
shares her insights into James Ijames'
Fat Ham
and how it relates to Shakespeare's
Hamlet
Portland Center Stage and Portland Playhouse Team up To Serve FAT HAM
Portland Mercury's
Joe Streckert
discusses the co-production between Portland Center Stage and Portland Playhouse with PCS's
Marissa Wolf
and PPH's Producing Director (and
Fat Ham
Director)
Charles Grant
. Artwork by Harrison Freeman.
Multnomah County Library My Discovery Pass Reading List
Enjoy a thoughtfully curated list of readings to complement your
Fat Ham
experience!
Related Events
BIPOC Affinity Night for
Fat Ham
Apr 25
FREE
BIPOC Affinity Night
Event
Join us for The People's Party! Our BIPOC Affinity Night for Fat Ham is sure to get you moving with music from local DJ
Mrs. Taylor-Made
, complimentary drinks from
Deschutes Brewery & Multnomah Whiskey Library
, local black vendors selling goodies on our mezzanine, a line dance lesson from
SISTAHS4LIFE
, the opening of local black artist
Pouvwa Nwa's
exhibit
First Return
in our PGE Gallery and some post-show karaoke to put a bow on it all! Free for all, especially our BIPOC folk :)
PCS Movie Night:
Rogue One
Mon, May 4, 7 p.m.
FREE
May the 4th be with you! Join us in the Ellyn Bye Studio for the 9 year, 112 month, 18 week Anniversary of
Rogue One: A Star Wars Story
This screening, along with a selection of candy & drinks are all
FREE!
Donations encouraged :)
May First Thursday
May 7
Join us for our
Fat Ham
First Thursday! We'll have complimentary beer from
Deschutes Brewery
, live music from local musician
Davasate Phelps
and a pre-show panel discussion for
Fat Ham
, featuring
Black Men’s Wellness
This event is FREE and OPEN TO THE PUBLIC.
I See You, and I Value You: Connecting Through Affirmation
Sun, May 10, 3:45 p.m.
FREE
Join
Keela Johnson
for this special
Mother's Day
post-show activity is to introduce affirmation as a subconscious rebuilding practice that supports the strengthening of neural pathways associated with self-worth, positive valuation, and intrinsic reward. Through intentional acknowledgment and affirmations, participants are encouraged to accept and reaffirm who they are and who they aspire to become.
Jackie Davis
Tedra
Marcel M. Johansen
Tio
Clinton Lowe
Rev / Pap
Treasure Lunan
Rabby
Ashlee Radney
Opal
Isaiah Reynolds
Juicy
Austin Michael Young
Larry
Meet the Cast & Creative Team
The Cast
Jackie Davis
(She/Her)
Tedra
Jackie Davis  is an actor, director, choreographer and intimacy director/advocate. She has worked in theater, film and television primarily on the east coast. Notable theatre directing credits include
Notes from The Field
, at Portland Playhouse;
Blues for an Alabama Sky
(Trinity Rep);
Ruined
(Boston Arts Academy). Notable Intimacy Direction include
The Inheritance
and
References to Salvador Dali Make Me Hot
. Notable choreography projects include
The Wiz
Dance Nation
, and
Caroline or Change
. Jackie is a member of the Resident Acting Company of Trinity Repertory Company and was last seen on stage as Robyn in
The Roommate
. Notable roles at Trinity Rep:  Rose,
Fences
; Margaret,
The Inheritance
; and Benevolence,
black odyssey
. Jackie is on staff in Trinity's Education Department as a Teaching Artist/Master Instructor for TRC's Young Actors Summer Institute (YASI) and part of the Movement Faculty for the Brown/Trinity MFA Program.  Jackie is the founding artistic director of
New Urban Theater Laboratory
, where she produced and directed five seasons of new works in Massachusetts.
Marcel M. Johansen
(He/Him)
Tio
Marcel Mawulorm Johansen is an interdisciplinary artist from Tema, Ghana, currently based in Portland, Oregon. His art comes from a place of childlike curiosity about the world, and himself in relation to it—in search of the thin through lines that thread our shared and individual human experiences. His work is deeply rooted in personal experience, ancestral memory, and cultural lineage. It is a spiritual practice as much as a creative one—cathartic, revealing, and sometimes healing.
Marcel’s modes of expression follow the flow of inspiration and opportunity. He currently weaves between film photographs, video, poetry, event production, film/theatre acting and experimental performance art. You can often find him hosting Portland’s iteration of the on-going “RNBAFTERDARK” series at L’atelier Yaffe, or on a leisurely walk, staring at things.
Online, you can find Marcel and his work
@efo.celus
and
@efothehuman
on instagram
Clinton Lowe
(He/Him)
Rev / Pap
Clinton Lowe is excited to be making his Portland Center Stage debut! This proud father and New York native appeared on Broadway in the Pulitzer Prize-winning, Tony Award-nominated play,
Between Riverside and Crazy
, by Stephen Adly Guirgis (directed by, Austin Pendleton). Select theater credits include:
Kill Move Paradise
(World Premiere,
NY Times
Critics Pick, dir. Tony-nominated, Saheem Ali, National Black Theatre);
Kim’s Convenience
(Orange County Theatre Guild Award-nomination, Laguna Playhouse);
The First Deep Breath
(World Premiere, Black Theatre Alliance Award, Victory Gardens Theater);
The Mountaintop
(TheatreSquared); and
Holler If Ya Hear Me
(Broadway Workshop, dir. Tony Award winner, Kenny Leon). Select TV/Film credits include:
S.W.A.T.
(CBS),
Blue Bloods
(CBS),
Law & Order: SVU
(NBC),
All American
(CW),
Insecure
(HBO),
The Hustle
(Series Regular);
Grimcutty
(Hulu),
American Gangster
(starring Oscar winners, Denzel Washington & Russell Crowe, dir. Oscar-nominated, Ridley Scott). "Shout out to my moms, Rest in Peace POPS, & Boogie Down Bronx represent!" Hit him up on instagram
@clinton_lowe
, or visit
clintonlowe.com
Treasure Lunan
(they/themme)
Rabby
"Brevity is the soul of wit."
Ashlee Radney
(She/Her)
Opal
Ashlee Radney is an actress originally from Denver, Colorado. She attended PSU with a major in Theatre and then completed an Acting internship at the Portland Playhouse. Since moving to Portland, she has worked with the Artist Repertory, Portland Playhouse, Salt & Sage Productions, and Crave Theater. Her favorite roles include Juliet from
Romeo & Juliet
, Lulu from
Shopping and Fucking
, and Pete from
Angry, Raucous, and Shamelessly Gorgeous
. In addition to Theatre Ashlee has performed with
Spectral Transmissions
, an installation art piece through the Portland Art Museum. Ashlee would like to dedicate this and future performances to her biggest fan, George Radney (her father).
Isaiah Reynolds
(He/Him)
Juicy
Isaiah is so excited to be back home at PCS. Last seen as Tobias Ragg in
Sweeney Todd
. Isaiah has had the privilege of travel all over the country performing. Some favorite credits include :
Beautiful the Carole King Musical
(Paper Mill Playhouse),
Spunk
(Yale Rep),
Choir Boy
(Portland Center Stage),
Five Guys Named Moe
(The Fulton),
Singing In The Rain
(Weston Theater),
Buddy
(Cape Playhouse), and
Hairspray
(Theater Aspen). Boston Conservatory, BFA. He would love to thank his friends, family and DGRW for their love and support.
@Isaiahreynolds55
Austin Michael Young
(He/Him)
Larry
Austin is thankful to be making a return to the PCS stage in
Fat Ham
. He was previously seen in
The Brothers Size
and
Primary Trust
. Austin deeply loves the craft of acting and the art of storytelling. Some of his screen credits include
Black Mirror
on Netflix and
Tyler Perry's House of Payne
. He is forever grateful for the love and support his family and friends continuously give him. Especially Mom, Tyler, Kelly, Will and Marina. Love you always.
Creative Team
Charles Grant
(He/Him)
Director
Charles is honored to step into the world of this play so beautifully crafted by James Ijames. As an artist who wears a number of hats (Director, Actor, Producer, Teacher, Writer), he’s worked with Portland Center Stage, Many Hats Collaboration, Third Rail, Profile Theatre, Fuse Theatre Ensemble, Broadway Rose, and Portland Playhouse where he is currently in the role of Producing Director. Recent Directing Credits include
A Christmas Carol
(Portland Playhouse 2025),
Great Wide Open
(co-dir. Jessica Wallenfels, co-production with Many Hats Collaboration & Portland Playhouse) and Assistant Director for
What the Constitution Means to Me
(Marissa Wolf, Portland Center Stage). Love to the entire cast, creative team, crew, and staff for giving their all to this experience. May we continue to share our stories on our terms. Thank you for being here with us and supporting live theatre! Visit
thecharlesgrant.com
or IG
@thecharlesgrant
to say hello.
Kemba Shannon
(She/Her)
Choreographer
Kemba is a celebrated dancer and educator whose career spans various facets of the performing arts. With extensive training in different dance styles, she has made significant contributions to both stage performances and dance pedagogy locally and globally. Kemba holds a Bachelor of Fine Arts (BFA) from Towson State University. Her training is extensive and diverse, having honed her skills at the Alvin Ailey American Theater and Martha Graham School. Kemba has shared her passion for dance through teaching positions at UCLA, Loyola Marymount University, El Camino College, Maryland Dance Academy, and Portland State University, among others. Kemba’s stage credits include performances in the LA cast of
The Lion King
, the Broadway cast of
The Color Purple
, and Cirque du Soleil's
Zumanity
. She has worked alongside Madonna on the
Drowned World Tour
, P!nk during the
Try This World Tour
, Celine Dion on the
Taking Chances World Tour
, and Rihanna for the
Nike RockStar World Tour
. Kemba has also contributed her talents to performances with Kanye West, Fantasia from American Idol, and Grammy Award winner Esperanza Spalding. Kemba has developed her distinctive dance methodology known as K-Technique; this innovative curriculum incorporates elements of Afro-Funk, Hip-Hop, Modern, and jazz dance. It is designed to improve cardiovascular health, increase flexibility, strengthen the whole body, and boost mood through floor work, dynamic center techniques, and explosive choreography. Kemba is excited to be a part of the dynamic Dance Department at Reed College this fall.
Alexandra Meyer
(She/Her)
Scenic Designer
Alex is a Portland-based scenic designer, happy to be in the backyard with this creative team! Recent designs with PCS include
The Light
and
Lizard Boy
. Other credits include with Artists Repertory Theatre (
Apple Hunters!
The Bed Trick
Sapience
), Profile Theatre (
Tiger Style!
Mother Russia
Samsara
), Third Rail Repertory Theatre (
Precipice
Middletown Mall
The Music Man
), and Shaking The Tree Theatre (
We Wrote This With You In Mind
), as well as designs with Orpheus PDX, Oregon Children’s Theatre, The Theatre Company, PassinArt, Broadway Rose Theatre Co., 21Ten Theatre, Bag&Baggage Productions, Crave Theatre, Imago Theatre, Hand2Mouth, and others. She has production designed for clients such as Visit Seattle, Intel, and the Portland Timbers. She is a proud recipient of this year’s 1/52 Project grant. IG
@alley_my
Wanda Walden
(She/Her)
Costume Designer
Wanda Walden–Visual Artist, Costume Designer/Stylist–has been on the scene for decades. Wanda is excited to return to Portland Center Stage for this Co-Production of
Fat Ham
with Portland Playhouse. Some of her credits include Portland Center Stage (
The Ripple, the Wave That Carried Me Home
Gem of the Ocean
It's a Wonderful Life
; and
African Mean Girls
), Portland Playhouse (
Sponge Bob
Angry, Raucous, Shamelessly Gorgeous
Joe Turners Come & Gone
Paradise  Blue
Notes from the Field
Afro-litical
Passing Strange
Bella
Barbecue
; and
Crowns
), Prenumbra Theater (
Don't Bother me
I Can't Cope
Paradise Blue
), Tacoma Little Theater (
From the Mississippi Delta
), Detroit Opera (
Central Park Five
), Portland Opera (
Shishue
Beatrice
Central Park Five
), Artist Repertory Theater (
The Children
Skeleton Crew
An Octoroon
), Third Rail Repertory (
Intimate Life
), and Corrib Theater (
Pass Over
). Wanda is Resident Costumer for Passin Art Theater (Annual Langston Hughes Gospel play
Black Nativity
7 Guitars
Blues for An Alabama Sky
Two Trains Running
A song for Corretta
The No Play
The Gospel of Love & Kindness
).
Erica Lauren Maholmes
(She/Her)
Lighting Designer
Regional:
In The Heights
Once On This Island
The Wedding Singer
(Winnipesaukee Playhouse);
Revolution
(Red Orchid Theatre);
Pride and Prejudice
Fat Ham
(Cleveland Play House);
The Inferior Sex
La Cage Aux Folles
Blues For An Alabama Sky
(Trinity Repertory Co.);
Sense and Sensibility
(Idaho Shakes & Great Lakes Theater);
Jelly’s Last Jam
Once On This Island
(Cape Fear Regional Theatre);
Matt & Ben
(Penobscot Theatre Company);
Amerikin
(Alley Theatre);
Notes From The Field
(Portland Playhouse). Assistant Designer:
Just In Time
(Broadway),
The Notebook
(Broadway),
The Notebook
1ST NATIONAL TOUR (Broadway). Associate Designer:
Mary Jane
(Broadway),
Little Bear Ridge Road
(Broadway), “Not About Race” (Gerald Casel Dance Co.). Affiliations: USA-829, Black Theatre Network, Cat’s Cradle Theatre (Artistic Board Member), Design Action (Advisory Council). Education: Lighting Technology Certificate, Stagecraft Institute of Las Vegas; BA, West Chester University; MFA, Illinois State University. IG
@ericalaurenmaholmes
| Website:
ericalaurenmaholmes.com
Saibi Khalsa (She/Her) & Cullen Elliot (He/They)
Sound Designers
Cullen and Saibi (Weirdbird Sound Design) are a design team based out of Portland, Oregon. Saibi grew up in Santa Fe and studied sound design at both Sarah Lawrence College and Santa Fe University of Art and Design; Cullen studied sound design at Southern Oregon University. They met while working at the Oregon Shakespeare Festival, and have been making art together ever since! Recent credits include
Dracula: A Feminist Revenge Fantasy, Really
(Santa Fe Playhouse),
Mother Russia
(Profile Theatre),
A Subtle Kind Of Murder
(New Mexico Actors Lab),
Notes From The Field
(Portland Playhouse), and
As You Like It
(Cal Shakes).
Kennedy Verrett
(He/Him)
Composer & Music Consultant
Kennedy is an innovative, versatile composer and researcher whose imaginative music captures beauty, bursts of melodic and rhythmic energy. Kennedy uses his experience as a film composer to create innovative work that challenges the audience to reexamine their usual mode of appreciation. In addition to his work in contemporary music, Kennedy dedicates his time to research and education. Examples of this work can be observed in works like
Soundcheck Earth
(in partnership with Lou Harrison House Music, Arts, and Ecology and Joshua Tree National Park), which examines the relationship between instruments, nature, and the audience’s temporal experience.
Kamilah Bush
(She/Her)
Dramaturg
Kamilah is a playwright, dramaturg, and educator originally from North Carolina. She holds a B.F.A. in theater education from The University of North Carolina at Greensboro and was a NC Teaching Fellow. She currently holds the position of Literary Manager at PCS. Kamilah has spent several seasons at celebrated regional theaters across the country, including Triad Stage in Greensboro, NC, Asolo Repertory Theater in Sarasota, FL, and Two River Theater in Red Bank, NJ. She was a Playwright in Residence at Williamstown Theater Festival in 2024 and was featured as part of their Fridays @ 3 Reading Series in 2023.
Kristen Mun-Van Noy
(She/Her)
Fight & Intimacy Coach
Kristen Mun-Van Noy was born and raised on the island of Oahu. She has been working as a fight choreographer and teacher in the city of Portland, OR since 2010. Her work in fight choreography led to her work in intimacy. She has been training with IDC (Intimacy Directors and Choreographers). Expanding her education into intimacy work also expanded her knowledge as a fight choreographer and an artist. Recent intimacy and fight work:
A Mirror
, Third Rail Repertory and
Dear Evan Hansen
, Broadway Rose Theatre.
Tré Cotten
(He/Him)
Voice & Dialect Coach
Tré Cotten is a voice and dialect specialist, actor, and educator proudly from North Carolina. A graduate of the University of Washington’s Professional Actor Training Program, he is also an instructor at the University of Washington School of Drama, where he teaches undergraduate and graduate Screen Acting. His voice, text, and dialect work spans film, television, theatre, and video games. His work has been seen in the Oscar-nominated film
One Night in Miami
and the Tony Award–winning Broadway revival of
Purlie Victorious
, working with Tony winner Kara Young. Screen credits include CBC’s
The Porter
, Prime’s
The Peripheral
, and
The First Lady
, and he served as Acting Coach on
The Exorcist: Believer
. His video game work includes
Assassin’s Creed Shadows
with Ubisoft Montreal. Cotten was a keynote speaker for the Voice and Speech Trainers Association (VASTA) Conference in 2021 and would like to give a Haawa and Dang dii k’uuga ga to Gwankii and his family for their support.
Keela Johnson
(She/They)
Cultural Consultant
Keela Johnson is a cultural consultant with over eight years of experience in theater, supporting productions that foster confidence, accountability, and connection. Her love and commitment to the work led to the creation of a Capstone Course called Community Healing and Theater, which she teaches each spring at Portland State University. Her work includes promoting connection, conflict resolution, cultural understanding and research, and hosting post-show (TalkBacks) and/or activities for audience and artists to reflect together. Keela centers her work on fostering empathy and authentic connection through the arts. As she likes to say, we build stronger community ties by owning and sharing our stories without apology or permission.
Kristina Mast
(She/Her)
Stage Manager
Kristina Mast is a stage manager based in Portland. Previous Portland Center Stage credits:
The Brothers Size
(Stage Manager),
Lizard Boy
HAIR
, August Wilson's
Gem Of The Ocean
(Assistant Stage Manager),
Wild and Reckless
Lauren Weedman Doesn’t Live Here Anymore
(Production Assistant), and two summers of JAW. She has worked locally with Portland Playhouse, Third Rail Repertory Theatre, CoHo Productions, and Portland Experimental Theatre Ensemble. She is a company member and resident stage manager for Portland Experimental Theatre Ensemble.
Jaclyn Kanter
(She/Her)
Assistant Stage Manager
Previous PCS credits include
The Play that Goes Wrong
Little Women
The Brothers Size
, &
Mrs. Harrison
. Additional credits include work at Asolo Repertory Theater, The Santa Fe Opera, The Muny, The Public Theater, New York Theater Workshop, the Park Avenue Armory, and The York Theater Company. When not at work, you can find her reading, thrifting, or fishkeeping (shout out to her betta, Houdini). Enjoy the show!
Alea Tran
(They/Them)
Replacement Assistant Stage Manager
Alea Tran is a theatre artist whose interests lie in creating art that is impactful and collaborative. Past productions include
Primary Trust
The Light
(stage manager, PCS);
Liberace & Liza: Holiday at the Mansion (A Tribute)
Coriolanus
(production assistant, PCS);
A Mirror
(stage manager, Third Rail Repertory);
Diné Nishłį (i am a sacred being) Or, A Boarding School Play
(stage manager, Native Theatre Project);
American Fast
(production manager, Artists Repertory). Alea is a past member of the PATHWAYS mentorship program through Artists Repertory Theatre.
Portland Center Stage is committed to identifying & interrupting instances of racism & all forms of oppression, through the principles of inclusion, diversity, equity, & accessibility (IDEA).
Production Sponsor
Hilary Krane & Kelly Bulkeley
Season Superstars
Dream Envision Foundation
Marcy Schwartz
Season Supporting Sponsors
Printed from https://www.pcs.org/fat-ham
Portland Center Stage
128 NW Eleventh Ave
Portland, OR 97209
503-445-3700
boxoffice@pcs.org
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2 pm to 6 pm, Wed.–Sun.
In-person ticket sales: 90 minutes prior to performance
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