List of compositions by Johann Sebastian

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Canon triplex a 6
: first printed in 1747 (below), it appears on both versions of the portrait
Haussmann
made of Bach (1746, 1748 – above). In the 19th-century
Bach Gesellschaft
edition the canon was published in Volume 45
, p. 138. In 1950 the piece was assigned the number 1076 in
Schmieder
's catalogue of Bach's works (BWV). The 1998 edition of that catalogue (BWV
2a
) mentions Haussmann's paintings as original sources for the work (p. 438), and likewise the Bach digital website gives a description of both paintings as sources for the piece (linked from Bach digital Work page
01262
).
Lists of
Compositions by
Johann Sebastian Bach
BWV
Cantatas
sacred
secular
Motets
Masses, Passions and Oratorios
Chorale harmonisations
Songs and arias
Organ compositions
Keyboard and lute compositions
Chamber music
Orchestral works
Fugal works
Transcriptions
Printed during the composer's lifetime
Lost, doubtful, or spurious
Johann Sebastian Bach
's vocal music includes
cantatas
motets
masses, Magnificats
Passions
oratorios
four-part chorales
songs and arias
. His instrumental music includes
concertos
suites
sonatas
fugues
, and other works
for organ
harpsichord, lute
violin, viola da gamba, cello, flute, chamber ensemble
, and
orchestra
There are over 1,000 known compositions by Bach. Almost all are listed in the
Bach-Werke-Verzeichnis
(BWV), which is the best known and most widely used catalogue of Bach's compositions.
Listing Bach's compositions
edit
Some of the early
biographies of Johann Sebastian Bach
contain lists of his compositions. For instance,
his obituary
contains a list of the instrumental
compositions printed during the composer's lifetime
, followed by an approximate list of his unpublished work.
The
first separately published biography of the composer
, by
Johann Nikolaus Forkel
, follows the same approach: its ninth chapter first lists printed works (adding
four-part chorales which had been published in the second half of the 18th century
), followed by a rough overview of the unpublished ones.
In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the
Prelude and Fugue in E-flat major
can be indicated as "
C. F. Peters
Vol. III No. 1", or any of the variants ("
Griepenkerl
and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)
BG
edit
The Prelude in
F minor
of
The Well-Tempered Clavier
book 1, in the
BGA
known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the
Bach-Werke-Verzeichnis
In the 2nd half of the 19th century the
Bach-Gesellschaft
(BG) published all Bach's works in around 50 volumes, the so-called
Bach Gesellschaft Ausgabe
(BGA).
This offered a unique identification of all Bach's known works, a system that was quickly adopted, for instance, by the biographers:
Philipp Spitta
used it complementarily to the Peters edition's numbering for the BG volumes that had appeared when he was writing
his Bach-biography
in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.
Despite this, there was still much confusion. Some authors preferred to list Bach's works according to
Novello
's editions, or
Augener
's, or
Schirmer
's, giving rise to various conversion tables at the end of books on Bach's compositions (e.g.
Harvey Grace's in a 1922 book on Bach's organ compositions
).
NBG
edit
In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the
Neue Bachgesellschaft
(NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally, however, the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of
O Jesu Christ, meins Lebens Licht
was published in NBG XVII
in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).
BWV
edit
See also:
Bach-Werke-Verzeichnis
In 1950 the
Bach-Werke-Verzeichnis
lit.
Bach Works Catalogue
; BWV) was published, allocating a unique number to every known composition by Bach.
Wolfgang Schmieder
, the editor of that catalogue, grouped the compositions by genre (
not
chronologically), largely following BG for the collation (e.g., BG cantata number = BWV number of the cantata):
The BWV is a
thematic catalogue
, thus it identifies every movement of every composition by its first measures, like the opening of
BWV 1006
, movement 2 (Loure) above.
Kantaten (Cantatas)
, BWV 1–224
Motetten (Motets)
, BWV 225–231
Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat)
, BWV 232–243
Passionen, Oratorien (Passions, Oratorios)
, BWV 244–249
Vierstimmige Choräle (Four-part chorales)
, BWV 250–438
Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet)
, BWV 439–524
Werke für Orgel (Works for organ)
, BWV 525–771
Werke für Klavier (Keyboard compositions)
, BWV 772–994
Werke für Laute (Lute compositions)
, BWV 995–1000
Kammermusik (Chamber music)
, BWV 1001–1040
Orchesterwerke (Works for orchestra)
, BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
Kanons (Canons)
, BWV 1072–1078
Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue)
, BWV 1079–1080
For instance, the Prelude and Fugue in E-flat major now became
BWV 552
, situated in the range of the works for organ.
In contrast to other catalogues, such as the
Köchel catalogue
for
Mozart
's compositions, no attempt is made at chronological organization in the BWV numbering; for instance, although
BWV 992
has a relatively high number, it happens to be an early composition by Bach.
Although not as common, BWV numbers are sometimes also known as Schmieder (S) numbers, after the original editor; for example, S. 225 is the same as
BWV 225
Another consequence of the ordering principles of the BWV was that it split known collections apart; for instance,
Clavier-Übung III
was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).
BWV Anh.
edit
The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:
I – lost works, or works of which only a tiny fraction had survived
(Anh. 1–23)
II – works of dubious authenticity
(Anh. 24–155)
III – works that were once attributed to Bach, but for which it had been established they were not composed by him
(Anh. 156–189)
Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.
Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example,
BWV 11
, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "
BWV 11/249b→
" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly,
BWV 1083/243a→
meant
BWV 1083
, inserted after BWV 243a (3rd chapter). Also, authenticity discriminations, based on new research, could lead to such repositionings within the catalogue; for example, "
BWV Anh. II 114
" became "
Anh. II 114/Anh. III 183→
, indicating it was now considered a spurious work.
In 1998,
Alfred Dürr
and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV
2a
, contained a few further updates and collation rearrangements.
New additions (Nachträge) to BWV
/BWV
2a
included:
BWV 1081–1126
BWV Anh. 190–213
A few exceptions to the principle that compositions were not renumbered were when a composition from the Anhang could be recovered or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV
) → BWV 1121 (BWV
2a
, where it is in section 7 as a work for organ).
Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:
BWV 243a
: 1723 E
major version of the 1733 Magnificat in D major
BWV 243
BWV 1071 renumbered to
BWV 1046a
(early version of the
first
Brandenburg Concerto
BWV Anh. 198 renumbered to
BWV 149/1a
(earlier abandoned version of the opening movement of Cantata
BWV 149
Some versions were completely removed from the catalogue, e.g. BWV 655b and c.
Slashes indicate movements: e.g.
BWV 149
/1 indicates the first movement of the Cantata BWV 149. Another example: the
Agnus Dei
of the
Mass in B minor
can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232
IV
/4 (BWV 232, fourth movement of Part IV).
21st-century additions
edit
Numbers above BWV 1126
were added in the 21st century.
Reconstructed versions
edit
An upper case R added to a BWV number indicates a
reconstructed version
, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as
BWV 1060R
BWV
edit
As of mid-2018 the
Bach digital
website started to implement the new numbers of the 3rd edition of the Bach-Werke-Verzeichnis, which has been announced for publication in 2020.
10
For example, the Leipzig version of the
Christ lag in Todes Banden
cantata
used to be BWV 4 in previous versions of the catalogue, and, in BWV
, has become
BWV 4.2
11
NBA
edit
The
NBA
illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (
Clavier-Übung III
) contains a facsimile of the title page of the 1739 first edition of that collection.
In the meantime, the
New Bach Edition
(Neue Bach-Ausgabe, abbreviated as NBA) was being published,
12
13
offering a new system to refer to Bach's works, e.g.
NBA IV/4: 2, 105
, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.
NBArev
edit
See also:
New Bach Edition § Revision
Some years after the completion of the NBA in 2007 its publisher
Bärenreiter
joined with the
Bach Archive
again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the
Mass in B minor
, appearing in 2010.
14
BC
edit
The Bach Compendium (BC), a catalogue covering Bach's vocal works was published in 1985.
15
Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "
Der Gerechte kömmt um
" an arrangement attributed to Bach on stylistic grounds, but unmentioned in the BWV.
16
BNB
edit
Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach or which he (had) copied for performance usually have a BNB number.
17
SBB
edit
The
Berlin State Library
(Staatsbibliothek zu Berlin = SBB) holds an important collection of composition
manuscripts
relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance
BWV 525a
SBB
St 345
, or according to the abbreviations used at the Bach-digital website
D-B Mus. ms. Bach
St 345
By opus number, and chronological lists
edit
Title page of Bach's Opus 1 (
Clavier-Übung I
, 1731), the only time he seems to have used an
opus number
Apart from indicating his first published keyboard composition as Opus 1, Bach did not use
opus numbers
. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.
Listing Bach's works according to their time of composition cannot be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.
18
This list was published in 1982 as
Guide pratique des cantates de Bach
in Paris,
ISBN
2-221-00749-2
. A revised edition was published in 2005 (
ISBN
2747598888
).
Other composers
edit
See also:
Catalogues of classical compositions
Various catalogues with works by other composers have intersections with collections of works associated with Bach:
19
BR-WFB (or) BR
Bach-Repertorium
numbers for works by
Wilhelm Friedemann Bach
, e.g. BWV 970 = BR A49
Other BRs:
BR-CPEB
: works by
Carl Philipp Emanuel Bach
(for this composer Helm or Wotquenne numbers are however more often used)
BR-JCFB
: works by
Johann Christoph Friedrich Bach
Fk (or) F
Falck catalogue
numbers for works by
Wilhelm Friedemann Bach
, e.g. BWV 970 = F 25/2
Helm
numbers for works by
Carl Philipp Emanuel Bach
, e.g. BWV 1036 = H 569
HWV
Works by
George Frideric Handel
, e.g. BWV Anh. 106 =
HWV
605
TWV
Compositions by
Georg Philipp Telemann
, e.g. BWV 824 =
TWV
32:14
Warb (or) W
Warburton
numbers for works by
Johann Christian Bach
, e.g.
BWV Anh. II 131
= W A22 (or:
Warb A 22
Wq
Wotquenne
numbers for works by
Carl Philipp Emanuel Bach
, e.g. BWV 1036 = Wq 145
Works in Bach's catalogues and collections
edit
There are over 1500 works that feature in a catalogue of works by Bach, like the
Bach-Werke-Verzeichnis
, or in a collection of works associated with Bach (e.g. in one of the
Notebooks for Anna Magdalena Bach
). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.
Legend to the table
column
content
BWV
Bach-Werke-Verzeichnis
lit.
Bach-works-catalogue
; BWV) numbers.
Anhang
(Annex; Anh.) numbers are indicated as follows:
preceded by I: in
Anh. I
(lost works) of
BWV
(1950 first edition of the BWV)
preceded by II: in
Anh. II
(doubtful works) of BWV
preceded by III: in
Anh. III
(spurious works) of BWV
preceded by N: new Anh. numbers in
BWV
(1990) and/or
BWV
2a
(1998)
2a
Section in which the composition appears in BWV
2a
Chapters of the main catalogue indicated by Arabic numerals (1-13)
Anh. sections indicated by Roman numerals (I–III)
Reconstructions published in the
NBE
indicated by "R"
Date
Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
Name
Name of the composition: if the composition is known by a German
incipit
, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
Key
Key
of the composition
Scoring
See
scoring table
below for the abbreviations used in this column
BG
Bach Gesellschaft
-Ausgabe
(BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the
Vorwort
(Preface) of the volume.
NBE
New Bach Edition
German
Neue Bach-Ausgabe
, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:
13
Cantatas
(Vol. 1–34:
church cantatas
grouped by occasion; Vol. 35–40:
secular cantatas
; Vol. 41: Varia)
Masses, Passions, Oratorios
(12 volumes)
Motets
Chorales
Lieder
(4 volumes)
Organ Works
(11 volumes)
Keyboard and Lute Works
(14 volumes)
Chamber Music
(5 volumes)
Orchestral Works
(7 volumes)
Canons
Musical Offering
Art of Fugue
(3 volumes)
Addenda (approximately 7 volumes)
Additional info
may include:
"after" – indicating a model for the composition
"by" – indicating the composer of the composition (if different from Johann Sebastian Bach)
"in" – indicating the oldest known source for the composition
pasticcio
" – indicating a composition with parts of different origin
"see" – composition renumbered in a later edition of the BWV
"text" – by text author, or, in source
Provenance of standard texts and tunes, such as
Lutheran hymns
and
their chorale melodies
, Latin liturgical texts (e.g.
Magnificat
) and common tunes (e.g.
Folia
), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g.,
Chorale cantata (Bach)#Bach's chorale cantatas
List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections
and
List of organ compositions by Johann Sebastian Bach#Chorale Preludes
10
BD
Bach Digital
Work page
Background colours
Colour
Meaning
green
extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow
extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (
J. Christoph
), wife (
A. M.
), son (
W. F.
C. P. E.
J. C. F.
J. Christian
) or son-in-law (
Altnickol
orange-brown
extant or clearly documented manuscript (copy) by close friend and/or
pupil
(Kellner, Krebs, Kirnberger,
Walther
, ...), or distant family member
Table sections (collated as in
BWV
2a
for BWV 1–1126 and Anhang)
BWV
(original ranges in parentheses)
1. Cantatas
(1–224) •
2. Motets
(225–231) •
3. Masses, Mass movements, Magnificat
(232–243) •
4. Passions, Oratorios
(244–249) •
5. Four-part chorales
(250–438) •
6. Songs, Arias and Quodlibet
(439–524) •
7. Works for organ
(525–771) •
8. Keyboard compositions
(772–994) •
9. Lute compositions
(995–1000) •
10. Chamber music
(1001–1040) •
11. Works for orchestra
(1041–1071) •
12. Canons
(1072–1078) •
13.
Musical Offering
The Art of Fugue
(1079–1080) •
Later additions
(1081–...) •
Reconstructions
BWV Anhang
(Appendix)
I: Lost/fragmentary
(1–23) •
II: Doubtful (24–155)
III: Spurious
(156–189) •
N: Nachträge
(New additions, 190–213)
Not in BWV
(BWV deest)
Sorted by
BC
BGA
BNB
NBA
, etc.
Collections
Without resorting the table (i.e. collection kept together in BWV
2a
Cello Suites BWV 1007–1012
Christmas Oratorio
, BWV 248
Clavier-Übung IV
Goldberg Variations
BWV 988
Inventions BWV 772–786
Sinfonias BWV 787–801
Sonatas and partitas for solo violin BWV 1001–1006
Using the sort function (not available in all browsers)
Cantatas by function (
Advent I → Trinity XXVII; other Feasts, celebrations and church services
Secular cantatas
): sort by NBA →
I/1
Clavier-Übung I
(1731): sort by NBA →
V/1
Clavier-Übung II
(1735): sort by NBA →
V/2
Clavier-Übung III
(1739): sort by NBA →
IV/4
Kirnberger collection of chorale preludes
: sort by BWV →
BWV 690
Klavierbüchlein für Wilhelm Friedemann Bach
(1720): sort by NBA →
V/5
Twelve Little Preludes
: sort by BG →
36: 118
Neumeister Chorales
by J. S. Bach (without BWV 601, 639, 719, 723, 737 and 751): sort by NBA →
IV/9
Notebook for Anna Magdalena Bach
(1722): sort by Name →
Notebook A. M. Bach
(1722)
Notebook for Anna Magdalena Bach
(1725): sort by Name →
Notebook A. M. Bach
(1725)
Vivaldi
arrangements: sort by Additional info →
after Vivaldi
The Well-Tempered Clavier
book I (1722): sort by BG →
Vol. 14
The Well-Tempered Clavier
book II (1739–1742): sort by NBA →
V/6.2
The Well-Tempered Clavier
book II (1744): sort by BG →
14: 91
Works in Bach's catalogues and collections
BWV
2a
Date
Name
Key
Scoring
BG
NBE
Additional info
BD
1.
Cantatas (see also:
List of Bach cantatas
Church cantata (Bach)
and
List of secular cantatas by Johann Sebastian Bach
Up ↑
1.
1725-03-25
Cantata
Wie schön leuchtet der Morgenstern
(Annunciation)
F maj.
stbSATB 2Hn 2Odc 2
Vl
Str Bc
1: 1
I/28.2: 3
after
Z 8359
; text after
Nicolai
00001
1.
1724-06-18
Cantata
Ach Gott, vom Himmel sieh darein
(Trinity II)
G min.
atbSATB 4Tbn 2Ob Str Bc
1: 53
I/16: 81
after
Z 4431
; text after
Luther
00002
2/6
chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6)
G Dor.
SATB
1: 72
III/2.1: 25
III/2.2: 156
after
Z 4431
; text by
Luther
11189
1.
1725-01-14
Cantata
Ach Gott, wie manches Herzeleid
(Epiphany II)
A maj.
satbSATB Hn Tbn 2Oba Str Bc
1: 73
I/5: 189
after
Z 533a
; text after
Moller
00003
3/6
chorale setting "Ach Gott, wie manches Herzeleid" (s. 18)
SATB
1: 94
III/2.1: 26
III/2.2: 90
after
Z 533a
; text by
Moller
11191
4.2
1.
1724-04-09
Cantata
Christ lag in Todes Banden
(Easter)
E min.
satbSATB Cnt 3Tbn Str Bc
1: 95
I/9: 1
after
BWV 4
.1; text by
Luther
00004
4/8
chorale setting "Christ lag in Todes Banden" (s. 7)
E min.
D min.
SATB
1: 124
III/2.2: 104
after
Z 7012a
; text by
Luther
11295
4.1
1.
1707-04-24
Cantata
Christ lag in Todes Banden
(Easter; early version, lost)
satbSATB 2Vl 2Va Bc
I/9
after
Z 7012a
; →
BWV 4
.2; text by
Luther
00005
1.
1724-10-15
Cantata
Wo soll ich fliehen hin
(Trinity XIX)
G min.
satbSATB Tdt 2Ob Str Bc
1: 125
I/24: 133
after
Z 2164
; text after
Heermann
00006
5/7
chorale setting "Wo soll ich fliehen hin" (s. 11)
SATB
1: 150
III/2.1: 66
III/2.2: 180
after
Z 2164
; text by
Heermann
11232
chorale setting "Auf meinen lieben Gott"
after
Z 2164
1.
1725-04-02
Cantata
Bleib bei uns, denn es will Abend werden
(Easter 2)
C min.
satbSATB 2Ob Odc Str Vc Bc
1: 151
I/10: 43
after
Z 439
(/3: →
BWV 649
),
Z 350a
(/6); text after
Lk 24:29
(/1), by
Melanchthon
Selnecker
(/3),
Luther
(/6)
00007
6/6
chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2)
G min.
SATB
1: 176
III/2.2: 40
after
Z 350a
; text by
Luther
11338
1.
1724-06-24
Cantata
Christ unser Herr zum Jordan kam
(24 June: feast of John the Baptist)
E min.
atbSATB 2Oba 2
Vl
Str Bc
1: 177
I/29: 25
after
Z 7246
; text after
Luther
00008
8.1
1.
1724-09-24
Cantata
Liebster Gott, wenn werd ich sterben?
(Trinity XVI; 1st version)
E maj.
satbSATB Hn Fl 2Oba Str Bc
1: 211
I/23: 105
after
Z 6634
; by
Vetter, D.
(/6); text after
Neumann
; →
BWV 8
.2
00009
8.2
1.
1747-09-17
Cantata
Liebster Gott, wenn werd ich sterben?
(Trinity XVI; 2nd version)
D maj.
satbSATB Fl 2Oba Tai 2
Vl
Str Bc
I/23: 163
after
BWV 8
.1
00010
1.
1734-08-01
Cantata
Es ist das Heil uns kommen her
(Trinity VI)
E maj.
satbSATB Fl Oba Str Bc
1: 243
I/17.2: 83
after
Z 4430
; text after
Speratus
00011
9/7
chorale setting "Es ist das Heil uns kommen her" (s. 12)
SATB
1: 274
III/2.1: 52
III/2.2: 172
after
Z 4430
; text by
Speratus
11213
10
1.
1724-07-02
Cantata
Meine Seel erhebt den Herren
a.k.a.
German Magnificat
(Visitation)
G min.
satbSATB Tr 2Ob Str Bc
1: 275
I/28.2: 131
after
Magnificat peregrini toni
; text after
Magnificat
; →
BWV 648
00012
10/7
chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11)
SATB
1: 303
III/2.1: 82
III/2.2: 205
after
Magnificat peregrini toni
; text:
German Magnificat
11248
12
1.
1714-04-22
Cantata
Weinen, Klagen, Sorgen, Zagen
(Jubilate; two versions)
F Dor.
atbSATB Tr Ob 2Vl 2Va Bas Bc
2: 59
I/11.2: 1
after
Z 5629
(/7: →
BWV 69
.1/6); text by
Franck, S.
?; text after
Acts
14:22 (/3); text by
Rodigast
(/7); /2 →
BWV 232
/14
00014
1724-04-30
G min.
13
1.
1726-01-20
Cantata
Meine Seufzer, meine Tränen
(Epiphany II)
D min.
satbSATB 2Fl Odc Str Bc
2: 79
I/5: 229
after
Z 6543
(/3),
Z 2293b
(/6); text by
Lehms
Heermann
(/3),
Fleming
(/6)
00015
13/6
chorale setting "In allen meinen Taten" (s. 9)
B♭ maj.
SATB
2: 98
III/2.2: 58
after
Z 2293b
; text by
Fleming
11347
chorale setting "Nun ruhen alle Wälder"
G maj.
III/2.2: 216
14
1.
1735-01-30
Cantata
Wär Gott nicht mit uns diese Zeit
(Epiphany IV)
G min.
stbSATB Hn 2Ob Str Bc
2: 99
I/6: 139
after
Z 4434
; text after
Luther
00016
14/5
chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3)
SATB
2: 132
III/2.1: 88
III/2.2: 103
after
Z 4434
; text by
Luther
11250
16
1.
1726-01-01
Cantata
Herr Gott, dich loben wir
(New Year/Circumcision)
A min.
atbSATB Hn 2Ob Odc Str Bc
2: 173
I/4: 103
after
Z 8652
(/1),
5267
(/6; →
BWV 419
); text by
Lehms
Luther
(/1),
Eber
(/6)
00018
1731-01-01
atbSATB Hn 2Ob Va Str Bc
16/6
1726-01-01
chorale setting "Helft mir Gotts Güte preisen" (s. 6)
SATB
2: 198
III/2.2: 56
after
Z 5267
; text by
Eber
11324
17
1.
1726-09-22
Cantata
Wer Dank opfert, der preiset mich
(Trinity XIV)
A maj.
satbSATB 2Ob Str Bc
2: 199
I/21: 147
after
Z 8244
(/7); text:
Meiningen
, after
Ps 50
:23 (/1; →
BWV 236
/6),
Lk 17:15–16
(/4), by
Gramann
(/7)
00019
17/7
chorale setting "Nun lob, mein Seel, den Herren" (s. 3)
SATB
2: 225
III/2.2: 4
after
Z 8244
; text by
Gramann
11330
18.2
1.
1724-02-13
Cantata
Gleichwie der Regen und Schnee vom Himmel fällt
(Sexagesima)
A min.
stbSATB 2Fl Bas 4Va Vc Bc
2: 227
(in
I/7: 107
after
BWV 18
.1; text by
Neumeister
, after
Is 55:10
11
(/2),
Luther
(/3), by
Spengler
(/5)
00020
18/5
chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8)
SATB
2: 252
(in
III/2.2: 71
after
Z 7549
; text by
Spengler
11301
1.
1715-02-24
chorale setting "Ich ruf zu dir, Herr Jesu Christ"
G min.
III/2.2: 56
after
Z 7549
; text by
Agricola
18.1
Cantata
Gleichwie der Regen und Schnee vom Himmel fällt
(Sexagesima)
stbSATB Bas 4Va Vc Bc
I/7: 81
after
Z 7549
(/5); text by
Neumeister
, after
Is 55:10
11
(/2),
Luther
(/3), by
Spengler
(/5); →
BWV 18
.2
00021
19
1.
1726-09-29
Cantata
Es erhub sich ein Streit
(Michaelmas)
C maj.
stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc
2: 253
I/30: 55
after
Z 6543
(/7); text after
Picander
00022
19/7
chorale setting "Freu dich sehr, o meine Seele" (s. 9)
SATB
2: 288
III/2.1: 62
III/2.2: 177
after
Z 6543
11227
chorale setting "Weg, mein Herz, mit den Gedanken"
after
Z 6543
; text by
Gerhardt
20
1.
1724-06-11
Cantata
O Ewigkeit, du Donnerwort
(Trinity I)
F maj.
atbSATB Tdt Tmp 3Ob Str Bc
2: 291
I/15: 133
after
Z 5820
; text after
Rist
00023
20/7
20/11
chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16)
SATB
2: 317,
327
III/2.2: 17
after
Z 5820
; text by
Rist
11332
21.1
1.
before Dec. 1713
Cantata
Ich hatte viel Bekümmernis
(1st version:
in ogni tempore
; 1714-06-17: Trinity III)
C min.
satbSATB 3Tr Tmp Ob Str Bc
I/16: 109
after
Z 2778
(/9); text by
Franck, S.
?; text after
Ps 94
:19 (/2),
42
:12 (/6),
116
:7 (/9),
Rv
5:12–13 (/11), by
Neumark
(/9); →
BWV 21
.2
00024
21.2
1.
c.
autumn
1720
Cantata
Ich hatte viel Bekümmernis
(2nd version:
in ogni tempore
D min.
satbSATB 3Tr Tmp Ob Str Bas Bc
I/16
after
BWV 21
.1 (same text); →
BWV 21
.3
00025
21.3
1.
1723-06-13
Cantata
Ich hatte viel Bekümmernis
(3rd version: Trinity III)
C min.
satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc
: 1
I/16
after
BWV 21
.2 (same text)
00026
22
1.
1723-02-07
Cantata
Jesus nahm zu sich die Zwölfe
(Estomihi)
satbSATB Ob Str Bc
: 65
I/8: 1
after
Z 4297a
(/5); text after
Luke 18
:31, 34 (/1), by
Cruciger
(/5)
00027
23.1
1.
1723
Cantata
Du wahrer Gott und Davids Sohn
(1st version, 3 movements: Estomihi)
C min.
satbSATB 2Ob Str Bc
: 93
I/8: 33
BWV 23
.2, .3
00028
23.2
1.
1723-02-07
Cantata
Du wahrer Gott und Davids Sohn
(2nd version, 4 movements: Estomihi)
B min.
satbSATB Cnt 3Tbn 2Oba Str Bc
I/8: 69
after
BWV 23
.1,
Z 58
(/4); text by
Luther
after
Agnus Dei
(/4); →
BWV 23
.3,
245.2
/40
00029
23.3
1.
1728–1731
Cantata
Du wahrer Gott und Davids Sohn
(3rd version, 4 movements: Estomihi)
C min.
satbSATB 2Ob Str Bc
: 93
I/8: 33
after
BWV 23
.1, .2; text by
Luther
after
Agnus Dei
(/4)
00030
24
1.
1723-06-20
Cantata
Ein ungefärbt Gemüte
(Trinity IV)
F maj.
satbSATB Tr 2Ob 2Oba Str Bc
: 125
I/17.1: 47
after
Z 5148
(/6); text by
Neumeister
Heermann
(/6), after
Mt 7:12
(/3)
00031
24/6
chorale setting "O Gott, du frommer Gott" (s. 1)
SATB
: 150
III/2.2: 195
after
Z 5148
; text by
Heermann
11333
chorale setting "Was frag ich nach der Welt"
after
Z 5148
; text by
Kindermann
25
1.
1723-08-29
Cantata
Es ist nichts Gesundes an meinem Leibe
(Trinity XIV)
E min.
stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc
: 153
I/21: 79
after
Z 6543
(/6); text after
Rambach
Ps 38
:4 (/1), by
Heermann
(/6)
00032
25/6
chorale setting "Treuer Gott, ich muss dir klagen" (s. 12)
C maj.
SATB
: 188
III/2.1: 15
III/2.2: 150
after
Z 6543
; text by
Heermann
11177
chorale setting "Weg, mein Herz, mit den Gedenken"
after
Z 6543
; text by
Gerhardt
chorale setting "Freu dich sehr, o meine Seele"
III/2.2: 168
after
Z 6543
26
1.
1724-11-19
Cantata
Ach wie flüchtig, ach wie nichtig
(Trinity XXIV)
A min.
satbSATB Hn Fl 3Ob Str Bc
: 189
I/27: 29
after
Z 1887b
; text after
Franck, M.
00033
26/6
chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8)
SATB
: 216
III/2.2: 28
after
Z 1887b
; text by
Franck, M.
11289
27
1.
1726-10-06
Cantata
Wer weiß, wie nahe mir mein Ende?
(Trinity XVI)
C min.
satbSSATB Hn 2Ob Odc Str Org Bc
: 217
I/23: 221
after
Z 2778
(/1); by
Rosenmüller
(/6 =
BWV Anh. 170
); text by
E. J. of Schwarzburg-Rudolstadt
(/1),
Albinus
(/6), after
Neumeister
(/3)
00034
28
1.
1725-12-30
Cantata
Gottlob! nun geht das Jahr zu Ende
(Christmas I)
A min.
satbSATB Cnt 3Tbn 2Ob Tai Str Bc
: 245
I/3.2: 75
after
Z 8244
(/2),
5267
(/6); text by
Neumeister
Gramann
(/2),
Eber
(/6), after
Jer 32
:41 (/3); →
BWV 28/2a
Anh. 160
/2
00035
28/6
chorale setting "Helft mir Gotts Güte preisen" (s. 12)
SATB
: 272
III/2.1: 13
III/2.2: 49
after
Z 5267
; text by
Eber
11175
chorale setting "Zeuch ein zu deinen Toren"
III/2.2: 15
after
Z 5267
; text by
Gerhardt
28/2a
1.
1725?
Motet
Sei Lob und Preis mit Ehren
C maj.
SATB
39: 167
III/3: 15
after
BWV 28
/2; ↔
Anh. 160
/2; was
BWV 231
00036
29
1.
1731-08-27
Cantata
Wir danken dir, Gott, wir danken dir
(council election)
D maj.
satbSATB 3Tr Tmp 2Ob Str Org Bc
: 273
I/32.2: 1
after
BWV 120.2
/4 (/1),
Z 8244
(/8); text after
Ps 75
:2 (/2; →
BWV 232
/7, /23), by
Gramann
(/8)
00037
29/8
chorale setting "Nun lob, mein Seel, den Herren" (s. 5)
SATB
: 316
III/2.2: 65
after
Z 8244
; text by
Gramann
11331
30.2
1.
1738-06-24
Cantata
Freue dich, erlöste Schar
(24 June: feast of John the Baptist)
D maj.
satbSATB 2Fl 2Ob Oba
Vl
Str Bc
: 321
I/29: 59
after
BWV 30.1
Z 6543
(/6); text by
Picander
?,
Olearius, J.
(/6)
00038
30.2/6
chorale setting "Tröstet, tröstet, meine Lieben" (s. 3)
A maj.
SATB
: 360
III/2.2: 42
after
Z 6543
; text by
Olearius, J.
11318
chorale setting "Freu dich sehr, o meine Seele"
G maj.
after
Z 6543
30.1
1.
1737-09-28
Secular cantata
Angenehmes Wiederau
(for
Hennicke
de
at
Wiederau
de
manor)
D maj.
satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc
: 399
34: 325
I/39: 51
text by
Picander
; →
BWV 30
.2,
195
.2/6, /8
00039
31.2
1.
1724-04-09
Cantata
Der Himmel lacht! Die Erde jubilieret
(Leipzig version: Easter)
C maj.
stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc
7: 1
I/9: 41
after
BWV 31
.1 (same text)
00040
31/9
chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5)
SATB
7: 50
III/2.1: 56
after
Z 4482a
; text by
Herman
11221
31.1
1.
1715-04-21
Cantata
Der Himmel lacht! Die Erde jubilieret
(Weimar version: Easter)
C maj.
stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc
I/9
rev 2: 37
after
Z 4482a
(/9); text by
Franck, S
Herman
(/9); →
BWV 31
.2
00041
32
1.
1726-01-13
Cantata
Liebster Jesu, mein Verlangen
(Epiphany I)
E min.
sbSATB Ob Str Bc
7: 53
I/5: 143
after
Z 6543
(/6); text by
Lehms
Gerhardt
(/6)
00042
32/6
chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12)
G maj.
SATB
7: 80
III/2.2: 18
after
Z 6543
; text by
Gerhardt
11317
chorale setting "Freu dich sehr, o meine Seele"
after
Z 6543
33
1.
1724-09-03
Cantata
Allein zu dir, Herr Jesu Christ
(Trinity XIII)
A min.
atbSATB 2Ob Str Bc
7: 81
I/21: 23
after
Z 7292b
; text after
Hubert
00043
33/6
chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4)
SATB
7: 114
III/2.1: 58
III/2.2: 10
after
Z 7292b
; text by
Hubert
11223
34.1
1.
1727-06-01
Cantata
O ewiges Feuer, o Ursprung der Liebe
(Pentecost)
D maj.
atbSATB 3Tr Tmp 2Fl 2Ob Str Bc
7: 115
I/13: 129
text after
Ps 128
:6 (/5); →
BWV 34.2
00044
34.2
1.
after 1727
Cantata
O ewiges Feuer, o Ursprung der Liebe
(wedding; incomplete)
D maj.
satbSATB Vl Va Bc
41: 117
I/33: 27
after
BWV 34.1
; text after
Ps 128
:4–6 (/3–/4),
Nm
6:24–26 (/7)
00045
35
1.
1726-09-08
Cantata
Geist und Seele wird verwirret
(Trinity XII)
D min.
a 2Ob Tai Str Org Bc
7: 171
I/20: 215
text by
Lehms
; →
BWV 1059
00046
36.4
1.
c.
1726–1730
Cantata
Schwingt freudig euch empor
(Advent I; early version)
D maj.
stbSATB Oba Str Bc
7: 395
I/1: 17
after
BWV 36.1
Z 8359
(/5); text by
Picander
?, by
Nicolai
(/5); →
BWV 36
.5
00048
36.4/5
chorale setting "Wie schön leuchtet der Morgenstern" (s. 7)
SATB
7: 399
III/2.1: 28
after
Z 8359
; text by
Nicolai
11193
36.5
1.
1731-12-02
Cantata
Schwingt freudig euch empor
(Advent I)
D maj.
satbSATB 2Oba Str Bc
7: 221
I/1: 41
after
BWV 36
.4,
Z 1174
(/2, /6, /8),
Z 8359
(/4); text by
Picander
?, by
Luther
(/2, /6, /8),
Nicolai
(/4)
00047
36.5/4
chorale setting "Wie schön leuchtet der Morgenstern" (s. 6)
SATB
7: 243
III/2.2: 48,
109, 180
after
Z 8359
; text by
Nicolai
11346
36.5/8
chorale setting "Nun komm, der Heiden Heiland" (s. 8)
B min.
SATB
7: 258
III/2.2: 18
after
Z 1174
; text by
Luther
11329
36.2
1.
1726-11-30 or
1725-11-30
Secular cantata
Steigt freudig in die Luft
(birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost)
stbSATB Oba Va Str Bc (?)
I/35
text by
Picander
; after
BWV 36.1
/1, /3, /5, /7, /9
00049
36.3
1.
1735-07-27
Secular cantata
Die Freude reget sich
(birthday of
Rivinius, J. F.
de
?)
D maj.
satSATB Fl Oba Str Bc
34: 39
I/38: 255
after
BWV 36.1
/1, /3, /5, /7, /8
00050
36.1
1.
April–May 1725
Secular cantata
Schwingt freudig euch empor
(birthday of
Mencke, J. B.
de
?)
D maj.
stbSATB Oba Str Va Bc
34: 39
I/39: 1
BWV 36.2
.4
00051
37
1.
1724-05-18
Cantata
Wer da gläubet und getauft wird
(Ascension)
A maj.
satbSATB 2Oba Str Bc
7: 259
I/12: 79
after
Z 8359
(/3),
5354
(/6); text after
Mk 16
: 16, by
Nicolai
(/3),
Kolross
(/6)
00052
37/6
chorale setting "Ich dank dir, lieber Herre" (s. 4)
SATB
7: 282
III/2.2: 197
after
Z 5354
; text by
Kolross
11304
38
1.
1724-10-29
Cantata
Aus tiefer Not schrei ich zu dir
(Trinity XXI)
E min.
satbSATB 2Ob 4Tbn Str Bc
7: 283
I/25: 217
after
Z 4437
; text after
Luther
00053
38/6
chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5)
SATB
7: 300
III/2.1: 67
III/2.2: 8
after
Z 4437
; text by
Luther
11233
39
1.
1726-06-23
Cantata
Brich dem Hungrigen dein Brot
(Trinity I)
G min.
sabSATB 2Fl 2Ob Str Bc
7: 336
I/15 179
after
Z 6543
(/7); text:
Meiningen
, after
Is 58
:7–8 (/1),
Hb 13
:16 (/4), by
Denicke
(/7)
00054
39/7
chorale setting "Kommt, lasst euch den Herren lehren" (s. 6)
B♭ maj.
SATB
7: 348
III/2.1: 81
III/2.2: 37
after
Z 6543
; text by
Denicke
11247
chorale setting "Freu dich sehr, o meine Seele"
after
Z 6543
40
1.
1723-12-26
Cantata
Darzu ist erschienen der Sohn Gottes
(Christmas 2)
F maj.
atbSATB 2Hn 2Ob Str Bc
7: 349
I/3.1: 3
after
Z 2072
(/3), 4870 (/6), 7880a (/8); text after
1Jh
3:8 (/1; →
BWV 233
/6), by
Füger
(/3),
Gerhardt
(/6),
Keymann
(/8)
00055
40/3
chorale setting "Wir Christenleut" (s. 3)
G min.
SATB
7: 377
III/2.2: 186
after
Z 2072
; text by
Füger
11315
40/6
chorale setting "Schwing dich auf zu deinem Gott" (s. 2)
D min.
SATB
7: 387
III/2.2: 82
after
Z 4870
; text by
Gerhardt
11343
40/8
chorale setting "Freuet euch, ihr Christen alle" (s. 4)
F min.
SATB
7: 394
III/2.2: 6
after
Z 7880a
; text by
Keymann
11339
41
1.
1725-01-01
Cantata
Jesu, nun sei gepreiset
(New Year)
C maj.
satbSATB 3Tr Tmp 3Ob Str Vc Bc
10: 1
I/4: 37
after
Z 8477a
; text after
Hermann
; /6 →
BWV 171
/6
00056
41/6
chorale setting "Jesu, nun sei gepreiset" (s. 3)
SATB
10: 58
III/2.1: 90
III/2.2: 8
after
Z 8477a
; text by
Hermann
11253
42
1.
1725-04-08
Cantata
Am Abend aber desselbigen Sabbats
(Quasimodogeniti)
D maj.
satbSATB 2Ob Bas Str Bc
10: 63
I/11.1: 61
after
Z 1945b
(/7); text after
Jh 20:19
(/2), by
Fabricius
(/4),
Luther
after
Da pacem Domine
Walter
after
1Tm 2
:2 (/7)
00057
42/7
chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2)
F♯ min.
SATB
10: 91
III/2.1: 21
III/2.2: 51, 154
after
Z 1945b
; text by
Luther
after
Da pacem Domine
Walter
after
1Tm 2
:2
11186
43
1.
1726-05-30
Cantata
Gott fähret auf mit Jauchzen
(Ascension)
C maj.
satbSATB 3Tr Tmp 2Ob Str Bc
10: 93
I/12: 133
after
Z 5741b
(/11: by
Peter
de
); text:
Meiningen
, after
Ps 47
:6–7 (/1),
Mk 16
:19 (/4), by
Rist
(/11)
00058
44
1.
1724-05-21
Cantata
Sie werden euch in den Bann tun
(Exaudi)
G min.
satbSATB 2Ob Str Bc
10: 127
I/12: 165
after
Z 533a
(/4),
2293b
(/7); text after
Jh 16
:2 (/1–2), by
Moller
(/4),
Fleming
(/7)
00059
44/7
chorale setting "In allen meinen Taten" (s. 7)
B♭ maj.
SATB
10: 150
III/2.1: 75
III/2.2: 203
after
Z 2293b
; text by
Fleming
11242
chorale setting "Nun ruhen alle Wälder"
after
Z 2293b
; text by
Gerhardt
45
1.
1726-08-11
Cantata
Es ist dir gesagt, Mensch, was gut ist
(Trinity VIII)
E maj.
atbSATB 2Fl Ob Oba Str Bc
10: 151
I/18: 197
after
Z 5206b
–c (/7); text:
Meiningen
, after
Mh
6:8 (/1),
Mt 7:22
23
(/4), by
Heermann
(/7)
00060
45/7
chorale setting "O Gott, du frommer Gott" (s. 7)
SATB
10: 186
III/2.2: 47
after
Z 5206b
–c; text by
Heermann
11297
46
1.
1723-08-01
Cantata
Schauet doch und sehet, ob irgend ein Schmerz sei
(Trinity X)
D min.
atbSATB Tdt Hn 2Fl 2Odc Str Bc
10: 187
I/19: 109
after
Z 5105a
(/6); text after
Lm 1
:12 (/1), by
Meyfart
(/6)
00061
46/6
chorale setting "O großer Gott von Macht" (s. 9)
G min.
SATB
10: 236
III/2.2: 45
after
Z 5105a
; text by
Meyfart
11341
47
1.
1726-10-13
Cantata
Wer sich selbst erhöhet, der soll erniedriget werden
(Trinity XVII)
G min.
sbSATB 2Ob Str Org Bc
10: 239
I/23: 319
after
Z 1689a
(/5); text by
Helbig
, after
Lk 14
:11 (/1)
00062
47/5
chorale setting "Warum betrübst du dich, mein Herz" (s. 11)
SATB
10: 274
III/2.2: 52
after
Z 1689a
11336
48
1.
1723-10-03
Cantata
Ich elender Mensch, wer wird mich erlösen
(Trinity XIX)
G min.
atSATB Tr 2Ob Str Bc
10: 275
I/24: 105
after
Z 2051
(/3),
4486
(/7); text after
Rm 7
:24, by
Rutilius
de
(/3)
00063
48/3
chorale setting "Ach Gott und Herr" (s. 4)
B♭ maj.
SATB
10: 288
III/2.1: 30
III/2.2: 166
after
Z 2051
; text by
Rutilius
de
11197
48/7
chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12)
G min.
SATB
10: 298
III/2.1: 33
III/2.2: 158
after
Z 4486
11320
chorale setting "Herr Jesu Christ, du höchstes Gut"
after
Z 4486
; text by
Ringwaldt
49
1.
1726-11-03
Cantata
Ich geh und suche mit Verlangen
(Trinity XX)
G min.
sb Oba Str Vl Org Bc
10: 299
I/25: 107
after
Z 8359
; text by
Birkmann
Nicolai
& after
Jer 31
:3,
Rv
3:20 (/6); /1 →
BWV 1053
/3
00064
50
1.
Cantata
Nun ist das Heil und die Kraft
(single movement; arrangement or fragment of a cantata for Michaelmas?)
D maj.
2SATB 3Tr Tmp 3Ob Str Bc
10: 341
I/30: 141
text after
Rv
12:10; in SBB
P 136
00065
51
1.
1730-09-17
Cantata
Jauchzet Gott in allen Landen
(Trinity XV)
C maj.
s (2)Tr (Tmp) Str Bc
12
: 1
I/22: 77
after
Z 8244
(/4); text after
Ps 128
:2 &
26
:2 (/2), by
Gramann
(/4)
00066
52
1.
1726-11-24
Cantata
Falsche Welt, dir trau ich nicht
(Trinity XXIII)
F maj.
sSATB 2Hn 3Ob Bas Str Bc
12
: 25
I/26: 131
after
BWV 1046a
/1 (/1),
Z 2461
(/6); text by
Birkmann
Reusner
(/6)
00067
54
1.
1714–1717?
Cantata
Widerstehe doch der Sünde
(Oculi)
E♭ maj.
a 2Vl 2Va Bc
12
: 59
I/18: 3
text by
Lehms
; →
BWV 247
/53?
00069
55
1.
1726-11-17
Cantata
Ich armer Mensch, ich Sündenknecht
(Trinity XXII)
G min.
tSATB Fl Oba Str Bc
12
: 73
I/26: 55
after
Z 6551
(/5); text by
Birkmann
Rist
(/5)
00070
55/5
chorale setting "Werde munter, mein Gemüte" (s. 6)
B♭ maj.
SATB
12
: 86
III/2.2: 53
after
Z 6551
; text by
Rist
11319
56
1.
1726-10-27
Cantata
Ich will den Kreuzstab gerne tragen
(Trinity XIX)
G min.
bSATB 2Ob Tai Str Vc Bc
12
: 87
I/24: 173
after
Z 6773
(/5); text by
Birkmann
Franck, J.
(/5)
00071
56/5
chorale setting "Du, o schönes Weltgebäude" (s. 6)
C Dor.
SATB
12
: 104
III/2.2: 48
after
Z 6773
; text by
Franck, J.
11300
57
1.
1725-12-26
Cantata
Selig ist der Mann
(Christmas 2)
G min.
sbSATB 2Ob Tai Str Bc
12
: 105
I/3.1: 83
after
Z 1912a
–c (/8); text by
Lehms
Fritsch
(/8), after
Jm 1:12
(/1)
00072
57/8
chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6)
B♭ maj.
SATB
12
: 132
III/2.2: 50
after
Z 1912a
–c; text by
Fritsch
11323
58.2
1.
1733-01-04
or
1734-01-03
Cantata
Ach Gott, wie manches Herzeleid
(New Year I)
C maj.
sb 2Ob Tai Vl Str Bc
12
: 133
I/4: 217
after
BWV 58
.1; text by
Birkmann
Moller
(/1),
Behm
(/5)
00073
58.1
1.
1727-01-05
Cantata
Ach Gott, wie manches Herzeleid
(New Year I; early version)
C maj.
sb Vl Str Bc
I/4: 241
after
Z 533a
(/1, /5); text by
Birkmann
Moller
(/1),
Behm
(/5); →
BWV 58
.2
00074
59
1.
1724-05-28
Cantata
Wer mich liebet, der wird mein Wort halten
(Pentecost)
C maj.
sbSATB 2Tr Tmp Str Bc
12
: 151
I/13: 65
after
Z 7445a
(/3); text by
Neumeister
Luther
(/3), after
Jh 14
:23 (/1); →
BWV 74
/1–/2,
175
/7
00075
60
1.
1723-11-07
Cantata
O Ewigkeit, du Donnerwort
(Trinity XXIV)
D maj.
atbSATB Hn 2Oba Str Bc
12
: 169
I/27: 1
after
Z 5820
(/1),
7173
(/5); text by
Rist
(/1),
Burmeister
(/5), after
Rv
14:13 (/4)
00076
60/5
chorale setting "Es ist genug, so nimm" (s. 5)
A maj.
SATB
12
: 190
III/2.1: 37
III/2.2: 127
after
Z 7173
; text by
Burmeister
11203
61
1.
1714-12-02
Cantata
Nun komm, der Heiden Heiland
(Advent I – first setting)
A min.
stbSATB Fag 2Vl 2Va Bc
16: 1
I/1: 1
after
Z 1174
(/1),
8359
(/6); text by
Neumeister
Luther
(/1),
Nicolai
(/6), after
Rv
3:20 (/4)
00077
62
1.
1724-12-03
Cantata
Nun komm, der Heiden Heiland
(Advent I – second setting)
B min.
satbSATB Hn 2Ob Str Bc
16: 19
I/1: 75
after
Z 1174
; text after
Luther
00078
62/6
chorale setting "Nun komm, der Heiden Heiland" (s. 8)
SATB
16: 50
III/2.1: 68
after
Z 1174
; text by
Luther
11234
A min.
III/2.2: 97
63
1.
1714-12-25
1723-12-25
Cantata
Christen, ätzet diesen Tag
(Christmas; two versions)
C maj.
satbSATB 4Tr Tmp 3Ob Bas Str Bc
16: 51
I/2: 1
text by
Heineccius
00079
64
1.
1723-12-27
Cantata
Sehet, welch eine Liebe hat uns der Vater erzeiget
(Christmas 3)
E min.
sabSATB Cnt 3Tbn Oba Str Bc
16: 111, 371
I/3.1: 113
after
Z 1947
(/2),
5206b
–c (/4),
8032
(/8); text after
Knauer
scores
1Jh
3:1 (/1), by
Luther
(/2),
Kindermann
(/4),
Franck, J.
(/8)
00080
64/2
chorale setting "Gelobet seist du, Jesu Christ" (s. 7)
G maj.
SATB
16: 371
III/2.1: 16
III/2.2: 92
after
Z 1947
; text by
Luther
11179
64/4
chorale setting "Was frag ich nach der Welt" (s. 1)
D maj.
SATB
16: 372
III/2.1: 16
III/2.2: 151
after
Z 5206b
–c; text by
Kindermann
11180
64/8
chorale setting "Jesu, meine Freude" (s. 5)
E min.
SATB
16: 132
III/2.1: 15
III/2.2: 80
after
Z 8032
; text by
Franck, J.
11178
65
1.
1724-01-06
Cantata
Sie werden aus Saba alle kommen
(Epiphany)
C maj.
tbSATB 2Hn 2Fl 2Odc Str Bc
16: 133
I/5: 1
after
Z 192b
(/2),
7568
(/7); text after
Is 60
:6 (/1), by
Spangenberg
(/2),
Gerhardt
(/7)
00081
65/2
chorale setting "Ein Kind geboren zu Bethlehem" (s. 4)
A min.
SATB
16: 152
III/2.2: 9
after
Z 192b
; text by
Spangenberg
11342
chorale setting "Puer natus in Bethlehem"
after
Z 192b
65/7
chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10)
A min.
SATB
16: 166
III/2.2: 24
after
Z 7568
; text by
Gerhardt
11337
chorale setting "Was mein Gott will, das gscheh allzeit"
after
Z 7568
; text by
Albert of Prussia
66.2
1.
1724-04-10
Cantata
Erfreut euch, ihr Herzen
(Easter 2)
D maj.
atbSATB Tr 2Ob Str Bc
16: 167
I/10: 1
after
BWV 66.1
/8, /1–/4,
Z 8584
/3
00082
66.2/6
chorale setting "Alleluja", s. 3 from "Christ ist erstanden"
F♯ min.
SATB
16: 214
III/2.1: 57
after
Z 8584
/3
11222
66.1
1.
1718-12-10
Secular cantata
Der Himmel dacht auf Anhalts Ruhm und Glück
(birthday of
Leopold of Anhalt-Köthen
atbSATB 2Ob Bas Str Bc (?)
I/35
text by
Hunold
; →
BWV 66.2
/1–/5
00083
67
1.
1724-04-16
Cantata
Halt im Gedächtnis Jesum Christ
(Quasimodogeniti)
A maj.
atbSATB Hn Fl 2Oba Str Bc
16: 215
I/11.1: 1
after
Z 1743
(/4),
4373
(/7); text after
2Ti 2
:8 (/1),
Jh 20:19
(/6; →
BWV 234
/2), by
Herman
(/4),
Ebert
(/7)
00084
67/7
chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1)
SATB
16: 246
III/2.1: 10
III/2.2: 25
after
Z 4373
; text by
Ebert
11174
68
1.
1725-05-21
Cantata
Also hat Gott die Welt geliebt
(Pentecost 2)
D min.
sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc
16: 247
I/14: 31
after
Z 5920
(/1),
BWV 208
/13 (/2) and /7 (/4); text by
Ziegler, C. M.
Liscow
(/1), after
Jh 3
:18 (/5)
00085
69.2
1.
1748-08-26
Cantata
Lobe den Herrn, meine Seele
(council election)
D maj.
satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc
16: 281
I/32.2: 111
after
BWV 69.1
/1, /3, /5,
Z 7247
(/6); text after
Knauer
scores
Ps 103
:2 (/1), by
Luther
(/6)
00086
69.2/6
chorale setting "Es woll uns Gott genädig sein" (s. 3)
SATB
16: 325
III/2.2: 192
after
Z 7247
; text by
Luther
11303
69.1
1.
1723-08-15
Cantata
Lobe den Herrn, meine Seele
(Trinity XII)
D maj.
satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc
16: 373
I/20: 117
after
BWV 12
/7 (/6); text after
Knauer
scores
Ps 103
:2 (/1), by
Rodigast
(/6); →
BWV 69.2
/1, /3, /5
00087
69.1/6
chorale setting "Was Gott tut, das ist wohlgetan" (s. 6)
G maj.
SATB
16: 379
III/2.1: 55
III/2.2: 174
after
BWV 12
/7; text by
Rodigast
11219
70.2
1.
1723-11-21
Cantata
Wachet! Betet! Betet! Wachet!
(Trinity XXVI)
C maj.
satbSATB Tr Ob Str Vc Bc
16: 327
I/27: 107
after
BWV 70
.1,
Z 6543
(/7); text by
Franck, S
Keymann
(/11)
00088
70.2/11
1716-12-06
chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5)
C maj.
SATB
16: 368
III/2.2: 200
BWV 70
.1/6
11308
70.1
1.
Cantata
Wachet! Betet! Betet! Wachet!
(Advent II)
satbSATB Tr Ob Str Vc Bc
16: 327
I/1
after
Z 3449
(/6); text by
Franck, S
Keymann
(/6); →
BWV 70
.2/1, /3, /5, /8, /10, /11
00089
71
1.
1708-02-04
Cantata
Gott ist mein König
(council election)
D maj.
satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org
18: 1
I/32.1: 3
after
Z 5148
(/2); text by
Eilmar
?,
Heermann
& after
2Sm
19:35 & 37 (/2),
Ps 74
:12 (/1), 16–17 (/4), 19 (/6),
Dt 33
:25 &
Gn 21
:22b (/3)
00090
72
1.
1726-01-27
Cantata
Alles nur nach Gottes Willen
(Epiphany III)
A min.
sabSATB 2Ob Str Bc
18: 55
I/6: 59
after
Z 7568
(/6); text by
Franck, S
Albert of Prussia
(/6); /1 →
BWV 235
/2
00091
73
1.
1724-01-23
Cantata
Herr, wie du willt, so schicks mit mir
(Epiphany III)
G min.
stbSATB Hn 2Ob Str Bc
18: 85
I/6: 3
after
Z 4441a
(/1),
5264b
(/5); text by
Bienemann
de
(/1),
Helmbold
(/5)
00092
73/5
chorale setting "Von Gott will ich nicht lassen" (s. 9)
C min.
A min.
SATB
18: 104
III/2.2: 107
after
Z 5264b
; text by
Helmbold
11310
74
1.
1725-05-20
Cantata
Wer mich liebet, der wird mein Wort halten
(Pentecost)
C maj.
satbSATB 3Tr Tmp 2Ob Odc Str Bc
18: 105
I/13: 83
after
BWV 59
/1 & /4 (/1–/2),
Z 2496
(/8); text by
Ziegler, C. M.
Gerhardt
(/8), after
Jh 14
:23 (/1), 28 (/4),
Rm 8
:1 (/6)
00093
74/8
chorale setting "Gott Vater, sende deinen Geist" (s. 2)
A min.
SATB
18: 146
III/2.1: 78
III/2.2: 212
after
Z 2496
; text by
Gerhardt
11245
chorale setting "Kommt her zu mir, spricht Gottes Sohn"
after
Z 2496
; text by
Grünwald
75
1.
1723-05-30
Cantata
Die Elenden sollen essen
(Trinity I)
E min.
satbSATB Tr 2Ob Oba Bas Str Bc
18: 147
I/15: 85
after
Z 5629
(/7=/14: →
BWV 100
/6); text after
Ps 22
:27 (/1), by
Rodigast
(/7, /14)
00094
76
1.
1723-06-06
Cantata
Die Himmel erzählen die Ehre Gottes
(Trinity II)
C maj.
satbSATB Tr 2Ob Oba Str Vdg Bc
18: 189
I/16: 1
after
Z 7247
(/7=/14); text after
Ps 12
:2 & 4 (/1), by
Luther
(/7, /14); /8 ↔
BWV 528
/1
00095
77
1.
1723-08-22
Cantata
Du sollt Gott, deinen Herren, lieben
(Trinity XIII)
C maj.
satbSATB Tdt 2Ob Str Bc
18: 233
I/21: 1
after
Z 4431
(/6); text after
Knauer
Lk 10:27
(/1), by
Denicke
? (/6)
00096
77/6
chorale setting "Wenn einer alle Ding verstünd" (s. 8)?
G min.
SATB
18: 254
III/2.1: 14
III/2.2: 150
after
Z 4431
; text by
Denicke
11176
chorale setting "Ach Gott, vom Himmel sieh darein"
after
Z 4431
; text by
Luther
78
1.
1724-09-10
Cantata
Jesu, der du meine Seele
(Trinity XIV)
G min.
satbSATB Hn Fl 2Ob Str Vne Bc
18: 255
I/21: 115
after
Z 6804
; text after
Rist
00097
78/7
chorale setting "Jesu, der du meine Seele" (s. 12)
SATB
18: 286
III/2.1: 60
III/2.2: 150
after
Z 6804
; text by
Rist
11225
79
1.
1725-10-31
Cantata
Gott der Herr ist Sonn und Schild
(Reformation Day; two versions: Fl associated with 2nd
c.
1730)
G maj.
sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc
18: 287
I/31: 1
after
Z 5142
(/3),
159
(/6); text after
Ps 84
:12 (/1), by
Rinkart
(/3),
Helmbold
(/6); →
BWV 236
/2, /4,
234
/5
00098
80.3
1.
c.
1735
Cantata
Ein feste Burg ist unser Gott
(Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely
W. F. Bach
's addition)
D maj.
satbSATB 3Ob 2Oba Odc Str Bc
18: 317
I/31: 71
after
BWV 80.2
(same text)
00099
80.1
1.
1715-03-24
Cantata
Alles, was von Gott geboren
(Oculi; music lost)
satb(?)SATB Ob Str Bc
I/8.2: V
after
Z 7377
(/1, /6)?; text by
Franck, S
Luther
(/6); →
BWV 80.2
00100
80.2
1.
c.
1729–1731
Cantata
Ein feste Burg ist unser Gott
(Reformation Day; 1st Leipzig version)
D maj.
sbSATB Ob Str Bc
18: 351
I/31: 65
after
Z 7377
BWV 80.1
(/2–/4, /6–/7); text by
Franck, S
Luther
(/1, /2, /5, /8); →
BWV 80.3
00101
80/8
chorale setting "Ein feste Burg ist unser Gott" (s. 4)
SATB
18: 378
III/2.1: 29
III/2.2: 162
after
Z 7377
; text by
Luther
11195
81
1.
1724-01-30
Cantata
Jesus schläft, was soll ich hoffen?
(Epiphany IV)
E min.
atbSATB 2Fl 2Oba Str Bc
20
: 1
I/6: 111
after
Z 8032
(/7); text after
Ps 10
:1 (/2),
Mt 8
:26 (/4), by
Franck, J.
(/7)
00102
81/7
chorale setting "Jesu, meine Freude" (s. 2)
SATB
20
: 24
III/2.2: 188
after
Z 8032
; text by
Franck, J.
11305
82.1
1.
1727-02-02
Cantata
Ich habe genug
(Purification; 1st version)
C min.
b Ob Str Bc
20
: 25
I/28.1: 77
text by
Birkmann
; →
BWV 82
.2–.4
00103
82.2
1.
1731-02-02
Cantata
Ich habe genug
(Purification; 2nd version)
E min.
s Fl Str Bc
I/28.1: 155
after
BWV 82
.1 (same text); →
82
.3–.4
00104
82.2/2–/3
1.
c.
1731 (AMB)
Notebook A. M. Bach
(1725)
No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen"
E min.
s Bc
43
: 46
V/4:122
after
BWV 82
.2; text by
Birkmann
00104
82.2/3
1.
c.
1731 (AMB)
Notebook A. M. Bach
(1725)
No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete)
E min.
s Bc
43
: 49
V/4:122
after
BWV 82
.2; text by
Birkmann
00104
82.3
1.
c.
1735
Cantata
Ich habe genug
(Purification; 3rd version)
C min.
b or mezzo Ob Str Bc
I/28.1: 109
after
BWV 82
.1–.2 (same text); →
82
.4
00105
82.4
1.
1746–1748
Cantata
Ich habe genug
(Purification; 4th version)
C min.
b (or mezzo) Ob Odc Str Bc
I/28.1: 109
after
BWV 82
.1–.3 (same text)
00106
83
1.
1724-02-02
Cantata
Erfreute Zeit im neuen Bunde
(Purification)
F maj.
atbSATB 2Hn 2Ob Vl Str Bc
20
: 51
I/28.1: 3
after
Z 3986
(/5); text after
Lk 2:29–31
(/2),
Hb 4
:16 (/3), by
Luther
(/5)
00107
83/5
chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4)
D min.
SATB
20
: 76
III/2.2: 188
after
Z 3986
; text by
Luther
11309
84
1.
1727-02-09
Cantata
Ich bin vergnügt mit meinem Glücke
(Septuagesimae)
E min.
sSATB Ob Str Bc
20
: 77
I/7: 21
after
Z 2778
(/5); text after
Picander
, by
E. J. of Schwarzburg-Rudolstadt
(/5)
00108
84/5
chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12)
B min.
SATB
20
: 98
III/2.1: 27
III/2.2: 63
after
Z 2778
; text by
E. J. of Schwarzburg-Rudolstadt
11192
chorale setting "Wer nur den lieben Gott lässt walten"
after
Z 2778
; text by
Neumark
85
1.
1725-04-15
Cantata
Ich bin ein guter Hirt
(Misericordias Domini)
C min.
satbSATB 2Ob Str Vc Bc
20
: 99
I/11.1: 157
after
Z 4457
(/3),
2542
(/6); text after
Jh 10
:12 (/1), by
Becker
(/3),
Homburg
de
(/6)
00109
85/6
chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4)
SATB
20
: 118
III/2.1: 74
III/2.2: 69
after
Z 2542
; text by
Homburg
de
11240
86
1.
1724-05-14
Cantata
Wahrlich, wahrlich, ich sage euch
(Rogate)
E maj.
satbSATB 2Oba Str Bc
20
: 119
I/12: 45
after
Z 2496c
(/3),
4430
(/6); text after
Jh 16
:23 (/1), by
Grünwald
(/3),
Speratus
(/6)
00110
86/6
chorale setting "Es ist das Heil uns kommen her" (s. 11)
SATB
20
: 134
III/2.2: 3
after
Z 4430
; text by
Speratus
11322
87
1.
1725-05-06
Cantata
Bisher habt ihr nichts gebeten in meinem Namen
(Rogate)
D min.
atbSATB 2Ob 2Odc Str Bc
20
: 135
I/12: 61
after
Z 8032
(/7); text after
Ziegler, C. M.
Jh 16:24
(/1), by
Müller, H.
(/7)
00111
87/7
chorale setting "Selig ist die Seele" (s. 9)
SATB
20
: 152
III/2.1: 73
III/2.2: 54
after
Z 8032
; text by
Müller, H.
11239
chorale setting "Jesu, meine Freude"
after
Z 8032
; text by
Franck, J.
88
1.
1726-07-21
Cantata
Siehe, ich will viel Fischer aussenden
(Trinity V)
D maj.
satbSATB 2Hn 2Oba Tai Str Bc
20
: 153
I/17.2: 33
after
Z 2778
(/7); text:
Meiningen
, after
Jer 16
:16 (/1),
Lk 5
:10 (/4), by
Neumark
(/7)
00112
88/7
chorale setting "Wer nur den lieben Gott lässt walten" (s. 7)
B min.
SATB
20
: 178
III/2.2: 58
after
Z 2778
; text by
Neumark
11312
89
1.
1723-10-24
Cantata
Was soll ich aus dir machen, Ephraim?
(Trinity XXII)
C min.
sabSATB Hn 2Ob Str Bc
20
: 179
I/26: 1
after
Z 2164
(/6); text after
Hs 11
:8 (/1), by
Heermann
(/6)
00113
89/6
chorale setting "Wo soll ich fliehen hin" (s. 7)
G min.
SATB
20
: 194
III/2.2: 167
after
Z 2164
; text by
Heermann
11292
90
1.
1723-11-14
Cantata
Es reißet euch ein schrecklich Ende
(Trinity XXV)
D min.
atbSATB (Tr) Str Bc
20
: 195
I/27: 59
after
Z 2561
(/5); text by
Moller
(/5)
00114
90/5
chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7)
SATB
20
: 214
III/2.1: 33
III/2.2: 158
after
Z 2561
; text by
Moller
11199
chorale setting "Vater unser im Himmelreich"
after
Z 2561
; text by
Luther
91.2
1.
1746–1747
Cantata
Gelobet seist du, Jesu Christ
(Christmas; later version)
G maj.
satbSATB 2Hn Tmp 3Ob Str Bc
22: 1
I/2: 131
after
BWV 91
.1 (same text)
00115
91.1
1.
1724-12-25
Cantata
Gelobet seist du, Jesu Christ
(Christmas; early version)
G maj.
satbSATB 2Hn Tmp 3Ob Str Bc
22: 1,
333
I/2: 164
after
Z 1947
; text after
Luther
; →
BWV 91
.2
00116
91/6
chorale setting "Gelobet seist du, Jesu Christ" (s. 7)
SATB
III/2.1: 89
III/2.2: 30
after
Z 1947
; text by
Luther
11252
92
1.
1725-01-28
Cantata
Ich hab in Gottes Herz und Sinn
(Septuagesimae)
B min.
satbSATB 2Oba Str Bc
22: 33
I/7: 41
after
Z 7568
; text after
Gerhardt
00117
93
1.
1724-07-09
Cantata
Wer nur den lieben Gott läßt walten
(Trinity V)
C min.
satbSATB 2Ob Str Bc
22: 69
I/17.2: 3
after
Z 2778
; text after
Neumark
; /4 →
BWV 647
00118
94
1.
1724-08-06
Cantata
Was frag ich nach der Welt
(Trinity IX)
D maj.
satbSATB Fl 2Ob 2Oba Str Bc
22: 95
I/19: 43
after
Z 5206b
–c; text after
Kindermann
00119
94/8
chorale setting "Was frag ich nach der Welt" (s. 8)
SATB
22: 127
III/2.1: 53
III/2.2: 173
after
Z 5206b
–c; text by
Kindermann
11215
95
1.
1723-09-12
Cantata
Christus, der ist mein Leben
(Trinity XVI)
G maj.
stbSATB Hn or Cnt 2Ob 2Oba Str Bc
22: 129
I/23: 65
after
Z 132
3986
(/1: →
BWV 282
),
5404a
(/3),
4482
(/7); text by
Simon Graf
de
Luther
(/1),
Herberger
(/3),
Herman
(/7)
00120
95/7
chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4)
SATB
22: 153
III/2.1: 64
after
Z 4482
; text by
Herman
11229
96
1.
1724-10-08
Cantata
Herr Christ, der einge Gottessohn
(Trinity XVIII)
F maj.
satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc
22: 155
I/24: 1
after
Z 4297a
; text after
Cruciger
00121
96/6
chorale setting "Herr Christ, der einge Gottessohn" (s. 5)
SATB
22: 184
III/2.1: 66
III/2.2: 179
after
Z 4297a
; text by
Cruciger
11231
97
1.
1734-07-25?
after 1735
Cantata
In allen meinen Taten
(two versions; Trinity V?)
B♭ maj.
satbSATB 2Ob Str Bc
22: 185, 336
I/34: 197
after
Z 2293b
; text by
Fleming
; /9 →
BWV 392
00122
97/9
chorale setting "In allen meinen Taten" (s. 9)
SATB
22: 230
III/2.1: 49
after
Z 2293b
; text by
Fleming
; →
BWV 392
11210
chorale setting "Nun ruhen alle Wälder"
after
Z 2293b
; text by
Gerhardt
; →
BWV 392
98
1.
1726-11-10
Cantata
Was Gott tut, das ist wohlgetan
(Trinity XXI)
B♭ maj.
satbSATB 2Ob Str Bc
22: 231
I/25: 241
after
Z 5629
(/1); text by
Birkmann
Rodigast
(/1)
00123
99
1.
1724-09-17
Cantata
Was Gott tut, das ist wohlgetan
(Trinity XV)
G maj.
satbSATB Hn Fl Oba Str Bc
22: 251
I/22: 41
after
Z 5629
; text after
Rodigast
; /1 →
BWV 100
/1
00124
100
1.
1734–1735
Cantata
Was Gott tut, das ist wohlgetan
G maj.
satbSATB 2Hn Tmp Fl Oba Str Bc
22: 277
I/34: 239
after
Z 5629
BWV 99
/1 (/1),
75
/7 (/6); text by
Rodigast
00125
100/6
chorale setting "Was Gott tut, das ist wohlgetan" (s. 6)
SATB
22: 323
III/2.1: 72
after
75
/7=/14; text by
Rodigast
11238
101
1.
1724-08-13
Cantata
Nimm von uns, Herr, du treuer Gott
(Trinity X)
D min.
satbSATB 2Hn Tmp Fl Oba Str Bc
23: 1
I/19: 173
after
Z 2561
; text after
Moller
00126
101/7
chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7)
SATB
23: 32
III/2.1: 54
III/2.2: 174
after
Z 2561
; text by
Moller
11216
102
1.
1726-08-25
Cantata
Herr, deine Augen sehen nach dem Glauben
(Trinity X)
G min.
atbSATB Fl Vl 2Ob Str Bc
23: 33
I/19: 229
after
Z 2561
(/7); text:
Meiningen
, after
Jer 5
:3 (/1: →
BWV 235
/1),
Rm 2
:4–5 (/4), by
Heermann
(/7); /3 & /5 →
BWV 233
/4 & /5
00127
102/7
chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7)
C min.
SATB
23: 66
III/2.2: 62
after
Z 2561
; text by
Heermann
11334
chorale setting "Vater unser im Himmelreich"
after
Z 2561
; text by
Luther
103
1.
1725-04-22
1731-04-15
Cantata
Ihr werdet weinen und heulen
(Jubilate, 2 versions)
B min.
atSATB Tr Fl Fl (or) Vl 2Oba Str Bc
23: 67
I/11.2: 25
after
Z 7568
(/6); text by
Ziegler, C. M.
Gerhardt
(/6)
00128
103/6
chorale setting "Barmherzger Vater, höchster Gott" (s. 9)
SATB
23: 94
III/2.1: 72
III/2.2: 68
after
Z 7568
; text by
Gerhardt
11237
chorale setting "Ich hab in Gottes Herz und Sinn"
chorale setting "Was mein Gott will, das gscheh allzeit"
after
Z 7568
; text by
Albert of Prussia
104
1.
1724-04-23
Cantata
Du Hirte Israel, höre
(Misericordias)
G maj.
tbSATB 2Ob 2Oba Tai Str Bc
23: 95
I/11.1: 113
after
Z 4457
(/6); text after
Ps 80
:2 (/1), by
Becker
(/6)
00129
104/6
chorale setting "Der Herr ist mein getreuer Hirt" (s. 1)
A maj.
SATB
23: 116
III/2.2: 189
after
Z 4457
; text by
Becker
11283
chorale setting "Allein Gott in der Höh sei Ehr"
after
Z 4457
; text by
Decius
G maj.
III/2.2: 71
11290
105
1.
1723-07-25
Cantata
Herr, gehe nicht ins Gericht mit deinem Knecht
(Trinity IX)
G min.
satbSATB Hn 2Ob Str Bc
23: 117
I/19: 1
after
Z 6804
(/6); text after
Ps 143
:2 (/1), by
Rist
(/6)
00130
105/6
chorale setting "Jesu, der du meine Seele" (s. 11)
SATB
23: 146
III/2.1: 52
after
Z 6804
; text by
Rist
11214
106
1.
1708-09-16?
Cantata
Gottes Zeit ist die allerbeste Zeit
(funeral; aka
Actus tragicus
E♭ maj.
satbSATB 2Fl 2Vdg Bc
23: 147
I/34: 1
after
Z 1680
(/2d),
3986
(/3b),
2461
(/4); text after
Olearius, J.
Acts 17
:28 &
Ps 90
:12 &
Is 38
:1 &
JS
14:18 &
Rv
22:20 (/2),
Ps 31
:6 &
Lk 23:43
& by
Luther
(/3),
Reusner
(/4)
00131
107
1.
1724-07-23
Cantata
Was willst du dich betrüben
(Trinity VII)
B min.
stbSATB Hn 2Fl 2Oba Str Bc
23: 179
I/18: 55
after
Z 5264b
; text by
Heermann
00132
108
1.
1725-04-29
Cantata
Es ist euch gut, daß ich hingehe
(Cantate)
A maj.
atbSATB 2Oba Str Bc
23: 203
I/12: 17
after
Z 2496
(/6); text by
Ziegler, C. M.
Gerhardt
(/6), after
Jh 16
:7 (/1), 13 (/4)
00133
108/6
chorale setting "Gott Vater, sende deinen Geist" (s. 10)
B min.
SATB
23: 230
III/2.1: 69
III/2.2: 26
after
Z 2496
; text by
Gerhardt
11235
chorale setting "Kommt her zu mir, spricht Gottes Sohn"
after
Z 2496
; text by
Grünwald
109
1.
1723-10-17
Cantata
Ich glaube, lieber Herr, hilf meinem Unglauben
(Trinity XXI; 2 versions)
D min.
atSATB (Hn) 2Ob Str Bc
23: 231
I/25: 157
after
Z 7549
(/6); text after
Mk 9
:24 (/1), by
Spengler
(/6)
00134
110
1.
1725-12-25
Cantata
Unser Mund sei voll Lachens
(Christmas)
D maj.
satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc
23: 263
I/2: 71
after
Z 2072
(/7); text by
Lehms
Füger
(/7), after
Ps 126
:2–3 (/1),
Jer 10
:6 (/3),
Lk 2
:14 (/5)
00135
110/7
chorale setting "Wir Christenleut" (s. 5)
B min.
SATB
23: 324
III/2.2: 32
after
Z 2072
; text by
Füger
11316
111
1.
1725-01-25
Cantata
Was mein Gott will, das g'scheh allzeit
(Epiphany III)
A min.
satbSATB 2Ob Str Bc
24: 1
I/6: 27
after
Z 7568
; text after
Albert of Prussia
00136
112
1.
1731-04-08
Cantata
Der Herr ist mein getreuer Hirt
(Misericordias)
G maj.
satbSATB 2Hn 2Oba Str Bc
24: 29
I/11.1: 179
after
Z 4457
; text by
Meuslin
after
Ps. 23
00137
112/5
chorale setting "Der Herr ist mein getreuer Hirt" (s. 5)
SATB
24: 48
III/2.1: 71
III/2.2: 183,
202
11236
chorale setting "Allein Gott in der Höh sei Ehr"
after
Z 4457
; text by
Decius
113
1.
1724-08-20
Cantata
Herr Jesu Christ, du höchstes Gut
(Trinity XI)
B min.
satbSATB Fl 2Oba Str Bc
24: 49
I/20: 79
after
Z 4486
; text after
Ringwaldt
00138
113/8
chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8)
SATB
24: 80
III/2.1: 54
III/2.2: 175
after
Z 4486
; text by
Ringwaldt
11217
114
1.
1724-10-01
Cantata
Ach, lieben Christen, seid getrost
(Trinity XVII)
G min.
satbSATB Hn Fl 2Ob Str Bc
24: 81
I/23: 287
after
Z 4441a
; text after
Gigas
00139
114/7
chorale setting "Ach, lieben Christen, seid getrost" (s. 6)
SATB
24: 108
III/2.1: 65
III/2.2: 179
after
Z 4441a
; text by
Gigas
11230
115
1.
1724-11-05
Cantata
Mache dich, mein Geist, bereit
(Trinity XXII)
G maj.
satbSATB Hn Fl Oba Str Vc Bc
24: 109
I/26: 21
after
Z 6274a
; text after
Freystein
00140
115/6
chorale setting "Mache dich, mein Geist, bereit" (s. 10)
SATB
24: 132
III/2.1: 25
III/2.2: 23
after
Z 6274a
; text by
Freystein
11190
chorale setting "Straf mich nicht in deinem Zorn"
after
Z 6274a
; text by
Albinus
116
1.
1724-11-26
Cantata
Du Friedefürst, Herr Jesu Christ
(Trinity XXV)
A maj.
satbSATB Hn 2Oba Str Bc
24: 133
I/27: 79
after
Z 4373
; text after
Ebert
00141
117
1.
1728–1731
Cantata
Sei Lob und Ehr dem höchsten Gut
G maj.
atbSATB 2Fl 2Ob 2Oba Str Bc
24: 159
I/34: 151
after
Z 4430
; text by
Schütz, J. J.
00142
117/4
117/9
chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9)
SATB
24: 159
III/2.1: 71
III/2.2: 203
11172
chorale setting "Sei Lob und Ehr dem höchsten Gut"
III/2.1: 9
III/2.2: 147
11173
119
1.
1723-08-30
Cantata
Preise, Jerusalem, den Herrn
(council election)
C maj.
satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc
24: 193
I/32.1: 129
after
Z 8652
(/9); text after
Ps 147
:12–14 (/1), by
Luther
(/9)
00144
120.1
1.
1729 or earlier
Cantata
Gott, man lobet dich in der Stille
(council election)
A maj.
satbSATB 3Tr 2Ob 2Oba
Vl
Str Bc
24: 247
I/32.2: 53
after
Z 8652
(/6); text after
Ps 65
:2 (/1), by
Luther
(/6); ↔
BWV 120.2
/6 (/1 → .3/1), /1 (/2 → .3/2), /3 (/4 ↔
1019a
/3 → .3/4)
00145
120.2
1.
1729?
Cantata
Herr Gott, Beherrscher aller Dinge
(wedding; incomplete)
D maj.
satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc
41: 149
I/33: 75
after
BWV 1006
/1 (/4 →
29
/1),
137
/5 (/8); text after
JS
50:24 (/2), by
Luther
(/5),
Neander
(/8); ↔
BWV 120.1
/2 (/1 → .3/2), /4 (/3 ↔
1019a
/3 → .3/4), /1 (/6 → .3/1)
00146
120.3
1.
1730-06-26
Cantata
Gott, man lobet dich in der Stille
(200th anniversary of the
Augsb. Confess.
; music lost, partially reconstructable)
saSATB 3Tr Tmp 2Oba Vl Str Bc ?
I/34
I/32.2
after
BWV 120.1
/1 (=.2/6), /2 (=.2/1 →
232
II
/9), /4 (=.2/3 ↔
1019a
/3); text by
Picander
00147
121
1.
1724-12-26
Cantata
Christum wir sollen loben schon
(Christmas 2)
E min.
satbSATB Cnt 3Tbn Oba Str Bc
26: 1
I/3.1: 57
after
Z 297c
, text after
Luther
00148
121/6
chorale setting "Christum wir sollen loben schon" (s. 8)
SATB
26: 20
III/2.2: 31
after
Z 297c
, text by
Luther
11284
122
1.
1724-12-31
Cantata
Das neugeborne Kindelein
(Christmas I)
G min.
satbSATB 3Fl 2Ob Tai Str Bc
26: 21
I/3.2: 53
after
Z 491
; text after
Schneegaß
00149
122/6
chorale setting "Das neugeborne Kindelein" (s. 5)
SATB
26: 40
III/2.1: 43
III/2.2: 30,
101
after
Z 491
; text by
Schneegaß
11207
123
1.
1725-01-06
Cantata
Liebster Immanuel, Herzog der Frommen
(Epiphany)
B min.
atbSATB 2Fl 2Oba Str Bc
26: 41
I/5: 47
after
Z 4932c
; text after
Fritsch
00150
123/6
chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6)
SATB
26: 60
III/2.2: 108
after
Z 4932c
; text by
Fritsch
11340
124
1.
1725-01-07
Cantata
Meinen Jesum laß ich nicht
(Epiphany I)
E maj.
satbSATB Hn Oba Str Bc
26: 61
I/5: 115
after
Z 3449
; text after
Keymann
00151
125
1.
1725-02-02
Cantata
Mit Fried und Freud ich fahr dahin
(Purification)
E min.
atbSATB Hn Fl Ob Oba Str Bc
26: 83
I/28.1: 31
after
Z 3986
; text after
Luther
00152
126
1.
1725-02-04
Cantata
Erhalt uns, Herr, bei deinem Wort
(Sexagesimae)
A min.
atbSATB Tr 2Ob Str Bc
26: 111
I/7: 155
after
Z 350a
1945b
(/6); text after
Luther
Jonas
Walter
00153
126/6
chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2)
SATB
26: 131
III/2.2: 126
(in
after
Z 1945b
; text by
Luther
Walter
11335
127
1.
1725-02-11
Cantata
Herr Jesu Christ, wahr' Mensch und Gott
(Estomihi)
F maj.
stbSATB Tr 2Fl 2Ob Str Bc
26: 133
I/8: 107
after
Z 2570
; text after
Eber
; /1 →
BWV 127/1 (variant)
00154
127/5
chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8)
SATB
26: 160
III/2.1: 46
III/2.2: 169
after
Z 2570
; text by
Eber
11209
127/1 (var.)
1.
c.
1750
Chorus "
Herr Jesu Christ, wahr' Mensch und Gott
" (Passion oratorio movement)
E♭ maj.
SATB 2Fl 2Ob Str Bc
I/41: 95
after
BWV 127
/1; →
BC D 10
00155
128
1.
1725-05-10
Cantata
Auf Christi Himmelfahrt allein
(Ascension)
G maj.
atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc
26: 163
I/12: 101
after
Z 4457
(/1),
5206b
(/5); text by
Ziegler, C. M.
Sonnemann
de
fr
nl
(/1),
Avenarius
scores
(/5)
00156
129
1.
1727-06-08
Cantata
Gelobet sei der Herr, mein Gott
(Trinity)
D maj.
sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc
26: 185
I/15: 37
after
Z 5206b
; text by
Olearius, J.
00157
129/5
chorale setting "Gelobet sei der Herr, mein Gott" (s. 5)
SATB
26: 224
III/2.1: 80
11246
chorale setting "O Gott, du frommer Gott"
after
Z 5206b
; text by
Heermann
130.1
1.
1724-09-29
Cantata
Herr Gott, dich loben alle wir
(Michaelmas; 1st version)
C maj.
satbSATB 3Tr Tmp Fl 3Ob Str Bc
26: 231
I/30: 1
after
Z 368
; text after
Eber
; →
BWV 130
.2
00158
130/6
chorale setting "Herr Gott, dich loben alle wir" (s. 11)
SATB
26: 268
III/2.1: 61
III/2.2: 218
after
Z 368
; text by
Eber
11226
130.2
1.
1732–1735
Cantata
Herr Gott, dich loben alle wir
(Michaelmas; 2nd version)
C maj.
satbSATB 3Tr Tmp Fl 3Ob Str Bc
I/30: 48
after
BWV 130
.1 (same text)
00159
131
1.
1707
Cantata
Aus der Tiefen rufe ich, Herr, zu dir
G min.
satbSATB Ob Bas Str Bc
28: 1
I/34: 67
after
Z 4486
(/2, /4); text after
Ps. 130
, by
Ringwaldt
(/2, /4); →
BWV 131a
00160
132
1.
1715-12-22
Cantata
Bereitet die Wege, bereitet die Bahn
(Advent IV)
A maj.
satbSATB Ob Bas Str Vc Bc
28: 33
I/1: 99
rev 2: 97
text by
Franck, S.
Cruciger
(/6)
00162
133
1.
1724-12-27
Cantata
Ich freue mich in dir
(Christmas 3)
A maj.
satbSATB Cnt 2Oba Str Bc
28: 51
I/3.1: 135
Z 5187
; text after
Ziegler, C.
00163
133/6
chorale setting "Ich freue mich in dir" (s. 4)
D maj.
SATB
28: 80
III/2.1: 44
III/2.2: 34
Z 5187
; text by
Ziegler, C.
11208
134.3
1.
1731-03-27
1735-04-12
Cantata
Ein Herz, das seinen Jesum lebend weiß
(Easter 3; later version)
B♭ maj.
atSATB 2Ob Str Bc
28: 81
I/10: 69
after
BWV 134
.2
00164
134.2
1.
1724-04-11
Cantata
Ein Herz, das seinen Jesum lebend weiß
(Easter 3; early version)
B♭ maj.
atSATB 2Ob Str Bc
28: 81, 287
I/10: 106
after
BWV 134.1
; →
BWV 134
.3
00165
134.1
1.
1719-01-01
Secular cantata
Die Zeit, die Tag und Jahre macht
(congratulation for New Year)
B♭ maj.
atSATB 2Ob Str Bc
29: 209
I/35: 49
text by
Hunold
; →
BWV 134
.2
00166
135
1.
1724-06-25
Cantata
Ach Herr, mich armen Sünder
(Trinity III)
E min.
atbSATB Cnt Tbn 2Ob Str Bc
28: 119
I/16: 197
after
Z 5385a
; text after
Schneegaß
00167
136
1.
1723-07-18
Cantata
Erforsche mich, Gott, und erfahre mein Herz
(Trinity VIII)
A min.
atbSATB Hn 2Ob 2Oba Str Bc
28: 137
I/18: 129
after
Z 2164
(/6); text after
Ps 139
:23 (/1: →
BWV 234
/6), by
Heermann
(/6)
00168
136/6
chorale setting "Wo soll ich fliehen hin" (s. 9)
B min.
SATB
28: 164
III/2.2: 191
after
Z 2164
; text by
Heermann
11293
137
1.
1725-08-19
Cantata
Lobe den Herren, den mächtigen König der Ehren
(Trinity XII)
C maj.
satbSATB 3Tr Tmp 2Ob Str Bc
28: 165
I/20: 171
after
Z 1912a
–c; text by
Neander
; /2 →
BWV 650
; /5 →
120.2
/8
00169
137/5
chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5)
SATB
28: 196
III/2.1: 56
after
Z 1912a
–c; text by
Neander
; →
BWV 120.2
/8
11220
chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen"
after
Z 1912a
–c; text by
Fritsch
138
1.
1723-09-05
Cantata
Warum betrübst du dich, mein Herz
(Trinity XV)
B min.
satbSATB 2Oba Str Bc
28: 197
I/22: 19
after
Z 1689a
; /4 →
BWV 236
/3
00170
139
1.
1724-11-12
Cantata
Wohl dem, der sich auf seinen Gott
(Trinity XXIII)
E maj.
satbSATB 2Oba Str Bc
28: 223
I/26: 97
after
Z 2383
; text after
Rube
fr
00171
140
1.
1731-11-25
Cantata
Wachet auf, ruft uns die Stimme
(Trinity XXVII)
E♭ maj.
stbSATB Hn 2Ob Tai Vl Str Bc
28: 249
I/27: 149
after
Z 8405a
, text after
Nicolai
; /4 →
BWV 645
00172
140/7
chorale setting "Wachet auf, ruft uns die Stimme" (s. 3)
SATB
28: 284
III/2.1: 19
III/2.2: 101
after
Z 8405a
, text by
Nicolai
11183
143
1.
c.
1709–1711
Cantata
Lobe den Herrn, meine Seele
(New Year)
B♭ maj.
stbSATB 3Hn Tmp Bas Str Bc
30: 43
I/4: 165
rev 2: 3
after
Z 4373
; text after
Ps 146
, by
Ebert
(/2, /7)
00175
C maj.
stbSATB 3Tr Tmp Bas Str Bc
rev 2: 119
144
1.
1724-02-06
Cantata
Nimm, was dein ist, und gehe hin
(Septuagesima)
B min.
satSATB 2Ob Oba Str Bc
30: 75
I/7: 1
after
Z 5629
(/3),
7568
(/6); text after
Mt 20
:14 (/1), by
Rodigast
(/3),
Albert of Prussia
(/6)
00176
144/3
chorale setting "Was Gott tut, das ist wohlgetan" (s. 1)
G maj.
SATB
30: 87
III/2.1: 34
III/2.2: 36
after
Z 5629
; text by
Rodigast
11204
144/6
chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1)
B min.
30: 92
III/2.1: 35
III/2.2: 157
after
Z 7568
; text by
Albert of Prussia
11205
145/1–5
1.
1729-04-19
Cantata
Ich lebe, mein Herze, zu deinem Ergötzen
(Easter 3)
D maj.
stbSATB Tr Fl 2Ob Str Bc
30: 104
I/10: 111
by
Bach, C. P. E.
?; after
Z 1743
(/5); text by
Picander
Herman
(/5)
00177
145/5
chorale setting "Erschienen ist der herrlich Tag" (s. 14)
F♯ min.
SATB
30: 122
III/2.2: 214
by
Bach, C. P. E.
?; after
Z 1743
; text by
Herman
11321
chorale setting "Erschienen ist der herrlich Tag"
E min.
III/2.2: 12
145/a
1.
chorale setting "Auf, mein Herz, des Herren Tag"
(s. 1)
D maj.
SATB (or) Org
30: 93
III/2.2: 195
by
Bach, C. P. E.
; after
Z 3432b
; text by
Neumann
10584
chorale setting "Jesus, meine Zuversicht"
by
Bach, C. P. E.
; after
Z 3432b
; text by
L. H. of Brandenb.
09019
146
1.
1726-05-12
or
1727-05-04
Cantata
Wir müssen durch viel Trübsal
(Jubilate)
D min.
satbSATB Fl 2Ob 2Oba Tai Str
Org
Bc
30: 123
I/11.2: 65
after
Z 6551
(/8); text after
Acts
14:22 (/2); /1 & /2 ↔
BWV 1052
/1 & /2
00179
147.2
1.
1723-07-02
Cantata
Herz und Mund und Tat und Leben
(Visitation)
D maj.
satbSATB Tr 2Ob Oba 2Odc Str Bc
30: 191
I/28: 63
after
BWV 147
.1/1–5 (/1, /3, /7, /5, /9),
Z 6551
(/6, /10); text by
Franck, S.
(/1, /3, /7, /5, /9),
Janus
(/6, /10)
00180
147.1
1.
1716-12-20
Cantata
Herz und Mund und Tat und Leben
(Advent IV)
D maj.
satbSATB Tr Ob Str Bc
I/1
text by
Franck, S.
Kolross
(/6); /1–/5 →
BWV 147
.2/1, /3, /7, /5, /9
00181
148
1.
1723-09-19
Cantata
Bringet dem Herrn Ehre seines Namens
(Trinity XVII)
D maj.
atSATB Tr 2Oba Odc Str Bc
30: 235
I/23: 253
after
Z 2164
(/6); text after
Picander
00182
148/6
chorale setting "Wo soll ich fliehen hin"
F♯ min.
F min.
SATB
30: 260
III/2.2: 16
after
Z 2164
; text by
Heermann
11291
149
1.
1729-09-29
Cantata
Man singet mit Freuden vom Sieg
(Michaelmas)
D maj.
satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc
30: 261
I/30: 97
after
BWV 208
/15 (/1),
Z 8326
(/7); text by
Picander
Schalling
(/7)
00183
149/1a
1.
Fall 1729
Cantata opening: "Concerto" (incomplete; abandoned alternative start of
BWV 149
?)
D maj.
SATB 3Tr Tmp 2Ob Str Bc
I/40
I/30
in SBB
P 175
; was BWV Anh. 198
01509
150
1.
1707-07-10
Cantata
Nach dir, Herr, verlanget mich
(Trinity III)
B min.
satbSATB Bas 2Vl Bc
30: 301
I/41: 3
text after
Ps 25
(/2, /4, /6)
00184
151
1.
1725-12-27
Cantata
Süßer Trost, mein Jesus kömmt
(Christmas 3)
G maj.
satbSATB Fl Vl Oba Str Bc
32: 1
I/3.1: 169
after
Z 198
(/5); text by
Lehms
Herman
(/5)
00185
151/5
chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8)
SATB
32: 16
III/2.2: 30
after
Z 198
; text by
Herman
11307
152
1.
1714-12-30
Cantata
Tritt auf die Glaubensbahn
(Christmas I)
E min.
sb Fl Ob Va Vdg Bc
32: 17
I/3.2: 3
text by
Franck, S.
; /1 ↔
BWV 536
/2, →
536a
/2
00186
153
1.
1724-01-02
Cantata
Schau, lieber Gott, wie meine Feind
(Christmas II)
A min.
atbSATB Str Bc
32: 41
I/4: 199
after
Z 4431
(/1),
5385a
(/5),
533a
(/9); text by
Denicke
(/1),
Gerhardt
(/5),
Moller
(/9), after
Is 14
:10 (/3)
00187
153/1
chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1)
A min.
SATB
32: 43
III/2.2: 3
after
Z 4431
; text by
Denicke
11288
chorale setting "Ach Gott, vom Himmel sieh darein"
after
Z 4431
; text by
Martin Luther
153/5
chorale setting "Befiehl du deine Wege" (s. 5)
A min.
SATB
32: 46
III/2.2: 14
after
Z 5385a
; text by
Gerhardt
11326
chorale setting "Herzlich tut mich verlangen"
after
Z 5385a
; text by
Knoll
153/9
chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18)
C maj.
SATB
32: 58
III/2.2: 128
after
Z 533a
; text by
Moller
11282
154
1.
1724-01-09
Cantata
Mein liebster Jesus ist verloren
(Epiphany I)
B min.
atbSATB 2Oba Str Hc Bc
32: 59
I/5: 89
after
Z 6551
(/3),
3449
(/8); text by
Janus
(/3),
Keymann
(/8), after
Lk 2
:49; /3 →
BWV 359
00188
154/3
chorale setting "Jesu, meiner Seelen Wonne" (s. 2)
A maj.
SATB
32: 65
III/2.1: 87
III/2.2: 137
after
Z 6551
; text by
Janus
; →
BWV 359
11249
chorale setting "Werde munter, mein Gemüte"
after
Z 6551
; text by
Rist
154/8
chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6)
D maj.
SATB
32: 82
III/2.1: 88
III/2.2: 88
after
Z 3449
; text by
Keymann
11251
155
1.
1716-01-19
1724-01-16
Cantata
Mein Gott, wie lang, ach lange?
(Epiphany II)
D min.
satbSATB Bas Str Bc
32: 83
I/5: 173
after
Z 4430
(/5); text by
Franck, S.
Speratus
(/5)
00189
155/5
chorale setting "Es ist das Heil uns kommen her" (s. 12)
F maj.
SATB
32: 96
III/2.2: 194
after
Z 4430
; text by
Speratus
11302
156
1.
1727-01-26
or
1729-01-23
Cantata
Ich steh mit einem Fuß im Grabe
(Epiphany III)
F maj.
satbSATB Ob Str Bc
32: 97
I/6: 91
after
Z 2383
(/2),
4438
(/6); text by
Picander
Schein
(/2),
Bienemann
de
(/6); /1 ↔
BWV 1056
/2
00190
156/6
chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1)
C maj.
SATB
32: 114
III/2.2: 185
after
Z 4438
; text by
Bienemann
de
11294
157.2
1.
after 1727-02-06
Cantata
Ich lasse dich nicht, du segnest mich denn
(funeral; later: Purification)
B min.
tbSATB Fl Ob Oba Va 2Vl Bc
32: 115
I/34: 41
after
Z 3449
(/5),
BWV 157
.1 (same text)
00191
157.1
1.
1727-02-06
Cantata
Ich lasse dich nicht, du segnest mich denn
(funeral)
tbSATB Fl Oba Va Bc
I/34
text by
Picander
Keymann
(/5), after
Gen 32
:27 (/1); →
BWV 157
.2
11366
158
1.
c.
1725–1735
Cantata
Der Friede sei mit dir
(Purification; later: Easter 3)
D maj.
sbSATB Ob Vl Bc
32: 141
I/10: 129
after
Z 6531
(/2),
7012a
(/4); text by
Albinus
(/2),
Luther
(/4; ↔
BWV 279
00192
158/4
chorale setting "Christ lag in Todes Banden" (s. 5)
E min.
SATB
32: 154
III/2.1: 24
III/2.2: 155
after
Z 7012a
; text by
Luther
; ↔
BWV 279
11187
159
1.
1729-02-27
Cantata
Sehet, wir gehn hinauf gen Jerusalem
(Estomihi)
C min.
satbSATB Ob Str Bc
32: 155
I/8: 153
after
Z 5385a
(/2),
6288a
–b (/5); text by
Picander
Gerhardt
(/2),
Stockmann
(/5), after
Lk 18
:31 (/1),
Jh 19:30
(/4)
00193
159/5
chorale setting "Jesu Leiden, Pein und Tod" (s. 33)
E♭ maj.
SATB
32: 168
III/2.1: 41
III/2.2: 33
after
6288a
–b; text by
Stockmann
11206
161
1.
1716-09-27
Cantata
Komm, du süße Todesstunde
(Trinity XVI; 1st version)
C maj.
atSATB 2Fl Str Org Bc
33: 1
I/23: 1, 33
after
Z 5385a
; text by
Franck, S.
Knoll
; →
BWV 161
, v2
00195
161/6
chorale setting "Herzlich tut mich verlangen" (s. 4)
A min.
SATB
33: 27
III/2.1: 29
III/2.2: 160
after
Z 5385a
; text by
Knoll
11194
chorale setting "Befiehl du deine Wege"
after
Z 5385a
; text by
Gerhardt
161, v2
1.
1723–1750?
Cantata
Komm, du süße Todesstunde
(Trinity XVI; 2nd version)
C maj.
satSATB 2Fl Str Bc
I/23: 33
after
BWV 161
; text by
Franck, S.
Knoll
00196
162.1
1.
1716-10-25
Cantata
Ach! ich sehe, itzt, da ich zur Hochzeit gehe
(Trinity XX)
A min.
satbSATB Str Bc
I/25: 1
after
Z 6783
(/6); text by
Franck, S.
Rosenmüller
(/6); →
BWV 162
.2
00197
162.2
1.
1723-10-10
Cantata
Ach! ich sehe, itzt, da ich zur Hochzeit gehe
(Trinity XX)
B min.
satbSATB Hn Str Bc
33: 29
(in
I/25: 23
after
BWV 162
.1 (same text)
11367
163
1.
1715-11-24
Cantata
Nur jedem das Seine
(Trinity XXIII)
B min.
satbSATB Str 2Vc Bc
33: 47
I/26: 77
after
Z 3449
(/5),
2177
(/6); text by
Franck, S.
Heermann
(/6)
00198
164
1.
1725-08-26
Cantata
Ihr, die ihr euch von Christo nennet
(Trinity XIII)
G min.
satbSATB 2Fl 2Ob Str Bc
33: 65
I/21: 57
after
Z 4297a
(/6); text by
Franck, S.
Cruciger
(/6)
00199
164/6
chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5)
B♭ maj.
SATB
33: 88
III/2.1: 59
III/2.2: 57
after
Z 4297a
; text by
Cruciger
11224
165
1.
1715-06-16
1724-06-04
Cantata
O heilges Geist- und Wasserbad
(Trinity)
G maj.
satbSATB Fag Str Bc
33: 89
I/15: 1
after
Z 159
(/6); text by
Franck, S.
Helmbold
(/6)
00200
166
1.
1724-05-07
Cantata
Wo gehest du hin?
(Cantate)
B♭ maj.
satbSATB Ob Str Bc
33: 105
I/12: 1
after
Z 4486
(/3),
2778
(/6); text by
Franck, S.
Ringwaldt
(/3),
E. J. of Schwarzburg-Rudolstadt
(/6), after
Jh 16
:5 (/1); /2 →
BWV 584
00201
166/6
chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1)
G min.
SATB
33: 122
III/2.2: 116
after
2778
; text by
E. J. of Schwarzburg-Rudolstadt
11311
167
1.
1723-06-24
Cantata
Ihr Menschen, rühmet Gottes Liebe
(24 June: feast of John the Baptist)
G maj.
satbSATB Tr Ob Odc Str Bc
33: 123
I/29: 1
after
Z 8244
(/5); text by
Gramann
(/5)
00202
168
1.
1725-07-29
Cantata
Tue Rechnung! Donnerwort
(Trinity IX)
B min.
satbSATB 2Oba Str Bc
33: 147
I/19: 87
after
Z 4486
(/6); text by
Franck, S.
Ringwaldt
(/6)
00203
168/6
chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8)
SATB
33: 166
III/2.2: 52
after
Z 4486
; text by
Ringwaldt
11198
169
1.
1726-10-20
Cantata
Gott soll allein mein Herze haben
(Trinity XVIII)
D maj.
aSATB 2Oba Tai Str Org Bc
33: 167
I/24: 59
after
Z 2029a
(/7); text by
Birkmann
Luther
(/7); /1 & /5 ↔
BWV 1053
/1 & /2
00204
169/7
chorale setting "Nun bitten wir den Heiligen Geist" (s. 3)
A maj.
SATB
33: 192
III/2.1: 30
III/2.2: 54
after
Z 2029a
; text by
Luther
11196
170
1.
1726-07-28
Cantata
Vergnügte Ruh, beliebte Seelenlust
(Trinity VI)
D maj.
a Oba Fl Str Org Bc
33: 193
I/17.2: 61
text by
Lehms
00205
171
1.
1729-01-01
Cantata
Gott, wie dein Name, so ist auch dein Ruhm
(New Year)
D maj.
satbSATB 3Tr Tmp 2Ob Str Bc
35: 1
I/4: 131
after
BWV 205
(/4),
41
/6 (/6); text by
Picander
Hermann
(/6)
00206
171/6
chorale setting "Jesu, nun sei gepreiset" (s. 2)
SATB
35: 32
after
BWV 41
/6; text by
Hermann
11253
172.1
1.
1714-05-20
Cantata
Erschallet, ihr Lieder, erklinget, ihr Saiten!
(Pentecost; 1st version = Weimar version; incomplete)
C maj.
(SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc)
I/13
after
Z 8359
(/6); text by
Franck, S.
?,
Nicolai
(/6), after
Jh 14
:23 (/2); →
BWV 172
.2
00207
172/6
chorale setting "Wie schön leuchtet der Morgenstern" (s. 4)
F maj.
SATB
35: 69
III/2.2: 187
after
Z 8359
; text by
Nicolai
11314
172.2
1.
1724-05-28
Cantata
Erschallet, ihr Lieder, erklinget, ihr Saiten!
(Pentecost; 2nd version = 1st Leipzig version)
D maj.
satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc
I/13: 1
after
BWV 172
.1 (same text); →
BWV 172
.3
00208
172.3
1.
1731-05-13
Cantata
Erschallet, ihr Lieder, erklinget, ihr Saiten!
(Pentecost; 3rd version = 2nd Leipzig version)
C maj.
satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc
35: 35
I/13: 33
after
BWV 172
.2 (same text)
00209
173.2
1.
1727-06-02
1731-05-14
Cantata
Erhöhtes Fleisch und Blut
(Pentecost 2)
D maj.
satbSATB 2Fl Str Bc
35: 71
I/14: 1
after
BWV 173.1
00210
173.1
1.
1722-12-10
Secular cantata
Durchlauchtster Leopold
(birthday of
Leopold of Anhalt-Köthen
D maj.
satbSATB 2Fl Str Bc
34: 1
I/35: 95
BWV 173
.2 (/1–/5, /8),
175
/4 (/7)
00211
174
1.
1729-06-06
Cantata
Ich liebe den Höchsten von ganzem Gemüte
(Pentecost 2)
G maj.
atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc
35: 103
I/14: 63
after
BWV 1048
/1 (/1),
Z 8326
(/5); text by
Picander
Schalling
(/5)
00212
174/5
chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1)
D maj.
SATB
35: 157
III/2.1: 78
III/2.2: 32
after
Z 8326
; text by
Schalling
11244
175
1.
1725-05-22
Cantata
Er rufet seinen Schafen mit Namen
(Pentecost 3)
G maj.
atbSATB 2Tr 3Fl Str Vc Bc
35: 159
I/14: 147
after
BWV 173.1
/7 (/4),
BWV 59
/3 (/7); text by
Ziegler, C. M.
Rist
(/7), after
Jh 10
:3 & 6 (/1 & /5)
00213
175/7
chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9)
SATB
35: 177
III/2.1: 76
after
Z 7445a
; text by
Rist
11243
chorale setting "Komm, Heiliger Geist, Herre Gott"
after
Z 7445a
; text by
Luther
176
1.
1725-05-27
Cantata
Es ist ein trotzig und verzagt Ding
(Trinity)
C min.
sabSATB 2Ob Odc Str Bc
35: 179
I/15: 17
after
Z 7246
(/6); text by
Ziegler, C. M.
Gerhardt
(/6), after
Jer 17
:9 (/1)
00214
176/6
chorale setting "Was alle Weisheit in der Welt" (s. 8)
SATB
35: 198
III/2.2: 67
after
Z 7246
; text by
Gerhardt
11296
chorale setting "Christ unser Herr zum Jordan kam"
after
Z 7246
; text by
Luther
177
1.
1732-07-06
Cantata
Ich ruf zu dir, Herr Jesu Christ
(Trinity IV)
G min.
satSATB 2Ob Odc Bas Vl Str Bc
35: 199
I/17.1: 77
after
Z 7400
; text by
Agricola, J.
00215
177/5
chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5)
G min.
E min
SATB
35: 234
III/2.1: 50
III/2.2: 40
11211
178
1.
1724-07-30
Cantata
Wo Gott der Herr nicht bei uns hält
(Trinity VIII)
A min.
atbSATB Hn 2Ob 2Oba Str Bc
35: 235
I/18: 159
after
Z 4441a
; text after
Jonas
00216
179
1.
1723-08-08
Cantata
Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei
(Trinity XI)
G min.
stbSATB 2Ob 2Odc Str Bc
35: 273
I/20: 55
after
Z 2778
(/6); text after
JS
1:34 (/1), by
Tietze
wikisource:de
(/6); /1 & /3 →
BWV 236
/1 & /5; /5 →
234
/4
00217
179/6
chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1)
A min.
SATB
35: 292
III/2.1: 55
III/2.2: 196
after
Z 2778
; text by
Tietze
wikisource:de
11218
chorale setting "Wer nur den lieben Gott lässt walten
after
Z 2778
; text by
Neumark
180
1.
1724-10-22
Cantata
Schmücke dich, o liebe Seele
(Trinity XX)
F maj.
satbSATB 2Fl Fl Ob Odc Str Vc Bc
35: 293
I/25: 41
after
Z 6923
; text after
Franck, J.
00218
180/7
chorale setting "Schmücke dich, o liebe Seele" (s. 9)
F maj.
E♭ maj.
SATB
35: 322
III/2.1: 24
III/2.2: 15
after
Z 6923
; text by
Franck, J.
11188
181
1.
1724-02-13
Cantata
Leichtgesinnte Flattergeister
(Sexagesima)
E min.
satbSATB Tr Fl Ob Str Bc
37: 1
I/7: 133
00219
182
1.
1714-03-25
Cantata
Himmelskönig, sei willkommen
(Palm Sunday)
B♭ maj.
atbSATB Fl (Ob 2)Vl 2Va Bc
I/8.2: 1
after
6288a
–b (/7); text by
Franck, S.
?,
Stockmann
(/7), after
Ps 40
:8–9 (/3)
00220
1724-03-25
1728-03-21
G maj.
37: 21
I/8.2: 43
183
1.
1725-05-13
Cantata
Sie werden euch in den Bann tun
(Exaudi)
A min.
satbSATB 2Oba 2Odc Str Vc Bc
37: 59
I/12: 187
after
Z 5267
(/5); text by
Ziegler, C. M.
Gerhardt
(/5), after
Jh 16
:2 (/1)
00221
183/5
chorale setting "Zeuch ein zu deinen Toren" (s. 5)
SATB
37: 74
III/2.2: 70
after
Z 5267
; text by
Gerhardt
11325
chorale setting "Helft mir Gotts Güte preisen"
after
Z 5267
; text by
Eber
184.2
1.
1724-05-30
1727-06-03
1731-05-15
Cantata
Erwünschtes Freudenlicht
(Pentecost 3)
G maj.
satSATB 2Fl Str Bc
37: 75
I/14: 119
after
BWV 184.1
/1–/4 & /6,
Z 5690
(/5); text by
Wildenfels
(/5)
00222
184.2/5
chorale setting "O Herre Gott, dein göttlich Wort" (s. 8)
D maj.
G maj.
SATB
37: 95
III/2.1: 17
III/2.2: 10
after
Z 5690
; text by
Wildenfels
11181
184.1
1.
1721-01-01
Secular cantata
(incomplete)
G maj.
sb 2Fl Vl Str Bc (?)
I/35
BWV 184
.2/1–/4, /6
00223
185.1
1.
1715-07-14
Cantata
Barmherziges Herze der ewigen Liebe
(Trinity IV)
F♯ min.
satbSATB Ob Str Bc
37: 101
I/17.1: 1
after
Z 7400
(/6); text by
Franck, S.
Agricola, J.
(/6); →
BWV 185
.2
00224
185/6
chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1)
SATB
37: 118
III/2.1: 50
after
Z 7400
; text by
Agricola, J.
11212
185.2
1.
1723-06-20
Cantata
Barmherziges Herze der ewigen Liebe
(Trinity IV)
G min.
satbSATB Tr Ob Str Bc
37: 101
I/17.1: 1
after
BWV 185
.1 (same text)
11368
186.2
1.
1723-07-11
Cantata
Ärgre dich, o Seele, nicht
(Trinity VII)
G min.
satbSATB 2Ob Tai Bas Str Bc
37: 119
I/18: 15
after
BWV 186
.1/1–/5 (/1, /3, /5, /8, /10),
Z 4430
(/6, /11); text by
Franck, S.
(/1, /3, /5, /8, /10),
Speratus
(/6, /11)
00225
186.1
1.
1716-12-13
Cantata
Ärgre dich, o Seele, nicht
(Advent III; incomplete)
stbSATB 2Ob Odc Tai Bas Str Bc
I/1
text by
Franck, S.
Helmbold
(/6); →
BWV 186
.2/1, /3, /5, /8, /10
00226
187
1.
1726-08-04
Cantata
Es wartet alles auf dich
(Trinity VII)
G min.
sabSATB 2Ob Str Bc
37: 155
I/18: 91
after
Z 4816e
(/7); text:
Meiningen
, after
Ps 104
:27–28 (/1),
Mt 6:31–32
(/4), by
Vogel
scores
(/7); /1, /3, /4, /5 →
BWV 235
/6, /4, /3, /5
00227
187/7
chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6)
SATB
37: 191
III/2.2: 61
after
Z 4816e
; text by
Vogel
scores
11344
188
1.
1728-10-17
Cantata
Ich habe meine Zuversicht
(Trinity XXI)
D min.
satbSATB 2Ob Tai Str Org Bc
37: 193
I/25: 265
after
Z 2164
(/6); text by
Picander
; /1 ↔
BWV 1052
/3
00228
190.1
1.
1724-01-01
Cantata
Singet dem Herrn ein neues Lied
(New Year; incomplete)
D maj.
atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc
37: 227
I/4: 1
after
Z 8652
(/1–/2),
8477a
(/7); text by
Luther
(/1–/2),
Hermann
(/7); →
BWV 190.2
/1, /2, /3, /5
00230
190/7
chorale setting "Jesu, nun sei gepreiset" (s. 2)
SATB
37: 257
III/2.2: 189
after
8477a
; text by
Hermann
(/7)
11306
190.2
1.
1730-06-25
Cantata
Singet dem Herrn ein neues Lied
(200th anniversary of the
Augsb. Confess.
; incomplete)
atbSATB 3Tr Tmp 3Ob Str Bc (?)
I/34
after
BWV 190
/1, /2, /3, /5; text by
Picander
Luther
(/1–/2, /7)
00231
191
1.
1743–1746
Cantata
Gloria in excelsis Deo
(Christmas)
D maj.
stSSATB 3Tr Tmp 2Fl 2Ob Str Bc
41: 1
I/2: 171
after
BWV 232
/4, /5, /8, /12; text:
Lk 2
:14,
doxology
00232
192
1.
autumn 1730?
Cantata
Nun danket alle Gott
(incomplete)
G maj.
sbSATB 2Fl 2Ob Str Bc
41: 65
I/34: 107
after
Z 5142
; text by
Rinkart
00233
193.2
1.
1727-08-25
Cantata
Ihr Tore zu Zion
(council election; incomplete)
D maj.
saSA(TB) 2Ob Str (Bc)
41: 91
I/32.1: 201
after
BWV 193.1
/1, /7, /9
00234
193.1
1.
1727-08-03
Secular cantata
Ihr Häuser des Himmels, ihr scheinenden Lichter
(name day of
Friedrich August II
; incomplete)
saSA(TB) 2Ob Str (Bc)
I/36
text by
Picander
; →
BWV 193
.2/1, /3, /5
00235
194.3
1.
1724-06-04
1731-05-20
Cantata
Höchsterwünschtes Freudenfest
(Trinity; 1st Leipzig version)
B♭ maj.
stbSATB 3Ob Bas Str Bc
29: 99
I/31: 145
after
BWV 194
.2 (same text); →
BWV 194
.4
00236
194.4
1.
1726-06-16
Cantata
Nun lasst uns Gott, dem Herren
(Trinity; 2nd Leipzig version)
B♭ maj.
stbSATB 3Ob Bas Str Bc
29: 99
I/31: 145, 235
after
BWV 194
.3/12, /2, /3, /4, /5, /7, /10
00237
194.2
1.
1723-11-02
Cantata
Höchsterwünschtes Freudenfest
Störmthal
version: consecration of church and organ)
B♭ maj.
sabSATB 3Ob Bas Str Bc
29: 99
I/31: 123
after
BWV 194
.1/1, /3, /5, /7, /9,
Z 6543
(/6),
159
(/12); text by
Heermann
(/6),
Gerhardt
(/12); →
BWV 194
.3
00238
194.2/6
chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7)
B♭ maj.
G maj.
SATB
29: 124
III/2.1: 20
III/2.2: 35, 152
after
Z 6543
; text by
Heermann
11184
chorale setting "Jesu, deine tiefen Wunden"
after
Z 6543
; text by
Heermann
chorale setting "Freu dich sehr, o meine Seele"
after
Z 6543
194.2/12
chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10)
B♭ maj.
SATB
29: 138
III/2.1: 20
III/2.2: 52, 152
after
Z 159
; text by
Gerhardt
11185
chorale setting "Nun lasst uns Gott dem Herren"
after
Z 159
; text by
Helmbold
194.1
1.
1717–1723?
Secular cantata model for church cantata versions of BWV 194
(incomplete)
B♭ maj.
3Ob Str &?
I/35
BWV 194
.2/1, /3, /5, /8, /10
00239
195.3
1.
c.
1748–1749
Cantata
Dem Gerechten muß das Licht
(wedding; last version)
D maj.
satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc
13
: 1
I/33: 171
after
BWV 195
.2,
Z 198
(/6); text after
Ps 97
:11–12 (/1), by
Gerhardt
(/6)
00242
195.1
1.
1727–1731
Cantata
Dem Gerechten muß das Licht
(wedding; 1st version, lost)
SATB 3Tr Tmp 2Fl 2Ob Str Bc
I/33
BWV 195
.2
00240
195.2
1.
c.
1742
Cantata
Dem Gerechten muß das Licht
(wedding; 2nd version, incomplete)
SATB &?
I/33
after
BWV 195
.1,
30.1
/5, /1 (/6, /8); text after
Ps 97
:11–12 (/1); →
BWV 195
.3
00241
196
1.
1708-06-05?
Cantata
Der Herr denket an uns
(wedding)
C maj.
stbSATB Str Bc
13
: 71
I/33: 1
text after
Ps. 115
: 12–15
00243
197.2
1.
1736–1737
Cantata
Gott ist unsre Zuversicht
(wedding)
D maj.
sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc
13
: 95
I/33: 117
after
Z 2029a
(/5),
2778
(/10),
BWV 197.1
/4, /6 (/6, /8); text by
Luther
(/5)
00244
197.2/5
chorale setting "Nun bitten wir den Heiligen Geist" (s. 3)
A maj.
SATB
13
: 128
III/2.2: 46
after
Z 2029a
; text by
Luther
11328
197.2/10
chorale setting "Wer nur den lieben Gott lässt walten"
B min.
SATB
13
: 144
III/2.2: 37
after
Z 2778
; text by
Neumark
11313
197.1
1.
1728-12-25
Cantata
Ehre sei Gott in der Höhe
(Christmas; incomplete)
D maj.
abSATB 2Fl Oba Bas Str Vc Bc
41: 109
I/2: 63
after
Z 5206b
–c (/7); text by
Picander
Ziegler, C.
(/7; ↔
BWV 398
), after
Lk 2
:14 (/1); /4 & /6 →
BWV 197.2
/6, /8
00245
197.1/7
chorale setting "Ich freue mich in dir" (s. 4)
SATB
41: 114
III/2.2: 182
after
Z 5206b
–c; text by
Ziegler, C.
; ↔
BWV 398
11298
chorale setting "O Gott, du frommer Gott"
after
Z 5206b
–c; text by
Heermann
; ↔
BWV 398
198
1.
1727-10-17
Secular cantata
Laß, Fürstin, laß noch einen Strahl
a.k.a.
Trauer-Ode
(funeral ceremony for
Christiane Eberhardine
B min.
satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc
13
: 1
44: 54
I/38: 179
text by
Gottsched, J. C.
; ↔
BWV 244a
247
00246
199.2
1.
1720–1721
Cantata
Mein Herze schwimmt im Blut
(Trinity XI; Köthen version; incomplete)
D min.
s Ob Str Vdg Bc
41: 202
I/20: 48
after
BWV 199
.1 (same text); →
199
.3
00247
199.3
1.
1723-08-08
Cantata
Mein Herze schwimmt im Blut
(Trinity XI; Leipzig version)
D min.
s Ob Str Vc Bc
I/20: 23
after
BWV 199
.2 (same text)
00248
199.1
1.
1714-08-12
Cantata
Mein Herze schwimmt im Blut
(Trinity XI; Weimar version)
C min.
s Ob Str Bc
NBG 13
I/20: 1
text by
Lehms
Heermann
(/6); →
BWV 199
.2
00249
200
1.
1742–1743 (JSB)
Aria
Bekennen will ich seinen Namen
E maj.
a (2Vl) Bc
I/28.1: 189
after
Stölzel
; text after
Lk 2
:29–32
00250
201
1.
autumn 1729
Secular cantata
Geschwinde, ihr wirbelnden Winde
a.k.a.
Der Streit zwischen Phoebus und Pan
(dramma per musica)
D maj.
sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc
11
: 1
44: 85
I/40: 117
text by
Picander
; /7 →
BWV 212
/20
00251
202
1.
c.
1718?
Secular cantata
Weichet nur, betrübte Schatten
(wedding)
G maj.
s Ob Str Bc
11
: 73
I/40: 1
in D-LEb
Peters Ms. R 8
00252
203
1.
c.
1720?
Secular cantata
Amore traditore
A min.
b Hc
11
: 91
I/41: 31
00253
204
1.
1726–1727
Secular cantata
Ich bin in mir vergnügt
a.k.a.
Von der Vergnügsamkeit
B♭ maj.
s Fl 2Ob Str Bc
11
: 103
I/40: 79
text after
Hunold
00254
205.1
1.
1725-08-03
Secular cantata
Zerreißet, zersprenget, zertrümmert die Gruft
a.k.a.
Der zufriedengestellte Aeolus
(dramma per musica for
August Friedrich Müller
D maj.
satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc
11
: 137
44: 39
I/38: 1
text by
Picander
; →
BWV 205.2
/1–/7, /9–/11, /13, /15,
171
/4,
216
/7
00255
205.2
1.
1734-02-19
Secular cantata
Blast Lärmen, ihr Feinde
(dramma per musica; music lost but largely reconstructable; coronation of
Augustus III
satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc
I/37
after
BWV 205.1
/1–/7, /9–/11, /13, /15; text by
Picander
00256
206.1
1.
1736-10-07
(1734?)
Secular cantata
Schleicht, spielende Wellen
(dramma per musica; 1st version: birthday of
Augustus III
D maj.
satbSATB 3Tr Tmp 3Fl 2Oba Str Bc
20
: 1
I/36: 157
BWV 206
.2
00257
206.2
1.
1740-08-03
Secular cantata
Schleicht, spielende Wellen
(dramma per musica; 2nd version: name day of
Augustus III
D maj.
satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc
I/36: 157
after
BWV 206
.1
00258
207.1
1.
1726-12-11
Secular cantata
Vereinigte Zwietracht der wechselnden Saiten
(dramma per musica; appointment of professor Gottlieb Kortte)
D maj.
satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc
20
: 71
I/38: 97
after
BWV 1046
/3 (/1); →
BWV 207.2
/1, /3, /5, /7–/9
00259
207.2
1.
1735-08-03
Secular cantata
Auf, schmetternde Töne der muntern Trompeten
(dramma per musica; name day of
Augustus III
D maj.
satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc
20
: 139
34: 345
I/37: 1
after
BWV 207.1
/1, /3, /5, /7–/9
00260
208.1
1.
1713-02-23
Secular cantata
Was mir behagt, ist nur die muntre Jagd
a.k.a.
Hunting Cantata
(1st version: birthday of
Christian of Saxe-Weissenfels
F maj.
sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)
29: 1
I/35: 1
text by
Franck, S.
; →
BWV 208.2
1040
68
/4, /2,
149
/1
00261
1040
1.
1713-02-23
Trio
(a.k.a. (Canonic) Trio Sonata; postlude to the
Hunting Cantata
?)
F maj.
Vl Ob Bc
29: 230
I/35: 1
after
BWV 208.1
/13; =
BWV 208.1
/13a
01222
208.2
1.
c.
1715
Secular cantata
Was mir behagt, ist nur die muntre Jagd
a.k.a.
Hunting Cantata
(2nd version: for
Ernst August I of Saxe-Weimar
F maj.
sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)
29: 1
I/35: 1
after
BWV 208.1
(near-identical text); →
BWV 208.3
00262
208.3
1.
1742-08-03
Secular cantata
Was mir behagt, ist nur die muntre Jagd
(3rd version: name day of
Augustus III
F maj.
sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)?
I/37
after
BWV 208.2
; text after
Franck, S.
00263
209
1.
1747?
Secular cantata
Non sa che sia dolore
(farewell of Lorenz Albrecht Beck?)
B min.
s Fl Str Bc
29: 43
I/41: 43
text after
Metastasio
00264
210.2
1.
1741-09-19
Secular cantata
O holder Tag, erwünschte Zeit
(wedding)
A maj.
s Fl Oba Str Hc Vne
29: 67
I/40: 35
after
BWV 210.1
/1–/2, /4, /8, /10
00265
210.1
1.
1729-01-12
Secular cantata
O angenehme Melodei
(incomplete; homage to
Christian of Saxe-Weissenfels
A maj.
s (Fl Oba Str Bc)?
29: 245
I/39: 141
BWV 210.2
/1–/2, /4, /8, /10
00266
211
1.
c.
1734
Secular cantata
Schweigt stille, plaudert nicht
a.k.a.
Coffee Cantata
G maj.
stb Fl Str Hc Bc
29: 139
44: 86
I/40: 193
text by
Picander
00267
212
1.
1742-08-30
Secular cantata
Mer hahn en neue Oberkeet
a.k.a.
Peasant Cantata
(Cantate burlesque; homage to Carl Heinrich von Dieskau)
G maj.
sb Hn Fl Str Bc
29: 173
44: 132
I/39: 151
after
BWV 1157
/9 (/14),
201
/7 (/20); text by
Picander
00268
213
1.
1733-09-05
Secular cantata
Laßt uns sorgen, laßt uns wachen
a.k.a.
Hercules auf dem Scheidewege
(dramma per musica; birthday of
Frederick Christian of Saxony
F maj.
satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc
34: 119
I/36: 1
text by
Picander
; /1, /3, /5, /7, /9, /11 →
BWV 248
/36, /19, /39, /41, /4, /29
00269
214
1.
1733-12-08
Secular cantata
Tönet, ihr Pauken! Erschallet, Trompeten!
(birthday of queen
Maria Josepha
D maj.
satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc
34: 175
I/36: 89
text by
Picander
; /1, /5, /7, /9 →
BWV 248
/1, /15, /8, /24
00270
215
1.
1734-10-05
Secular cantata
Preise dein Glücke, gesegnetes Sachsen
(anniversary of the election of
Augustus III
as king of Poland)
D maj.
stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc
34: 243
I/37: 85
after
BWV 1157
/1 (/1)?; text by
Clauder
fr
; /7 →
BWV 248
/47
00271
216.1
1.
1728-02-05
Secular cantata
Vergnügte Pleißenstadt
(wedding; incomplete)
C maj.
sa &?
I/40: 21
after
BWV 204
/8 (/3),
205
.1/13 (/7); text by
Picander
; →
BWV 216.2
/1, /3, /5, /7
00272
216.2
1.
1728–1731
Secular cantata
Erwählte Pleißenstadt
a.k.a.
Apollo et Mercurius
(incomplete)
at &?
I/39
after
BWV 216.1
/1, /3, /5, /7; text by
Meißner
scores
after
Picander
00273
2.
Motets (see also:
List of motets by Johann Sebastian Bach
Up ↑
225
2.
1726–1727
New Year?
Motet
Singet dem Herrn ein neues Lied
B♭ maj.
2SATB (+
colla parte
instr.?)
39: 3
III/1: 1
after
Z 8244
(/2); text after
Ps. 149
: 1–3 (/1), by
Gramann
after
Ps. 103
(/2), after
Ps. 150
: 2, 6 (/3)
20
00282
226
2.
1729-10-20
Motet
Der Geist hilft unser Schwachheit auf
(funeral of
Ernesti, J. H.
B♭ maj.
2SATB Str Vc 2Ob Tai Bas
39: 39
143
III/1: 37
after
Z 7445a
(/2); text after
Rom.
8: 26–27 (/1), by
Luther
(/2)
20
00283
226/2
chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3)
B♭ maj.
G maj.
SATB
39: 57
III/2.1: 18
III/2.2: 38
after
Z 7445a
; text by
Luther
11182
227
2.
c.
1723–1735
Motet
Jesu, meine Freude
E min.
SSATB (+
colla parte
instr.?)
39: 59
III/1: 75
after
Z 8032
(odd
mvts
); text by
Franck, J.
(odd mvts), after
Rom.
8: 1–2, 9–11 (even mvts)
20
00284
227/1
227/11
chorale setting "Jesu, meine Freude" (ss. 1, 6)
SATB
39: 61
III/2.1: 27
III/2.2: 156
after
Z 8032
; text by
Franck, J.
11200
227/3
chorale setting "Jesu, meine Freude" (s. 2)
SATB
39: 66
III/2.1: 28
after
Z 8032
; text by
Franck, J.
11201
227/7
chorale setting "Jesu, meine Freude" (s. 4)
SATB
39: 75
III/2.1: 22
III/2.2: 168
after
Z 8032
; text by
Franck, J.
11202
228
2.
c.
1715
Motet
Fürchte dich nicht
A maj.
2SATB (+
colla parte
instr.?)
39: 85
III/1: 105
after
Z 6461
(/2); text after
Is.
41: 10 (/1), 43: 1 (/2), by
Gerhardt
(/2)
20
00285
229
2.
before 1731–1732
Motet
Komm, Jesu, komm
G min.
2SATB (+
colla parte
instr.)
39: 107
III/1: 125
text by
Thymich
20
00286
230
2.
1723–1739?
Motet
Lobet den Herrn, alle Heiden
C maj.
SATB Bc (+
colla parte
instr.?)
39: 127
III/1: 147
text after
Ps. 117
20
00287
231
see
BWV 28/2a
00288
118.1
2.
1736–1737
Motet
O Jesu Christ, meins Lebens Licht
(funeral)
B♭ maj.
SATB 2Hn Cnt 3Tbn
24: 185
III/1: 163
text by
Behm
; →
BWV 118
.2
20
00143
118.2
2.
1746–1747
Motet
O Jesu Christ, meins Lebens Licht
(funeral)
B♭ maj.
SATB 2Ob Tai Bas 2Hn Str Bc
NBG 17
III/1: 171
text by
Behm
; after
BWV 118
.1
20
11121
3.
Masses, Mass movements, Magnificat (see also:
List of Masses, Mass movements and Magnificats by Johann Sebastian Bach
Up ↑
232
3.
Aug. 1748 – Oct. 1749 (compilation, completion)
Mass
a.k.a.
Hohe Messe
Mass in B minor
B min.
ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc
II/1
rev 1
after
BWV 232
e. v.
II
e. v.,
III
e. v.,
171
/1,
12
/2,
120
/2,
Anh. 11
/1,
Anh. 196
/3; text after
Ordinarium Missae
00289
232
e. v.
3.
1733-07-27
Kyrie–Gloria Mass for the Dresden court
(Mass in B Minor, Part I: Missa; early version)
B min.
ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc
II/1a
after
BWV 29
/1,
46
/1; text from
Ordinarium Missae
; →
BWV 191
232
00290
233
3.
1738–1739?
Kyrie–Gloria Mass
F maj.
sabSATB 2Hn 2Ob Bas Str Bc
8: 1
II/2: 197
after
BWV 233a
102
/3, /5,
40
/1; text from
Ordinarium Missae
00291
233a
3.
1708-04-06?
Kyrie "Christe, du Lamm Gottes"
F maj.
SSATB Bc
41: 187
II/2: 285
text after
Ordinarium Missae
; →
BWV 233
/1
00292
234
3.
c.
1738
Kyrie–Gloria Mass
A maj.
sabSATB 2Fl Str Bc
8: 51
II/2: 1
after
BWV 67
/6,
138
/5,
179
/5,
79
/2; text from
Ordinarium Missae
00293
235
3.
1738–1739?
Kyrie–Gloria Mass
G min.
atbSATB 2Ob Str Bc
8: 99
II/2: 127
after
BWV 102
/1,
72
/1,
187
/4, /3, /5, /1; text from
Ordinarium Missae
00294
236
3.
1738–1739?
Kyrie–Gloria Mass
G maj.
satbSATB 2Ob Str Bc
8: 155
II/2: 61
after
BWV 179
/1, /3,
79
/1, /5,
138
/5,
17
/1; text from
Ordinarium Missae
00295
1081
3.
c.
1747 – Aug. 1748
Credo intonation
for Mass No. 5 in F major of
G. B. Bassani
's
Acroama Missale
F maj.
SATB Bc
II/2
BNB I/B/48
; text from
Credo
01267
237
3.
1723-06-24?
Sanctus
C maj.
SATB 3Tr Tmp 2Ob Str Bc
11
: 67
II/2: 311
text from
Sanctus
00296
238
3.
1723-12-25
1736–1737
Sanctus
D maj.
SATB Cnt Str Bc
11
: 79
II/2: 325
text from
Sanctus
00297
240
3.
1742 (JSB)
Sanctus
G maj.
SATB 2Ob Str Bc
11
: 93
II/9: 3
text from
Sanctus
00299
241
3.
Jul. 1747 – Aug. 1748 (JSB)
Sanctus
of
Missa superba
D maj.
2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc
41: 177
II/9: 45
after
Kerll
; text from
Sanctus
00300
242
3.
1727–1732 (JSB)
Christe eleison
for a
Kyrie-Gloria Mass in C minor
by
F. Durante
G min.
SA Bc
41: 197
II/2: 295
text from
Kyrie
; →
BWV Anh. 26
/2
00301
243.2
3.
1733-07-02?
1732–1735
Magnificat
(2nd version: Visitation?)
D maj.
ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc
11
: 1
II/3: 65
after
BWV 243.1
(same text)
00302
243.1
3.
1723-07-02
1723-12-25
Magnificat
(1st version:Visitation, and with 4 laudes added: Christmas)
E♭ maj.
ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc
11
: 103
II/3: 1
after
Magnificat peregrini toni
(/10); text:
Magnificat
; →
BWV 243.2
00303
1082
3.
1740–1742 (JSB)
Suscepit Israel
from a
Magnificat
by
A. Caldara
E min.
SATB 2Vl Bc
II/9: 59
after
Caldara
BNB I/C/1
); text from
Magnificat
01268
1083
3.
1745–1747 (JSB)
Cantata
Tilge, Höchster, meine Sünden
sa 2Vl Str Vne Vc Bc
I/41: 169
after
Pergolesi
Stabat Mater
); text after
Ps. 51
01269
4.
Passions, Oratorios (see also:
List of Passions and Oratorios by Johann Sebastian Bach
Up ↑
244.2
4.
1736-03-30
1742
1743–1746
Passion
St Matthew Passion
(later versions; Good Friday)
E min.
2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc
44: 58
II/5
after
BWV 244.1
245.2
(/29); text by
Picander
Decius
(/1),
Heermann
(/3, /19, /46),
Gerhardt
(/10, /15, /17, /37, /44, /54, /62),
Albert of Prussia
(/25),
Heyden
(/29),
Reusner
(/32),
Rist
(/40), after
Mt 26
27
Sng 6
:1 (/30)
00304
244a
see
BWV 1143
00305
244.1
4.
1727-04-11
Passion
St Matthew Passion
(early version; Good Friday)
E min.
satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc
II/5a
II/5b
after
Z 4361a
(/1),
983
(/3, /19, /46),
2293b
(/10, /37),
5385a
(/15, /17, /44, /54, /62),
7568
(/25),
3449
(/29),
2461c
(/32),
6551
(/40); text by
Picander
Heermann
(/3, /19, /46),
Gerhardt
(/10, /15, /17, /37, /44, /54, /62),
Albert of Prussia
(/25),
Keymann
(/29),
Reusner
(/32),
Rist
(/40), after
Mt 26
27
Sng 6
:1 (/30); ↔
BWV 198
1143
; →
BWV 244.2
00306
244/3
chorale setting "Herzliebster Jesu" (s. 1)
B min.
SATB
4: 23
III/2.2: 43
after
Z 983
; text by
Heermann
11349
244/10
chorale setting "O Welt, sieh hier dein Leben" (s. 5)
A♭ maj.
SATB
4: 42
III/2.2: 66
after
Z 2293b
; text by
Gerhardt
11351
chorale setting "Nun ruhen alle Wälder"
244/15
chorale setting "O Haupt voll Blut und Wunden" (s. 5)
E maj.
D maj.
SATB
4: 51
III/2.2: 55
after
Z 5385a
; text by
Gerhardt
11358
244/17
chorale setting "O Haupt voll Blut und Wunden" (s. 6; in BWV 244.1: s. 7?)
E♭ maj.
D maj.
4: 53
244/25
chorale setting "Was mein Gott will, das gscheh allzeit" (s. 1)
B min.
SATB
4: 83
III/2.2: 64
after
Z 7568
; text by
Albert of Prussia
11353
244/32
chorale setting "In dich hab ich gehoffet, Herr" (s. 5)
B♭ maj.
SATB
4: 151
III/2.2: 66
after
Z 2461c
; text by
Reusner
11354
244/37
chorale setting "O Welt, sieh hier dein Leben" (s. 3)
F maj.
SATB
4: 164
III/2.2: 29
after
Z 2293b
; text by
Gerhardt
11352
chorale setting "In allen meinen Taten"
after
Z 2293b
; text by
Fleming
244/40
chorale setting "Werde munter, mein Gemüte" (s. 6)
A maj.
SATB
4: 173
III/2.1: 95
III/2.2: 68
after
Z 6551
; text by
Rist
11254
chorale setting "Jesu, meiner Seelen Wonne"
after
Z 6551
; text by
Janus
244/44
chorale setting "Befiehl du deine Wege" (s. 1)
D maj.
SATB
4: 186
III/2.2: 49
after
Z 5385a
; text by
Gerhardt
11355
chorale setting "O Haupt voll Blut und Wunden"
244/46
chorale setting "Herzliebster Jesu" (s. 4)
B min.
SATB
4: 192
III/2.2: 59
after
Z 983
; text by
Heermann
11350
244/54
chorale setting "O Haupt voll Blut und Wunden" (ss. 1–2)
F maj.
SATB
4: 214
III/2.2: 41
after
Z 5385a
; text by
Gerhardt
11356
244/62
chorale setting "O Haupt voll Blut und Wunden" (s. 9)
A min.
B min.
SATB
4: 248
III/2.2: 50
11357
245.1
4.
1724-04-07
Passion
St John Passion
(1st version; Good Friday)
G min.
satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc
12
44: 26
II/4: 40
after
Z 983
(/3, /17),
2561
(/5),
2293b
(/11),
6288a
–b (/14, /28, /32),
6283b
(/15, /37),
2383
(/22),
5404a
(/26),
8326
(/40); text after
Jh 18
19
Mt 26:75
(/12),
Mk 15:38
(/33), by
Heermann
(/3, /17),
Luther
(/5),
Brockes
(/7, /19, /20, /24, /32, /34, /35, /39),
Gerhardt
(/11),
Weise
(/13),
Stockmann
(/14, /28, /32),
Weiße
(/15, /37),
Postel
(/19, /22, /30),
Herberger
(/26),
Schalling
(/40); →
BWV 245
.2–5
00307
245.1/3
chorale setting "Herzliebster Jesu" (s. 7)
G min.
SATB
III/2.1: 93
after
Z 983
; text by
Heermann
11255
245/3
c.
1740
12
: 17
III/2.2: 33
245.1/5
1724-04-07
chorale setting "Vater unser im Himmelreich" (s. 4)
D min.
SATB
III/2.1: 94
III/2.2: 27
after
Z 2561
; text by
Luther
after
Mt 6:9–13
; ↔
BWV 416
11256
245/5
c.
1740
12
: 18
after
Z 2561
; text by
Luther
after
Mt 6:9–13
245/11
1724-04-07
chorale setting "O Welt, sieh hier dein Leben" (ss. 3–4)
A maj.
SATB
12
: 31
III/2.1: 94
III/2.2: 35
after
Z 2293b
; text by
Gerhardt
; →
BWV 395
11257
chorale setting "Nun ruhen alle Wälder"
245/14
chorale setting "Jesu Leiden, Pein und Tod" (s. 10)
A maj.
SATB
12
: 39
III/2.2: 46
after
Z 6288a
–b; text by
Stockmann
11273
245/15
chorale setting "Christus, der uns selig macht" (s. 1)
A min.
SATB
12
: 43
III/2.2: 44
after
Z 6283b
; text by
Weiße
after "
Patris sapientia
11274
245/17
chorale setting "Herzliebster Jesu" (ss. 8–9)
A min.
SATB
12
: 52
III/2.1: 95
III/2.2: 62
after
Z 983
; text by
Heermann
11258
245/22
chorale setting "Durch dein Gefängnis Gottes Sohn"
E maj.
SATB
12
: 74
III/2.2: 181
after
Z 2383
; text by
Postel
11275
chorale setting "Machs mit mir, Gott, nach deiner Güt"
after
Z 2383
; text by
Schein
245/26
chorale setting "Valet will ich dir geben" (s. 3)
E♭ maj.
SATB
12
: 95
III/2.1: 96
III/2.2: 60
after
Z 5404a
; text by
Herberger
11259
245/28
chorale setting "Jesu Leiden, Pein und Tod" (s. 20)
A maj.
SATB
12
: 103
III/2.2: 59
after
Z 6288a
–b; text by
Stockmann
11276
245/37
chorale setting "Christus, der uns selig macht" (s. 8)
B♭ min.
SATB
12
: 121
III/2.2: 63
after
Z 6283b
; text by
Weiße
after "
Patris sapientia
11277
245/40
chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 3)
E♭ maj.
SATB
12
: 131
III/2.2: 60
after
Z 8326
; text by
Schalling
11278
245.2
4.
1725-03-30
Passion
St John Passion
(2nd version; Good Friday)
E♭ maj.
satbSATB 2Fl 2Ob 2Odc Str Vdg Bc
12
II/4: 167
after
Z 8303
(/1),
BWV 245
.1,
23
/4 (/40); text by
Heyden
(/1),
Heermann
(/3, /17),
Luther
(/5, /40),
Brockes
(/7, /24, /32, /34, /35, /39),
Gerhardt
(/11),
Birkmann
(a, b, c)
Stockmann
(a, /14, /28, /32),
Weiße
(/15, /37),
Postel
(/22, /30),
Herberger
(/26), after
Jh 18
19
Mt 26:75
(/12),
Mt 27
:51 (/33); →
BWV 245
.3; /1 →
BWV 244.2
/29,
00308
245.3
4.
1730-04-07
Passion
St John Passion
(3rd version; Good Friday)
satbSATB 2Fl 2Ob Str Vdg Org Bc
12
44: 26
II/4: 206
after
BWV 245
.1–.2; text after
Jh 18
19
, by
Heermann
(/3, /17),
Luther
(/5),
Brockes
(/7, /19, /20, /24, /32, /39),
Gerhardt
(/11),
Stockmann
(/14, /28, /32),
Weiße
(/15, /37),
Postel
(/19, /22, /30),
Herberger
(/26); →
BWV 245
.4–5
00309
245.4
4.
1739
Passion
St John Passion
(incomplete revision)
satbSATB Fl 2Ob Str Bc
12
44: 26
II/4
after
BWV 245
.1–.3; text by
Heyden
(/1),
Heermann
(/3),
Luther
(/5), after
Jh 18
; →
BWV 245
.5
11076
245.5
4.
1749-04-04
Passion
St John Passion
(4th version; Good Friday)
satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc
12
44: 26
II/4
after
BWV 245
.1–4; text after
Jh 18
19
Mt 26:75
(/12),
Mt 27
:51 (/33), by
Heermann
(/3, /17),
Luther
(/5),
Brockes
(/7, /19, /24, /32, /34, /35, /39),
Gerhardt
(/11),
Weise
(/13),
Stockmann
(/14, /28, /32),
Weiße
(/15, /37),
Postel
(/19, /22, /30),
Herberger
(/26),
Schalling
(/40)
00310
246/40a
4.
1743–1745 (JSB)
Chorale
Aus der Tiefen rufe ich
, No. 40 of
St Luke Passion
t Str Bc (?)
II/9: 65
after
BWV 246
/40
00312
247
4.
1731-03-23
1744-04-03
Passion
St Mark Passion
(Good Friday; music lost but in part reconstructable)
satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?)
II/5
text by
Picander
Jonas
Reusner
Gerhardt
Rist
Kritzelmann
de
Schein
Stockmann
Franck, J.
Homburg
de
Luther
Spee
; after
BWV 198
/1, /5, /3, /8, /10 (or
244a
/7),
54
/1,
248
/28?, /45,
/2?
00313
1088
4.
c.
1750?
Arioso
So heb ich denn mein Auge sehnlich auf
, No. 20 in Passion Oratorio
Wer ist der, so von Edom kömmt
(Good Friday)
b 2Bas Bc (?)
I/41: 125
01274
248
4.
1734-12-25 – 1735-01-06
Oratorio
Christmas Oratorio
(Christmastide)
D maj.
satbSATB 3Tr 2Hn Tmp 2Fl 2Ob 2Oba 2Odc Str Bc
44: 125
II/6
after
BWV 214
(/1, /8, /15, /24),
213
(/4, /19, /29, /36, /39, /41),
215
(/47),
248
VI
(/54, /56–/57, /61–/64),
Z 5385a
(/5, /64),
1947
(/7, /28),
346
(/9, /17, /23),
5741b
(/12),
6462
(/33),
2072
(/35),
2461c
(/46),
3614b
(/53),
4429a
(/59); text by
Picander
?,
Gerhardt
(/5, /17, /23, /33, /59),
Luther
(/7, /9, /28),
Rist
(/12, /38, /40, /42),
Runge
s:de
(/35),
Weissel
(/46),
Franck, J.
(/53),
Werner
(/64), after
Lk 2
:1–21,
Mt 2
:1–12
00314
248
4.
1734-12-25
Cantata
Jauchzet, frohlocket, auf, preiset die Tage
Christmas Oratorio
, Part I; Christmas)
D maj.
satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc
: 2
44: 125
II/6: 1
after
BWV 214
/1 & /7 (/1 & /8),
213
/9 (/4),
Z 5385a
(/5),
1947
(/7),
346
(/9); text by
Picander
?,
Gerhardt
(/5),
Luther
(/7, /9), after
Lk 2
:1, 3–7
11385
248/5
chorale setting "Wie soll ich dich empfangen" (s. 1)
A min.
SATB
: 36
III/2.2: 199
after
Z 5385a
; text by
Gerhardt
11279
chorale setting "O Haupt voll Blut und Wunden"
248/9
chorale setting "Vom Himmel hoch da komm ich her" (s. 13)
D maj.
SATB
: 47
III/2.2: 26
after
Z 346
; text by
Luther
11280
248
II
4.
1734-12-26
Cantata
Und es waren Hirten in derselben Gegend
Christmas Oratorio
, Part II; Christmas 2)
G maj.
satbSATB 2Fl 2Oba 2Odc Str Bc
: 50
44: 126
II/6: 55
after
Z 5741b
(/3),
346
(/8, /14),
BWV 214
/5 (/6),
213
/3 (/10); text by
Picander
?,
Rist
(/3),
Gerhardt
(/8, /14), after
Lk 2
: 8–14
11386
248/12
chorale setting "Ermuntre dich, mein schwacher Geist" (s. 9)
G maj.
SATB
: 59
III/2.1: 83, 92
III/2.2: 7, 207
after
Z 5741b
; text by
Rist
11260
chorale setting "Du Lebensfürst, Herr Jesu Christ"
248/17
chorale setting "Schaut, schaut, was ist für Wunder dar" (s. 8)
C maj.
SATB
: 66
III/2.1: 84
after
Z 346
; text by
Gerhardt
11261
chorale setting "Vom Himmel hoch da komm ich her"
after
Z 346
; text by
Luther
248/23
chorale setting "Wir singen dir, Immanuel" (s. 2)
G maj.
SATB
: 90
III/2.2: 198
after
Z 346
; text by
Gerhardt
11281
chorale setting "Vom Himmel hoch da komm ich her"
after
Z 346
; text by
Luther
248
III
4.
1734-12-27
Cantata
Herrscher des Himmels, erhöre das Lallen
Christmas Oratorio
, Part III; Christmas 3)
D maj.
satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc
: 94
II/6: 107
after
BWV 214
/9 (/1=/13),
213
/11 (/6),
Z 1947
(/5),
6462
(/10),
2072
(/12); text by
Picander
?,
Luther
(/5),
Gerhardt
(/10),
Runge
s:de
(/12), after
Lk 2
: 15–20
11387
248/28
chorale setting "Gelobet seist du, Jesu Christ" (s. 7)
D maj.
SATB
: 110
III/2.1: 85
after
Z 1947
; text by
Luther
11262
248/33
chorale setting "Fröhlich soll mein Herze springen" (s. 15)
G maj.
SATB
: 124
III/2.1: 86
III/2.2: 81
after
Z 6462
; text by
Gerhardt
11264
chorale setting "Warum sollt ich mich denn grämen"
248/35
chorale setting "Laßt Furcht und Pein" (s. 4)
F♯ min.
SATB
: 126
III/2.1: 86
III/2.2: 206
after
Z 2072
; text by
Runge
s:de
11263
chorale setting "Wir Christenleut"
after
Z 2072
; text by
Füger
248
IV
4.
1735-01-01
Cantata
Fallt mit Danken, fallt mit Loben
Christmas Oratorio
, Part IV; New Year)
F maj.
satbSATB 2Hn 2Ob Str Bc
: 128
II/6: 143
after
BWV 213
/1, /5, /7 (/1, /4, /6); text by
Picander
?,
Rist
(/3, /5, /7), after
Lk 2
: 21
11388
248/42
chorale setting "Hilf, Herr Jesu, laß gelingen" (s. 15)
SATB
: 166
III/2.1: 99
III/2.2: 211
text by
Rist
11266
chorale setting "Jesu, meiner Seelen Wonne"
text by
Janus
248
4.
1735-01-02
Cantata
Ehre sei dir, Gott, gesungen
Christmas Oratorio
, Part V; New Year I)
A maj.
satbSATB 2Oba Str Bc
: 172
II/6: 199
after
BWV 247
/39b (/3),
215
/7 (/5),
Z 2461c
(/4),
3614b
(/11); text by
Picander
?,
Weissel
(/4),
Franck, J.
(/11), after
Mt 2
:1–6
11389
248/46
chorale setting "Nun, liebe Seel, nun ist es Zeit" (s. 5)
SATB
: 190
III/2.1: 87
III/2.2: 43
after
Z 2461c
; text by
Weissel
11265
chorale setting "In dich hab ich gehoffet, Herr"
after
Z 2461c
; text by
Reusner
248/53
chorale setting "Ihr Gestirn, ihr hohlen Lüfte" (s. 9)
SATB
: 208
III/2.1: 100
III/2.2: 21
after
Z 3614b
; text by
Franck, J.
11267
chorale setting "Gott des Himmels und der Erden"
after
Z 3614b
; text by
Albert
248
VI
4.
1735-01-06
Cantata
Herr, wenn die stolzen Feinde schnauben
Christmas Oratorio
, Part VI; Epiphany)
D maj.
satbSATB 3Tr Tmp 2Ob 2Oba Str Bc
: 210
II/6: 243
after
BWV 248
VI
(/1, /3, /4, /8–/11),
Z 4429a
(/6),
5385a
(/11); text by
Picander
?,
Gerhardt
(/6),
Werner
(/11), after
Mt 2
:7–12
11390
248/59
chorale setting "Ich steh an deiner Krippen hier" (s. 1)
G maj.
SATB
: 245
III/2.1: 84
III/2.2: 208
after
4429a
; text by
Gerhardt
11268
chorale setting "Es ist gewisslich an der Zeit"
after
4429a
; text by
Ringwaldt
248/64
chorale setting "Ihr Christen auserkoren" (s. 4)
D maj.
SATB
: 256
III/2.1: 85
after
5385a
; text by
Werner
11269
chorale setting "Ach Herr, mich armen Sünder"
after
5385a
; text by
Schneegaß
248
VI
4.
1734 or earlier
Cantata model for BWV 248
VI
D maj.
satbSATB 3Tr Tmp 2Ob 2Oba Str Bc
II/6
after
BWV Anh. 10
/1; →
248
/54, /56–/57, /61–/64
00315
249.5
4.
1743–1746
1749-04-06
1750-03-26
Oratorio
Kommt, eilet und laufet
Easter Oratorio
; Easter)
satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc
21
II/7: 1
after
BWV 249
.4; text by
Picander
00316
249.4
4.
c.
1738
Oratorio
Kommt, eilet und laufet
Easter Oratorio
, middle version; Easter)
satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc
II/7
after
BWV 249
.3; text by
Picander
?; →
BWV 249
.5
11392
249.3
4.
1725-04-01
c.
1738
Cantata
Kommt, fliehet und eilet
Easter Oratorio
, early versions: first version as cantata; Easter)
satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc
II/7: 97
after
BWV 249.1
; text by
Picander
?; →
BWV 249
.4
00317
249.1
4.
1725-02-23
Secular cantata
Entfliehet, verschwindet, entweichet, ihr Sorgen
, a.k.a.
Shepherd Cantata
(birthday of
Christian of Saxe-Weissenfels
; music lost but in part reconstructable)
satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc
I/35
text by
Picander
; →
BWV 249
.3/1–/3, /5, /7, /9, /11;
249.2
00318
249.2
4.
1726-08-25
Secular cantata
Verjaget, zerstreuet, zerrüttet, ihr Sterne
a.k.a.
Die Feier des Genius
(dramma per musica; birthday of
Joachim Friedrich von Flemming
de
; music lost but in part reconstructable)
I/39
after
BWV 249.1
/1–/3, /5, /7, /9, /11; text by
Picander
00319
11
4.
1738-05-15
Oratorio
Lobet Gott in seinen Reichen
Ascension Oratorio
; Ascension)
D maj.
satbSATB 3Tr Tmp 2Fl 2Ob Str Bc
2: 1
II/8: 1
after
Z 5741b
(/6),
5264b
(/9); text by
Picander
?,
Rist
(/6),
Sacer
(/9), after
Lk 24
:50ff.,
Acts 1
:9–12,
Mk 16
:19
00013
11/6
chorale setting "Nun lieget alles unter dir" (= "Du Lebensfürst, Herr Jesu Christ", s. 4)
SATB
2: 32
III/2.2: 198
after
Z 5741b
; text by
Rist
11299
5.
Four-part chorales (see also:
List of chorale harmonisations by Johann Sebastian Bach
Up ↑
250
5.
1734–1738
chorale setting "Was Gott tut, das ist wohlgetan" (Three wedding chorales No. 1)
SATB 2Hn Ob Oba Str Bc
13
: 147
III/2.1: 3
text by
Rodigast
00320
251
5.
1734–1738
chorale setting "Sei Lob und Ehr dem höchsten Gut" (Three wedding chorales No. 2)
SATB 2Hn Ob Oba Str Bc
13
: 148
III/2.1: 4
text by
Schütz, J. J.
00321
252
5.
1734–1738
chorale setting "Nun danket alle Gott" (Three wedding chorales No. 3)
SATB 2Hn Ob Oba Str Bc
13
: 149
III/2.1: 5
text by
Rinkart
00322
253
5.
1750 or earlier
chorale setting "Ach bleib bei uns, Herr Jesu Christ"
A maj.
SATB
39: 177
III/2.2: 101
after
Z 439
; text by
Calvisius
; ↔
BWV 414
00323
254
5.
1750 or earlier
chorale setting "Ach Gott, erhör mein Seufzen"
D Dor.
SATB
39: 177
III/2.2: 105
after
Z 1831a
; text by
Schechs
wikisource:de
00324
255
5.
1750 or earlier
chorale setting "Ach Gott und Herr"
C maj.
SATB
39: 178
III/2.2: 24
after
Z 4441a
; text by
Rutilius
de
00325
256
5.
1750 or earlier
chorale setting "Ach lieben Christen, seid getrost"
A min.
SATB
39: 178
III/2.2: 19
after
Z 4441a
; text by
Gigas
00326
259
5.
1750 or earlier
chorale setting "Ach, was soll ich Sünder machen"
E min.
SATB
39: 179
III/2.2: 23
after
Z 3573b
; text by
Flittner
de
00329
260
5.
c.
1735
or earlier
chorale setting "Allein Gott in der Höh sei Ehr"
G maj.
SATB
39: 180
III/2.1: 9
III/2.2: 147
after
Z 4457
; text by
Decius
after
Gloria
00330
261
5.
1750 or earlier
chorale setting "Allein zu dir, Herr Jesu Christ"
B min.
SATB
39: 180
III/2.2: 206
after
Z 7292b
; text by
Hubert
00331
262
5.
1750 or earlier
chorale setting "Alle Menschen müssen sterben"
D maj.
SATB
39: 181
III/2.2: 88
after
Pachelbel
; text by
Albinus
Rosenmüller
00332
263
5.
1750 or earlier
chorale setting "Alles ist an Gottes Segen"
G maj.
SATB
39: 181
III/2.2: 72
after
Z 3842f
00333
264
5.
1750 or earlier
chorale setting "Als der gütige Gott"
G maj.
SATB
39: 182
III/2.2: 91
after
Z 1646
; text by
Weiße
00334
265
5.
1750 or earlier
chorale setting "Als Jesus Christus in der Nacht"
D Dor.
SATB
39: 182
III/2.2: 102
after
Z 258
; text by
Heermann
00335
266
5.
1750 or earlier
chorale setting "Als vierzig Tag nach Ostern warn"
E min.
SATB
39: 182
III/2.2: 120
after
Z 1743
; text by
Herman
00336
267
5.
c.
1735
or earlier
chorale setting "An Wasserflüssen Babylon"
G maj.
SATB
39: 183
III/2.2: 4
after
Z 7663
; text by
Dachstein
00337
Maj.
III/2.1: 98
chorale setting "Ein Lämmlein geht und trägt
G maj.
39: 183
after
Z 7663
; text by
Gerhardt
Maj.
III/2.2: 180
268
5.
1750 or earlier
chorale setting "Auf, auf, mein Herz"
G maj.
SATB
39: 184
III/2.2: 70
after
Z 824
; text by
Birken
00338
269
5.
1750 or earlier
chorale setting "Aus meines Herzens Grunde"
G maj.
SATB
39: 184
III/2.2: 2
after
Z 5269
; text by
Niege
de
00339
270
5.
c.
1735
or earlier
chorale setting "Befiehl du deine Wege"
B min.
SATB
39: 185
III/2.1: 47
III/2.2: 170
after
Z 5385a
; text by
Gerhardt
00340
271
5.
c.
1735
or earlier
chorale setting "Befiehl du deine Wege"
B min.
SATB
39: 185
III/2.1: 97
III/2.2: 210
after
Z 5385a
; text by
Gerhardt
00341
272
5.
1730–1761
chorale setting "Befiehl du deine Wege"
D min.
SATB
39: 186
III/2.2: 196
by
Bach, C. P. E.
?; after
Z 5393
; text by
Gerhardt
00342
273
5.
1750 or earlier
chorale setting "Christ, der du bist der helle Tag"
G min.
SATB
39: 186
III/2.2: 136
after
Z 384
; text by
Alberus
00343
274
5.
1750 or earlier
chorale setting "Christe, der du bist Tag und Licht"
G min.
SATB
39: 187
III/2.2: 145
after
Z 343
; text by
Musculus
after "
Christe qui lux es
00344
275
5.
1750 or earlier
chorale setting "Christe, du Beistand"
D Dor.
SATB
39: 187
III/2.2: 122
after
Z 993
; text by
Löwenstern
00345
276
5.
1750 or earlier
chorale setting "Christ ist erstanden"
D Dor.
SATB
39: 188
III/2.2: 110
after
Z 8584
; text: "
Christ ist erstanden
00346
277
5.
1750 or earlier
chorale setting "Christ lag in Todesbanden"
D Dor.
SATB
39: 189
III/2.2: 11
after
Z 7012a
; text by
Luther
00347
278
5.
c.
1735
or earlier
chorale setting "Christ lag in Todesbanden"
E min.
SATB
39: 190
III/2.1: 92
III/2.2: 212
after
Z 7012a
; text by
Luther
00348
279
5.
c.
1725–1735
chorale setting "Christ lag in Todesbanden"
E min.
SATB
32: 154
III/2.1: 24
III/2.2: 155
after
Z 7012a
; text by
Luther
; ↔
BWV 158
/4
00349
280
5.
1750 or earlier
chorale setting "Christ unser Herr zum Jordan kam"
D Dor.
SATB
39: 190
III/2.2: 36
after
Z 7246
; text by
Luther
00350
281
5.
1750 or earlier
chorale setting "Christus, der ist mein Leben"
F maj.
SATB
39: 191
III/2.2: 6
after
Z 132
Neu Leipziger GB
, p 942
21
00351
282
5.
1750 or earlier
chorale setting "Christus, der ist mein Leben"
G maj.
SATB
39: 191
III/2.2: 184
after
BWV 95
/1
00352
283
5.
1750 or earlier
chorale setting "Christus, der uns selig macht"
A min.
SATB
39: 192
III/2.2: 112
after
Z 6283a
; text by
Weiße
after "
Patris sapientia
00353
284
5.
1750 or earlier
chorale setting "Christus ist erstanden, hat überwunden"
C maj.
SATB
39: 192
III/2.2: 113
after
Z 6240b
; text by
Weiße
00354
285
5.
1750 or earlier
chorale setting "Da der Herr Christ zu Tische saß"
C min.
SATB
39: 193
III/2.2: 110
after
Z 2503
; text by
Herman
00355
286
5.
1750 or earlier
chorale setting "Danket dem Herrn, denn er ist"
A min.
SATB
39: 193
III/2.2: 134
after
Z 12
; text by
Horn
de
00356
287
5.
1750 or earlier
chorale setting "Dank sei Gott in der Höhe"
F maj.
SATB
39: 194
III/2.2: 182
after
Z 5391
; text by
Mühlmann
de
00357
288
5.
c.
1735
or earlier
chorale setting "Das alte Jahr vergangen ist"
D Dor.
SATB
39: 194
III/2.1: 11
III/2.2: 93
after
Z 381
; text by
Steuerlein
de
00358
289
5.
1750 or earlier
chorale setting "Das alte Jahr vergangen ist"
E min.
SATB
39: 194
III/2.2: 183
after
Z 381
; text by
Steuerlein
de
00359
290
5.
1750 or earlier
chorale setting "Das walt Gott Vater und Gott Sohn"
F maj.
SATB
39: 195
III/2.2: 132
after
Z 673
; text by
Behm
00360
291
5.
1750 or earlier
chorale setting "Das walt mein Gott"
D min.
SATB
39: 195
III/2.2: 42
after
Z 4217
; text by
Förtsch
wikisource:de
00361
292
5.
1750 or earlier
chorale setting "Den Vater dort oben"
C maj.
SATB
39: 196
III/2.2: 141
after
Z 4795
; text by
Weiße
00362
293
5.
1750 or earlier
chorale setting "Der du bist drei in Einigkeit"
D Dor.
SATB
39: 196
III/2.2: 89
after
Z 335e
; text by
Luther
after "
O lux beata Trinitas
00363
294
5.
1750 or earlier
chorale setting "Der Tag, der ist so freudenreich"
G maj.
SATB
39: 197
III/2.2: 90
after
Z 7870
; text after "
Dies est laetitiae
00364
295
5.
1750 or earlier
chorale setting "Des Heilgen Geistes reiche Gnad"
D min.
SATB
39: 197
III/2.2: 120
after
Z 370b
; text by
Gesius
after "
Spiritus Sancti gratia
00365
296
5.
1750 or earlier
chorale setting "Die Nacht ist kommen"
G Mix.
SATB
39: 198
III/2.2: 136
after
Z 5001
; text by
Herbert
de
00366
297
5.
1750 or earlier
chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet"
D Dor.
SATB
39: 198
III/2.2: 137
after
Z 923
; text by
Stegmann
de
; ↔
BWV 447
00367
298
5.
1750 or earlier
chorale setting "Dies sind die heilgen zehn Gebot"
C maj.
SATB
39: 198
III/2.2: 72
after
Z 1951
; text by
Luther
00368
299 [2]
5.
1725–1735
chorale setting "Dir, dir, Jehova, will ich singen"
maj.
SATB
39: 199
III/2.1: 11
III/2.2: 121
Z 3068
; text by
Crasselius
; →
BWV 452
00369
299 [1]
Notebook A. M. Bach
(1725)
No. 39: chorale setting "Dir, dir, Jehova, will ich singen"
S(AT)B (V Bc)
43
: 50
V/4: 126
11543
300
5.
1750 or earlier
chorale setting "Du großer Schmerzensmann"
E min.
SATB
39: 199
III/2.2: 94
after
Z 5159a
; text by
Thebesius
de
00370
301
5.
1750 or earlier
chorale setting "Du, o schönes Weltgebäude"
D min.
SATB
39: 200
III/2.2: 80
after
Z 6773
; text by
Franck, J.
00371
302
5.
c.
1735
or earlier
chorale setting "Ein feste Burg ist unser Gott"
D maj.
SATB
39: 200
III/2.1: 48
III/2.2: 14
after
Z 7377
; text by
Luther
after
Ps. 46
00372
303
5.
c.
1735
or earlier
chorale setting "Ein feste Burg ist unser Gott"
D maj.
SATB
39: 201
III/2.1: 10
III/2.2: 148
after
Z 7377
; text by
Luther
after
Ps. 46
00373
304
5.
c.
1735
or earlier
chorale setting "Eins ist not, ach Herr, dies Eine"
D maj.
SATB
39: 201
III/2.1: 36
III/2.2: 166
after
Z 7127
; text by
Schröder
00374
305
5.
1750 or earlier
chorale setting "Erbarm dich mein, o Herre Gott"
A min.
SATB
39: 202
III/2.2: 20
after
Z 5851
; text by
Hegenwald
after
Ps. 51
00375
306
5.
1750 or earlier
chorale setting "Erstanden ist der heilig Christ"
F maj.
SATB
39: 202
III/2.2: 100
after
Z 288
; text after "
Surrexit Christus hodie
00376
307
5.
c.
1735
or earlier
chorale setting "Es ist gewisslich an der Zeit"
maj.
SATB
39: 203
III/2.1: 22
III/2.2: 155
after
Z 4429a
; text by
Ringwaldt
00377
308
5.
1750 or earlier
chorale setting "Es spricht der Unweisen Mund wohl"
maj.
SATB
39: 204
III/2.2: 17
after
Z 4436
; text by
Luther
after
Ps. 14
00378
309
5.
1750 or earlier
chorale setting "Es stehn vor Gottes Throne"
G Dor.
SATB
39: 204
III/2.2: 95
after
Z 4298
; text by
Helmbold
00379
310
5.
1750 or earlier
chorale setting "Es wird schier der letzte Tag herkommen"
E min.
SATB
39: 205
III/2.2: 140
after
Z 1423
; text by
Weiße
00380
311
5.
1750 or earlier
chorale setting "Es woll uns Gott gnädig sein"
B min.
SATB
39: 205
III/2.2: 12
after
Z 7247
; text by
Luther
after
Ps. 67
00381
312
5.
c.
1735
or earlier
chorale setting "Es woll uns Gott gnädig sein"
A min.
SATB
39: 206
III/2.1: 70
III/2.2: 202
after
Z 7247
; text by
Luther
after
Ps. 67
00382
327
5.
1750 or earlier
chorale setting "Vor deinen Thron tret ich hiermit"
D maj.
SATB
39: 213
III/2.2: 193
after
Z 368
; text by
Hodenberg
00397
313
5.
1750 or earlier
chorale setting "Für Freuden lasst uns springen"
G min.
SATB
39: 206
III/2.2: 93
after
Z 2339
; text by
Peltsch
fr
00383
314
5.
c.
1735
or earlier
chorale setting "Gelobt seist du, Jesu Christ"
D maj.
SATB
39: 207
III/2.1: 48
III/2.2: 171
after
Z 1947
; text by
Luther
00384
315
5.
c.
1735
or earlier
chorale setting "Gib dich zufrieden und sei stille"
E min.
SATB
39: 207
III/2.1: 38
III/2.2: 161
after
BWV 511
; text by
Gerhardt
; ↔
BWV 512
Z 7417a
00385
316
5.
1750 or earlier
chorale setting "Gott, der du selber bist das Licht"
G min.
SATB
39: 208
III/2.2: 133
after
Z 5814
; text by
Rist
00386
317
5.
1750 or earlier
chorale setting "Gott der Vater wohn uns bei"
D maj.
SATB
39: 208
III/2.2: 78
after
Z 8507
; text by
Luther
00387
318
5.
1750 or earlier
chorale setting "Gottes Sohn ist kommen"
G maj.
SATB
39: 209
III/2.2: 13
after
Z 3294
; text by
Horn
de
00388
F maj.
III/2.2: 214
319
5.
1750 or earlier
chorale setting "Gott hat das Evangelium"
E min.
SATB
39: 209
III/2.2: 102
after
Z 1788
; text by
Alberus
00389
320
5.
1750 or earlier
chorale setting "Gott lebet noch"
F maj.
SATB
39: 210
III/2.2: 138
after
Z 7951
; text by
Zihn
de
; ↔
BWV 461
00390
321
5.
1750 or earlier
chorale setting "Gottlob, es geht nunmehr zum Ende"
maj.
SATB
39: 210
III/2.2: 108
after
Z 2853
; → Z 2855; text by
Luther
00391
322
5.
1750 or earlier
chorale setting "Gott sei gelobet und gebenedeiet"
C maj.
SATB
39: 211
III/2.2: 39
after
Z 8078
; text by
Luther
00392
323
5.
1750 or earlier
chorale setting "Gott sei uns gnädig und barmherzig"
F♯ min.
SATB
39: 212
III/2.2: 186
after
German Magnificat
; text after
Ps. 67
00393
325
5.
1750 or earlier
chorale setting "Heilig, heilig, heilig"
F maj.
SATB
39: 212
III/2.2: 138
after
Z 8633a
; text after
Sanctus
; ↔
Z 8634
00395
chorale setting "Sanctus, Sanctus Dominus Deus"
after
Z 8633a
; text:
Sanctus
; ↔
Z 8634
326
5.
1750 or earlier
chorale setting "Herr Gott, dich loben alle wir"
maj.
SATB
39: 213
III/2.2: 96
after
Z 368
; text by
Eber
00396
328
5.
1750 or earlier
chorale setting "Herr Gott, dich loben wir"
A min.
SATB
39: 214
III/2.2: 117
after
Z 8652
; text by
Luther
after
Te Deum
00398
329
5.
1750 or earlier
chorale setting "Herr, ich denk an jene Zeit"
maj.
SATB
39: 216
III/2.2: 123
after
Z 4840
; text by
Mylius
de
00399
330
5.
1750 or earlier
chorale setting "Herr, ich habe missgehandelt"
A min.
SATB
39: 216
III/2.2: 21
after
Z 3695
; text by
Franck, J.
00400
331
5.
c.
1735
or earlier
chorale setting "Herr, ich habe missgehandelt"
A min.
SATB
39: 217
III/2.1: 47
III/2.2: 171
after
Z 3695
; text by
Franck, J.
00401
332
5.
1750 or earlier
chorale setting "Herr Jesu Christ, dich zu uns wend"
G maj.
SATB
39: 217
III/2.2: 79
after
Z 624
; text by
William of Saxe-Weimar
00402
333
5.
1750 or earlier
chorale setting "Herr Jesu Christ, du hast bereit'"
G min.
SATB
39: 218
III/2.2: 133
after
Z 4711
; text by
Kinner
de
00403
334
5.
c.
1735
or earlier
chorale setting "Herr Jesu Christ, ich schrei zu dir"
G min.
SATB
III/2.1: 43
after
Z 4486
00404
chorale setting "Herr Jesu Christ, du höchstes Gut"
39: 218
III/2.2: 41
after
Z 4486
; text by
Ringwaldt
335
5.
c.
1735
or earlier
chorale setting "Herr Jesu Christ, meins Lebens Licht"
E min.
SATB
39: 218
III/2.1: 60
III/2.2: 175
after
Z 423
; text by
Behm
00405
chorale setting "O Jesu, du mein Bräutigam"
III/2.2: 139
after
Z 423
; text by
Hermann
336
5.
1750 or earlier
chorale setting "Herr Jesu Christ, wahr' Mensch und Gott"
A maj.
SATB
39: 219
III/2.2: 106
after
Z 423
; text by
Eber
00406
337
5.
1750 or earlier
chorale setting "Herr, nun lass in Friede"
A min.
SATB
39: 219
III/2.2: 107
after
Z 3302
; text by
Behme
de
00407
338
5.
1750 or earlier
chorale setting "Herr, straf mich nicht in deinem Zorn, das bitt"
A min.
SATB
39: 220
III/2.2: 131
after
Z 4606a
; text after
Ps. 6
22
00408
339
5.
1750 or earlier
chorale setting "Wer in dem Schutz des Höchsten ist"
A maj.
SATB
39: 220
III/2.2: 84
after
Z 4438
; text by
Heyden
00409
chorale setting "Herr, wie du willt, so schicks mit mir"
after
Z 4438
; text by
Bienemann
de
340
5.
c.
1735
or earlier
chorale setting "Herzlich lieb hab ich dich, o Herr"
C maj.
SATB
39: 221
III/2.1: 42
III/2.2: 164
after
Z 8326
; text by
Schalling
00410
341
5.
1750 or earlier
chorale setting "Heut ist, o Mensch, ein großer Trauertag"
G Dor.
SATB
39: 221
III/2.2: 96
after
Z 8569
/A; text by
Löwenstern
00411
342
5.
1750 or earlier
chorale setting "Heut triumphieret Gottes Sohn"
A min.
SATB
39: 222
III/2.2: 44
after
Z 2585
; text by
Stolzhagen
de
00412
343
5.
1750 or earlier
chorale setting "Hilf, Gott, dass mirs gelinge"
G Dor.
SATB
39: 222
III/2.2: 112
after
Z 4329f
; text by
Müller, H.
23
00413
344
5.
1750 or earlier
chorale setting "Hilf, Herr Jesu, lass gelingen"
G Dor.
SATB
39: 223
III/2.2: 89
after
Z 3687a
; text by
Rist
00414
345
5.
c.
1735
or earlier
chorale setting "Ich bin ja, Herr, in deiner Macht"
G min.
SATB
39: 223
III/2.1: 13
III/2.2: 148
Z 5878a
; text by
Dach
00415
346
5.
1750 or earlier
chorale setting "Ich dank dir, Gott, für deine Wohltat"
C maj.
SATB
39: 224
III/2.2: 132
after
Z 8090
; text by
Freder
de
00416
347
5.
1750 or earlier
chorale setting "Ich dank dir, lieber Herre"
A maj.
SATB
39: 224
III/2.2: 2
after
Z 5354a
–b; text by
Kolross
00417
348
5.
c.
1735
or earlier
chorale setting "Ich dank dir, lieber Herre"
maj.
SATB
39: 225
III/2.1: 39
III/2.2: 162
after
Z 5354a
–b; text by
Kolross
00418
349
5.
1750 or earlier
chorale setting "Ich dank dir schon durch deinen Sohn"
F maj.
SATB
39: 225
III/2.2: 106
after
Z 247b
; text by
Burchart
de
00419
350
5.
1750 or earlier
chorale setting "Ich danke dir, Herr Gott, in deinem Throne"
G min.
SATB
39: 226
III/2.2: 135
after
Z 3199
; text by
Fabricius
de
00420
351
5.
1750 or earlier
chorale setting "Ich hab mein Sach Gott heimgestellt"
G Dor.
SATB
39: 226
III/2.2: 13
after
Z 1679
; text by
Leon
de
00421
366
5.
1750 or earlier
chorale setting "Ihr Gestirn, ihr hohlen Lüfte"
D min.
SATB
39: 236
III/2.2: 92
after
Z 3703
; text by
Franck, J.
00436
367
5.
1750 or earlier
chorale setting "In allen meinen Taten"
C maj.
SATB
39: 236
III/2.2: 81
after
Z 2276
; text by
Fleming
24
00437
368
5.
1750 or earlier
chorale setting "In dulci jubilo"
F maj.
SATB
39: 236
III/2.2: 83
after
Z 4947
00438
352
5.
1750 or earlier
chorale setting "Jesu, der du meine Seele"
A min.
SATB
39: 227
III/2.2: 22
after
Z 6804
; text by
Rist
00422
353
5.
c.
1735
or earlier
chorale setting "Jesu, der du meine Seele"
G min.
SATB
39: 228
III/2.1: 26
III/2.2: 160
after
Z 6804
; text by
Rist
00423
354
5.
c.
1735
or earlier
chorale setting "Jesu, der du meine Seele"
Dor.
SATB
39: 228
III/2.1: 99
III/2.2: 211
after
Z 6804
; text by
Rist
00424
355
5.
1750 or earlier
chorale setting "Jesu, der du selbsten wohl"
A maj.
SATB
39: 229
III/2.2: 97
after
Z 6335
; text by
Bapzien
de
00425
356
5.
1750 or earlier
chorale setting "Jesu, du mein liebstes Leben"
G min.
SATB
39: 230
III/2.2: 144
after
Z 7891
; text by
Rist
00426
357
5.
1750 or earlier
chorale setting "Jesu, Jesu, du bist mein"
C Dor.
SATB
39: 230
III/2.2: 144
BWV 470
Z 6446
00427
358
5.
c.
1735
or earlier
chorale setting "Jesu, meine Freude"
D min.
SATB
39: 231
III/2.1: 80
III/2.2: 204
after
Z 8032
; text by
Franck, J.
00428
360
5.
c.
1735
or earlier
chorale setting "Jesu, meiner Seelen Wonne"
maj.
SATB
39: 232
III/2.1: 73
III/2.2: 201
after
Z 6551a
; text by
Janus
00430
359
5.
1750 or earlier
chorale setting "Jesu, meiner Seelen Wonne"
A maj.
SATB
39: 232
III/2.2: 209
after
BWV 154
/3; text by
Janus
00429
361
5.
c.
1735
or earlier
chorale setting "Jesu, meines Herzens Freud"
maj.
SATB
39: 233
III/2.1: 34
III/2.2: 157
after
Z 4797–4798
; text by
Flittner
de
00431
362
5.
c.
1735
or earlier
chorale setting "Jesu, nun sei gepreiset"
maj.
SATB
39: 234
III/2.1: 12
III/2.2: 149
after
Z 8477a
; text by
Hermann
00432
364
5.
1750 or earlier
chorale setting "Jesus Christus, unser Heiland, der den Tod überwand"
G Dor.
SATB
39: 235
III/2.2: 99
after
Z 1978
; text by
Luther
00434
363
5.
1750 or earlier
chorale setting "Jesus Christus, unser Heiland, der von uns den Gottes Zorn wandt"
E min.
SATB
39: 234
III/2.2: 19
after
Z 1576
; text by
Luther
00433
365
5.
1750 or earlier
chorale setting "Jesus, meine Zuversicht"
C maj.
SATB
39: 235
III/2.2: 100
after
Z 3432b
; text by
Louise Henriette of N
00435
369
5.
1750 or earlier
chorale setting "Keinen hat Gott verlassen"
E min.
SATB
39: 237
III/2.2: 73
after
Z 5395
00439
370
5.
1750 or earlier
chorale setting "Komm, Gott Schöpfer, Heiliger Geist"
C maj.
SATB
39: 238
III/2.2: 105
after
Z 295
; text by
Luther
00440
371
5.
1750 or earlier
chorale setting "Kyrie, Gott Vater in Ewigkeit"
A min.
SATB
39: 238
III/2.2: 74
after
Z 8600c
00441
372
5.
1750 or earlier
chorale setting "Lass, o Herr, dein Ohr sich neigen"
G Dor.
SATB
39: 240
III/2.2: 128
after
Z 6863
; text by
Opitz
00442
373
5.
1750 or earlier
chorale setting "Liebster Jesu, wir sind hier"
G maj.
SATB
39: 240
III/2.2: 74, 190
after
Z 3498b
; text by
Clausnitzer
00443
374
5.
1750 or earlier
chorale setting "Lobet den Herren, denn er ist sehr"
G Dor.
SATB
39: 241
III/2.2: 134
after
Z 975
; text after
Ps. 147
00444
375
5.
c.
1735
or earlier
chorale setting "Lobt Gott, ihr Christen, allzugleich"
G maj.
SATB
39: 241
III/2.1: 45
III/2.2: 164
after
Z 198
; text by
Herman
00445
376
5.
1750 or earlier
chorale setting "Lobt Gott, ihr Christen allzugleich"
A maj.
SATB
39: 242
III/2.2: 197
after
Z 198
; text by
Herman
00446
377
5.
1750 or earlier
chorale setting "Machs mit mir, Gott, nach deiner Güt"
D maj.
SATB
39: 242
III/2.2: 26
after
Z 2383
; text by
Schein
00447
378
5.
1750 or earlier
chorale setting "Mein Augen schließ ich jetzt"
G maj.
SATB
39: 243
III/2.2: 153
after
Z 1067
; text by
Löwenstern
00448
379
5.
1750 or earlier
chorale setting "Meinen Jesum lass ich nicht, Jesus"
G maj.
SATB
39: 243
III/2.2: 87
after
Z 3448a
00449
380
5.
c.
1735
or earlier
chorale setting "Meinen Jesum lass ich nicht, weil"
maj.
SATB
39: 244
III/2.1: 62
III/2.2: 178
after
Z 3449
; text by
Keymann
00450
324
5.
1750 or earlier
chorale setting "Meine Seele erhebet den Herren"
E min.
SATB
39: 212
III/2.2: 73
after
German Magnificat
; text by
Luther
after
Lk. 1:46–55
00394
381
5.
1750 or earlier
chorale setting "Meines Lebens letzte Zeit"
E min.
SATB
39: 244
III/2.2: 199
after
Z 6380
; ↔
BWV 488
00451
382
5.
c.
1735
or earlier
chorale setting "Mit Fried und Freud ich fahr dahin"
G Dor.
SATB
39: 245
III/2.1: 40
III/2.2: 28
after
Z 3986
; text by
Luther
00452
383
5.
1750 or earlier
chorale setting "Mitten wir im Leben sind"
A min.
SATB
39: 246
III/2.2: 124
after
Z 8502
; text by
Luther
after
Media vita
00453
384
5.
1750 or earlier
chorale setting "Nicht so traurig, nicht so sehr"
C min.
SATB
39: 247
III/2.2: 86
Z 3355
; text by
Gerhardt
00454
385
5.
c.
1735
or earlier
chorale setting "Nun bitten wir den Heiligen Geist"
A maj.
SATB
39: 247
III/2.1: 76
III/2.2: 22
after
Z 2029a
; text by
Luther
00455
386
5.
c.
1735
or earlier
chorale setting "Nun danket alle Gott"
A maj.
SATB
39: 248
III/2.1: 101
III/2.2: 20
after
Z 5142
; text by
Rinkart
00456
387
5.
1750 or earlier
chorale setting "Nun freut euch, Gottes Kinder all"
D Dor.
SATB
39: 248
III/2.2: 104
after
Z 364
; text by
Alberus
00457
388
5.
1750 or earlier
chorale setting "Nun freut euch, lieben Christen gmein"
G maj.
SATB
39: 248
III/2.2: 103
after
Z 4427
; text by
Luther
00458
389
5.
c.
1735
or earlier
chorale setting "Nun lob, mein Seel, den Herren"
C maj.
SATB
39: 249
III/2.1: 32
III/2.2: 159
after
Z 8244
; text by
Gramann
after
Ps. 103
00459
390
5.
c.
1735
or earlier
chorale setting "Nun lob, mein Seel, den Herren"
C maj.
SATB
39: 250
III/2.1: 58
III/2.2: 176
after
Z 8244
; text by
Gramann
after
Ps. 103
00460
391
5.
1750 or earlier
chorale setting "Nun preiset alle Gottes Barmherzigkeit"
G maj.
SATB
39: 250
III/2.2: 131
after
Z 4089a
; text by
Löwenstern
00461
392
5.
1734–1750
chorale setting "Nun ruhen alle Wälder"
maj.
SATB
39: 251
III/2.2: 172
after
BWV 97
/9; text by
Gerhardt
00462
396
5.
1750 or earlier
chorale setting "Nun sich der Tag geendet hat"
A min.
SATB
39: 252
III/2.2: 142
after
Z 212b
; text by
Krieger
00466
397
5.
c.
1735
or earlier
chorale setting "O Ewigkeit, du Donnerwort"
F maj.
SATB
39: 253
III/2.1: 23
III/2.2: 163
after
Z 5820
; text by
Johann Rist
; ↔
BWV 513
00467
398
5.
c.
1728–1729
chorale setting "O Gott, du frommer Gott"
D maj.
SATB
39: 254
III/2.2: 182
after
Z 5206b
; text by
Heermann
; ↔
BWV 197a
/7
00468
399
5.
1750 or earlier
chorale setting "O Gott, du frommer Gott"
G maj.
SATB
39: 254
III/2.2: 184
after
Z 5148
; text by
Heermann
00469
400
5.
1750 or earlier
chorale setting "O Herzensangst"
maj.
SATB
39: 255
III/2.2: 99
Z 1003
; text by
Müller von Königsberg
00470
401
5.
1750 or earlier
chorale setting "O Lamm Gottes, unschuldig"
F maj.
SATB
39: 255
III/2.2: 94
after
Z 4361a
; text by
Decius
after
Agnus Dei
00471
402
5.
1750 or earlier
chorale setting "O Mensch, bewein dein Sünde groß"
maj.
SATB
39: 256
III/2.2: 114
after
Z 8303
; text by
Heyden
00472
403
5.
1750 or earlier
chorale setting "O Mensch, schau Jesum Christum an"
G Dor.
SATB
39: 257
III/2.2: 116
after
Z 3994a
–b; text by
Specht
; ↔ Z 3994c
00473
404
5.
1750 or earlier
chorale setting "O Traurigkeit, o Herzeleid"
A min.
SATB
39: 257
III/2.2: 34
after
Z 1915
; text by
Rist
00474
F min.
III/2.2: 215
393
5.
c.
1735
or earlier
chorale setting "O Welt, sieh hier dein Leben"
A maj.
SATB
39: 251
III/2.1: 44
III/2.2: 163
after
Z 2293b
; text by
Gerhardt
00463
394
5.
c.
1735
or earlier
chorale setting "O Welt, sieh hier dein Leben"
A maj.
SATB
39: 252
III/2.1: 96
III/2.2: 210
after
Z 2293b
; text by
Gerhardt
00464
395
5.
1724–1750
chorale setting "O Welt, sieh hier dein Leben"
A maj.
SATB
39: 252
III/2.2: 208
after
BWV 245
/11; text by
Gerhardt
00465
405
5.
1750 or earlier
chorale setting "O wie selig seid ihr doch, ihr Frommen"
D min.
SATB
39: 258
III/2.2: 124
after
Z 1583
; text by
Dach
; ↔
BWV 495
00475
406
5.
1750 or earlier
chorale setting "O wie selig seid ihr doch, ihr Frommen"
D min.
SATB
39: 258
III/2.2: 129
after
Z 1581
; text by
Dach
00476
407
5.
1750 or earlier
chorale setting "O wir armen Sünder"
D maj.
SATB
39: 258
III/2.2: 114
after
Z 8187c
; text by
Bonnus
de
00477
408
5.
1750 or earlier
chorale setting "Schaut, ihr Sünder"
G Dor.
SATB
39: 259
III/2.2: 98
after
Z 8569
/B; text by
Löwenstern
00478
409
5.
1750 or earlier
chorale setting "Seelenbräutigam"
A maj.
SATB
39: 260
III/2.2: 82, 216
after
Z 3255a
–b; text by
Drese
; ↔
BWV 496
00479
410
5.
1750 or earlier
chorale setting "Sei gegrüßet, Jesu gütig"
G min.
SATB
39: 260
III/2.2: 98
after
Z 3889b
; text by
Keymann
; ↔
BWV 499
00480
411
5.
1750 or earlier
chorale setting "Singt dem Herrn ein neues Lied"
G maj.
SATB
39: 260
III/2.2: 146
after
Z 6424
; text by
Löwenstern
00481
412
5.
1750 or earlier
chorale setting "So gibst du nun, mein Jesu, gute Nacht"
G Dor.
SATB
39: 261
III/2.2: 119
after
Z 849
; text by
Pfeiffer
de
; ↔
BWV 501
00482
413
5.
1750 or earlier
chorale setting "Sollt ich meinem Gott nicht singen"
D min.
SATB
39: 262
III/2.2: 130
after
Z 7886b
; text by
Gerhardt
; ↔
BWV 481
00483
414
5.
1750 or earlier
chorale setting "Uns ist ein Kindlein heut geborn"
G maj.
SATB
39: 262
III/2.2: 86
after
Z 439
; ↔
BWV 253
00484
415
5.
1750 or earlier
chorale setting "Valet will ich dir geben"
D maj.
SATB
39: 263
III/2.2: 16
after
Z 5404a
; text by
Herberger
00485
416
5.
1724-04-07
chorale setting "Vater unser im Himmelreich"
D min.
SATB
39: 263
III/2.1: 94
III/2.2: 27
after
Z 2561
; text by
Luther
after
Mt 6:9–13
; ↔
BWV 245
.1/5
00486
417
5.
c.
1735
or earlier
chorale setting "Von Gott will ich nicht lassen"
B min.
SATB
39: 264
III/2.1: 92
III/2.2: 209
after
Z 5264b
; text by
Helmbold
00487
418
5.
1750 or earlier
chorale setting "Von Gott will ich nicht lassen"
A min.
SATB
39: 264
III/2.2: 192
after
Z 5264b
; text by
Helmbold
00488
419
5.
1726–1761 (CPE)
chorale setting "Helft mir Gotts Güte preisen"
A min.
SATB
39: 265
III/2.2: 64
by
Bach, C. P. E.
; after
BWV 16
/6; text by
Eber
00489
chorale setting "Von Gott will ich nicht lassen"
by
Bach, C. P. E.
; after
BWV 16
/6; text by
Helmbold
257
5.
c.
1735
or earlier
chorale setting "Wär Gott nicht mit uns diese Zeit"
A min.
SATB
39: 178
III/2.1: 46
III/2.2: 170
after
Z 4441a
; text by
Luther
after
Ps. 124
00327
420
5.
1750 or earlier
chorale setting "Warum betrübst du dich, mein Herz"
A min.
SATB
39: 265
III/2.2: 84
after
Z 1689a
00490
421
5.
c.
1735
or earlier
chorale setting "Warum betrübst du dich, mein Herz"
A min.
SATB
39: 266
III/2.1: 65
III/2.2: 178
after
Z 1689a
; ↔
BWV 1164
/2
00491
422
5.
c.
1735
or earlier
chorale setting "Warum sollt ich mich denn grämen"
G Mix.
SATB
39: 266
III/2.1: 82
III/2.2: 204
after
Z 6461
; → Z 6462; text by
Gerhardt
00492
423
5.
1750 or earlier
chorale setting "Was betrübst du dich, mein Herze"
G Dor.
SATB
39: 267
III/2.2: 140
Z 6830
; text by
Herrmann
wikisource:de
00493
424
5.
1750 or earlier
chorale setting "Was bist du doch, o Seele, so betrübet"
A min.
SATB
39: 267
III/2.2: 108
after
Z 1837
; text by
Schultt, R. F.
scores
; ↔
BWV 506
00494
425
5.
1750 or earlier
chorale setting "Was willst du dich, o meine Seele, kränken"
A min.
SATB
39: 268
III/2.2: 142
after
Z 7844
; text by
Werder
de
00495
426
5.
1750 or earlier
chorale setting "Weltlich Ehr und zeitlich Gut"
C maj.
SATB
39: 269
III/2.2: 122
after
Z 4972
; text by
Weiße
00496
427
5.
1750 or earlier
chorale setting "Wenn ich in Angst und Not"
maj.
SATB
39: 269
III/2.2: 85
after
Z 4233
; text by
Löwenstern
00497
428
5.
1750 or earlier
chorale setting "Wenn mein Stündlein verhanden ist"
G maj.
SATB
39: 270
III/2.2: 187
after
Z 4482a
; text by
Herman
00498
429
5.
c.
1735
or earlier
chorale setting "Wenn mein Stündlein verhanden ist"
A maj.
SATB
39: 270
III/2.1: 91
III/2.2: 29
after
Z 4482a
; text by
Herman
00499
430
5.
c.
1735
or earlier
chorale setting "Wenn mein Stündlein verhanden ist"
A maj.
SATB
39: 271
III/2.1: 68
III/2.2: 201
after
Z 4482a
; text by
Herman
00500
431
5.
1750 or earlier
chorale setting "Wenn wir in höchsten Nöten sein"
F maj.
SATB
39: 272
III/2.2: 38
after
Z 394
; text by
Eber
00501
432
5.
1750 or earlier
chorale setting "Wenn wir in höchsten Nöten sein"
G maj.
SATB
39: 272
III/2.2: 146
after
Z 394
; text by
Eber
00502
433
5.
1750 or earlier
chorale setting "Wer Gott vertraut, hat wohl gebaut"
G maj.
SATB
39: 273
III/2.2: 78
after
Z 8207
; text by
Magdeburg
de
24
00503
434
5.
c.
1735
or earlier
chorale setting "Wer weiß, wie nahe mir mein Ende"
A min.
SATB
39: 273
III/2.1: 38
after
Z 2778
; text by
Emilie Juliane of B-M
00504
chorale setting "Wer nur den lieben Gott lässt walten"
III/2.2: 85
after
Z 2778
; text by
Neumark
435
5.
1750 or earlier
chorale setting "Wie bist du, Seele, in mir so gar betrübt"
E min.
SATB
39: 274
III/2.2: 143
after
Z 4092
; text by
Zeutschner
choralwiki
00505
436
5.
c.
1735
or earlier
chorale setting "Wie schön leuchtet der Morgenstern"
E maj.
SATB
39: 274
III/2.1: 45
III/2.2: 165
after
Z 8359
; text by
Nicolai
00506
437
5.
1750 or earlier
chorale setting "Wir glauben all an einen Gott"
D Dor.
SATB
39: 275
III/2.2: 76
after
Z 7971
; text by
Luther
after
Creed
00507
258
5.
1750 or earlier
chorale setting "Wo Gott der Herr nicht bei uns hält"
B min.
SATB
39: 179
III/2.2: 194
after
Z 4441a
; text by
Jonas
00328
438
5.
1750 or earlier
chorale setting "Wo Gott zum Haus nicht gibt sein Gunst"
F maj.
SATB
39: 276
III/2.2: 90
after
Z 305
; text by
Kolross
00508
500a
5.
1726-04-19
chorale setting "So gehst du nun, mein Jesu, hin" (in Bach's Leipzig versions of
St Mark Passion
attributed to Keiser
SATB Str Bc
II/9: 75
text by
Nachtenhöfer
de
; ↔
BWV 500
00571
1084
5.
1726-04-19
chorale setting "O hilf Christe, Gottes Sohn" (in Bach's Leipzig versions of
St Mark Passion
attributed to Keiser
SATB Str Bc
II/9: 76
text by
Weiße
; after
BC D 5a
/14
01270
1089
5.
chorale setting "Da Jesus an dem Kreuze stund"
SATB
III/2.2: 216
text by
Lilius
de
01275
1122
5.
c.
1735
or earlier
chorale setting "Denket doch, ihr Menschenkinder"
F maj.
SATB
III/2.1: 31
III/2.2: 217
text by
Hübner
25
01720
1123
5.
c.
1735
or earlier
chorale setting "Wo Gott zum Haus gibt nicht sein Gunst"
G maj.
SATB
III/2.1: 40
after
Z 305
; text by
Kolross
25
01721
1124
5.
c.
1735
or earlier
chorale setting "Ich ruf zu dir, Herr Jesu Christ"
E min.
SATB
III/2.1: 51
after
Z 7400
; text by
Agricola, J.
25
01722
1125
5.
c.
1735
or earlier
chorale setting "O Gott, du frommer Gott"
D maj.
SATB
III/2.1: 79
after
Z 5206b
; text by
Heermann
25
01723
1126
5.
chorale setting "Lobet Gott, unsern Herren"
SATB
III/2.2: 218
01724
6.
Songs, Arias and Quodlibet (see also:
List of songs and arias of Johann Sebastian Bach
Up ↑
439
6.
1735–1736 or earlier
song "Ach, dass nicht die letzte Stunde" (
Schemelli
#831; tune #56)
V Bc
39: 279
III/2.1: 210
Z 6721
; text by
Neumeister
00509
440
6.
1735–1736 or earlier
song "Auf, auf! die rechte Zeit ist hier" (
Schemelli
#171; tune #11)
V Bc
39: 279
III/2.1: 123
Z 705
; text by
Opitz
00510
441
6.
c.
1735
or earlier
chorale setting "Auf, auf, mein Herz, mit Freuden"
F maj.
SATB
III/2.1: 67
after
Z 5243
; text by
Gerhardt
00511
1735–1736 or earlier
song "Auf, auf, mein Herz, mit Freuden" (
Schemelli
#320; tune #27)
V Bc
39: 279
III/2.1: 152
442
6.
1735–1736 or earlier
song "Beglückter Stand getreuer Seelen" (
Schemelli
#570; tune #39)
V Bc
39: 280
III/2.1: 176
after
Z 5970
; text by
Bonin
de
00512
443
6.
1735–1736 or earlier
song "Beschränkt, ihr Weisen dieser Welt" (
Schemelli
#689; tune #47)
V Bc
39: 280
III/2.1: 192
Z 7765
; text by
Wegleiter
wikisource:de
00513
444
6.
1735–1736 or earlier
song "Brich entzwei, mein armes Herze" (
Schemelli
#303; tune #24)
V Bc
39: 280
III/2.1: 146
after
Z 7110–7111a
; → Z 7111b; text by
Trommer
scores
00514
445
6.
1735–1736 or earlier
song "Brunnquell aller Güter" (
Schemelli
#335; tune #29)
V Bc
39: 281
III/2.1: 156
after
Z 6252b
; text by
Franck, J.
00515
446
6.
1735–1736 or earlier
song "Der lieben Sonnen Licht und Pracht" (
Schemelli
#39; tune #2)
V Bc
39: 281
III/2.1: 106
after
Z 5659
; text by
Scriver
00516
447
6.
1735–1736 or earlier
song "Der Tag ist hin, die Sonne gehet nieder" (
Schemelli
#40; tune #3)
V Bc
39: 281
III/2.1: 108
after
Z 923
; ↔
BWV 297
; text by
Rube
fr
00517
448
6.
1735–1736 or earlier
song "Der Tag mit seinem Lichte" (
Schemelli
#43; tune #4)
V Bc
39: 282
III/2.1: 110
after
Z 7512b
; text by
Gerhardt
00518
449
6.
1735–1736 or earlier
song "Dich bet ich an, mein höchster Gott" (
Schemelli
#396; tune #31)
V Bc
39: 282
III/2.1: 160
Z 2437
; text by
Olearius, J. G.
de
26
00519
450
6.
1735–1736 or earlier
song "Die bittre Leidenszeit beginnet abermal" (
Schemelli
#258; tune #17)
V Bc
39: 282
III/2.1: 134
after
Z 7429
; text by
Elmenhorst
de
00520
451
6.
1735–1736 or earlier
song "Die güldne Sonne"
Schemelli
#13; tune #1)
V Bc
39: 283
III/2.1: 104
after
Z 8015
; text by
Gerhardt
00521
452
6.
1735–1736 or earlier
song "
Dir, dir, Jehova, will ich singen
" (
Schemelli
#397; tune #32)
V Bc
39: 284
III/2.1: 162
after
BWV 299
; →
Z 3068
; text by
Crasselius
00522
453
6.
1735–1736 or earlier
song "Eins ist not! ach Herr, dies Eine" (
Schemelli
#112; tune #7)
V Bc
39: 284
III/2.1: 116
Z 7129
; text by
Schröder
scores
00523
454
6.
1735–1736 or earlier
song "Ermuntre dich, mein schwacher Geist" (
Schemelli
#187; tune #12)
V Bc
39: 284
III/2.1: 124
after
Z 5741
; text by
Rist
00524
455
6.
1735–1736 or earlier
song "Erwürgtes Lamm, das die verwahrten Siegel" (
Schemelli
#580; tune #43)
V Bc
39: 285
III/2.1: 184
after
Z 3138
; text by
Bonin
de
00525
456
6.
1735–1736 or earlier
song "Es glänzet der Christen inwendiges Leben" (
Schemelli
#572; tune #40)
V Bc
39: 285
III/2.1: 178
after
Z 6969
; text by
Richter
00526
457
6.
1735–1736 or earlier
song "Es ist nun aus mit meinem Leben" (
Schemelli
#847; tune #57)
V Bc
39: 286
III/2.1: 212
after
Z 6969
; text by
Omeis
de
00527
458
6.
1735–1736 or earlier
song "Es ist vollbracht! Vergiss ja nicht dies Wort" (
Schemelli
#306; tune #25)
V Bc
39: 286
III/2.1: 148
after
Z 2692
; text by
Schmidt
scores
00528
459
6.
1735–1736 or earlier
song "Es kostet viel, ein Christ zu sein" (
Schemelli
#522; tune #38)
V Bc
39: 286
III/2.1: 174
after
Z 2727
; text by
Richter
00529
460
6.
1735–1736 or earlier
song "Gib dich zufrieden und sei stille" (
Schemelli
#647; tune #45)
V Bc
39: 288
III/2.1: 188
after
Z 7415
; text by
Gerhardt
00530
461
6.
1735–1736 or earlier
song "Gott lebet noch" (
Schemelli
#488; tune #37)
V Bc
39: 288
III/2.1: 172
after
Z 7951
; ↔
BWV 320
; text by
Zihn
de
00531
462
6.
1735–1736 or earlier
song "Gott wie groß ist deine Güte" (
Schemelli
#360; tune #30)
V Bc
39: 289
III/2.1: 158
text by
Schemelli
; →
Z 7937
00532
463
6.
1735–1736 or earlier
song "Herr, nicht schicke deine Rache" (
Schemelli
#78; tune #5)
V Bc
39: 289
III/2.1: 112
after
Z 6863
; text by
Opitz
00533
464
6.
1735–1736 or earlier
song "Ich bin ja, Herr, in deiner Macht" (
Schemelli
#861; tune #58)
V Bc
39: 290
III/2.1: 214
after
Z 5869a
; text by
Dach
00534
465
6.
1735–1736 or earlier
song "Ich freue mich in dir" (
Schemelli
#194; tune #13)
V Bc
39: 290
III/2.1: 126
after
Z 5138
; text by
Ziegler, C.
00535
466
6.
1735–1736 or earlier
song "Ich halte treulich still" (
Schemelli
#657; tune #46)
V Bc
39: 290
III/2.1: 190
text by
Till
scores
; →
Z 5082
00536
467
6.
1735–1736 or earlier
song "Ich lass dich nicht" (
Schemelli
#734; tune #51)
V Bc
39: 291
III/2.1: 200
after
Z 7455
; text by
Deßler
de
00537
468
6.
1735–1736 or earlier
song "Ich liebe Jesum alle Stund" (
Schemelli
#737; tune #52)
V Bc
39: 291
III/2.1: 202
after
Z 4731
; → Z 4732
00538
469
6.
1735–1736 or earlier
song "Ich steh an deiner Krippen hier"
Schemelli
#195; tune #14)
V Bc
39: 292
III/2.1: 128
Z 4663
; text by
Gerhardt
00539
476
6.
1735–1736 or earlier
song "Ihr Gestirn, ihr hohlen Lüfte" (
Schemelli
#197; tune #15)
V Bc
39: 294
III/2.1: 130
after
Z 3703
; text by
Franck, J.
00546
471
6.
1735–1736 or earlier
song "Jesu, deine Liebeswunden" (
Schemelli
#139; tune #10)
V Bc
39: 292
III/2.1: 122
text by
Wegleit.
wikisource:de
?; →
Z 1302
00541
470
6.
1735–1736 or earlier
song "Jesu, Jesu, du bist mein" (
Schemelli
#741; tune #53)
V Bc
39: 292
III/2.1: 204
BWV 357
; →
Z 6446
00540
472
6.
1735–1736 or earlier
song "Jesu, meines Glaubens Zier"
Schemelli
#119; tune #8)
V Bc
39: 293
III/2.1: 118
after
Z 6453
; text by
Sacer
00542
473
6.
1735–1736 or earlier
song "Jesu, meines Herzens Freud" (
Schemelli
#696; tune #48)
V Bc
39: 293
III/2.1: 194
after
Z 4797–4798
; text by
Flittner
de
00543
474
6.
1735–1736 or earlier
song "Jesus ist das schönste Licht" (
Schemelli
#463; tune #33)
V Bc
39: 293
III/2.1: 164
after
Z 6412
; text by
Richter
00544
475
6.
1735–1736 or earlier
song "Jesus, unser Trost und Leben" (
Schemelli
#333; tune #28)
V Bc
39: 294
III/2.1: 154
after
Z 4918
; text by
Homburg
de
00545
477
6.
1735–1736 or earlier
song "Kein Stündlein geht dahin" (
Schemelli
#869; tune #60)
V Bc
39: 294
III/2.1: 218
after
4243b
; text by
Franck, M.
00547
478
6.
1735–1736 or earlier
song "Komm, süßer Tod"
Schemelli
#868; tune #59)
V Bc
39: 295
III/2.1: 216
Z 4400
00548
479
6.
1735–1736 or earlier
song "Kommt, Seelen, dieser Tag" (
Schemelli
#936; tune #67)
V Bc
39: 295
III/2.1: 232
Z 5185
; text by
Löscher
00549
480
6.
1735–1736 or earlier
song "Kommt wieder aus der finstern Gruft" (
Schemelli
#938; tune #68)
V Bc
39: 296
III/2.1: 234
Z 4709
; text by
Löscher
00550
481
6.
1735–1736 or earlier
song "Lasset uns mit Jesu ziehen" (
Schemelli
#281; tune #18)
V Bc
39: 296
III/2.1: 136
after
Z 7886b
; ↔
BWV 413
; text by
Birken
00551
482
6.
1735–1736 or earlier
song "Liebes Herz, bedenke doch" (
Schemelli
#467; tune #34)
V Bc
39: 297
III/2.1: 166
after
Z 6434
; text by
Koitsch
de
00552
483
6.
1735–1736 or earlier
song "Liebster Gott, wann werd ich sterben" (
Schemelli
#873; tune #61)
E♭ maj.
V Bc
39: 297
III/2.1: 220
after
Z 6634
; text by
Neumann
00553
484
6.
1735–1736 or earlier
song "Liebster Herr Jesu, wo bleibst du so lange" (
Schemelli
#874; tune #62)
V Bc
39: 298
III/2.1: 222
Z 3969
; text by
Weselowius
scores
00554
485
6.
1735–1736 or earlier
song "Liebster Immanuel, Herzog der Frommen" (
Schemelli
#761; tune #54)
V Bc
39: 298
III/2.1: 206
after
Z 4932c
; text by
Fritsch
00555
488
6.
1735–1736 or earlier
song "Meines Lebens letzte Zeit" (
Schemelli
#881; tune #63)
V Bc
39: 299
III/2.1: 224
after
Z 6380
; ↔
BWV 381
00558
486
6.
1735–1736 or earlier
song "Mein Jesu, dem die Seraphinen" (
Schemelli
#121; tune #9)
V Bc
39: 298
III/2.1: 120
after
Z 5988
; text by
Deßler
de
00556
487
6.
1735–1736 or earlier
song "Mein Jesu! was vor Seelenweh" (
Schemelli
#283; tune #19)
V Bc
39: 299
III/2.1: 138
text by
Schemelli
?; →
Z 8383
00557
489
6.
1735–1736 or earlier
song "Nicht so traurig, nicht so sehr" (
Schemelli
#574; tune #41)
V Bc
39: 300
III/2.1: 180
after
Z 3342
; text by
Gerhardt
00559
490
6.
1735–1736 or earlier
song "Nur mein Jesus ist mein Leben" (
Schemelli
#700; tune #49)
V Bc
39: 300
III/2.1: 196
after
Z 8404c
00560
491
6.
1735–1736 or earlier
song "O du Liebe meiner Liebe" (
Schemelli
#284; tune #20)
V Bc
39: 300
III/2.1: 140
after
Z 6693
; text by
Senitz
Wikidata
27
00561
492
6.
1735–1736 or earlier
song "O finstre Nacht, wenn wirst du doch vergehen" (
Schemelli
#891; tune #64)
V Bc
39: 301
III/2.1: 226
Z 6171
; text by
Breithaupt
scores
00562
493
6.
1735–1736 or earlier
song "O Jesulein süß, o Jesulein mild" (
Schemelli
#203; tune #16)
V Bc
39: 302
III/2.1: 132
after
Z 2016a
; text by
Thilo
de
00563
494
6.
1735–1736 or earlier
song "O liebe Seele, zieh die Sinnen" (
Schemelli
#575; tune #42)
V Bc
39: 302
III/2.1: 182
Z 7787
00564
495
6.
1735–1736 or earlier
song "O wie selig seid ihr doch, ihr Frommen" (
Schemelli
#894; tune #65)
V Bc
39: 302
III/2.1: 228
after
Z 1583
; ↔
BWV 405
; text by
Dach
00565
496
6.
1735–1736 or earlier
song "Seelenbräutigam" (
Schemelli
#472; tune #35)
V Bc
39: 303
III/2.1: 168
after
Z 3255a
–b; ↔
BWV 409
; text by
Drese
00566
497
6.
1735–1736 or earlier
song "Seelenweide" (
Schemelli
#710; tune #50)
V Bc
39: 303
III/2.1: 198
after
Z 1286
; text by
Drese
00567
499
6.
1735–1736 or earlier
song "Sei gegrüßet, Jesu gütig" (
Schemelli
#293; tune #22)
V Bc
39: 304
III/2.1: 143
after
Z 3889b
; ↔
BWV 410
; text by
Keymann
00569
498
6.
1735–1736 or earlier
song "Selig, wer an Jesum denkt" (
Schemelli
#292; tune #21)
V Bc
39: 304
III/2.1: 142
Z 4846
00568
500
6.
1735–1736 or earlier
song "So gehst du nun, mein Jesu hin" (
Schemelli
#296; tune #23)
V Bc
39: 304
III/2.1: 144
after
Z 7631b
; ↔
BWV 500a
; text by
Nachtenhöfer
de
00570
501
6.
1735–1736 or earlier
song "So gibst du nun, mein Jesu, gute Nacht" (
Schemelli
#315; tune #26)
V Bc
39: 304
III/2.1: 150
after
Z 849
; ↔
BWV 412
; text by
Pfeiffer
de
00572
502
6.
1735–1736 or earlier
song "So wünsch ich mir zu guter Letzt" (
Schemelli
#901; tune #66)
V Bc
39: 305
III/2.1: 230
Z 5892
; text by
Rist
00573
503
6.
1735–1736 or earlier
song "Steh ich bei meinem Gott" (
Schemelli
#945; tune #69)
V Bc
39: 305
III/2.1: 236
after
Z 5207
; text by
Herrnschmidt
de
00574
504
6.
1735–1736 or earlier
song "Vergiss mein nicht, dass ich dein nicht vergesse" (
Schemelli
#475; tune #36)
V Bc
39: 306
III/2.1: 170
after
Z 4779
; text by
Arnold
00575
505
6.
1735–1736 or earlier
song "Vergiss mein nicht, ..., Mein allerliebster Gott" (
Schemelli
#627; tune #44)
V Bc
39: 306
III/2.1: 186
text by
Arnold
; →
Z 4233
00576
506
6.
1735–1736 or earlier
song "Was bist du doch, o Seele, so betrübt" (
Schemelli
#779; tune #55)
A min.
V Bc
39: 307
III/2.1: 208
after
Z 1837
; ↔
BWV 424
; text by
Schultt, R. F.
scores
00577
507
6.
1735–1736 or earlier
song "Wo ist mein Schäflein, das ich liebe" (
Schemelli
#108; tune #6)
V Bc
39: 308
III/2.1: 114
after
Z 5958a
; text by
Schultt, J. P.
scores
00578
508
6.
1718-11-16 (GHS)
after 1733–1734 (AMB)
Notebook A. M. Bach
(1725)
No. 25: aria "
Bist du bei mir
E♭ maj.
V Bc
43
: 36
39: 309
V/4: 102
after
Stölzel
Diomedes
00579
509
6.
1725–1733 (AMB)
Notebook A. M. Bach
(1725)
No. 41: aria "Gedenke doch, mein Geist, zurücke"
V Bc
43
: 52
39: 310
V/4: 128
00580
510
6.
1725–1733
Notebook A. M. Bach
(1725)
No. 12: song "Gib dich zufrieden und sei stille"
F maj.
V Bc
43
: 30
39: 311
V/4: 91
00581
511
6.
1725–1733
Notebook A. M. Bach
(1725)
No. 13a: song "Gib dich zufrieden und sei stille"
G min.
V Bc
43
: 31
39: 287
V/4: 91
text by
Gerhardt
; →
BWV 512
00582
512
6.
1725–1733
Notebook A. M. Bach
(1725)
No. 13b: song "Gib dich zufrieden und sei stille"
E min.
V Bc
43
: 31
39: 287
V/4: 91
after
BWV 511
; ↔
BWV 315
Z 7417a
; text by
Gerhardt
00583
513
6.
1725–1733 (AMB)
Notebook A. M. Bach
(1725)
No. 42: song "O Ewigkeit, du Donnerwort"
V Bc
43
: 52
39: 301
V/4: 129
BWV 397
; text by
Rist
00584
514
6.
1725–1733 (AMB)
Notebook A. M. Bach
(1725)
No. 35: song "Schaffs mit mir, Gott"
V Bc
43
: 48
39: 303
V/4: 125
text by
Schmolck
00585
515
6.
after 1733–1734
Notebook A. M. Bach
(1725)
No. 20a: aria "So oft ich meine Tobackspfeife"
D min.
V Bc
43
: 34
V/4: 98
by
Bach, G. H.
?; →
BWV 515a
00586
515a
6.
after 1733–1734
Notebook A. M. Bach
(1725)
No. 20b: aria "So oft ich meine Tobackspfeife"
G min.
V Bc
43
: 34
39: 309
V/4: 98
after
BWV 515
00587
516
6.
after 1733–1734 (AMB)
Notebook A. M. Bach
(1725)
No. 33: aria "Warum betrübst du dich"
V Bc
43
: 46
39: 307
V/4: 121
00588
517
6.
after 1733–1734 (AMB)
Notebook A. M. Bach
(1725)
No. 40: song "Wie wohl ist mir, o Freund der Seelen"
V Bc
43
: 51
39: 307
V/4: 128
text by
Deßler
de
00589
518
6.
after 1725
Notebook A. M. Bach
(1725)
No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini"
V Bc
43
: 49
39: 311
V/4: 126
00590
519
6.
c.
1736?
Five Hymns from
SBB Bach
P 802
No. 1: "Hier lieg ich nun, o Vater aller Gnaden"
V Bc
by
Krebs, J. L.
?; in
Spitta III
pp. 401–403
00591
520
6.
c.
1736?
Five Hymns from
SBB Bach
P 802
No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist"
V Bc
by
Krebs, J. L.
?; in
Spitta III
pp. 401–403
00592
521
6.
c.
1736?
Five Hymns from
SBB Bach
P 802
No. 3: "Gott, mein Herz dir Dank zusendet"
III/3
by
Krebs, J. L.
?; in
Spitta III
pp. 401–403
00593
522
6.
c.
1736?
Five Hymns from
SBB Bach
P 802
No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht"
by
Krebs, J. L.
?; in
Spitta III
pp. 401–403
00594
523
6.
c.
1736?
Five Hymns from
SBB Bach
P 802
No. 5: "Ich gnüge mich an meinem Stande"
by
Krebs, J. L.
?; in
Spitta III
pp. 401–403
00595
524
6.
1707 – July 1708
Quodlibet
(incomplete; wedding?)
SATB (SBBB) Bc
NBG 32
I/41: 69
00596
7.
Works for organ (see also:
List of organ compositions by Johann Sebastian Bach
Up ↑
525
7.
1727–1731
Trio Sonata No. 1/6
E♭ maj.
Organ
15: 3
IV/7: 1
BWV 525a
00597
526
7.
1727–1731
Trio Sonata No. 2/6
C min.
Organ
15: 13
IV/7: 14
00598
527
7.
1727–1731
Trio Sonata No. 3/6
(+e. v. for /1)
D min.
Organ
15: 26
IV/7: 28
BWV 1044
/2
00599
528
7.
1727–1731
Trio Sonata No. 4/6
(+e. v. for /2, /3)
E min.
Organ
15: 40
IV/7: 44
after
BWV 76
/8
00600
529
7.
1727–1731
Trio Sonata No. 5/6
(+e. v. for /2)
C maj.
Organ
15: 50
IV/7: 56
00601
530
7.
1727–1731
Trio Sonata No. 6/6
G maj.
Organ
15: 66
IV/7: 76
00602
531
7.
c.
1703–1706
Prelude and Fugue
C maj.
Organ
15: 81
IV/5: 3
in
Möllersche Handschrift
00603
532.2
7.
c.
1708–1712
Prelude and Fugue
D maj.
Organ
15: 88
IV/5: 58
after
BWV 912
/1,
532.1
00604
532.1
7.
Fugue (early version)
D maj.
Organ
IV/6: 95
BWV 532.2
/2
00605
533
7.
c.
1704
Prelude and Fugue ("Cathedral")
E min.
Organ
15: 100
IV/5: 90
BWV 533a
00606
533a
7.
Prelude and Fugue
E min.
Keyboard
IV/6: 106
BWV 533
00607
535
7.
after 1717
Prelude and Fugue
G min.
Organ
15: 112
IV/5: 157
after
BWV 535a
00609
535a
7.
c.
1702–1704
Prelude and Fugue (incomplete)
G min.
Organ
IV/6: 109
BWV 535
; in
Möllersche Handschrift
00610
536
7.
1708–1717
Prelude and Fugue
A maj.
Organ
15: 120
IV/5: 180
BWV 152
/1; →
536a
00611
537
7.
1729–1750
Fantasia and Fugue
C min.
Organ
15: 129
IV/5: 47
00613
538
7.
1712–1717
Toccata and Fugue ("Dorian")
D min.
Organ
15: 136
IV/5: 76
00614
539
7.
1724–1750?
Prelude and Fugue
D min.
Organ
15: 148
IV/5: 70
after
BWV 1001
/2,
1000
00615
540
7.
c.
1712–1717?
Toccata and Fugue
F maj.
Organ
15: 154
IV/5: 112
00616
541
528/3
7.
c.
1712–1717?
Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement)
G maj.
Organ
15: 169
IV/5: 146
BWV 528
/3
00617
542
7.
c.
1714–1720?
Fantasia and Fugue
("Great"; independent compositions?; fugue also in F minor)
G min.
Organ
15: 177
IV/5: 167
00618
543
7.
after
c.
1730
Prelude and Fugue
A min.
Organ
15: 189
IV/5: 186
after
BWV 543/1a
00619
543/1a
7.
bef.
c.
1725
Prelude
A min.
Organ
IV/6: 121
BWV 543
/1
00620
544
7.
1727–1731 (
JSB
Prelude and Fugue
B min.
Organ
15: 199
IV/5: 198
00621
545
529/2
7.
1708–1717
after 1722
Prelude and Fugue (middle movement
BWV 529/2
e. v. removed after 1722)
C maj.
Organ
15: 212
IV/5: 10
after
BWV 545a
; →
529
/2
00622
545a
7.
1708–1717
Prelude and Fugue (early version)
C maj.
Organ
IV/6: 77
BWV 545b
545
00623
546
7.
1708–1750
Prelude and Fugue
C min.
Organ
15: 218
IV/5: 35
00625
547
7.
1719–1750
Prelude and Fugue
C maj.
Organ
15: 228
IV/5: 20
00626
548
7.
1727–1731 (
JSB
Prelude and Fugue
("Wedge")
E min.
Organ
15: 236
IV/5: 94
00627
549
7.
1705–1750
Prelude and Fugue
C min.
Organ
38: 3
IV/5: 30
after
BWV 549a
00628
549a
7.
bef.
c.
1703
Prelude (or: Fantasia) and Fugue
D min.
Organ
IV/6: 101
BWV 549
; in
Möllersche Handschrift
00629
550
7.
c.
1708–1712
Prelude and Fugue
G maj.
Organ
38: 9
IV/5: 138
00630
551
7.
c.
1699
Prelude and Fugue
A min.
Organ
38: 17
IV/6: 63
00631
552
7.
1739
Prelude and Fugue
("St Anne") from
Clavier-Übung III
E♭ maj.
Organ
3: 173, 254
IV/4: 2, 105
00632
562
7.
1720–
c.
1748
Fantasia and Fugue
(unfinished fugue added
c.
1747–1748)
C min.
Organ
38: 64, 209
44: 4
IV/5: 54
00642
563
7.
c.
1704
Fantasia and Imitatio
C maj.
Organ
38: 59
IV/6: 68
in
Andreas-Bach-Buch
00643
564
7.
1708–1717
Toccata, Adagio and Fugue
C maj.
Organ
15: 253
IV/6: 3
00644
565
7.
c.
1704?
Toccata and Fugue
D min.
Organ
15: 267
IV/6: 31
00645
566
7.
1703–1707
Prelude and Fugue
(earliest manuscripts: C major; /1 as Toccata in BGA)
E maj.
C maj.
Organ
15: 276
IV/6: 40
00646
569
7.
1703–
c.
1704
Prelude
A min.
Organ
38: 89
IV/6: 59
00649
1121
7.
c.
1708–1709
Fantasia
C min.
Organ
IV/11: 54
in
Andreas-Bach-Buch
; was Anh. 205
01516
570
7.
c.
1698–1704
Fantasia
C maj.
Organ
38: 62
IV/6: 16
in
Andreas-Bach-Buch
00650
572
7.
1708–
c.
1712
Fantasia, a.k.a.
Pièce d'Orgue
(+reworked version)
G maj.
Organ
38: 75
IV/7: 130, 144
00652
573
7.
c.
1723–1724
Notebook A. M. Bach
(1722)
No. 6 Fantasia (incomplete?)
C maj.
Keyboard
38: 209
43
: 3
V/4: 39
IV/6: 18
00653
574
7.
after
c.
1708?
Fugue on a theme by Legrenzi
C min.
Organ
38: 94
IV/6: 19
after
BWV 574b
; ↔
574a
00654
574a
7.
after
c.
1708?
Fugue on a theme by Legrenzi (variant)
C min.
Organ
38: 205
IV/6: 82
after
BWV 574b
; ↔
574
00655
574b
7.
c.
1707–1713 or earlier
Fugue on a theme by Legrenzi (early version)
C min.
Organ
IV/6: 88
after
Legrenzi
(theme); →
BWV 574a
574
; in
Andreas-Bach-Buch
00656
575
7.
1708–1717?
Fugue
C min.
Organ
38: 101
IV/6: 26
00657
578
7.
c.
1713 or earlier
Fugue
("Little")
G min.
Organ
38: 116
IV/6: 55
in
Andreas-Bach-Buch
00660
579
7.
c.
1703–1707
Fugue on a theme by Corelli
B min.
Organ
38: 121
IV/6: 71
after
Corelli
(theme)
00661
582
7.
c.
1709–1710
Passacaglia (and Fugue)
C min.
Organ
15: 289
IV/7: 98
in
Andreas-Bach-Buch
00664
583
7.
c.
1708–1717
Trio
D min.
Organ
38: 143
IV/7: 94
00665
585
7.
c.
1726–1727 (JSB)
Trio
C min.
Organ
38: 219
IV/8: 73
after
Fasch J. F.
FaWV N:c2
/1, /2; arr. by Bach
00667
586
7.
bef.
c.
1740
Trio
G maj.
Organ
IV/8: 78
after
Telemann
00668
587
7.
c.
1714?
Aria
F maj.
Organ
38: 222
IV/8: 82
after
Couperin
Les Nations
III
/4
00669
588
7.
c.
1703–1707
Canzona
D min.
Organ
38: 126
IV/7: 118
in
Möllersche Handschrift
00670
589
7.
bef.
c.
1742
Alla breve
D maj.
Organ
38: 131
IV/7: 114
00671
590
7.
c.
1723–1727 or later
Pastorella (/1 incomplete?)
F maj.
Organ
38: 135
IV/7: 122
00672
592
7.
c.
1714–1717
Concerto for solo organ
G maj.
Organ
38: 149
IV/8: 56
after
J. E. of Saxe-Weimar
Concerto a 8
; →
BWV 592a
00674
592a
7.
c.
1714–1717
Concerto for solo harpsichord
G maj.
Keyboard
42: 282
V/11: 150
after
BWV 592
00675
593
7.
c.
1714–1717
Concerto for solo organ
A min.
Organ
38: 158
IV/8: 16
after
Vivaldi
Op. 3
No. 8 (RV 522)
00676
594
7.
c.
1714–1717
Concerto for solo organ
C maj.
Organ
38: 171
IV/8: 30
after
Vivaldi
RV 208,
Grosso Mogul
00677
595
7.
c.
1714–1717
Concerto for solo organ
C maj.
Organ
38: 196
IV/8: 65
after
BWV 984
/1
00678
596
7.
c.
1714–1717
Concerto for solo organ
arrangement
previously attributed to
W. F. Bach
D min.
Organ
IV/8: 3
after
Vivaldi
Op. 3
No. 11 (RV 565)
00679
599
7.
c.
1711–1713
chorale setting "Nun komm, der Heiden Heiland" (
Orgelbüchlein
No. 1)
A min.
Organ
25
: 3
IV/1: 3
after
Z 1174
00682
600
7.
c.
1711–1713
chorale setting "Gott durch deine Güte" (
Orgelbüchlein
No. 2)
F maj.
Organ
25
: 4
IV/1: 4
after
Z 3294
00683
chorale setting "Gottes Sohn ist kommen" (
Orgelbüchlein
No. 2)
601
7.
c.
1708–1711 or earlier
chorale setting "Herr Christ, der ein'ge Gottes Sohn" (
Orgelbüchlein
No. 3; also in
Neumeister Collection
A maj.
Organ
25
: 5
IV/1: 6
after
Z 4297a
00684
chorale setting "Herr Gott, nun sei gepreiset" (
Orgelbüchlein
No. 3; also in
Neumeister Collection
602
7.
c.
1711–1713
chorale setting "Lob sei dem allmächtigen Gott" (
Orgelbüchlein
No. 4)
D min.
Organ
25
: 6
IV/1: 7
after
Z 339
00685
603
7.
c.
1711–1713
chorale setting "Puer natus in Bethlehem" (
Orgelbüchlein
No. 5)
G min.
Organ
25
: 6
IV/1: 8
after
Z 192b
00686
604
7.
c.
1711–1713
chorale setting "Gelobet seist du, Jesu Christ" (
Orgelbüchlein
No. 6)
G maj.
Organ
25
: 7
IV/1: 11
after
Z 1947
00687
605
7.
c.
1711–1713
chorale setting "Der Tag, der ist so freudenreich" (
Orgelbüchlein
No. 7)
G maj.
Organ
25
: 8
IV/1: 11
after
Z 7870
00688
606
7.
c.
1708–1711 or earlier
chorale setting "Vom Himmel hoch, da komm ich her" (
Orgelbüchlein
No. 8)
D maj.
Organ
25
: 9
IV/1: 13
after
Z 346
00689
607
7.
c.
1711–1713
chorale setting "Vom Himmel kam der Engel Schar" (
Orgelbüchlein
No. 9)
G min.
Organ
25
: 10
IV/1: 14
after
Z 192a
00690
608
7.
c.
1711–1713
chorale setting "In dulci jubilo" (
Orgelbüchlein
No. 10)
A maj.
Organ
25
: 12
IV/1: 16
after
Z 4947
00691
609
7.
c.
1711–1713
chorale setting "Lobt Gott, ihr Christen allzugleich" (
Orgelbüchlein
No. 11)
G maj.
Organ
25
: 13
IV/1: 18
after
Z 198
00692
610
7.
c.
1711–1713
chorale setting "Jesu, meine Freude" (
Orgelbüchlein
No. 12)
C min.
Organ
25
: 14
IV/1: 19
after
Z 8032
00693
611
7.
c.
1714–1716
chorale setting "Christum wir sollen loben schon" (
Orgelbüchlein
No. 13)
E min.
Organ
25
: 15
IV/1: 20
after
Z 297c
00694
612
7.
c.
1711–1713
chorale setting "Wir Christenleut" (
Orgelbüchlein
No. 14)
G min.
Organ
25
: 16
IV/1: 22
after
Z 2072
00695
613
7.
c.
1740
chorale setting "Helft mir Gotts Güte preisen" (
Orgelbüchlein
No. 15)
B min.
Organ
25
: 18
IV/1: 24
after
Z 5267
00696
614
7.
c.
1711–1713
chorale setting "Das alte Jahr vergangen ist" (
Orgelbüchlein
No. 16)
A min.
Organ
25
: 19
IV/1: 25
after
Z 381c
00697
615
7.
c.
1708–1711
chorale setting "In dir ist Freude" (
Orgelbüchlein
No. 17)
G maj.
Organ
25
: 20
IV/1: 27
after
Z 8537
00698
616
7.
c.
1714–1716
chorale setting "Mit Fried und Freud ich fahr dahin" (
Orgelbüchlein
No. 18)
D min.
Organ
25
: 24
IV/1: 30
after
Z 3986
00699
617
7.
c.
1714–1716
chorale setting "Herr Gott, nun schleuß den Himmel auf" (
Orgelbüchlein
No. 19)
A min.
Organ
25
: 26
IV/1: 32
after
Z 7641b
00700
618
7.
c.
1714–1716
chorale setting "O Lamm Gottes, unschuldig" (
Orgelbüchlein
No. 20)
F maj.
Organ
25
: 28
IV/1: 34
after
Z 4361a
00701
619
7.
c.
1714–1716
chorale setting "Christe, du Lamm Gottes" (
Orgelbüchlein
No. 21)
F maj.
Organ
25
: 30
IV/1: 36
after
Z 58
00702
620
7.
c.
1726
chorale setting "Christus, der uns selig macht" (
Orgelbüchlein
No. 22)
A min.
Organ
25
: 30
IV/1: 37
after
BWV 620a
00703
620a
7.
c.
1714–1716
chorale setting "Christus, der uns selig macht" (
Orgelbüchlein
No. 22, e. v.)
A min.
Organ
25
: 149
IV/1: 78
after
Z 6283b
; →
BWV 620
00704
621
7.
c.
1711–1713
chorale setting "Da Jesus an dem Kreuze stund" (
Orgelbüchlein
No. 23)
A min.
Organ
25
: 32
IV/1: 39
after
Z 1706
00705
622
7.
c.
1711–1713
chorale setting "O Mensch, bewein dein Sünde groß" (
Orgelbüchlein
No. 24)
E♭ maj.
Organ
25
: 33
IV/1: 40
after
Z 8303
; →
BWV 622 (var.)
00706
622 (var.)
7.
1716–1789
chorale setting "O Mensch, bewein dein Sünde groß" (variant)
Organ
after
BWV 622
00707
623
7.
c.
1714–1716
chorale setting "Wir danken dir, Herr Jesu Christ" (
Orgelbüchlein
No. 25)
G maj.
Organ
25
: 35
IV/1: 42
after
Z 423
00708
624
7.
c.
1714–1716
chorale setting "Hilf Gott, dass mir's gelinge" (
Orgelbüchlein
No. 26)
G min.
Organ
25
: 36
IV/1: 44
after
Z 4329
00709
625
7.
c.
1708–1711 or earlier
chorale setting "Christ lag in Todesbanden" (
Orgelbüchlein
No. 27)
D min.
Organ
25
: 38
IV/1: 46
after
Z 7012a
00710
626
7.
c.
1711–1713
chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (
Orgelbüchlein
No. 28)
A min.
Organ
25
: 39
IV/1: 48
after
Z 1978
00711
627
7.
c.
1711–1713
chorale setting "Christ ist erstanden" (
Orgelbüchlein
No. 29)
D min.
Organ
25
: 40
IV/1: 49
after
Z 8584
00712
628
7.
c.
1711–1713
chorale setting "Erstanden ist der heilge Christ" (
Orgelbüchlein
No. 30)
D maj.
Organ
25
: 44
IV/1: 54
after
Z 1747a
00713
629
7.
c.
1711–1713
chorale setting "Erschienen ist der herrliche Tag" (
Orgelbüchlein
No. 31)
D min.
Organ
25
: 45
IV/1: 55
after
Z 1743
00714
630
7.
c.
1708–1711 or earlier
chorale setting "Heut triumphieret Gottes Sohn" (
Orgelbüchlein
No. 32)
D min.
Organ
25
: 46
IV/1: 56
after
BWV 630a
00715
630a
7.
c.
1708–1711 or earlier
chorale setting "Heut triumphieret Gottes Sohn" (
Orgelbüchlein
No. 32, e. v.)
Organ
IV/1: 80
after
Z 2585
; →
BWV 630
00716
631
7.
c.
1726
chorale setting "Komm, Gott Schöpfer, heiliger Geist" (
Orgelbüchlein
No. 33)
D min.
Organ
25
: 47
IV/1: 58
after
BWV 631a
00717
631a
7.
c.
1711–1713
chorale setting "Komm, Gott Schöpfer, heiliger Geist" (
Orgelbüchlein
No. 33, e. v.)
G maj.
Organ
25
: 150
IV/1: 82
after
Z 295
; →
BWV 631
00718
632
7.
c.
1711–1713
chorale setting "Herr Jesu Christ, dich zu uns wend" (
Orgelbüchlein
No. 34)
F maj.
Organ
25
: 48
IV/1: 59
after
Z 624
00719
633
7.
c.
1711–1713
chorale setting "Liebster Jesu, wir sind hier" distinctus (
Orgelbüchlein
No. 36)
A maj.
Organ
25
: 49
IV/1: 61
after
BWV 634
00720
634
7.
c.
1711–1713
chorale setting "Liebster Jesu, wir sind hier" (
Orgelbüchlein
No. 35)
A maj.
Organ
25
: 50
IV/1: 60
after
Z 3498b
; →
BWV 633
00721
635
7.
c.
1711–1713
chorale setting "Dies sind die heilgen zehn Gebot" (
Orgelbüchlein
No. 37)
C maj.
Organ
25
: 50
IV/1: 62
after
Z 1951
00722
636
7.
c.
1711–1713
chorale setting "Vater unser im Himmelreich" (
Orgelbüchlein
No. 38)
D min.
Organ
25
: 52
IV/1: 64
after
Z 2561
00723
637
7.
c.
1711–1713
chorale setting "Durch Adams Fall ist ganz verderbt" (
Orgelbüchlein
No. 39)
A min.
Organ
25
: 53
IV/1: 65
after
Z 7549
00724
638
7.
c.
1708–1711 or earlier
chorale setting "Es ist das Heil uns kommen her" (
Orgelbüchlein
No. 40)
D maj.
Organ
25
: 54
IV/1: 66
after
BWV 638a
00725
638a
7.
c.
1708–1711 or earlier
chorale setting "Es ist das Heil uns kommen her" (
Orgelbüchlein
No. 40, e. v.)
Organ
IV/1: 83
after
Z 4430
; →
BWV 638
00726
639
7.
c.
1708–1711 or earlier
chorale setting "Ich ruf zu dir, Herr Jesu Christ" (
Orgelbüchlein
No. 41; also in
Neumeister Collection
F min.
Organ
25
: 55
IV/1: 68
after
Z 7400
; →
BWV Anh. 73
00727
640
7.
c.
1711–1713
chorale setting "In dich hab ich gehoffet, Herr" (
Orgelbüchlein
No. 42)
E min.
Organ
25
: 56
IV/1: 70
after
Z 2459
00728
641
7.
c.
1711–1713
chorale setting "Wenn wir in höchsten Nöten sein" (
Orgelbüchlein
No. 43)
G maj.
Organ
25
: 57
IV/1: 71
after
Z 394
00729
642
7.
c.
1711–1713
chorale setting "Wer nur den lieben Gott lässt walten" (
Orgelbüchlein
No. 44)
A min.
Organ
25
: 58
IV/1: 72
after
Z 2778
00730
643
7.
c.
1711–1713
chorale setting "Alle Menschen müssen sterben" (
Orgelbüchlein
No. 45)
G maj.
Organ
25
: 59
IV/1: 74
after
Z 6779a
00731
644
7.
c.
1711–1713
chorale setting "Ach wie nichtig, ach wie flüchtig" (
Orgelbüchlein
No. 46)
G min.
Organ
25
: 60
IV/1: 75
after
Z 1887b
00732
645
7.
1747–1748
chorale setting "Wachet auf, ruft uns die Stimme" (
Schübler Chorales
No. 1)
E♭ maj.
Organ
25
: 63
IV/1: 86
after
BWV 140
/4
00733
646
7.
1747–1748
chorale setting "Wo soll ich fliehen hin" (
Schübler Chorales
No. 2)
E min.
Organ
25
: 66
IV/1: 90
after
Z 2164
00734
chorale setting "Auf meinen lieben Gott" (
Schübler Chorales
No. 2)
647
7.
1747–1748
chorale setting "Wer nur den lieben Gott lässt walten" (
Schübler Chorales
No. 3)
C min.
Organ
25
: 68
IV/1: 92
after
BWV 93
/4
00735
648
7.
1747–1748
chorale setting "Meine Seele erhebt den Herren" (
Schübler Chorales
No. 4)
D min.
Organ
25
: 70
IV/1: 94
after
BWV 10
/5
00736
649
7.
1747–1748
chorale setting "Ach bleib bei uns, Herr Jesu Christ" (
Schübler Chorales
No. 5)
B♭ maj.
Organ
25
: 71
IV/1: 95
after
BWV 6
/3
00737
650
7.
1747–1748
chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (
Schübler Chorales
No. 6)
G maj.
Organ
25
: 74
IV/1: 98
after
BWV 137
/2
00738
651
7.
c.
1740
chorale setting "Komm, heiliger Geist" (Fantasia;
Leipzig Chorales
1/18)
F maj.
Organ
25
: 79
IV/2: 3
after
BWV 651a
00739
651a
7.
1708–1714
chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar)
Organ
25
: 151
IV/2: 117
after
Z 7445a
; →
BWV 651
00740
652
7.
c.
1740
chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo;
Leipzig Chorales
2/18)
G maj.
Organ
25
: 86
IV/2: 13
after
BWV 652a
00741
652a
7.
1708–1714
chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar)
Organ
IV/2: 121
after
Z 7445a
; →
BWV 652
00742
653
7.
c.
1740
chorale setting "An Wasserflüssen Babylon" (
Leipzig Chorales
3/18)
G maj.
Organ
25
: 92
IV/2: 22
after
BWV 653a
00743
653a
7.
1708–1717
chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar)
Organ
25
: 157
IV/2: 133
after
BWV 653b
; →
BWV 653
00744
653b
7.
1708–1714
chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar)
Organ
40: 49
IV/2: 130
after
Z 7663
; →
BWV 653a
00745
654
7.
c.
1740
chorale setting "Schmücke dich, o liebe Seele" (
Leipzig Chorales
4/18)
E♭ maj.
Organ
25
: 95
IV/2: 26
after
BWV 654a
00746
654a
7.
1708–1714
chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar)
Organ
IV/2: 136
after
Z 6923
; →
BWV 654
00747
655
7.
c.
1740
chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio;
Leipzig Chorales
5/18)
G maj.
Organ
25
: 98
IV/2: 31
after
BWV 655a
; ↔
655
var. 1–4; →
655b
00748
655 var. 1
7.
1708–1798
chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1)
Organ
after
Z 624
; ↔
BWV 655
), var. 2–4
00749
655 var. 2
7.
1708–1798
chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2)
F maj.
Organ
after
Z 624
; ↔
BWV 655
), var. 1, 3–4
00750
655 var. 3
7.
1708–1798
chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3)
F maj.
Organ
after
Z 624
; ↔
BWV 655
), var. 1–2, 4
00751
655 var. 4
7.
1708–1798
chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4)
F maj.
Organ
after
Z 624
; ↔
BWV 655
), var. 1–3
00752
655a
7.
1708–1714
chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar)
Organ
25
: 162
IV/2: 140
after
Z 624
; ↔
BWV 655
var. 1–4; →
655
00753
656
7.
c.
1740
chorale setting "O Lamm Gottes, unschuldig" (
Leipzig Chorales
6/18)
A maj.
Organ
25
: 102
IV/2: 38
after
BWV 656a
00756
656a
7.
1708–1714
chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar)
Organ
25
: 166
IV/2: 146
after
Z 4361b
; →
BWV 656
00757
657
7.
1708–1714
Chorale prelude
Nun danket alle Gott
Leipzig Chorales
7/18)
G maj.
Organ
25
: 108
IV/2: 46
after
Z 5142
00758
658
7.
c.
1740
chorale setting "Von Gott will ich nicht lassen" (
Leipzig Chorales
8/18)
F min.
Organ
25
: 112
IV/2: 51
after
BWV 658a
00759
658a
7.
1708–1714
chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar)
Organ
25
: 170
IV/2: 154
after
Z 5264b
BWV 658
00760
659
7.
c.
1740
chorale setting "Nun komm, der Heiden Heiland" (
Leipzig Chorales
9/18)
G min.
Organ
25
: 114
IV/2: 55
after
BWV 659a
00761
659a
7.
1708–1714
chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar)
Organ
25
: 172
IV/2: 157
after
Z 1174
; →
BWV 659
00762
660
7.
c.
1740
chorale setting "Nun komm, der Heiden Heiland" (Trio;
Leipzig Chorales
10/18)
G min.
Organ
25
: 116
IV/2: 59
after
BWV 660a
00763
660a
7.
1714–1717
chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar)
Organ
25
: 174
IV/2: 160
after
Z 1174
; →
BWV 660
660b
00764
660b
7.
1708–1714
chorale setting "Nun komm, der Heiden Heiland" (arrangement)
Organ
25
: 176
by Krebs,
J. T.
(arr.)?; after
BWV 660a
00765
661
7.
c.
1740
chorale setting "Nun komm, der Heiden Heiland" (
Leipzig Chorales
11/18)
G min.
Organ
25
: 118
IV/2: 62
after
BWV 661a
00766
661a
7.
1708–1714
chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar)
Organ
25
: 178
IV/2: 164
after
Z 1174
; →
BWV 661
00767
662
7.
c.
1740
chorale setting "Allein Gott in der Höh sei Ehr" (
Leipzig Chorales
12/18)
A maj.
Organ
25
: 122
IV/2: 67
after
BWV 662a
00768
662a
7.
1708–1717
chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar)
Organ
IV/2: 168
after
Z 4457
; →
BWV 662
00769
663
7.
c.
1740
chorale setting "Allein Gott in der Höh sei Ehr" (
Leipzig Chorales
13/18)
G maj.
Organ
25
: 125
IV/2: 72
after
BWV 663a
00770
663a
7.
1708–1717
chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar)
Organ
25
: 180
IV/2: 172
after
Z 4457
; →
BWV 663
00771
664
7.
1746–1747
chorale setting "Allein Gott in der Höh sei Ehr" (Trio;
Leipzig Chorales
14/18)
A maj.
Organ
25
: 130
IV/2: 79
after
BWV 664a
00772
664a
7.
1708–1717
chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy)
Organ
25
: 183
IV/2
after
BWV 664b
; →
BWV 664
00773
664b
7.
1708–1717
chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch)
Organ
IV/2: 179
after
Z 4457
; →
BWV 664
00774
665
7.
1746–1747
chorale setting "Jesus Christus, unser Heiland" (
Leipzig Chorales
15/18)
E min.
Organ
25
: 136
IV/2: 87
after
BWV 665a
00775
665a
7.
1708–1714
chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar)
Organ
25
: 188
IV/2: 187
after
Z 1576
; →
BWV 665
00776
666
7.
1708–1748
chorale setting "Jesus Christus, unser Heiland" (alio modo;
Leipzig Chorales
16/18)
E min.
Organ
25
: 140
IV/2: 91
after
BWV 666a
00777
666a
7.
1708–1714
chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar)
Organ
IV/2: 191
after
Z 1576
; →
BWV 666
00778
667
7.
1747–1748
chorale setting "Komm, Gott Schöpfer, heiliger Geist" (
Leipzig Chorales
17/18)
C maj.
Organ
25
: 142
IV/2: 94
after
BWV 667a
00779
667a
7.
1708–1717
chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar)
Organ
IV/2
after
BWV 667b
; →
BWV 667
00780
667b
7.
1708–1717
chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch)
Organ
IV/2: 194
after
Z 295
; →
BWV 667
00781
668
7.
1747–1748
chorale setting "Vor deinen Thron tret ich hiermit" (fragment;
Leipzig Chorales
18/18)
G maj.
Organ
25
: 145
IV/2: 113
after
BWV 668a
00782
668a
7.
1708–1748
chorale setting "Wenn wir in höchsten Nöten" (e. v.)
Organ
IV/2: 212
after
Z 394
; →
BWV 668
00783
669
7.
1739
chorale setting "Kyrie, Gott Vater in Ewigkeit" from
Clavier-Übung III
Organ
3: 184
IV/4: 16
after
Z 8600
00784
670
7.
1739
chorale setting "Christe, aller Welt Trost" from
Clavier-Übung III
Organ
3: 186
IV/4: 18
after
Z 8600
00785
671
7.
1739
chorale setting "Kyrie, Gott heiliger Geist" from
Clavier-Übung III
Organ
3: 190
IV/4: 20
after
Z 8600
00786
672
7.
1739
chorale setting "Kyrie, Gott Vater in Ewigkeit" from
Clavier-Übung III
Org/man.
3: 194
IV/4: 27
after
Z 8600
00787
673
7.
1739
chorale setting "Christe, aller Welt Trost" from
Clavier-Übung III
Org/man.
3: 194
IV/4: 28
after
Z 8600
00788
674
7.
1739
chorale setting "Kyrie, Gott heiliger Geist" from
Clavier-Übung III
Org/man.
3: 196
IV/4: 29
after
Z 8600
00789
675
7.
1739
chorale setting "Allein Gott in der Höh sei Ehr" from
Clavier-Übung III
Organ
3: 197
IV/4: 30
after
Z 4457
00790
676
7.
1739
chorale setting "Allein Gott in der Höh sei Ehr" from
Clavier-Übung III
Organ
3: 199
IV/4: 33
after
Z 4457
; →
BWV 676a
00791
677
7.
1739
chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) from
Clavier-Übung III
Org/man.
3: 205
IV/4: 41
after
Z 4457
00793
678
7.
1739
chorale setting "Dies sind die heiligen zehen Gebot" from
Clavier-Übung III
Organ
3: 206
IV/4: 42
after
Z 1951
00794
679
7.
1739
chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) from
Clavier-Übung III
Org/man.
3: 210
IV/4: 49
after
Z 1951
00795
680
7.
1739
chorale setting "Wir gläuben all an einen Gott" from
Clavier-Übung III
Organ
3: 212
IV/4: 52
after
Z 7971
00796
681
7.
1739
chorale setting "Wir gläuben all an einen Gott" (Fughetta) from
Clavier-Übung III
Org/man.
3: 216
IV/4: 57
after
Z 7971
00797
682
7.
1739
chorale setting "Vater unser im Himmelreich" from
Clavier-Übung III
Organ
3: 217
IV/4: 58
after
Z 2561
00798
683
7.
1739
chorale setting "Vater unser im Himmelreich" from
Clavier-Übung III
Org/man.
3: 223
IV/4: 66
after
Z 2561
; →
BWV 683a
00799
684
7.
1739
chorale setting "Christ unser Herr zum Jordan kam" from
Clavier-Übung III
Organ
3: 224
IV/4: 68
after
Z 7246
00801
685
7.
1739
chorale setting "Christ unser Herr zum Jordan kam" from
Clavier-Übung III
Org/man.
3: 228
IV/4: 73
after
Z 7246
00802
686
7.
1739
chorale setting "Aus tiefer Not schrei ich zu dir" from
Clavier-Übung III
Organ
3: 229
IV/4: 74
after
Z 4437
00803
687
7.
1739
chorale setting "Aus tiefer Not schrei ich zu dir" from
Clavier-Übung III
Org/man.
3: 232
IV/4: 78
after
Z 4437
00804
688
7.
1739
chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" from
Clavier-Übung III
Organ
3: 234
IV/4: 81
after
Z 1576
00805
689
7.
1739
chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) from
Clavier-Übung III
Org/man.
3: 239
IV/4: 89
after
Z 1576
00806
690
7.
c.
1700–1717
chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1)
Organ
40: 3
IV/3: 98
after
Z 2778
00807
691
7.
c.
1720 or earlier
Notebook A. M. Bach
(1725)
No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (
WFB
No. 3; Kirnb. coll. No. 2)
Organ
40: 4
43
: 30
45
: 214
V/5: 6
V/4: 90
IV/3: 98
after
Z 2778
; →
BWV 691a
00808
694
7.
c.
1700–1717
chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5)
Organ
40: 6
IV/3: 103
after
Z 2164
00813
695
7.
c.
1700–1717
chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6)
Organ
40: 10
IV/3: 20
after
Z 7012a
; →
BWV 695a
00814
695a
7.
1700–1789
chorale setting "Christ lag in Todesbanden" (variant)
Organ
40: 153
after
BWV 695
00815
696
7.
c.
1700–1717
chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7)
Organ
40: 13
IV/3: 23
after
Z 297c
00816
chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7)
697
7.
c.
1700–1717
chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8)
Organ
40: 14
IV/3: 32
after
Z 1947
00817
698
7.
c.
1700–1717
chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9)
Organ
40: 15
IV/3: 35
after
Z 4297a
00818
699
7.
c.
1700–1717
chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10)
Organ
40: 16
IV/3: 73
after
Z 1174
00819
700
7.
c.
1699
chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11)
Organ
40: 17
IV/3: 92
after
Z 346
00820
701
7.
c.
1700–1717
chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12)
Organ
40: 19
IV/3: 96
after
Z 346
00821
702
7.
c.
1700–1717
chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13)
Organ
40: 20
IV/3: 45
after
Z 7597
00822
703
7.
c.
1700–1717
chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14)
Organ
40: 21
IV/3: 34
after
Z 3294
00823
704
7.
c.
1700–1717
chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15)
Organ
40: 22
IV/3: 62
after
Z 339
00824
706/1
706/2
7.
c.
1700–1717
chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17)
Organ
40: 25
IV/3: 59
after
Z 3498b
00826
707
7.
c.
1700–1717
chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18)
Organ
40: 26
IV/10: 87
after
Z 1679
00827
709
7.
c.
1700–1717
chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20)
Organ
40: 30
IV/3: 43
after
Z 624
00830
710
7.
c.
1700–1717
chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21)
Organ
40: 32
IV/3: 100
after
Z 2072
00831
711
7.
c.
1700–1717
chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22)
Organ
40: 34
IV/3: 11
after
Z 4457
00832
712
7.
c.
1708
chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23)
Organ
40: 36
IV/3: 48
after
Z 2461
00833
713
7.
c.
1700–1717
chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24)
Org/man.
40: 38
IV/3: 54
after
Z 8032
; →
BWV 713a
00834
713a
7.
1700–1789
chorale setting "Jesu, meine Freude" (Fantasia; variant)
Organ
40: 155
IV/10: 93
after
BWV 713
00835
714
7.
1708–1717
chorale setting "Ach Gott und Herr" (
Neumeister Chorales
No. 13)
Organ
40: 43
IV/9: 26
IV/3: 3
after
Z 2050, 2052
00836
715
7.
1703–1717
chorale setting "Allein Gott in der Höh sei Ehr"
Organ
40: 44
IV/3: 14
after
Z 4457
00837
717
7.
1708–1717
chorale setting "Allein Gott in der Höh sei Ehr"
Organ
40: 46
IV/3: 8
after
Z 4457
00839
718
7.
1703–1708
chorale setting "Christ lag in Todesbanden"
Organ
40: 52
IV/3: 16
after
Z 7012a
00840
719
7.
c.
1704
chorale setting "Der Tag, der ist so freudenreich" (
Neumeister Chorales
No. 1)
Organ
40: 55
IV/9: 2, 72
after
Z 7870
00841
720
7.
1709?
chorale setting "Ein feste Burg ist unser Gott"
Organ
40: 57
IV/3: 24
after
Z 7377
; by
Bach, J. Michael
00842
721
7.
c.
1703–1707
chorale setting "Erbarm dich mein, o Herre Gott"
Organ
40: 60
IV/3: 28
after
Z 5851
00843
722
7.
1708–1717
chorale setting "Gelobet seist du, Jesu Christ"
Organ
40: 62
IV/3: 31
after
BWV 722a
00844
722a
7.
1709?
chorale setting "Gelobet seist du, Jesu Christ" (sketch)
Organ
40: 158
IV/3: 30
after
Z 1947
; →
BWV 722
00845
724
7.
c.
1699
chorale setting "Gott durch deine Güte"
Organ
40: 65
IV/3: 33
after
Z 3294
; in
Andreas-Bach-Buch
00847
chorale setting "Gottes Sohn ist kommen"
725
7.
c.
1700–1717
chorale setting "Herr Gott, dich loben wir"
Organ
40: 66
IV/3: 36
after
Z 8652
00848
727
7.
1708–1717
chorale setting "Herzlich tut mich verlangen"
Organ
40: 73
IV/3: 46
after
Z 5385a
00850
728
7.
1722–1723 or earlier
Notebook A. M. Bach
(1722)
No. 8 chorale setting "Jesus, meine Zuversicht"
Organ
43
: 5
40: 74
V/4: 41
IV/3: 58
after
Z 3432b
00851
729
7.
1708–1717
chorale setting "In dulci jubilo"
Organ
40: 74
IV/3: 52
after
BWV 729a
00852
729a
7.
1708–1717
chorale setting "In dulci jubilo" (sketch)
Organ
40: 158
IV/3: 50
after
Z 4947
; →
BWV 729
00853
730
7.
1708–1717
chorale setting "Liebster Jesu, wir sind hier"
Organ
40: 76
IV/3: 60
after
Z 3498b
00854
731
7.
1708–1717
chorale setting "Liebster Jesu, wir sind hier"
Organ
40: 77
IV/3: 61
after
Z 3498b
00855
732
7.
1708–1717
chorale setting "Lobt Gott, ihr Christen, allzugleich"
Organ
40: 78
IV/3: 64
after
BWV 732a
00856
732a
7.
1708–1717
chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft)
Organ
40: 159
IV/3: 63
after
Z 198
; →
BWV 732
00857
733
7.
1708–1717
chorale setting "Meine Seele erhebt den Herren" (fugue)
Organ
40: 79
IV/3: 65
after
Magnificat peregrini toni
; by
Krebs, J. L.
00858
734
7.
1708–1717
chorale setting "Nun freut euch, lieben Christen g'mein"
Organ
40: 160
IV/3: 70
after
Z 4429a
; →
BWV 734a
00859
734a
7.
1708–1789
chorale setting "Es ist gewisslich an der Zeit"
Organ
40: 84
IV/10
after
BWV 734
; arr. by
Scholz
00860
735
7.
c.
1700–1717
chorale setting "Valet will ich dir geben" (Fantasia)
Organ
40: 86
IV/3: 77
after
BWV 735a
00861
735a
7.
c.
1706
chorale setting "Valet will ich dir geben" (early version)
Organ
40: 161
IV/3: 81
after
Z 5404a
; →
BWV 735
00862
736
7.
1708–1717 or later
chorale setting "Valet will ich dir geben"
Org (V Bc)
40: 90
IV/3: 84
after
Z 5404a
00863
737
7.
1703–1707
chorale setting "Vater unser im Himmelreich" (
Neumeister Chorales
No. 18)
Organ
40: 96
IV/9: 36
IV/3: 90
after
Z 2561
00864
738
7.
1708–1717
chorale setting "Vom Himmel hoch, da komm ich her"
Organ
40: 97
IV/3: 94
after
BWV 738a
00865
738a
7.
1708–1717
chorale setting "Vom Himmel hoch, da komm ich her" (sketch)
Organ
40: 159
IV/3: 94
after
Z 346
; →
BWV 738
00866
739
7.
c.
1704
chorale setting "Wie schön leuchtet der Morgenstern"
Organ
40: 99
IV/10: 2
after
Z 8359
00867
741
7.
c.
1701
chorale setting "Ach Gott, vom Himmel sieh darein"
Organ
40: 167
IV/3: 4
after
Z 4431
00869
742
7.
c.
1704
chorale setting "Ach Herr, mich armen Sünder"
scores
Neumeister Chorales
No. 14)
Organ
IV/9: 28
after
Z 5385a
00870
747
7.
1703–1707 or earlier
chorale setting "Christus, der uns selig macht"
scores
Organ
IV/10: 38
after
Z 6283b
00875
753
7.
c.
1720
chorale setting "Jesu, meine Freude" (unfinished;
WFB
No. 5)
Organ
40: 163
45
: 214
V/5: 8
after
Z 8032
00882
764
7.
c.
1704–1705
chorale setting "Wie schön leuchtet der Morgenstern"
Organ
40: 164
IV/10: 6
after
Z 8359
00893
1085
7.
c.
1700–1717
chorale setting "O Lamm Gottes unschuldig"
scores
Organ
IV/3: 76
after
Z 4361
01683
1090
7.
c.
1704
chorale setting "Wir Christenleut" (
Neumeister Chorales
No. 2)
Organ
IV/9: 4
after
Z 2072
01276
1091
7.
c.
1699
chorale setting "Das alte Jahr vergangen ist" (
Neumeister Chorales
No. 3)
Organ
IV/9: 6
after
Z 381c
01277
1092
7.
c.
1701
chorale setting "Herr Gott, nun schleuß den Himmel auf" (
Neumeister Chorales
No. 4)
Organ
IV/9: 8
after
Z 7641b
01278
1093
7.
c.
1704
chorale setting "Herzliebster Jesu, was hast du verbrochen" (
Neumeister Chorales
No. 5)
Organ
IV/9: 10
after
Z 983
01279
1094
7.
c.
1699
chorale setting "O Jesu, wie ist dein Gestalt" (
Neumeister Chorales
No. 6)
Organ
IV/9: 12
after
Z 8360
01280
1095
7.
c.
1704
chorale setting "O Lamm Gottes unschuldig" (
Neumeister Chorales
No. 7)
Organ
IV/9: 14
after
Z 4361a
01281
1097
7.
c.
1699
chorale setting "Ehre sei dir Christe, der du leidest Not" (
Neumeister Chorales
No. 9)
Organ
IV/9: 18
after
Z 8187h
01283
1098
7.
c.
1704
chorale setting "Wir glauben all an einen Gott" (
Neumeister Chorales
No. 10)
Organ
IV/9: 20
after
Z 7971
01284
1099
7.
c.
1701
chorale setting "Aus tiefer Not schrei ich zu dir" (
Neumeister Chorales
No. 11)
Organ
IV/9: 22
after
Z 4438
01285
1100
7.
c.
1704
chorale setting "Allein zu dir, Herr Jesu Christ" (
Neumeister Chorales
No. 12)
Organ
IV/9: 24
after
Z 7292b
01286
1101
7.
c.
1704
chorale setting "Durch Adams Fall ist ganz verderbt" (
Neumeister Chorales
No. 15)
Organ
IV/9: 30
after
Z 7549
01287
1102
7.
c.
1706
chorale setting "Du Friedefürst, Herr Jesu Christ" (
Neumeister Chorales
No. 16)
Organ
IV/9: 33
after
Z 4373
01288
1103
7.
1699–1709
chorale setting "Erhalt uns Herr, bei deinem Wort" (
Neumeister Chorales
No. 17)
Organ
IV/9: 35
after
Z 350
01289
1104
7.
1699–1709
chorale setting "Wenn dich Unglück tut greifen an" (
Neumeister Chorales
No. 19)
Organ
IV/9: 38
after
Z 499
01290
1105
7.
c.
1701
chorale setting "Jesu, meine Freude" (
Neumeister Chorales
No. 20)
Organ
IV/9: 39
after
Z 8032
01291
1106
7.
c.
1704
chorale setting "Gott ist mein Heil, mein Hilf und Trost" (
Neumeister Chorales
No. 21)
Organ
IV/9: 40
after
Z 4421
01292
1107
7.
c.
1704
chorale setting "Jesu, meines Lebens Leben" (
Neumeister Chorales
No. 22)
Organ
IV/9: 42
after
Z 6794
01293
1108
7.
c.
1704
chorale setting "Als Jesus Christus in der Nacht" (
Neumeister Chorales
No. 23)
Organ
IV/9: 44
after
Z 258
01294
1109
7.
1699–1709
chorale setting "Ach Gott, tu dich erbarmen" (
Neumeister Chorales
No. 24)
Organ
IV/9: 46
after
Z 7228c
01295
1110
7.
c.
1704
chorale setting "O Herre Gott, dein göttlich Wort" (
Neumeister Chorales
No. 25)
Organ
IV/9: 48
after
Z 5690
01296
1111
7.
c.
1701
chorale setting "Nun lasset uns den Leib begraben" (
Neumeister Chorales
No. 26)
Organ
IV/9: 50
after
Z 352
01297
1112
7.
c.
1699
chorale setting "Christus, der ist mein Leben" (
Neumeister Chorales
No. 27)
Organ
IV/9: 52
after
Z 132
01298
1113
7.
c.
1699
chorale setting "Ich hab mein Sach Gott heimgestellt" (
Neumeister Chorales
No. 28)
Organ
IV/9: 54
after
Z 1679
01299
1114
7.
c.
1701
chorale setting "Herr Jesu Christ, du höchstes Gut" (
Neumeister Chorales
No. 29)
Organ
IV/9: 56
after
Z 4486
01300
1115
7.
c.
1701
chorale setting "Herzlich lieb hab ich dich, o Herr" (
Neumeister Chorales
No. 30)
Organ
IV/9: 58
after
Z 8326
01301
1116
7.
c.
1701
chorale setting "Was Gott tut, das ist wohlgetan" (
Neumeister Chorales
No. 31)
Organ
IV/9: 60
after
Z 5629
01302
1117
7.
c.
1701
chorale setting "Alle Menschen müssen sterben" (
Neumeister Chorales
No. 32)
Organ
IV/9: 62
after
Z 6779a
01303
1118
7.
c.
1701
chorale setting "Werde munter, mein Gemüte" (
Neumeister Chorales
No. 34)
Organ
IV/9: 66
after
Z 6551
01304
1119
7.
c.
1699
chorale setting "Wie nach einer Wasserquelle" (
Neumeister Chorales
No. 35)
Organ
IV/9: 68
after
Z 1294
01305
1120
7.
c.
1704
chorale setting "Christ, der du bist der helle Tag" (
Neumeister Chorales
No. 36)
Organ
IV/9: 70
after
Z 384
01306
957
7.
c.
1701
chorale setting "Machs mit mir, Gott, nach deiner Güt" (
Neumeister Chorales
No. 33; a.k.a. Fugue = first half in later arr.)
G maj.
Organ
42: 203
IV/9: 64, 74
after
Z 2383
01134
766
7.
c.
1706
chorale setting "Christ, der du bist der helle Tag"
Organ
40: 107
IV/1: 114
after
Z 384
00895
767
7.
c.
1708
chorale setting "O Gott, du frommer Gott"
Organ
40: 114
IV/1: 122
after
Z 5138
00896
768
7.
1708–1717 or earlier
chorale setting "Sei gegrüßet, Jesu gütig"
Organ
40: 122
IV/1: 132, 152
after
Z 3889b
00897
769
7.
c.
1747–1748
chorale setting "Vom Himmel hoch da komm ich her'"
(canonic variations; print version)
Organ
40: 137
IV/2: 197
after
Z 346
; →
BWV 769a
00898
769a
7.
c.
1747–1748
chorale setting "Vom Himmel hoch da komm ich her"
(canonic variations; autograph)
Organ
IV/2: 98
after
BWV 769
00899
770
7.
c.
1704
chorale setting "Ach, was soll ich Sünder machen"
Organ
40: 189
IV/1: 104
after
Z 3574
00900
8.
Keyboard compositions (see also:
List of solo keyboard compositions by Johann Sebastian Bach
Up ↑
772
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 1 –
Invention No. 1
WFB
No. 32: Preamb. 1
C maj.
Keyboard
3: 1
45
: 221
V/5: 48
V/3: 2
BWV 772a
28
00902
772a
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 1a –
Invention No. 1a
C maj.
Keyboard
3: 342
V/3: 4
after
BWV 772
29
00903
773
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 2 –
Invention No. 2
WFB
No. 46: Preamb. 15
C min.
Keyboard
3: 2
45
: 223
V/5: 76
V/3: 6
28
00904
774
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 3 –
Invention No. 3
WFB
No. 45: Preamb. 14
D maj.
Keyboard
3: 3
45
: 223
V/5: 74
V/3: 8
28
00905
775
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 4 –
Invention No. 4
WFB
No. 33: Preamb. 2
D min.
Keyboard
3: 4
45
: 221
V/5: 50
V/3: 10
28
00906
776
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 5 –
Invention No. 5
WFB
No. 44: Preamb. 13
E♭ maj.
Keyboard
3: 6
45
: 222
V/5: 72
V/3: 12
28
00907
777
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 6 –
Invention No. 6
WFB
No. 43: Preamb. 12
E maj.
Keyboard
3: 7
45
: 222
V/5: 70
V/3: 14
28
00908
778
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 7 –
Invention No. 7
WFB
No. 34: Preamb. 3
E min.
Keyboard
3: 9
45
: 221
V/5: 52
V/3: 16
28
00909
779
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 8 –
Invention No. 8
WFB
No. 35: Preamb. 4
F maj.
Keyboard
3: 10
45
: 221
V/5: 54
V/3: 18
28
00910
780
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 9 –
Invention No. 9
WFB
No. 42: Preamb. 11
F min.
Keyboard
3: 11
45
: 222
V/5: 68
V/3: 20
28
00911
781
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 10 –
Invention No. 10
WFB
No. 36: Preamb. 5
G maj.
Keyboard
3: 12
45
: 221
V/5: 56
V/3: 22
28
00912
782
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 11 –
Invention No. 11
WFB
No. 41: Preamb. 10
G min.
Keyboard
3: 13
45
: 222
V/5: 66
V/3: 24
28
00913
783
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 12 –
Invention No. 12
WFB
No. 40: Preamb. 9
A maj.
Keyboard
3: 14
45
: 222
V/5: 64
V/3: 26
28
00914
784
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 13 –
Invention No. 13
WFB
No. 37: Preamb. 6
A min.
Keyboard
3: 15
45
: 221
V/5: 58
V/3: 28
28
00915
785
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 14 –
Invention No. 14
WFB
No. 39: Preamb. 8
B♭ maj.
Keyboard
3: 16
45
: 222
V/5: 62
V/3: 30
28
00916
786
8.
1720-01-22
1725-01-22
Inventions and Sinfonias
No. 15 –
Invention No. 15
WFB
No. 38: Preamb. 7
B min.
Keyboard
3: 18
45
: 222
V/5: 60
V/3: 32
28
00917
787
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 16 –
Sinfonia No. 1
WFB
No. 49: Fantasia 1
C maj.
Keyboard
3: 19
45
: 227
V/5: 90
V/3: 34
28
00918
788
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 17 –
Sinfonia No. 2
WFB
No. 63: Fantasia 15
C min.
Keyboard
3: 20
45
: 231
V/5: 118
V/3: 36
28
00919
789
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 18 –
Sinfonia No. 3
WFB
No. 62: Fantasia 14
D maj.
Keyboard
3: 22
45
: 230
V/5: 116
V/3: 38
28
00920
790
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 19 –
Sinfonia No. 4
WFB
No. 50: Fantasia 2
D min.
Keyboard
3: 23
45
: 227
V/5: 92
V/3: 40
28
00921
791
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 20 –
Sinfonia No. 5
WFB
No. 61: Fantasia 13
E♭ maj.
Keyboard
3: 24
45
: 230
V/5: 114
V/3: 42
BWV 791a
28
00922
791a
8.
1723
Sinfonias and Inventions
No. 20a –
Sinfonia No. 5a
E♭ maj.
Keyboard
V/3: 44, 80
after
BWV 791
30
00923
792
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 21 –
Sinfonia No. 6
WFB
No. 60: Fantasia 12
E maj.
Keyboard
3: 26
45
: 229
V/5: 112
V/3: 46
28
00924
793
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 22 –
Sinfonia No. 7
WFB
No. 51: Fantasia 3
E min.
Keyboard
3: 28
45
: 227
V/5: 94
V/3: 48
28
00925
794
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 23 –
Sinfonia No. 8
WFB
No. 52: Fantasia 4
F maj.
Keyboard
3: 29
45
: 227
V/5: 96
V/3: 50
28
00926
795
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 24 –
Sinfonia No. 9
WFB
No. 59: Fantasia 11
F min.
Keyboard
3: 30
45
: 229
V/5: 110
V/3: 52
28
00927
796
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 25 –
Sinfonia No. 10
WFB
No. 53: Fantasia 5
G maj.
Keyboard
3: 32
45
: 228
V/5: 98
V/3: 54
28
00928
797
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 26 –
Sinfonia No. 11
WFB
No. 58: Fantasia 10
G min.
Keyboard
3: 34
45
: 229
V/5: 108
V/3: 56
28
00929
798
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 27 –
Sinfonia No. 12
WFB
No. 57: Fantasia 9
A maj.
Keyboard
3: 36
45
: 229
V/5: 106
V/3: 58
28
00930
799
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 28 –
Sinfonia No. 13
WFB
No. 54: Fantasia 6
A min.
Keyboard
3: 38
45
: 228
V/5: 100
V/3: 60
28
00931
800
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 29 –
Sinfonia No. 14
WFB
No. 56: Fantasia 8
B♭ maj.
Keyboard
3: 40
45
: 228
V/5: 104
V/3: 62
28
00932
801
8.
1720-01-22
1725-01-22
Sinfonias and Inventions
No. 30 –
Sinfonia No. 15
WFB
No. 55: Fantasia 7
B min.
Keyboard
3: 41
45
: 228
V/5: 102
V/3: 64
28
00933
802
8.
1739
Duet No. 1
from
Clavier-Übung III
E min.
Organ
3: 242
IV/4: 92
00934
803
8.
1739
Duet No. 2
from
Clavier-Übung III
F maj.
Organ
3: 245
IV/4: 96
00935
804
8.
1739
Duet No. 3
from
Clavier-Übung III
G maj.
Organ
3: 248
IV/4: 99
00936
805
8.
1739
Duet No. 4
from
Clavier-Übung III
A min.
Organ
3: 251
IV/4: 102
00937
806
8.
1714–1723
English Suites
No. 1
A maj.
Keyboard
45
: 3
13
: 3
V/7: 2
00938
806a
8.
1714–1717
English Suites
No. 1a
A maj.
Keyboard
V/7: 116
00939
807
8.
1725 or earlier
English Suites
No. 2
A min.
Keyboard
45
: 16
13
: 16
V/7: 20
00940
808
8.
1725 or earlier
English Suites
No. 3
G min.
Keyboard
45
: 30
13
: 30
V/7: 38
00941
809
8.
1725 or earlier
English Suites
No. 4
F maj.
Keyboard
45
: 41
13
: 41
V/7: 54
00942
810
8.
1725 or earlier
English Suites
No. 5
E min.
Keyboard
45
: 53
13
: 53
V/7: 70
00943
811
8.
1725 or earlier
English Suites
No. 6
D min.
Keyboard
45
: 68
13
: 68
V/7: 90
00944
812
8.
1722 or earlier
Notebook A. M. Bach
(1722)
No. 1 –
French Suites
No. 1
D min.
Keyboard
43
: VI
V/4: 3
00945
Notebook A. M. Bach
(1725)
No. 30 –
French Suites
No. 1
43
: 40
V/4: 109
French Suites
No. 1
– Version A (
Altnickol
45
: 89
13
: 89
V/8: 2
French Suites
No. 1
– Version B (early version)
V/8: 64
813
8.
c.
1722–1725
Notebook A. M. Bach
(1722)
No. 2 –
French Suites
No. 2
C min.
Keyboard
43
: VI
V/4: 10, 42
00946
Notebook A. M. Bach
(1725)
No. 31 –
French Suites
No. 2
43
: 44
V/4: 116
French Suites
No. 2
– Version A (
Altnickol
45
: 94
13
: 94
V/8: 10
French Suites
No. 2
– Version B (early version)
V/8: 72
36: 236
814
8.
c.
1722–1725
Notebook A. M. Bach
(1722)
No. 3 –
French Suites
No. 3
B min.
Keyboard
43
: VII
V/4: 16, 43
BWV 814a
00948
French Suites
No. 3
– Version A (
Altnickol
45
: 100
13
: 100
V/8: 20
French Suites
No. 3
– Version B (early version)
V/8: 82
814a
8.
c.
1720–1739
French Suites
No. 3
– Variant
B min.
Keyboard
45
: 100
36: 237
13
: 100
V/8: 166
after
BWV 814
/1–/5,
929
, 814/7
00949
815
8.
c.
1722–1725
Notebook A. M. Bach
(1722)
No. 4
French Suites
No. 4
E♭ maj.
Keyboard
43
: VII
V/4: 23
BWV 815a
00950
French Suites
No. 4
– Version A (
Altnickol
45
: 106
13
: 106
V/8: 30
French Suites
No. 4
– Version B (early version)
V/8: 92
36: 236
815a
8.
c.
1722–1725
or later
French Suites
No. 4
– Variant
E♭ maj.
Keyboard
36: 234
45
: 106
13
: 108
V/8: 176
after
BWV 815
/1–/5
00951
816
8.
c.
1724–1725
Notebook A. M. Bach
(1722)
No. 5
French Suites
No. 5
G maj.
Keyboard
43
: VII
V/4: 30
00952
French Suites
No. 5
– Version A (
Altnickol
45
: 112
13
: 112
V/8: 40
French Suites
No. 5
– Version B (early version)
V/8: 102
817
8.
c.
1725 or later
French Suites
No. 6
– Version A (
Altnickol
E maj.
Keyboard
45
: 120
13
: 120
V/8: 52
00953
French Suites
No. 6
– Version B (early version)
V/8: 114
818
8.
1720–1722
Suite for keyboard
(early version)
A min.
Keyboard
36: 3
V/8: 129
00954
818a
8.
after 1721
Suite for keyboard
(later version)
A min.
Keyboard
36: 213
V/8: 146
00955
819
8.
before 1726
Suite for keyboard
(early version)
E♭ maj.
Keyboard
36: 8
V/8: 136
00956
819a
8.
1725–1728
Suite for keyboard
(later version)
E♭ maj.
Keyboard
36: 217
V/8: 156
00957
820
8.
1705–1713
Suite (Ouverture) for keyboard
F maj.
Keyboard
36: 14
V/10: 43
00958
822
8.
Suite for keyboard
G min.
Keyboard
V/10: 68
after unknown model?
00960
823
8.
before 1727
Suite for keyboard
F min.
Keyboard
36: 229
V/10: 50
00961
825
8.
1725–1726
Partita No. 1
from
Clavier-Übung I
B♭ maj.
Keyboard
3: 46
V/1: 2
00963
826
8.
1725–1727
Partita No. 2
from
Clavier-Übung I
C min.
Keyboard
3: 56
V/1: 15
00964
827
8.
1725–1727
Notebook A. M. Bach
(1725)
No. 1 =
Partita No. 3
from
Clavier-Übung I
A min.
Keyboard
3: 70
V/1: 35
V/4: 47
00964
828
8.
1725–1728
Partita No. 4
from
Clavier-Übung I
D maj.
Keyboard
3: 82
V/1: 50
00966
829
8.
1725–1730
Partita No. 5
from
Clavier-Übung I
G maj.
Keyboard
3: 102
V/1: 72
00967
830
8.
1725–1730
Notebook A. M. Bach
(1725)
No. 2 =
Partita No. 6
from
Clavier-Übung I
E min.
Keyboard
3: 116
V/1: 90
V/4: 60
after
BWV 1019a
/3 /5
00968
831
8.
1733–1735
Overture in the French style
Clavier-Übung II
No. 2)
B min.
Harpsichord
3: 154
V/2: 20
after
BWV 831a
00969
831a
8.
1727–1733
Overture in the French style
(early version)
C min.
Keyboard
V/2: 43
BWV 831
00970
832
8.
before 1707
Suite for keyboard
A maj.
Keyboard
42: 255
V/10: 54
in
Möllersche Handschrift
00971
833
8.
before 1707
Prelude and partita for keyboard
F maj.
Keyboard
V/10: 60
in
Möllersche Handschrift
00972
836
8.
1720–1721
Allemande
Klavierbüchlein WFB
No. 6
G min.
Keyboard
45
: 214
V/5: 8
by
Bach, W. F.
& J. S.?
00975
837
8.
1720–1721
Allemande
Klavierbüchlein WFB
No. 7 (incomplete)
G min.
Keyboard
45
: 215
V/5: 10
by
Bach, W. F.
& J. S.?
00976
841
8.
1720–1721
Notebook A. M. Bach
(1722)
No. 11 Menuet =
WFB
No. 11: Menuet 1
G maj.
Keyboard
36: 209
45
: 215
V/5: 16 V/4: 44
by
Bach, W. F.
& J. S.?
00980
842
8.
1720–1721
Klavierbüchlein WFB
No. 12: Menuet 2
G min.
Keyboard
36: 209
45
: 216
V/5: 17
by
Bach, W. F.
BR A43
) & J. S.?
00981
843
8.
1720–1721
Klavierbüchlein WFB
No. 13: Menuet 3
G maj.
Keyboard
36: 210
45
: 216
V/5: 18
00982
846
8.
1722
Well-Tempered Clavier
I, P. & F. No. 1
C maj.
Keyboard
14: 3
V/6.1: 2
after
BWV 846a
00986
846/1
8.
1725 (AMB)
Notebook A. M. Bach
(1725)
No. 29 Prelude (short version of
WTC
I No. 1/1)
C maj.
Keyboard
V/4: 107
00986
846a
8.
1720
Klavierbüchlein WFB
No. 14: Praeludium 1 (early
WTC
I No. 1/1)
C maj.
Keyboard
45
: 216
V/5: 19
V/6.1: 127
BWV 846
/1
00987
847
8.
1722
Well-Tempered Clavier
I, P. & F. No. 2 (/1 =
WFB
No. 15: Praeludium 2)
C min.
Keyboard
14: 6
45
: 216
V/5: 20
V/6.1: 2
after
BWV 847a
00988
847a
8.
Prelude and Fughetta (early
WTC
I No. 2)
C min.
Keyboard
V/6.1: 130
BWV 847
00989
848
8.
1722
Well-Tempered Clavier
I, P. & F. No. 3 (/1 =
WFB
No. 21: Praeludium [8])
C♯ maj.
Keyboard
14: 10
45
: 218
V/5: 30
V/6.1: 2
after
BWV 848a
00990
848a
8.
Prelude and Fughetta (early
WTC
I No. 3)
C♯ maj.
Keyboard
V/6.1: 134
BWV 848
00991
849
8.
1722
Well-Tempered Clavier
I, P. & F. No. 4
(/1 =
WFB
No. 22: Praeludium [9])
C♯ min.
Keyboard
14: 14
45
: 218
V/5: 32
V/6.1: 2
after
BWV 849a
00992
849a
8.
Prelude and Fughetta (early
WTC
I No. 4)
C♯ min.
Keyboard
V/6.1: 140
BWV 849
00993
850
8.
1722
Well-Tempered Clavier
I, P. & F. No. 5 (/1 =
WFB
No. 17: Praeludium 4)
D maj.
Keyboard
14: 18
45
: 217
V/5: 23
V/6.1: 2
after
BWV 850a
00994
850a
8.
Prelude and Fughetta (early
WTC
I No. 5)
D maj.
Keyboard
V/6.1: 146
BWV 850
00995
851
8.
1722
Well-Tempered Clavier
I, P. & F. No. 6 (/1 =
WFB
No. 16: Praeludium 3)
D min.
Keyboard
14: 22
45
: 217
V/5: 22
V/6.1: 2
after
BWV 851a
00996
851a
8.
Prelude and Fughetta (early
WTC
I No. 6)
D min.
Keyboard
V/6.1: 150
BWV 851
00997
852
8.
1722
Well-Tempered Clavier
I, P. & F. No. 7
E♭ maj.
Keyboard
14: 26
V/6.1: 32
after
BWV 852a
00998
852a
8.
Prelude and Fughetta (early
WTC
I No. 7)
E♭ maj.
Keyboard
V/6.1: 154
BWV 852
00999
853
8.
1722
Well-Tempered Clavier
I, P. & F. No. 8 (/1 =
WFB
No. 23: Praeludium [10])
E♭ min.
D♯ min.
Keyboard
14: 32
45
: 218
V/5: 34
V/6.1: 38
after
BWV 853a
; →
K. 404a
/1
01000
853a
8.
Prelude and Fughetta (early
WTC
I No. 8)
E♭ min.
D♯ min.
Keyboard
V/6.1: 160
BWV 853
01001
854
8.
1722
Well-Tempered Clavier
I, P. & F. No. 9 (/1 =
WFB
No. 19: Praeludium 6)
E maj.
Keyboard
14: 36
45
: 218
V/5: 26
V/6.1: 44
after
BWV 854a
01002
854a
8.
Prelude and Fughetta (early
WTC
I No. 9)
E maj.
Keyboard
V/6.1: 166
BWV 854
01003
855
8.
1722
Well-Tempered Clavier
I, P. & F. No. 10
E min.
Keyboard
14: 38
V/6.1: 48
after
BWV 855a
01004
855a
8.
c.
1720
Prelude and Fughetta (early
WTC
I No. 10) (/1 =
WFB
No. 18:
Praeludium 5
E min.
Keyboard
45
: 217
V/5: 24
V/6.1: 170
BWV 855
01005
856
8.
1722
Well-Tempered Clavier
I, P. & F. No. 11 (/1 =
WFB
No. 20: Praeludium 7)
F maj.
Keyboard
14: 42
45
: 218
V/5: 28
V/6.1: 54
after
BWV 856a
01006
856a
8.
Prelude and Fughetta (early
WTC
I No. 11)
F maj.
Keyboard
V/6.1: 174
BWV 856
01007
857
8.
1722
Well-Tempered Clavier
I, P. & F. No. 12 (/1 =
WFB
No. 24: Praeludium [11])
F min.
Keyboard
14: 44
45
: 218
V/5: 36
V/6.1: 58
after
BWV 857a
01008
857a
8.
Prelude and Fughetta (early
WTC
I No. 12)
F min.
Keyboard
V/6.1: 178
BWV 857
01009
858
8.
1722
Well-Tempered Clavier
I, P. & F. No. 13
F♯ maj.
Keyboard
14: 48
V/6.1: 64
after
BWV 858a
01010
858a
8.
Prelude and Fughetta (early
WTC
I No. 13)
F♯ maj.
Keyboard
V/6.1: 184
BWV 858
01011
859
8.
1722
Well-Tempered Clavier
I, P. & F. No. 14
F♯ min.
Keyboard
14: 50
V/6.1: 64
after
BWV 859a
01012
859a
8.
Prelude and Fughetta (early
WTC
I No. 14)
F♯ min.
Keyboard
V/6.1: 188
BWV 859
01013
860
8.
1722
Well-Tempered Clavier
I, P. & F. No. 15
G maj.
Keyboard
14: 52
V/6.1: 72
after
BWV 860a
01014
860a
8.
Prelude and Fughetta (early
WTC
I No. 15)
G maj.
Keyboard
V/6.1: 192
BWV 860
01015
861
8.
1722
Well-Tempered Clavier
I, P. & F. No. 16
G min.
Keyboard
14: 57
V/6.1: 78
after
BWV 861a
01016
861a
8.
Prelude and Fughetta (early
WTC
I No. 16)
G min.
Keyboard
V/6.1: 198
BWV 861
01017
862
8.
1722
Well-Tempered Clavier
I, P. & F. No. 17
A♭ maj.
Keyboard
14: 60
V/6.1: 82
after
BWV 862a
01018
862a
8.
Prelude and Fughetta (early
WTC
I No. 17)
A♭ maj.
Keyboard
V/6.1: 202
BWV 862
01019
863
8.
1722
Well-Tempered Clavier
I, P. & F. No. 18
G♯ min.
Keyboard
14: 64
V/6.1: 86
after
BWV 863a
01020
863a
8.
Prelude and Fughetta (early
WTC
I No. 18)
G♯ min.
Keyboard
V/6.1: 206
BWV 863
01021
864
8.
1722
Well-Tempered Clavier
I, P. & F. No. 19
A maj.
Keyboard
14: 66
V/6.1: 90
after
BWV 864a
01022
864a
8.
Prelude and Fughetta (early
WTC
I No. 19)
A maj.
Keyboard
V/6.1: 210
BWV 864
01023
865
8.
1722
Well-Tempered Clavier
I, P. & F. No. 20
A min.
Keyboard
14: 70
V/6.1: 96
after
BWV 865a
01024
865a
8.
Prelude and Fughetta (early
WTC
I No. 20)
A min.
Keyboard
V/6.1: 216
BWV 865
01025
866
8.
1722
Well-Tempered Clavier
I, P. & F. No. 21
B♭ maj.
Keyboard
14: 74
V/6.1: 104
after
BWV 866a
01026
866a
8.
Prelude and Fughetta (early
WTC
I No. 21)
B♭ maj.
Keyboard
V/6.1: 224
BWV 866
01027
867
8.
1722
Well-Tempered Clavier
I, P. & F. No. 22
B♭ min.
Keyboard
14: 78
V/6.1: 108
after
BWV 867a
; →
Hess 38
commons
01028
867a
8.
Prelude and Fughetta (early
WTC
I No. 22)
B♭ min.
Keyboard
V/6.1: 228
BWV 867
01029
868
8.
1722
Well-Tempered Clavier
I, P. & F. No. 23
B maj.
Keyboard
14: 82
V/6.1: 112
after
BWV 868a
01030
868a
8.
Prelude and Fughetta (early
WTC
I No. 23)
B maj.
Keyboard
V/6.1: 232
BWV 868
01031
869
8.
1722
Well-Tempered Clavier
I, P. & F. No. 24
B min.
Keyboard
14: 84
V/6.1: 116
after
BWV 869a
01032
869a
8.
Prelude and Fughetta (early
WTC
I No. 24)
B min.
Keyboard
V/6.1: 236
BWV 869
01033
870b
870/2
8.
1739–1742
Well-Tempered Clavier
II, P. & F. No. 1 (version A)
C maj.
Keyboard
45
: 243
14: 94
V/6.2: 2,
6, 342
01036
871
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 2
C min.
Keyboard
14: 96
V/6.2: 8,
160
K. 405
/1
01037
872
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 3
C♯ maj.
Keyboard
14: 100
V/6.2: 12,
164, 352
after
BWV 872a
01038
872a/1
8.
1739–1740
Prelude (early
WTC
II, P. & F. No. 3/1)
C maj.
Keyboard
14: 243
V/6.2: 344
BWV 872
/1
01039
872a/2
8.
1738
Fughetta (early
WTC
II, P. & F. No. 3/2)
C maj.
Keyboard
36: 224
V/6.2: 358
BWV 872
/2
01039
873
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 4
C♯ maj.
Keyboard
14: 104
V/6.2: 16,
168
01040
874
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 5
D maj.
Keyboard
14: 108
V/6.2: 24,
176
K. 405
/5
01041
875
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 6
D min.
Keyboard
14: 112
V/6.2: 30
182, 348,
356
after
BWV 875a
01042
875a
8.
1739–1740
Preambulum (early
WTC
II, P. & F. No. 6/1)
D min.
Keyboard
36: 224
V/6.2: 346
BWV 875
/1
01043
876
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 7
E♭ maj.
Keyboard
14: 116
V/6.2: 36,
188, 354
K. 405
/2
01044
877
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 8
D♯ min.
Keyboard
14: 120
V/6.2: 42,
194
K. 405
/4
01045
878
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 9
E maj.
Keyboard
14: 124
V/6.2: 48,
200
K. 405
/3
01046
879
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 10
E min.
Keyboard
14: 128
V/6.2: 54,
206
01047
880
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 11
F maj.
Keyboard
14: 134
V/6.2: 62,
215
01048
881
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 12
F min.
Keyboard
14: 138
V/6.2: 69,
221
01049
882
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 13
F♯ maj.
Keyboard
14: 142
V/6.2: 76,
228
K. 404a
/3
01050
883
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 14
F♯ min.
Keyboard
14: 146
V/6.2: 84,
236
K. 404a
/2
01051
884
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 15
G maj.
Keyboard
14: 150
V/6.2: 90,
242, 350
after
BWV 902
/2
01052
885
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 16
G min.
Keyboard
14: 154
V/6.2: 94,
246
01053
886
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 17
A♭ maj.
Keyboard
14: 160
V/6.2: 100,
108, 252
after
BWV 901
/2
01054
887
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 18
G♯ min.
Keyboard
14: 166
V/6.2: 112,
260
01055
888
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 19
A maj.
Keyboard
14: 172
V/6.2: 120,
268
01056
889
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 20
A min.
Keyboard
14: 176
V/6.2: 124,
272
01057
890
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 21
B♭ maj.
Keyboard
14: 180
V/6.2: 128,
276
01058
891
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 22
B♭ min.
Keyboard
14: 186
V/6.2: 134,
282
01059
892
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 23
B maj.
Keyboard
14: 192
V/6.2: 142,
290
01060
893
8.
1739–1742
1744
Well-Tempered Clavier
II, P. & F. No. 24
B min.
Keyboard
14: 198
V/6.2: 150,
298
01061
870
8.
1744
Well-Tempered Clavier
II, P. & F. No. 1 (version B)
C maj.
Keyboard
14: 91
V/6.2: 156
after
BWV 870a
01034
894
8.
1710–1717 (
JTK
Prelude and Fugue
A min.
Keyboard
36: 91
V/9.2: 40
BWV 1044
/1, /3; in SBB
P 801
P 804
01062
895
8.
1709 (
JCB
Prelude and Fugue
A min.
Keyboard
36: 104
V/9.2: 69
in Yale
LM 4982
01063
896
8.
1704–1707
Prelude and Fugue
A maj.
Keyboard
36: 157
V/9.2: 72
in
Möllersche Handschrift
01064
870a
8.
before 1727
Prelude and Fughetta
C maj.
Keyboard
36: 224
V/6.2: 307,
310
BWV 870
; in SBB
P 804
P 1089
01035
899
8.
before 1727
Prelude and Fughetta
D min.
Keyboard
36: 106
V/6.2: 314
V/12: 24
in SBB
P 804
P 1089
01068
900
8.
before 1727
Prelude and Fughetta
E min.
Keyboard
36: 108
V/6.2
V/12
in SBB
P 804
P 1089
01069
901
8.
before 1727
Prelude and Fughetta
F maj.
Keyboard
36: 112
V/6.2: 324
BWV 886
/2; in SBB
P 1089
01070
902
8.
c.
1729
Prelude and Fughetta
G maj.
Keyboard
36: 114
V/6.2: 328
BWV 884
/2; in SBB
P 804
P 1089
01071
902/1a
8.
before 1727
Prelude (previous Prelude to
BWV 902
/2)
G maj.
Keyboard
36: 220
V/6.2: 334,
338
BWV 884
/2; in SBB
P 804
01072
903
8.
Chromatic Fantasia and Fugue
D min.
Keyboard
36: 71
V/9.2: 76
after
BWV 903a
; in SBB
P 803
P 651
01073
903a
8.
Fantasia
(early
BWV 903
/1)
D min.
Keyboard
36: 219
V/9.2: 90
BWV 903
/1; in D-DS
Mus. ms. 69
01074
904
8.
before 1727
Fantasia and Fugue
A min.
Keyboard
36: 81
V/9.2
in SBB
P 804
01075
906
8.
before 1729
c.
1738
Fantasia and Fugue (Fugue incomplete)
C min.
Keyboard
36: 145, 238
V/9.2: 110
in US-BETbc, D-Dl
Mus.2405-T-52
01077
910
8.
1707–1713
Toccata
F♯ min.
Kb (or) Org
3: 311
V/9.1: 1
in
Andreas-Bach-Buch
01081
911
8.
1707–1713
Toccata
C min.
Kb (or) Org
3: 322
V/9.1: 13
in
Andreas-Bach-Buch
01082
912
8.
1707–1713
Toccata
D maj.
Kb (or) Org
36: 26
V/9.1: 38
after
BWV 912a
; ↔
BWV 532
/1
01083
912a
8.
1704–1707
Toccata
D maj.
Kb (or) Org
36: 218
V/9.1: 26
BWV 912
; in
Möllersche Handschrift
01084
913
8.
1707–1709
Toccata
D min.
Kb (or) Org
36: 36
V/9.1: 50, 63
after
BWV 913a
01085
913a
8.
Toccata
D min.
Kb (or) Org
V/9.1: 52
BWV 913
; publ. 1801
01086
914
8.
1707–1709
Toccata
E min.
Kb (or) Org
36: 47
V/9.1: 78
01087
915
8.
1707–1709
Toccata
G min.
Kb (or) Org
36: 54
V/9.1: 87
01088
916
8.
1707–1713
Toccata
G maj.
Kb (or) Org
36: 63
V/9.1: 100
in
Andreas-Bach-Buch
01089
917
8.
1704–1707
Fantasia
G min.
Keyboard
36: 143
V/9.1: 14, 16
in
Möllersche Handschrift
01090
918
8.
Fantasia on a Rondo
C min.
Keyboard
36: 148
V/9.1: 14, 18
01091
921
8.
1707–1713
Prelude
C min.
Keyboard
36: 136
V/9.1: 24
in
Andreas-Bach-Buch
01094
922
8.
1710–1714 (
JTK
Prelude (Fantasia)
A min.
Keyboard
36: 138
V/9.2: 27, 34
in SBB
P 803
01095
923
8.
c.
1723?
Prelude
B min.
Keyboard
42: 211
V/9.2: 116
by
Pachelbel, W. H.
?; →
BWV 923a
; in SBB
P 401
01096
924
8.
c.
1720
Twelve Little Preludes
No. 1: Preambulum (
WFB
No. 2)
C maj.
Keyboard
36: 118
45
: 214
V/5: 4
BWV 924a
01098
924a
8.
1720–1726
Twelve Little Preludes
No. 1a: Preludium ex c
WFB
No. 26)
C maj.
Keyboard
36: 221
45
: 220
V/5: 41
after
BWV 924
BR A44 F(add) 206
01099
925
8.
1720–1726
Twelve Little Preludes
No. 4: Preludium ex d
WFB
No. 27)
D maj.
Keyboard
36: 121
45
: 220
V/5: 42
BR A45 F(add) 206
01100
926
8.
c.
1720
Twelve Little Preludes
No. 5: Preludium (
WFB
No. 4)
D min.
Keyboard
36: 122
45
: 214
V/5: 6
01101
927
8.
1720–1726
Twelve Little Preludes
No. 8: Preambulum (
WFB
No. 8)
F maj.
Keyboard
36: 124
45
: 215
V/5: 10
01102
928
8.
1720–1726
Twelve Little Preludes
No. 9: Preludium (
WFB
No. 10)
F maj.
Keyboard
36: 124
45
: 215
V/5: 14
01103
929
8.
1720–1726
Twelve Little Preludes
No. 10: Trio for a Minuet by
Stölzel
WFB
No. 48
G min.
Keyboard
36: 126
45
: 226
V/5: 89
BWV 814a
01104
930
8.
1720–1726
Twelve Little Preludes
No. 11: Preambulum (
WFB
No. 9)
G min.
Keyboard
36: 126
45
: 215
V/5: 12
01105
931
8.
1720–1726
Preludium,
Klavierbüchlein WFB
No. 29
A min.
Keyboard
36: 237
45
: 220
V/5: 45
BR A47 F(add) 206
01106
932
8.
1720–1726
Preludium ex e
Klavierbüchlein WFB
No. 28 (incomplete)
E min.
Keyboard
36: 237
45
: 220
V/5: 44
BR A46 F(add) 206
01107
933
8.
1717–1723?
Six Little Preludes
No. 1
C maj.
Keyboard
36: 128
V/9.2: 3
in SBB
P 542
P 885
01108
934
8.
1717–1723?
Six Little Preludes
No. 2
C min.
Keyboard
36: 128
V/9.2: 4
in SBB
P 542
P 885
01109
935
8.
1717–1723?
Six Little Preludes
No. 3
D min.
Keyboard
36: 130
V/9.2: 5
in SBB
P 542
P 885
01110
936
8.
1717–1723?
Six Little Preludes
No. 4
D maj.
Keyboard
36: 131
V/9.2: 6
in SBB
P 542
P 885
01111
937
8.
1717–1723?
Six Little Preludes
No. 5
E maj.
Keyboard
36: 132
V/9.2: 8
in SBB
P 542
P 885
01112
938
8.
1717–1723?
Six Little Preludes
No. 6
E min.
Keyboard
36: 133
V/9.2: 10
in SBB
P 542
P 885
01113
939
8.
1726–1727
Five Little Preludes
No. 1 (=
12 L. P.
No. 2)
C maj.
Keyboard
36: 119
V/12: 50
by Bach?; in SBB
P 804
01114
940
8.
1726–1727
Five Little Preludes
No. 2 (=
12 L. P.
No. 6)
D min.
Keyboard
36: 123
V/12: 50
by Bach?; in SBB
P 804
01115
941
8.
1726–1727
Five Little Preludes
No. 3 (=
12 L. P.
No. 7)
E min.
Keyboard
36: 123
V/12: 51
by Bach?; in SBB
P 804
01116
942
8.
1726–1727
Five Little Preludes
No. 4 (=
12 L. P.
No. 12)
A min.
Keyboard
36: 127
V/12: 52
by Bach?; in SBB
P 804
01117
943
8.
1725–1727
Five Little Preludes
No. 5
C maj.
Org (Kb?)
36: 134
V/12: 53
in SBB
P 804
01118
944
8.
1707–1713
Fantasia and Fugue
A min.
Keyboard
3: 334
V/9.2: 133
in
Andreas-Bach-Buch
01119
946
8.
early work?
Fugue on a theme by Albinoni
C maj.
Keyboard
36: 159
V/9.2: 153
after
Albinoni
, Op. 1, No. 12/4 (theme)
01121
947
8.
early work?
Fugue
A min.
Keyboard
36: 161
V/12: 55
by Bach?
01122
948
8.
early work?
Fugue
D min.
Keyboard
36: 164
V/9.2: 156
in D-B N.
Mus. ms. 10580
01123
949
8.
1707–1713
Fugue
A maj.
Keyboard
36: 169
V/9.2: 163
after
Albinoni
(theme)?; in
Andreas-Bach-Buch
01124
950
8.
before 1725
Fugue on a theme by Albinoni
A maj.
G maj.
Keyboard
36: 173
V/9.2: 168
after
Albinoni
(theme); in SBB
P 804
01125
951
8.
1714–1717
Fugue on a theme by Albinoni
B min.
Keyboard
36: 178
V/9.2: 118
after
BWV 951a
; in SBB
P 801
01126
951a
8.
1714–1717
Fugue on a theme by Albinoni (early version)
B min.
Keyboard
36: 221
V/9.2: 127
after
Albinoni
(theme); →
BWV 951
; in D-LEm
Poel. mus. Ms. 9
01127
952
8.
Fugue
C maj.
Keyboard
36: 184
V/9.2: 176
01128
953
8.
1720–1726
Fugue a 3,
Klavierbüchlein WFB
No. 31
C maj.
Keyboard
36: 186
45
: 220
V/5: 46
01129
954
8.
early work?
Fugue on a theme by
Reincken
B♭ maj.
Keyboard
42: 50
V/11: 200
after
Reincken
Hortus Musicus
No. 2/2 (theme)
31
01130
955
8.
early work
Fugue
B♭ maj.
Keyboard
42: 55
V/12: 60
after
BWV 955a
; in SBB
P 425
P 804
01131
955a
8.
early work
Fugue
B♭ maj.
Organ
42: 298
V/12: 65
by
Erselius
?; →
BWV 955
; in SBB
P 247
P 595
01132
959
8.
Fugue
A min.
Keyboard
42: 208
V/9.2: 178
by Bach?
01136
961
8.
Fughetta
C min.
Keyboard
36: 154
V/9.2: 182
in SBB
P 823
01138
963
8.
early work
Sonata for keyboard
D maj.
Keyboard
36: 19
V/10: 32
in SBB
P 804
01140
965
8.
c.
1714–1717
or earlier
Sonata for keyboard after
Reincken
A min.
Keyboard
42: 29
V/11: 173
after
Reincken
Hortus Musicus
No. 1/1–/5; in SBB
P 803
01142
966
8.
c.
1714–1717
or earlier
Sonata for keyboard after
Reincken
A min.
Keyboard
42: 42
V/11: 188
after
Reincken
Hortus Musicus
No. 3/1–/5; in SBB
P 803
01143
967
8.
1704–1707
Sonata transcription, 1st movement
A min.
Keyboard
45
: 168
V/9.2: 184
in SBB
P 804
01144
971
8.
1733–1735
Italian Concerto
Clavier-Übung II
No. 1)
F maj.
Harpsichord
3: 139
V/2: 2
01148
972
8.
July 1713–
July 1714
Concerto for solo keyboard (1/16)
D maj.
Keyboard
42: 59
V/11: 3
after
Vivaldi
Op. 3
No. 9
01149
972a
8.
July 1713–
July 1714
Concerto for solo keyboard (1/16), early version
D maj.
Keyboard
V/11: 161
after
Vivaldi
Op. 3
No. 9
01150
973
8.
July 1713–
July 1714
Concerto for solo keyboard (2/16)
G maj.
Keyboard
42: 59
V/11: 12
after
Vivaldi
Op. 7
No. 8
01151
974
8.
July 1713–
July 1714
Concerto for solo keyboard (3/16)
D min.
Keyboard
42: 59
V/11: 20
after
Marcello, A.
Oboe Concerto
01152
975
8.
July 1713–
July 1714
Concerto for solo keyboard (4/16)
G min.
Keyboard
42: 59
V/11: 30
after
Vivaldi
Op. 4
No. 6
01153
976
8.
July 1713–
July 1714
Concerto for solo keyboard (5/16)
C maj.
Keyboard
42: 59
V/11: 39
after
Vivaldi
Op. 3
No. 12
01154
977
8.
July 1713–
July 1714
Concerto for solo keyboard (6/16)
C maj.
Keyboard
42: 59
V/11: 50
after unknown model
01155
978
8.
July 1713–
July 1714
Concerto for solo keyboard (7/16)
F maj.
Keyboard
42: 59
V/11: 56
after
Vivaldi
Op. 3
No. 3 (RV 310)
01156
979
8.
July 1713–
July 1714
Concerto for solo keyboard (8/16)
B min.
Keyboard
42: 59
V/11: 64
after
Vivaldi
, RV 813 (previously:
Torelli
32
01157
980
8.
July 1713–
July 1714
Concerto for solo keyboard (9/16)
G maj.
Keyboard
42: 59
V/11: 79
after
Vivaldi
Op. 4
No. 1 (RV 381)
01158
981
8.
July 1713–
July 1714
Concerto for solo keyboard (10/16)
C min.
Keyboard
42: 59
V/11: 90
after
Marcello, B.
, Op. 1 No. 2
01159
982
8.
July 1713–
July 1714
Concerto for solo keyboard (11/16)
B♭ maj.
Keyboard
42: 59
V/11: 100
after
J. E. of Saxe-Weimar
, Op. 1 No. 1
01160
983
8.
July 1713–
July 1714
Concerto for solo keyboard (12/16)
G min.
Keyboard
42: 59
V/11: 110
after unknown model
01161
984
8.
July 1713–
July 1714
Concerto for solo keyboard (13/16)
C maj.
Keyboard
42: 59
V/11: 118
after
J. E. of Saxe-Weimar
lost Concerto
; →
BWV 595
01162
985
8.
July 1713–
July 1714
Concerto for solo keyboard (14/16)
G min.
Keyboard
42: 59
V/11: 128
after
Telemann
TWV
51:g1
33
01163
986
8.
July 1713–
July 1714
Concerto for solo keyboard (15/16)
G min.
Keyboard
42: 59
V/11: 137
after unknown model
01164
987
8.
July 1713–
July 1714
Concerto for solo keyboard (16/16)
D min.
Keyboard
42: 59
V/11: 142
after
J. E. of Saxe-Weimar
, Op. 1 No. 4
01165
988
8.
1741–1742
Goldberg Variations
Clavier-Übung IV
G maj.
Harpsichord
3: 263
V/2: 69
BWV 1087
01166
988/1
8.
c.
1740? (AMB)
Notebook A. M. Bach
(1725)
No. 26 Aria of the
Goldberg Variations
G maj.
Harpsichord
3: 263
V/4: 103
BWV 1087
01166
989
8.
1707–1713
Aria variata
A min.
Keyboard
36: 203
V/10: 21
in
Andreas-Bach-Buch
01167
991
8.
1722
Notebook A. M. Bach
(1722)
No. 7 Air with variations (incomplete)
C min.
Keyboard
43
: 4
V/4: 40
01169
992
8.
1704–1707
Capriccio on the departure of a beloved brother
B♭ maj.
Keyboard
36: 190
V/10: 3
in
Möllersche Handschrift
01170
993
8.
c.
1705
Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis
scores
E maj.
Keyboard
36: 197
V/10: 12
in SBB
P 804
01171
994
8.
1720
Klavierbüchlein WFB
No. 1: Applicatio
C maj.
Keyboard
36: 237
45
:214
V/5: 4
01172
9.
Lute compositions (see also:
List of solo lute compositions by Johann Sebastian Bach
Up ↑
995
9.
Fall 1727 – Winter 1731
Suite for lute
G min.
Lu
V/10: 81
after
BWV 1011
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
01173
996
9.
1710–1717 (
JGW
Suite for lute
E min.
Lu (
Lw
?)
45
: 149
V/10: 94
in SBB
P 801
, pp. 385–395
49
50
40
42
43
51
52
53
01174
997.1
9.
1720–1739
Suite (1st version)
C min.
Lw
45
: 156
V/10: 102
in SBB
P 650
; →
BWV 997.2
37
40
54
42
43
47
48
51
52
01175
997.2
9.
1720–1739
Suite (2nd version)
C min.
Lu
45
: 156
V/10: 102
in D LEm III 11.5; after
BWV 997.1
37
40
54
42
43
47
48
51
52
11576
998
9.
1735–1745
Prelude, Fugue and Allegro
E♭ maj.
Lu (or) Hc
45
: 141
V/10: 114
40
55
56
41
42
43
48
52
57
01176
999
9.
1717–1723
Prelude for lute
Twelve Little Preludes
No. 3)
C min.
Lu
36: 119
V/10: 122
in SBB
P 804
, pp. 101–103
58
40
42
59
60
01177
1000
9.
after 1720
Fugue
G min.
Lu
V/10: 124
after
BWV 1001
/2; →
539
/2; in MB Lpz
III.11.4
37
54
40
42
47
48
51
61
01178
1006.2
9.
c.
1736–1737
Suite
E maj.
Lu?
42: 16
V/10: 134
after
BWV 1006.1
35
40
62
42
48
57
63
64
65
01185
10.
Chamber music (see also:
List of chamber music works by Johann Sebastian Bach
Up ↑
1001
10.
1720
Sonatas and partitas for solo violin
No. 1:
Sonata No. 1
G min.
Vl
27
: 3
VI/1: 3
rev 3: 3
BWV 1000
539
/2
01179
1002
10.
1720
Partitas and sonatas for solo violin
No. 2:
Partita No. 1
B min.
Vl
27
: 3
VI/1: 10
rev 3: 10
01180
1003
10.
1720
Sonatas and partitas for solo violin
No. 3:
Sonata No. 2
A min.
Vl
27
: 3
VI/1: 20
rev 3: 20
BWV 964
01181
1004
10.
1720
Partitas and sonatas for solo violin
No. 4:
Partita No. 2
D min.
Vl
27
: 3
VI/1: 30
rev 3: 30
01182
1005
10.
1720
Sonatas and partitas for solo violin
No. 5:
Sonata No. 3
C maj.
Vl
27
: 3
VI/1: 42
rev 3: 42
after "
Komm, Heiliger Geist, Herre Gott
"; →
BWV 968
01183
1006.1
10.
1720
Partitas and sonatas for solo violin
No. 6:
Partita No. 3
E maj.
Vl
27
: 3
VI/1: 54
rev 3: 54
BWV 1006.2
29
/1 and
120a
/4
01184
1007
10.
1720 (AMB)
Suite for cello No. 1
G maj.
Vc
27
: 59
VI/2: 2
01186
1008
10.
1720 (AMB)
Suite for cello No. 2
D min.
Vc
27
: 59
VI/2: 8
01187
1009
10.
1720 (AMB)
Suite for cello No. 3
C maj.
Vc
27
: 59
VI/2:14
01188
1010
10.
1720 (AMB)
Suite for cello No. 4
E♭ maj.
Vc
27
: 59
VI/2: 22
01189
1011
10.
1720 (AMB)
Suite for cello No. 5
C min.
Vc
27
: 59
VI/2: 32
BWV 995
01190
1012
10.
1720 (AMB)
Suite for cello No. 6
D maj.
Vc
27
: 59
VI/2:40
01191
1013
10.
1717–1723?
Partita for flute
A min.
Fl
VI/3: 3
01192
1014
10.
1717–1723?
Sonata for violin and harpsichord
No. 1
B min.
Vl Hc
9: 69
VI/1: 83
rev 3: 83
01193
1015
10.
1717–1723?
Sonata for violin and harpsichord
No. 2
A maj.
Vl Hc
9: 84
VI/1: 99
rev 3: 99
01194
1016
10.
1717–1723?
Sonata for violin and harpsichord
No. 3
E maj.
Vl Hc
9: 98
VI/1: 115
rev 3: 115
01195
1017
10.
1717–1723?
Sonata for violin and harpsichord
No. 4
C min.
Vl Hc
9: 120
VI/1: 136
rev 3: 136
01196
1018.2
10.
1717–1723?
Sonata for violin and harpsichord
No.
F min.
Vl Hc
9: 136
VI/1: 153
rev 3: 153
after
BWV 1018.1
01197
1018.1
10.
1717–1723?
Adagio, early version of BWV 1018/3
F min.
Vl Hc
9: 250
VI/1: 195
rev 3: 194
BWV 1018.2
/3
01198
1019.3
10.
after 1729?
Sonata for violin and harpsichord
No.
G maj.
Vl Hc
9: 154
VI/1: 172
rev 3: 172
after
BWV 1019.2
01200
1019.1
10.
1725
Sonata for violin and harpsichord
No.
6, early version 1
(partially lost)
9: 252
VI/1: 197
rev 3: 196
BWV 830
/3, /6,
1019.2
01199
1019.2
c.
1730–1731
Sonata for violin and harpsichord
No.
6, early version 2
VI/1: 197
rev 3: 218
after
BWV 1019.1
120
.1/4; →
BWV 1019.3
11577
1021
10.
1732–1733
Sonata for violin and continuo
G maj.
Vl Bc
VI/1: 65
rev 3: 65
BWV 1022
1038
01202
1023
10.
c.
1714–1717?
Sonata for violin and continuo
E min.
Vl Bc
43
: 31
VI/1: 73
rev 3: 73
01204
1025.1
10.
after 1739?
Suite for violin and keyboard
A maj.
Vl Kb
9: 43
VI/5: 67
after
Weiss
; →
BWV 1025
.2
11578
1025.2
10.
c.
1746–1747
Suite for violin and keyboard (incomplete)
A maj.
Vl Kb
9: 43
VI/5: 97
after
BWV 1025
.1
01206
1026
10.
c.
1714–1717
Fugue for violin and continuo
G min.
Vl Bc
43
: 39
VI/5: 59
01207
1027
10.
c.
1742
Sonata for gamba and harpsichord No. 1
G maj.
Gam Hc
9: 175
VI/4: 3
after
BWV 1039
; →
1027/1a /2a /4a
01208
1028
10.
Sonata for gamba and harpsichord No. 2
D maj.
Gam Hc
9: 175
VI/4: 21
01210
1029
10.
Sonata for gamba and harpsichord No. 3
G min.
Gam Hc
9: 175
VI/4: 36
BWV 545b
01211
1030.2
10.
1736–1737
Sonata for flute and harpsichord
B min.
Fl Hc
9: 3
VI/3: 33
after
BWV 1030
.1
11579
1030.1
10.
1717–1736
Sonata for unknown instrument and harpsichord
G min.
v Hc
VI/3: 89
BWV 1030
.2
01212
1032
10.
1736–1737
Sonata for flute and harpsichord
(/1 incomplete)
A maj.
Fl Hc
9: 32, 245
VI/3: 54
BWV 525a
01214
1034
10.
after 1723
Sonata for flute and continuo
E min.
Fl Bc
43
: 9
VI/3: 11
01216
1035
10.
1740s
Sonata for flute and continuo
E maj.
Fl Bc
43
: 21
VI/3: 23
01217
1039
10.
1708–1726
Sonata
G maj.
2Fl Bc
9: 260
VI/3: 71
BWV 1027
01221
11.
Works for orchestra (see also:
List of orchestral works by Johann Sebastian Bach
Up ↑
1041
11.
1730
Concerto for violin and orchestra No. 1
A min.
Vl
Str Bc
21
: 3
45
: 233
VII/3: 3
BWV 1058
01223
1042
11.
Concerto for violin and orchestra No. 2
E maj.
Vl
Str Bc
21
: 21
VII/3: 35
BWV 1054
01224
1043
11.
1730–1731 or earlier
Concerto for 2 violins and orchestra
Double Concerto
D min.
2Vl
Str Bc
21
: 41
VII/3: 71
BWV 1062
01225
1044
11.
1727
or later
Concerto for flute, violin, harpsichord and orchestra
Triple Concerto
A min.
Fl Vl Hc
Str Bc
17: 223
VII/3: 105
after
BWV 894
/1,
527
/2, 894/2
01226
1045
11.
1743–1746
Cantata opening: "Concerto"
Symphonic movement for violin and orchestra
D maj.
Vl
3Tr Tmp 2Ob Str Bc
21
: 65
I/34: 305
after unknown model by other composer?
66
67
68
01227
1046.2
11.
1721-03-24
Brandenburg Concerto
No. 1
F maj.
2Nho 3Ob Bas Vlp Str Bc
19: 3
VII/2: 3
after
BWV 1046.1
; /3, /7 →
BWV 207
(a)/1, /5a
01228
1046.1
11.
c.
1712-
1713?
Sinfonia
(opening of
BWV 208
?)
F maj.
2Nho 3Ob Str Bas Bc
31
: 69
VII/2: 225
BWV 1046.2
; /1 →
BWV 52
/1; was BWV 1046a, 1071
66
01229
1047
11.
1721-03-24
Brandenburg Concerto
No. 2
F maj.
Tr Fl Ob Vl Str Vne Bc
19: 3
VII/2: 43
01230
1048
11.
1721-03-24
Brandenburg Concerto
No. 3
G maj.
3Vl 3Vla 3Vc Vne Hc
19: 3
VII/2: 73
BWV 174
/1
01231
1049
11.
1721-03-24
Brandenburg Concerto
No. 4
G maj.
Vl 2Fl Str Vc Vne Bc
19: 3
VII/2: 99
BWV 1057
01232
1050.2
11.
1721-03-24
Brandenburg Concerto
No. 5
(early version)
D maj.
Fl Vl Hc
Vl Va Vc Vne
19: 3
VII/2: 145
after
BWV 1050.1
01233
1050.1
11.
1720–1721
Brandenburg Concerto
No. 5
(revised version)
D maj.
Fl Vl Hc
Vl Va Vne
19: 3
VII/2: 145
BWV 1050.2
01234
1051
11.
1721-03-24
Brandenburg Concerto
No. 6
B♭ maj.
2Vla 2Gam Vc Vne Hc
19: 3
VII/2: 197
01235
1052.2
11.
c.
1738
Concerto for harpsichord and orchestra No. 1
(revised version)
D min.
Hc
Str Bc
17: 3
VII/4: 3
after
BWV 1052.1
BWV 146
/1, /2 and
188
/1
01236
1052.1
11.
before 1726
Concerto for harpsichord and orchestra No. 1
(early version)
D min.
Hc
Str Bc
17: 3
VII/4: 317
by
Bach, C. P. E.
?; →
BWV 1052.2
BWV 146
/1, /2 and
188
/1
01237
1053
11.
c.
1738
Concerto for harpsichord and orchestra No. 2
E maj.
Hc
Str Bc
17: 3
VII/4: 79
after
BWV 169
/1, /5 and
49
/1
01238
1054
11.
c.
1738
Concerto for harpsichord and orchestra No. 3
D maj.
Hc
Str Bc
17: 3
VII/4: 127
after
BWV 1042
01239
1055
11.
c.
1738
Concerto for harpsichord and orchestra No. 4
A maj.
Hc
Str Bc
17: 3
VII/4: 161
after
BWV 1055R
01240
1056
11.
c.
1738
Concerto for harpsichord and orchestra No. 5
F min.
Hc
Str Bc
17: 3
VII/4: 197
after
BWV 1056R
?; /2 after
BWV 156
/1
01241
1057
11.
c.
1738
Concerto for harpsichord and orchestra No. 6
F maj.
Hc
2Fl Str Bc
17: 3
VII/4: 221
after
BWV 1049
01242
1058
11.
c.
1738
Concerto for harpsichord and orchestra No. 7
G min.
Hc
Str Bc
17: 3
VII/4: 283
after
BWV 1041
01243
1059
11.
c.
1738
Concerto for harpsichord and orchestra No. 8
(abandoned fragment of 1st movement)
D min.
Hc
Ob Str Bc
17: 3
VII/4: 313
after
BWV 35
/1 and earlier model (for oboe?); completions/
reconstructions usually based on BWV 35/1, /2 and /5
01244
1060
11.
c.
1736
Concerto for 2 harpsichords and orchestra No. 1
C min.
2Hc
Str Bc
21
: 3
VII/5: 3
after
BWV 1060R
01245
1061.2
11.
after 1732–1733
Concerto for 2 harpsichords and orchestra No. 2
C maj.
2Hc
Str Bc
21
: 39
VII/5: 109
after
BWV 1061.1
01246
1061.1
11.
1732–1733 or earlier
Concerto for 2 harpsichords (No. 2)
C maj.
2Hc
21
: 39
VII/5: 83
BWV 1061.2
01247
1062
11.
1736
Concerto for 2 harpsichords and orchestra No. 3
C min.
2Hc
Str Bc
21
: 83
VII/5: 43
after
BWV 1043
01248
1063
11.
c.
1730
Concerto for 3 harpsichords and orchestra No. 1
D min.
3Hc
Str Bc
31
: 3
VII/6: 3
after unknown model?
01249
1064
11.
c.
1730
Concerto for 3 harpsichords and orchestra No. 2
C maj.
3Hc
Str Bc
31
: 53
VII/6: 55
after
BWV 1064R
01250
1065
11.
c.
1730
Concerto for 4 harpsichords and orchestra
A min.
4Hc
Str Bc
43
: 71
VII/6: 117
after
Vivaldi
Op. 3
No. 10
01251
1066
11.
May 1724–End 1725
Orchestral Suite No. 1
C maj.
2Ob Bas Str Bc
31
: 3
VII/1: 3
Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied
01252
1067
11.
1738–1739
Orchestral Suite No. 2
B min.
Fl Str Bc
31
: 24
VII/1: 27
Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie
01253
1068
11.
c.
1730
Orchestral Suite No. 3
D maj.
3Tr Tmp 2Ob (Vl) Str Bc
31
: 40
VII/1: 49,
119
Ouverture
Air
2Gavotte Bourrée Gigue
01254
1069
11.
before late 1727
Orchestral Suite No. 4
D maj.
3Tr Tmp 2Ob Bas Str Bc
31
: 66
VII/1: 79
Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 →
BWV 110
/1
01255
1071
see
BWV 1046.1
01229
12.
Canons (see also:
List of canons by Johann Sebastian Bach
Up ↑
1072
12.
Canon
trias harmonica a 8
D maj.
8V
45
: 131
VIII/1: 3, 6
43
69
01258
1073
12.
1713-08-02
Canon
â 4. Voc: perpetuus
A min.
4V
45
: 132
VIII/1: 3
in US-CAh
bMS Eng 870
(35b)
70
71
72
73
74
01259
1074
12.
1727
Canon
a 4
(for
Ludwig Friedrich Hudemann
de
A min.
4V
45
: 134
VIII/1: 3
75
76
43
72
77
78
79
80
01260
1075
12.
1734-01-10
Canon
a 2. perpetuus
D maj.
2V
VIII/1: 3
72
01261
1076
12.
1746
Canon
triplex a 6
G maj.
6V
45
: 138
VIII/1: 3
after
BWV 1087
/13
57
81
82
83
43
84
85
86
87
88
01262
1077
12.
1747-10-15
Canone doppio sopr' il soggetto
(dedicated to
Johann Fulde
de
G maj.
4V Bc
VIII/1: 4
IX/2: 81
after
BWV 1087
/11
62
72
88
89
01263
1078
12.
1749-03-01
Canon
Fa Mi, et Mi Fa est Tota Musica
, a.k.a.
Canon super Fa Mi, a 7. post Tempus Musicum
F maj.
7V Bc
45
: 136
VIII/1: 4
in SBB
P 611
72
90
91
01264
1086
12.
1750?
Canon
Concordia discors
D maj.
2V
VIII/1: 4
III/1: VIII
in SLB Dresden
R 291
43
92
93
94
95
01272
1087
12.
1747/1748 or earlier
14 Canons on the first eight notes of the Goldberg ground
G maj.
6V
V/2: 119
after
BWV 988/1
; /11 →
BWV 1077
; /13 →
1076
; in BN Paris
Ms. 17669
, Bl. 18v
57
96
97
98
99
100
01273
13.
Musical Offering, Art of the Fugue (see also:
List of late contrapuntal works by Johann Sebastian Bach
Up ↑
1079
13.
1747-07-07
Musical Offering
Kb Fl 2Vl Bc
31
VIII/1: 46
101
01265
1080.1
13.
1742–1749
The Art of Fugue
(autograph)
Hc (?)
25
VIII/2.1
BWV 1080
.2
01266
1080.2
c.
1747–1748
The Art of Fugue
(print version)
47
VIII/2.2
after
BWV 1080
.1
102
11581
Later
Later additions to the main catalogue (above BWV 1128:
BWV
Up ↑
1127
1713-10-30
aria "Alles mit Gott und nichts ohn' ihn"
C maj.
s Str Bc
Sppl: 237
text by
Mylius
scores
103
01307
1128
II
1707–1708
chorale setting "Wo Gott der Herr nicht bei uns hält"
G min.
Organ
IV/10
after
Z 4441a
; was BWV Anh. 71
104
105
01725
1129
c.
1742–1745
music theory
Theoretische Aufzeichnungen zum fünfstimmigen Satz
Sppl: 63
11582
1130
c.
1742–1743
music theory
Theoretische Aufzeichnungen zum Kontrapunkt
Sppl: 45
11583
1131
c.
1743–1746
music theory
Regeln zum Gebrauch von Synkopen im doppelten Kontrapunkt
Sppl: 41
11584
1132
c.
1736–1739
Counterpoint studies with W. F. Bach
Sppl: 67
11585
1133
c.
1740–1745
thorough-bass rules I
Einige höchst nöthige Regeln vom General Basse
V/4: 131
Sppl: 37
11586
1134
1738?
thorough-bass rules II
Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts
Sppl: 3
11587
1135
1724-03-25
Cantata
Siehe, eine Jungfrau ist schwanger
(25 March:
Annunciation
was BWV Anh. 199; text extant
106
107
108
01510
1136
1708–1717?
1725-09-09?
1727-02-06
Cantata
Liebster Gott, vergißt du mich
(1711: libretto for Trin. VII; 1725: Trin. XV?; 1727, with
BWV 157.1
: funeral in Pomßen)
was BWV Anh. 209; text by
Lehms
109
110
01520
1137
1729-10-23?
Cantata (sketch:
Gott, du Richter der Gedanken
for Trinity XIX by
Picander
?)
SATB Vl Str Bc
III/1
was BWV Anh. 2; in SBB
P 36
: 18
111
01309
1138.1
1709-02-04
Cantata for Ratswahl in Mühlhausen No. 2
was
BWV Anh. 192
112
01503
1138.2
1710-02-04
Cantata for Ratswahl in Mühlhausen No. 3
lost
11382
1139.1
1725-08-27
Cantata
Wünschet Jerusalem Glück
(council election)
was
BWV Anh. 4
; text by
Picander
; →
BWV 1139.2
51
113
01311
1139.2
1730-06-27
Cantata
Wünschet Jerusalem Glück
(200th anniversary of the
Augsburg Confession
was BWV Anh. 4a; text by
Picander
; after
BWV 1139.1
114
01312
1140
1730-08-25
Cantata
Gott, gib dein Gerichte dem Könige
(council election)
I/32.2
was
BWV Anh. 3
; text by
Picander
114
113
01310
1141
1740-08-29
Cantata
Herrscher des Himmels, König der Ehren
(council election)
I/32.2
was
BWV Anh. 193
; text extant; /7 after
BWV 208
/15?
115
116
01504
1142
1716-04-02
Cantata
Was ist, das wir Leben nennen
(funeral service for
Johann Ernst of S.-W.
text extant
01531
1143
4.
1729-03-24
Cantata
Klagt, Kinder, klagt es aller Welt
(funeral of
Leopold of Anhalt-Köthen
; music lost but partially reconstructible)
I/34
was
BWV 244a
; text by
Picander
; ↔
BWV 198
/1, /10,
244b
/6, /8, /39, /49, /57, /23, /20, /65, /13, /68
00305
1144
1725-02-12
Cantata
Sein Segen fließt daher wie ein Strom
(wedding)
was
BWV Anh. 14
; text extant
117
118
01322
1145
1729-01-18
Cantata
Der Herr ist freundlich dem, der auf ihn harret
(wedding)
was
BWV Anh. 211
; text by
Picander
119
120
01522
1146
1729-07-26
Cantata
Vergnügende Flammen, verdoppelt die Macht
(wedding)
was
BWV Anh. 212
; text by
Picander
121
122
120
01523
1147
1718-12-10
Cantata
Lobet den Herrn, alle seine Heerscharen
(birthday of
Leopold of A.-K.
I/34
was
BWV Anh. 5
; text by
Hunold
123
01313
1148
1724-04-27
Cantata
Siehe, der Hüter Israel
(doctorate)
SATB 3Tr Tmp 2Ob 3Vl Va Bc
I/34
was
BWV Anh. 15
; lost
124
125
01323
1150
1721-01-01?
1722-01-01?
Cantata
Ihr wallenden Wolken
(New Year)
b 2Fl Str Vc Hc Bc
I/4
was
BWV Anh. 197
; lost
126
127
01508
1151
1720-01-01
Secular cantata
Dich loben die lieblichen Strahlen der Sonne
(New Year)
I/35
was
BWV Anh. 6
; text by
Hunold
128
129
01314
1152
1723-01-01
Secular cantata for New Year (congratulation of
Leopold of Anhalt-Köthen
and his wife
Frederica Henriette
I/35
was
BWV Anh. 8
; lost
130
01316
1153
1720-12-10
Secular cantata
Heut ist gewiß ein guter Tag
(birthday of
Leopold of Anhalt-Köthen
I/35
was
BWV Anh. 7
; text by
Hunold
131
132
01315
1154
1722-07-29
Cantata
O vergnügte Stunden
(birthday of
John Augustus of Anhalt-Zerbst
was
BWV Anh. 194
; text extant
133
134
01505
1155
1723-08-09
Ode in Latin (birthday of
Frederick II of Saxe-Gotha
I/38
was
BWV Anh. 20
; lost
135
136
01328
1156
1727-05-12
Secular cantata
Entfernet euch, ihr heitern Sterne
(57th birthday of
Augustus II
I/36
was
BWV Anh. 9
; text by
Haupt, C. F.
; /1 →
BWV 232
II
/6?
137
138
139
01317
1157
1732-08-03
Secular cantata
Es lebe der König, der Vater im Lande
(name day of
Augustus II
I/36
was
BWV Anh. 11
; text by
Picander
; /1 & /11 →
BWV 215
/1 → 232
IV
/1=/3; /7 →
248
/39?; /9 →
212
/14
113
121
140
01319
1158
1733-08-03
Secular cantata
Frohes Volk, vergnügte Sachsen
(name day of
Augustus III
I/36
was
BWV Anh. 12
; text by
Picander
; after
BWV Anh. 18
; /1 →
BWV 11
/1
113
121
141
01320
1159
1739-10-07
Secular cantata "Serenade" (birthday of
Augustus III
lost
01536
1160
1731-08-25
Secular cantata
So kämpfet nur, ihr muntern Töne
(birthday of
Joachim Friedrich von Flemming
de
I/39
was
BWV Anh. 10
; text by
Picander
; /1 →
BWV 248
VIa
/1?
121
142
01318
1161
1738-04-28
Secular cantata
Willkommen! Ihr herrschenden Götter der Erden
in honour of the royal couple (
Augustus III
and
Maria Josepha
), and for the forthcoming marriage of princess
Maria Amalia
with
Charles of Sicily
I/37
was
BWV Anh. 13
; text by
Gottsched, J. C.
in
Riemersche Chronik
113
143
144
145
01321
1162
1732-06-05
Secular cantata
Froher Tag, verlangte Stunden
(inauguration of
St. Thomas school
after renovation)
I/39
was
BWV Anh. 18
; text by
Winckler
; /1 →
BWV 11
/1; /1 /3 /5 /6 /8 /10 →
BWV Anh. 12
146
147
148
01326
1163
1725-11-27
Secular cantata
Auf, süß entzückende Gewalt
(wedding of
Peter
, eldest son of
Peter Hohmann
, and Christiana Sibylla Mencke)
I/40
was
BWV Anh. 196
; text by
Gottsched, C.
; /3 →
BWV 11
/4 →
232
IV
/4
; /5 →
BWV 11
/8
149
150
151
01507
1164
II
1712–1713
or earlier
Motet
Ich lasse dich nicht, du segnest mich denn
F min.
2SATB
39: 157
III/3: 3
by
Bach, J. Christoph
?; was
BWV Anh. 159
; ↔
BWV 421
(/2)
20
152
01470
1177
1726-12-11
March
D maj.
3Tr Tmp 2Fl 2Ob Str Bc
Introduction for BWV 207
011891
1178
Chaconne and Fugue
D min.
Organ
Composed during his pre–Weimar period; found as a copy in a pupil's hand along with BWV 1179
011965
1179
Chaconne
G min.
Organ
See BWV 1178
011966
Reconstructions (see also
Reconstruction of music by Johann Sebastian Bach
Up ↑
1052R
1970
Concerto
D min.
Vl
Str Bc
VII/7: 3
by Fischer; after
BWV 1052
153
01236
1055R
1970
Concerto
A maj.
Oba
Str Bc
VII/7: 33
by Fischer; after
BWV 1055
153
01240
1056R
1970
Concerto
G min.
Vl
Str Bc
VII/7: 59
by Fischer; after
BWV 1056
153
01241
1060R
1970
Concerto
C min.
Vl
Ob
Str Bc
VII/7: 75
by Fischer; after
BWV 1060
153
01245
1064R
1970
Concerto
D maj.
3Vl
Str Bc
VII/7: 103
by Fischer; after
BWV 1064
153
01250
Anh. I
Fragments – lost works
Up ↑
I 1
1725-07-15?
Cantata
Gesegnet ist die Zuversicht
(Trinity VII)
SATB 2Fl Str Bc
by
Telemann
TWV
1:617)?; text by
Neumeister
01308
I 2
see
BWV 1137
01309
I 3
see
BWV 1140
01310
I 4
see
BWV 1139.1
01311
I 4a
see
BWV 1139.2
01312
I 5
see
BWV 1147
01313
I 6
see
BWV 1151
01314
I 7
see
BWV 1153
01315
I 8
see
BWV 1152
01316
I 9
see
BWV 1156
01317
I 10
see
BWV 1160
01318
I 11
see
BWV 1157
01319
I 12
see
BWV 1158
01320
I 13
see
BWV 1161
01321
I 14
see
BWV 1144
01322
I 15
see
BWV 1148
01323
I 16
1735-11-09
Cantata
Schließt die Gruft! ihr Trauerglocken
(mourning of
Hedwig of Merseburg
by
Roemhildt
154
text by
Hoffmann, B.
155
01324
I 17
Cantata
Mein Gott, nimm die gerechte Seele
(funeral)
SATB 2Oba Str Bas Bc
I/33
01325
I 18
see
BWV 1162
01326
I 19
1734-11-21
Secular cantata
Thomana saß annoch betrübt
(welcome to
Johann August Ernesti
as new rector of
St. Thomas school
I/39
text by
Landvoigt
de
01327
I 20
see
BWV 1155
01328
N 190
1729-04-18
Cantata
Ich bin ein Pilgrim auf der Welt
(Easter 2)
b Bc ...
I/33
by
Bach, C. P. E.
?; text by
Picander
01501
N 191
1715-05-19
Cantata
Leb ich oder leb ich nicht
Cantate
text by
Franck, S.
01502
N 192
see
BWV 1138.1
01503
N 193
see
BWV 1141
01504
N 194
see
BWV 1154
01505
N 195
1723-06-09
Secular cantata
Murmelt nur, ihr heitern Bäche
(celebration of
Johann Florenz Rivinus
de
text in
Acta Lipsiensium
1723
, Vol. 5, pp.
515–619
01506
N 196
see
BWV 1163
01507
N 197
see
BWV 1150
01508
N 198
see
BWV 149/1a
01509
N 199
see
BWV 1135
01510
N 200
c.
1740
chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for
Orgelbüchlein
Organ
IV/1: 46
after
Z 1915
156
in SBB
P 283
01511
N 209
see
BWV 1136
01520
N 210
1734-10-04
Cantata
Wo sind meine Wunderwerke
it
(leave-taking of
Johann Matthias Gesner
text in
2° Poet. Germ. I, 6425: 4 Rara
; /1 →
BWV 193a
/7, 193/3?
157
158
01521
N 211
see
BWV 1145
01522
N 212
see
BWV 1146
01523
N 213
Concerto
F maj.
Org
by
Telemann
; arr. by Bach
01524
223
1717–1718?
Cantata
Meine Seele soll Gott loben
B♭ maj.
I/34
by
Handel
159
00280
224
1732
Aria "Reißt euch los, bekränkte Sinnen"
(fragment)
I/41
by
Bach, C. P. E.
?; in SBB
P 491
160
00281
Anh. II
Works of doubtful authenticity
Up ↑
53
II
Aria "Schlage doch, gewünschte Stunde"
(Funeral)
E maj.
a Bel Str Bc
12
: 53
I/41
by
Hoffmann, M.
00068
142
II
Cantata
Uns ist ein Kind geboren
(Christmas)
A min.
atbSATB 2Fl 2Ob Str Bc
30: 19
I/41
text by
Neumeister
(reworked)
00174
189
II
Cantata
Meine Seele rühmt und preist
(German Magnificat, Visitation)
B♭ maj.
t Fl Ob Vl Bc
37: 213
I/41
by
Hoffmann, M.
00229
217
II
Cantata
Gedenke, Herr, wie es uns gehet
(Epiphany I)
satbSATB Fl Str Bc
41: 207
I/41
by
Altnickol
00274
220
II
Cantata
Lobt ihn mit Herz und Munde
(24 June: feast of John the Baptist)
atbSATB Fl 2Ob Str Bc
41: 259
I/41
00277
221
II
Cantata
Wer sucht die Pracht, wer wünscht den Glanz
tb 2Vl Bas Vc Org
I/41
in SBB
P 191
: 83–113
00278
III 159
II
see
BWV 1164
01470
II 25
II
1740–1742
(JSB)
Kyrie–Gloria Mass
C maj.
SATB 2Tr 2Vl Org
11
: XVI
II/9
by
Bach, J. L.
01333
239
II
1738–1741
(JSB)
Sanctus
D min.
SATB Str Bc
11
: 89
II/9
after
Caldara
Missa Providentiae
/4
161
162
00298
II 28
II
Sanctus
B♭ maj.
SATB 2Ob 2Cor Str Bc
11
: XVII
II/9
01336
II 29
II
c.
1714–17
Kyrie–Gloria Mass
(only cello part extant)
C min.
II/9
in BKraków
St 547
01337
III 167
II
1738–1739 (JSB)
Kyrie–Gloria Mass for two choirs
G maj.
3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org
II/9
by
Bernhard
Krieger
or
Pohle
?; in SBB
P 659
163
164
165
01478
II 30
II
1690s (Tor.)
c.
1742 (JSB)
Magnificat for double choir
C maj.
2SATB 3Tr Tmp 2Vl 2Vla Bc
11
: XV
II/9
after
Torri
Magnificat
; Tr3, Tmp by Bach
166
167
168
01338
246
II
1732-04-11 (JSB)
Passion
St Luke Passion
ssatbSATB 2Fl 2Ob Tai Bas Str Bc
45
II/9: 65
BWV 246/40a
; in SBB
P 1017
169
00311
II 31
II
chorale setting "Herr Gott, dich loben alle wir"
SATB 2Tr 3Ob Str Bc
in SBB
P 101
01339
N 201
II
chorale setting "Du Friedefürst, Herr Jesu Christ"
SATB
by
Vetter, D.
170
01512
N 202
II
chorale setting "Gott hat das Evangelium"
SATB
by
Vetter, D.
171
01513
N 203
II
chorale setting "Ich hebe meine Augen auf"
SATB
by
Vetter, D.
172
01514
N 204
II
chorale setting "O Traurigkeit, o Herzeleid"
SATB
by
Vetter, D.
173
01515
II 32
II
1704
Sieben geistliche Oden und ein Gedicht
scores
No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen"
Voice Bc
in
Deutsche Übersetzungen und Gedichte
174
01340
II 33
II
1704
Sieben geistliche Oden und ein Gedicht
scores
No. 2 "Mein Jesus, spare nicht"
Voice Bc
in
Deutsche Übersetzungen und Gedichte
174
01341
II 34
II
1704
Sieben geistliche Oden und ein Gedicht
scores
No. 3 "Kann ich mit einem Tone"
Voice Bc
in
Deutsche Übersetzungen und Gedichte
174
01342
II 35
II
1704
Sieben geistliche Oden und ein Gedicht
scores
No. 4 "Meine Seele lass die Flügel"
Voice Bc
in
Deutsche Übersetzungen und Gedichte
174
01343
II 36
II
1704
Sieben geistliche Oden und ein Gedicht
scores
No. 5 "Ich stimm' itzund ein Straff-Lied an"
Voice Bc
in
Deutsche Übersetzungen und Gedichte
174
01344
II 37
II
1704
Sieben geistliche Oden und ein Gedicht
scores
No. 6 "Der schwarze Flügel trüber Nacht"
Voice Bc
in
Deutsche Übersetzungen und Gedichte
174
01345
II 38
II
1704
Sieben geistliche Oden und ein Gedicht
scores
No. 7 "Das Finsterniß tritt ein"
Voice Bc
in
Deutsche Übersetzungen und Gedichte
174
01346
II 39
II
1704
Sieben geistliche Oden und ein Gedicht
scores
No. 8 "Ach was wollt ihr trüben Sinnen"
Voice Bc
in
Deutsche Übersetzungen und Gedichte
174
01347
II 40
II
1736
Song "Ich bin nun wie ich bin"
scores
Voice Kb
in
Singende Muse an der Pleiße
scores
175
176
177
01348
II 41
II
1736
Song "Dir zu Liebe, wertes Herze"
scores
Voice Kb
in
Singende Muse an der Pleiße
scores
175
178
179
01349
571
II
c.
1704
Fantasia, a.k.a. Concerto
G maj.
Organ
38: 67
IV/11: 35
180
181
00651
580
II
Fugue
D maj.
Organ
38: 215
182
00662
II 42
II
Fugue
scores
F maj.
Organ
in SBB
P 817
: 1–3
01350
576
II
Fugue
G maj.
Organ
38: 106
IV/11
183
00658
577
II
Fugue
G maj.
Organ
38: 111
IV/11: 44
184
00659
581
II
Fugue
scores
G maj.
Organ
IV/11
by
Homilius
185
00663
131a
II
Fugue
G min.
Organ
38: 217
IV/11: 3
after
BWV 131
/5
186
00161
534
II
Prelude and Fugue
F min.
Organ
15: 104
IV/5: 130
by
Bach, W. F.
00608
536a
II
c.
1760–1789?
Prelude and Fugue
A maj.
Organ
IV/6: 114
after
BWV 536
152
/1; arr. by
Scholz
187
00612
545b
II
1708–1717
Prelude, Trio and Fugue
B♭ maj.
Organ
IV/11: 6
after
BWV 545a
; ↔
545
1029
/3
188
189
00624
553
II
Eight Short Preludes and Fugues
No. 1
C maj.
Organ
38: 23
IV/11
by Krebs,
J. T.
or
J. L.
190
191
00633
554
II
Eight Short Preludes and Fugues
No. 2
D min.
Organ
38: 27
IV/11
by Krebs,
J. T.
or
J. L.
190
191
00634
555
II
Eight Short Preludes and Fugues
No. 3
E min.
Organ
38: 30
IV/11
by Krebs,
J. T.
or
J. L.
190
191
00635
556
II
Eight Short Preludes and Fugues
No. 4
F maj.
Organ
38: 33
IV/11
by Krebs,
J. T.
or
J. L.
190
191
00636
557
II
Eight Short Preludes and Fugues
No. 5
G maj.
Organ
38: 36
IV/11
by Krebs,
J. T.
or
J. L.
190
191
00637
558
II
Eight Short Preludes and Fugues
No. 6
G min.
Organ
38: 39
IV/11
by Krebs,
J. T.
or
J. L.
190
191
00638
559
II
Eight Short Preludes and Fugues
No. 7
A min.
Organ
38: 42
IV/11
by Krebs,
J. T.
or
J. L.
190
191
00639
560
II
Eight Short Preludes and Fugues
No. 8
B♭ maj.
Organ
38: 45
IV/11
by Krebs,
J. T.
or
J. L.
190
191
00640
561
II
Fantasia and Fugue
A min.
Organ
38: 48
00641
568
II
Prelude
G maj.
Organ
38: 85
IV/6: 51
00648
584
II
Trio
scores
G min.
Organ
I/12: 23
IV/11
after
BWV 166
/2
192
00666
1027 /1a /2a /4a
II
Trio
scores
G maj.
Organ
IV/11
after
BWV 1027
/1–2 /4,
1039
/1–2 /4; arr. by
Kellner, J. P.
193
01209
591
II
Kleines harmonisches Labyrinth
Organ
38: 225
IV/11: 50
by
Heinichen
194
195
00673
597
II
Concerto for solo organ
E♭ maj.
Organ
IV/11
after lost model?
00680
598
II
Pedal-Exercitium (fragment)
Organ
38: 210
by
Bach, C. P. E.
00681
676a
II
1739–1789
chorale setting "Allein Gott in der Höh sei Ehr" (later variant)
Organ
40: 208
IV/4: KB 48
after
BWV 676
00792
683a
II
1739–1789
chorale setting "Vater unser im Himmelreich" (later variant)
Organ
IV/4: KB 51
after
BWV 683
00800
N 205
II
see
BWV 1121
01516
II 48
II
chorale setting "Allein Gott in der Höh sei Ehr"
Organ
by
Walther
(&
Scholz
?)
01356
II 49
II
chorale setting "Ein feste Burg ist unser Gott"
Organ
by
Walther
01357
II 50
II
chorale setting "Erhalt uns, Herr, hei deinem Wort"
Organ
01358
II 51
II
chorale setting "Erstanden ist der heilge Christ"
Organ
01359
II 52
II
chorale setting "Freu dich sehr, o meine Seele"
Organ
01360
II 53
II
chorale setting "Freu dich sehr, o meine Seele"
Organ
01361
II 54
II
chorale setting "Helft mir Gotts Güte preisen"
Organ
01362
chorale setting "Von Gott will ich nicht lassen"
II 55
II
1714-1717
or earlier
chorale setting "Herr Christ, der einig Gottes Sohn"
scores
Organ
01363
II 58
II
chorale setting "Jesu, meine Freude"
Organ
01366
II 59
II
chorale setting "Jesu, meine Freude"
Organ
01367
II 60
II
chorale setting "Nun lob, mein Seel, den Herren"
scores
Organ
by
Walther
01368
II 62a
II
chorale setting "Sei Lob und Ehr mit hohem Preis"
Organ
01370
II 62b
II
chorale setting "Sei Lob und Ehr mit hohem Preis"
Organ
01371
II 63
II
chorale setting "Vom Himmel hoch"
Organ
01372
II 64
II
chorale setting "Vom Himmel hoch"
Organ
01373
II 65
II
chorale setting "Vom Himmel hoch"
Organ
01374
II 66
II
chorale setting "Wachet auf, ruft uns"
Organ Tr
by
Krebs, J. L.
01375
II 67
II
chorale setting "Was Gott tut, das ist wohlgetan"
Organ
01376
II 68
II
chorale setting "Wer nur den lieben Gott läßt walten"
Organ
01377
II 69
II
chorale setting "Wir glauben all an einen Gott"
Organ
01378
II 70
II
chorale setting "Wir glauben all an einen Gott"
scores
Organ
01379
II 71
II
see
BWV 1128
01725
II 72
II
chorale setting "Christus der uns selig macht" (Canon)
Organ
01381
II 74
II
chorale setting "Schmücke dich, o liebe Seele"
scores
Organ
01383
II 75
II
chorale setting "Herr Christ, der einig Gottes Sohn"
scores
Organ
01384
II 76
II
chorale setting "Jesu, meine Freude"
scores
Organ
01385
II 77
II
chorale setting "Herr Christ, der einig Gottes Sohn"
scores
Organ
01386
II 78
II
chorale setting "Wenn wir in höchsten Nöten sein"
scores
Organ
01387
II 79
II
chorale setting "Befiehl du deine Wege"
Organ
01388
691a
II
1720–1789
chorale setting "Wer nur den lieben Gott läßt walten" (variant)
Organ
40: 151
after
BWV 691
00809
705
II
chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16)
Organ
40: 23
IV/10: 47
after
Z 7549
00825
708
II
1700–1789
chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19)
Organ
40: 30
IV/10: 86
after
Z 1679
00828
708a
II
1700–1789
chorale setting "Ich hab mein Sach Gott heimgestellt"
Organ
40: 152
IV/10: 86
after
Z 1679
00829
716
II
chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia)
Organ
40: 45
IV/10: 14
after
Z 4457
00838
726
II
bef.
c.
1727
chorale setting "Herr Jesu Christ, dich zu uns wend"
Organ
40: 72
IV/3: 45
after
Z 624
00849
743
II
bef.
c.
1740
chorale setting "Ach, was ist doch unser Leben"
scores
Organ
IV/10: 11
after
Z 1208b
; by
Buttstett, J. H.
00871
745
II
1700–1788
chorale setting "Aus der Tiefe rufe ich"
Organ
40: 171
IV/10: 22
after
Z 1217
; by
Bach, C. P. E.
00873
749
II
c.
1700–1717
chorale setting "Herr Jesu Christ, dich zu uns wend"
scores
Organ
IV/10: 80
after
Z 624
; by
Bach, J. Christoph
or
Telemann
00878
750
II
c.
1700–1703
chorale setting "Herr Jesu Christ, meins Lebens Licht"
scores
Organ
IV/10: 81
00879
752
II
c.
1700–1717
chorale setting "Jesu, der du meine Seele"
scores
Organ
after
Z 6779a
00881
754
II
bef.
c.
1740
chorale setting "Liebster Jesu, wir sind hier"
scores
Organ
after
Z 3498b
00883
755
II
chorale setting "Nun freut euch, lieben Christen g'mein"
scores
Organ
after
Z 4429a
00884
756
II
chorale setting "Nun ruhen alle Wälder"
scores
Organ
after
Z 2293b
00885
757
II
chorale setting "O Herre Gott, dein göttlichs Wort"
scores
Organ
after
Z 5690
00886
758
II
chorale setting "O Vater, allmächtiger Gott"
Organ
40: 179
IV/11: 69
after
Z 8603b
00887
762
II
bef.
c.
1717
chorale setting "Vater unser im Himmelreich"
scores
Organ
IV/10: 142
after
Z 2561
00891
763
II
chorale setting "Wie schön leucht uns der Morgenstern"
scores
Organ
after
Z 8359
00892
765
II
bef.
c.
1717
chorale setting "Wir glauben all an einen Gott"
Organ
40: 187
after
Z 7971
00894
N 206
II
chorale setting "Ach bleib mit deiner Gnade"
scores
Organ
by
Pachelbel
376)
196
197
01517
chorale setting "Christus, der ist mein Leben"
scores
II 80
II
1707–1708
or earlier
Suite
scores
F maj.
Keyboard
V/12
01389
821
II
Suite
B♭ maj.
Keyboard
42: 213
V/12: 3
198
00959
834
II
Allemande
C min.
Keyboard
42: 259
V/12
199
00973
839
II
1735-03-07
or earlier
Sarabande
scores
G min.
Keyboard
V/12
in
Notenbuch der Zeumerin
200
201
00978
844
II
Toccatina
No. 4 Scherzo
D min.
Keyboard
42: 220
V/12: 16
by
Bach, W. F.
? ↔ BWV 844a
202
00983
844a
II
Scherzo
E min.
Keyboard
42: 281
V/12: 22
by
Bach, W. F.
? (
BR A55
); ↔ BWV 844
202
00984
845
II
Gigue
F min.
Keyboard
42: 263
V/12
199
00985
II 81
II
Gigue
scores
(incomplete)
D min.
Keyboard
V/12
by
Kellner, J. P.
01390
II 82
II
Ciacona
scores
B♭ maj.
Keyboard
V/12
by
Bach, J. B.
01391
II 83
II
Ciacona
scores
A maj.
Keyboard
V/12
by
Bach, J. B.
or
H.
01392
II 84
II
Ciacona
scores
G maj.
Keyboard
V/12
by
Bach, J. B.
01393
II 85
II
Toccata and Fugue
scores
F min.
Keyboard
42: XXXV
V/12: 114, 122
by
Dobenecker
203
204
01394
898
II
Prelude and Fugue
scores
on
B-A-C-H
B♭ maj.
Keyboard
42: XXXIV
V/12
01067
II 86
II
Fantasia
C min.
Keyboard
42: 243
V/12
by
Gronau
01395
II 87
II
Fantasia
scores
C maj.
Keyboard
V/12
by
Benda
01396
905
II
Fantasia and Fugue
D min.
Keyboard
42: 179
V/12: 24
205
01076
907
II
Fantasia and Fughetta
B♭ maj.
Keyboard
42: 268
V/12: 28
by
Kirchhoff
de
206
01078
908
II
Fantasia and Fughetta
D maj.
Keyboard
42: 272
V/12: 34
by
Kirchhoff
de
206
01079
909
II
Concerto e Fuga
C min.
Keyboard
42: 190
V/12: 38
01080
919
II
Fantasia
C min.
Keyboard
36: 152
V/12: 48
by
Bach, J. B.
or
J. B. the Younger
207
01092
920
II
Fantasia
G min.
Keyboard
42: 183
V/12
205
01093
923a
II
Toccatina
No. 3 Prelude
A min.
Keyboard
42: 279
V/12: 14
after
BWV 923
208
01097
II 89
II
Fugue
scores
C maj.
Keyboard
42: XXXIV
V/12
01398
II 90
II
Fugue
C maj.
Kb (with ped?)
38: 213
IV/11: 58, 61
by
Bach, C. P. E.
H 388
) or
Pachelbel
01399
II 91
II
Fugue
scores
G maj.
Keyboard
42: XXXIV
V/12
01401
II 92
II
Fugue
scores
G maj.
Keyboard
V/12
01402
II 93
II
Fugue
scores
E min.
Keyboard
42: XXXIV
V/12
01403
II 95
II
Fugue
scores
E min.
Keyboard
42: XXXIV
V/12
01405
II 96
II
Fugue
scores
D maj.
Keyboard
V/12
by
Bach, C. P. E.
? (
H 373.5
01406
II 98
II
Fugue
scores
D min.
Keyboard
V/12
by
Bach, C. P. E.
? (
H 373.5
01408
II 99
II
Fugue
scores
D min.
Keyboard
V/12
01409
II 100
II
Fugue
scores
D min.
Keyboard
V/12
by
Bach, C. P. E.
? (
H 373.5
01410
II 101
II
Fugue
scores
G min.
Keyboard
42: XXXV
V/12: 130
by
Dobenecker
204
01411
II 102
II
Fugue
scores
E♭ min.
Keyboard
V/12
01412
897/2
II
Fugue
A min.
Keyboard
42: 175
V/12
by
Dretzel
or
Bach, W. F.
01066
945
II
Fugue
E min.
Keyboard
36: 155
V/12
by
Graupner
209
01120
956
II
Fugue
E min.
Keyboard
42: 200
V/12: 70
01133
958
II
Fugue
A min.
Keyboard
42: 205
V/12: 74
01135
960
II
Fugue (incomplete)
E min.
Keyboard
42: 276
V/12
210
01137
N 207
II
Fugue
E min.
Keyboard
IV/11
by
Seger
211
01518
II 109
II
Fugue
scores
on
B-A-C-H
G min.
Keyboard
V/12
01419
964
II
Sonata
D min.
Keyboard
42: 3
V/12: 78
after
BWV 1003
212
01141
II 111
II
Largo and Allegro
scores
G maj.
Keyboard
42: XXXV
V/12
01421
968
II
Adagio
G maj.
Keyboard
42: 27
V/12: 94
after
BWV 1005
/1
212
01145
969
II
Toccatina
No. 5 Andante
G min.
Keyboard
42: 218
V/12: 18
202
01146
II 113
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 3 Minuet
F maj.
Keyboard
43
: 25
V/4: 82
01423
II 116
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 7 Minuet
G maj.
Keyboard
43
: 28
V/4: 87
01426
II 117
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 8a and 8b two Polonaises
F maj.
Keyboard
43
: 28
V/4: 88
01427
01428
II 118
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 9 Minuet
B♭ maj.
Keyboard
43
: 29
V/4: 89
01429
II 119
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 10 Polonaise
G min.
Keyboard
43
: 30
V/4: 90
01430
II 120
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 14 Minuet
A min.
Keyboard
43
: 31
V/4: 92
01431
II 121
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 15 Minuet
C min.
Keyboard
43
: 32
V/4: 92
01432
II 126
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 22 Musette
D maj.
Keyboard
43
: 35
V/4: 99
01437
II 127
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 23 March
E♭ maj.
Keyboard
43
: 35
V/4: 100
by
Bach, C. P. E.
01438
II 128
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 24 (Polonaise)
D min.
Keyboard
43
: 36
V/4: 101
01439
II 132
II
1725 (AMB)
Notebook A. M. Bach
(1725) No. 36 Minuet
D min.
Keyboard
43
: 48
V/4: 125
01443
II 151
II
Concerto
C maj.
Keyboard
42: XXXIV
V/12
01462
II 152
II
Concerto
G maj.
Vl Hc
42: XXXIV
VI/5
01463
990
II
Sarabanda con Partitis
C maj.
Keyboard
42: 221
V/12: 97
213
01168
II 153
II
Sonata
A maj.
Vl Bc
VI/5
01464
II 154
II
Sonata
E♭ maj.
Vl Hc
VI/5
214
01465
1020
II
Sonata
G min.
Vl Hc
9: 274
VI/5
by
Bach, C. P. E.
? (
H 542.5
215
216
01201
1022
II
Sonata
scores
F maj.
Vl Hc
VI/5: 27
by
Bach, C. P. E.
?; after
BWV 1021
; ↔
BWV 1038
216
217
01203
1024
II
Sonata
scores
C min.
Vl Bc
VI/5
218
219
01205
1031
II
Sonata
E♭ maj.
Fl Hc
9: 22
VI/5: 13
by
Bach, C. P. E.
? (
H 545
216
220
01213
1033
II
Sonata
C maj.
Fl Bc
43
: 3
VI/5: 3
by
Bach, C. P. E.
? (
H 564.5
216
221
01215
1038
II
1732–1735
Sonata
G maj.
Fl Vl Bc
9: 219
VI/5: 45
by
Bach, C. P. E.
? (
H 590.5
); after
BWV 1021
; ↔
BWV 1022
217
01220
525a
II
Concerto (Trio sonata)
C maj.
Vl Vc Bc
VI/5
after
BWV 525
/1,
1032
/2, 525/3
222
223
01718
II 155
II
Concerto
A maj.
Kb
Str Bc
VI/5
01466
I 22
II
Concerto
scores
B♭ maj.
Ob
Vl
Str Bc
VI/5
by Förster (
C.
?)?
224
01330
1070
II
Orchestral Suite (No. 5)
G min.
Str Bc
45
: 190
VI/5
by
Bach, W. F.
225
226
01256
Anh. III
Works of other composers, spuriously attributed to Bach
Up ↑
III 156
III
Cantata
Herr Christ, der einge Gottes Sohn
(Annunciation)
SATB Str Bc
by
Telemann
TWV
1:732)
227
01467
III 157
III
Cantata
Ich habe Lust zu scheiden
(Purification)
s 2Fl Str Bc
by
Telemann
TWV
1:836)
228
01468
15
III
1726-04-21
(JSB)
Cantata
Denn du wirst meine Seele nicht in der Hölle lassen
(Easter)
satbSATB 3Tr Tmp Str Bc
2: 135
I/41
by
Bach, J. L.
(JLB 21); text in
Meiningen 1704
229
00017
141
III
Cantata
Das ist je gewißlich wahr
(3rd Sunday of Advent)
atbSATB 2Ob Str Bc
30: 3
I/41
by
Telemann
TWV
1:183)
230
00173
145/b
III
Cantata movement
So du mit deinem Munde bekennest Jesum
(Easter)
D maj.
SATB Tr Str Bc
30: 96
I/10: 142
by
Telemann
TWV
1:1350/1)
231
00178
160
III
1725–1732?
Cantata
Ich weiß, daß mein Erlöser lebt
(Easter)
C maj.
t Vl Bas Bc
32: 171
I/41
by
Telemann
TWV
1:877)
232
00194
218
III
Cantata
Gott der Hoffnung erfülle euch
(Pentecost)
satbSATB 2Hn Str Bc
41: 223
by
Telemann
TWV
1:634)
233
00275
219
III
Cantata
Siehe, es hat überwunden der Löwe
(Michaelmas)
sabSATB Str Bc
41: 239
by
Telemann
TWV
1:1328)
234
00276
222
III
Cantata
Mein Odem ist schwach
(Purification)
sabSATB Str Bc
by
Bach, J. Ernst
; →
BWV Anh. 165
00279
III 158
III
Aria "Andrò dall'colle al Prato"
s 2Fl (2Hn) Str Bc
by
Bach, J. C.
03022
III 160
III
1750–1755? (
Harrer
?)
Motet
Jauchzet dem Herrn alle Welt
TWV
8:10
C maj.
2SATB
III/3: 15
after
Telemann
(/1; /3 after
TWV
1:1066),
BWV 28
/2 (/2 =
BWV 28/2a
); text after
Psalm 100
235
01471
III 161
III
Motet
Kündlich groß ist das gottselige Geheimnis
/1 (Christmas)
D maj.
SATB Str? Bc
III/3
by Graun (
C. H.
?), precedes laudes
and
of
BWV 243a
01472
III 162
III
Motet
Lob und Ehre und Weisheit und Dank
2SATB
III/3
by
Wagner, G. G.
01473
III 163
III
Motet
Merk auf, mein Herz, und sieh dorthin
2SATB
III/3
by Bach,
J. B.
or
J. Ernst
01474
III 164
III
Motet
Nun danket alle Gott
scores
SSATB
III/3: 52
by
Altnickol
01475
III 165
III
Motet
Unser Wandel ist im Himmel
SATB
III/3
by
Bach, J. Ernst
; after
BWV 222
/3 /4 /6
01476
III 166
III
1716 (JLB)
1729 (JSB)
Kyrie–Gloria Mass
Missa sopra cantilena
"Allein Gott in der Höh' sei Ehr"
E min.
SSATB 2Vl 2Vla Vc Bc
11
: XV
41: 276
II/9
by
Bach, J. L.
(JLB 38), start of Gloria arr. by Bach
01477
II 24
III
1715–1717, 1724 (JSB)
Kyrie–Gloria Mass
A min.
SATB Str Bc
11
: XV
II/9
after
Missa Sancti Lamberti
by
Pez, J. C.
01332
II 26
III
1727–1732 (JSB)
Kyrie–Gloria Mass
scores
C min.
satbSATB 3Tbn 2Vl Bc
41: 193
11
: XVI
II/2: 295
by
Durante
(alternative Christe:
BWV 242
01334
II 27
III
c.
1745
? (JLK)
Sanctus
F maj.
SATB 2Hn 2Ob Str Bc
11
: XVII
II/9
by
Krebs, J. L.
Krebs‑WV
104)
236
01335
III 168
III
c.
1747
? (WFB)
Kyrie and German Gloria
G min.
sSATB Str Bc
11
: XVII
II/9
by
Bach, W. F.
BR E1 F 100
01479
I 21
III
c.
1707
(MH)
Magnificat
Meine Seel erhebt den Herren
A min.
s Fl 2Vl Bc
11
: XVIII
II/9
by
Hoffmann, M.
237
01329
III 169
III
1724–1725
Passion
Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum
text by
Picander
partly used in
BWV 244
but no other known setting
238
01480
8/6
III
1713 (Vet.)
1724-09-24
(JSB)
chorale setting "Liebster Gott, wenn werd ich sterben"
(s. 5)
E maj.
SATB
1: 241
I/23: 161
by
Vetter, D.
Z 6634
); text by
Neumann
239
240
241
00009
III/2.1: 63
III/2.2: 25
11228
D maj.
I/23: 219
00010
27/6
III
1652 (Ros.)
1726-10-06
(JSB)
chorale setting "Welt, ade, ich bin dein müde"
(s. 1)
B♭ maj.
SSATB
: 244
I/23: 251
by
Rosenmüller
Z 6531
); text by
Albinus
240
01481
III 170
III/2.2: 86
11345
43/11
III
1652 (Pet.)
1726-05-30 (JSB)
chorale setting "Du lebensfürst, Herr Jesu Christ"
choralwiki
(ss. 1, 13)
G maj.
SATB
10: 126
I/12: 164
by
Peter
de
after
Z 5741b
; text by
Rist
242
11241
chorale setting "Ermuntre dich, mein schwacher Geist"
III/2.1: 74
III/2.2: 57
567
III
Prelude
C maj.
Organ
38: 84
IV/11
by
Krebs, J. L.
Krebs‑WV
401)
243
00647
III 178
III
last third of 17th century
Toccata quasi Fantasia con Fuge
A maj.
Organ
42: 250
V/12
by
Reincken
244
01489
II 43
III
c.
1788
Fugue
scores
B min.
Organ
IV/11
by
Pölitz
de
; after
H 776
/18
01351
II 44
III
Fugue
scores
G maj.
Organ
IV/11
by
Kellner, J. P.
or
J. C.
245
01352
II 45
III
c.
1799
Fugue
scores
on
B-A-C-H
B♭ maj.
Organ
IV/11
by
Knecht
01353
II 88
III
1765
Fugue
scores
C maj.
Keyboard
V/12
by
Kellner, J. C.
01397
II 97
III
Fugue
scores
F♯ maj.
Keyboard
42: XXXV
IV/11: 63
by
Krebs, J. L.
Krebs‑WV
409/2)
01407
II 103
III
c.
1711–1718
(GFH)
Fugue
scores
A min.
Keyboard
V/12
by
Handel
HWV 609
scores
01413
II 104
III
c.
1711–1718
(GFH)
Fugue
scores
C min.
Keyboard
V/12
by
Handel
HWV 610
scores
01414
II 105
III
c.
1711–1718
(GFH)
Fugue
scores
B♭ maj.
Keyboard
V/12
by
Handel
HWV 607
scores
01415
II 106
III
c.
1711–1718
(GFH)
Fugue
scores
G min.
Keyboard
V/12
by
Handel
HWV 605
scores
01416
N 208
III
1747 (JEE)
Fugue
E♭ min.
Keyboard
IV/11
After
Toccata nona
scores
by
Eberlin
01519
II 46
III
Trio
scores
C min.
Organ
IV/11
by
Krebs, J. T.
246
01354
692
III
chorale setting "Ach Gott und Herr" (
Kirnb. coll.
No. 3)
C maj.
Organ
40: 4
IV/11
by
Walther
; after
BWV 692a
00810
692a
III
chorale setting "Ach Gott und Herr" (early version)
C maj.
Organ
40: 152
IV/11
by
Walther
; →
BWV 692
00811
693
III
chorale setting "Ach Gott und Herr" (
Kirnb. coll.
No. 4)
C maj.
Organ
40: 5
IV/11
by
Walther
00812
723
III
chorale setting "Gelobet seist du, Jesu Christ" (also in
Neumeister Collection
Organ
40: 63
after
Z 1947
; by
Bach, J. Michael
00846
740
III
chorale setting "Wir glauben all an einen Gott"
Organ
40: 103
after
Z 4000
; by
Krebs, J. L.
Krebs‑WV
554c)
00868
744
III
chorale setting "Auf meinen lieben Gott"
Organ
40: 170
IV/10: 20
after
Z 2164
; by
Krebs, J. L.
Krebs‑WV
517)
00872
746
III
1715 or earlier (JCFF)
chorale setting "Christ ist erstanden"
D min.
Organ
40: 173
IV/10
by
Fischer
Ariadne Musica
scores
No. 24)
00874
748
III
1700–1739
chorale setting "Gott der Vater wohn uns bei"
D maj.
Organ
40: 177
IV/10
by
Walther
; →
BWV 748a
00876
748a
III
1700–1789
chorale setting "Gott der Vater wohn uns bei" (variant)
D maj.
Organ
IV/10
by
Scholz
(arr.)?; after
BWV 748
00877
751
III
chorale setting "In dulci jubilo"
scores
(also in
Neumeister Collection
Organ
IV/10
by
Bach, J. Michael
00880
759
III
chorale setting "Schmücke dich, o liebe Seele"
F maj.
Organ
40: 181
IV/10
by
Homilius
HoWV VIII.17
scores
211
00888
760
III
chorale setting "Vater unser im Himmelreich"
Organ
40: 183
IV/10
by
Böhm
00889
761
III
chorale setting "Vater unser im Himmelreich"
Organ
40: 184
IV/10
by
Böhm
00890
1096
III
chorale setting "Christe, der du bist Tag und Licht"
scores
(3 versions;
Neumeister Chorales
No. 8)
A min.
Organ
IV/9: 16, 76
by
Pachelbel
247
248
01282
chorale setting "Wir danken dir, Herr Jesu Christ"
scores
(3 versions;
Neumeister Chorales
No. 8)
771
III
chorale setting "Allein Gott in der Höh sei Ehr"
G maj.
Organ
40: 195
IV/11
by
Vetter, A. N.
249
00901
II 47
III
chorale setting "Herzlich tut mich verlangen"
scores
A min.
Organ
IV/10
by
Kellner, J. P.
245
01355
chorale setting "Ach Herr, mich armen Sünder"
scores
II 56
III
1735 (Telem.)
chorale setting "Herr Jesu Christ dich zu uns wend"
scores
Organ
IV/10
by
Telemann
TWV
31:8)
01364
II 57
III
chorale setting "Jesu Leiden, Pein und Tod"
scores
Organ
IV/10
by
Vogler
01365
II 61
III
chorale setting "O Mensch, bewein dein Sünde groß"
scores
F maj.
Organ
IV/10
by
Pachelbel
396)
250
01369
II 73
III
1720–1788
chorale setting "Ich ruf zu dir, Herr Jesu Christ"
scores
F min.
Organ
IV/10
by
Bach, C. P. E.
; after
BWV 639
01382
III 171
III
chorale setting "Christ lag in Todesbanden"
scores
Organ
40: 174
IV/10
by
Pachelbel
58)
251
01482
III 172
III
chorale setting "Herr Jesu Christ, dich zu uns wend"
scores
G maj.
Organ
IV/10
by
Krebs, J. L.
Krebs‑WV
524)
01483
824
III
1720 (WFB)
Klavierbüchlein WFB
No. 47: Suite
A maj.
Keyboard
36: 231
V/5: 78
by
Telemann
TWV
32:14)
28
00962
835
III
1761 (Kirnb.)
Allemande
A min.
Keyboard
42: 267
V/12
by
Kirnberger
(EngK 74)
252
00974
838
III
Allemande and Courante
A maj.
Keyboard
42: 265
V/12
by
Graupner
GWV 849
/2 /3)
252
00977
840
III
Courante
scores
G maj.
Keyboard
V/12
by
Telemann
TWV
32:13/2)
00979
897/1
III
c.
1736–1743
(CHD)
Prelude
A min.
Keyboard
42: 173
V/12
by
Dretzel
("Adagiosissimo")
253
01065
962
III
c.
1783
(JGA)
Fugue
E min.
Keyboard
42: 198
V/12
by
Albrechtsberger
(Op. 1/8)
254
01139
970
III
Toccatina
No. 6 Presto
D min.
Keyboard
42: XXXIV
V/12
by
Bach, W. F.
BR A49 F 25/2
11148
II 94
III
1774 (Kirnb.)
Fugue
scores
E min.
Keyboard
42: XXXIV
V/12
by
Kirnberger
(EngK 35)
255
01404
II 107
III
Fugue
scores
on
B-A-C-H
C maj.
Keyboard
42: XXXIV
V/12
by
Sorge
01417
II 108
III
Fugue
scores
on
B-A-C-H
C maj.
Keyboard
42: XXXIV
V/12
by
Bach, C. P. E.
H 373
) or
Sorge
01418
II 110
III
Fugue
scores
on
B-A-C-H
C min.
Keyboard
42: XXXIV
V/12
by
Sorge
01420
II 112
III
1780 (Kirnb.)
Grave
scores
E min.
Keyboard
V/12
by
Kirnberger
(EngK 16)
256
01422
II 114
III
1725 (AMB)
Notebook A. M. Bach
(1725)
No. 4 Minuet
G maj.
Keyboard
43
: 26
V/4: 83
by
Petzold
257
01424
II 115
III
1725 (AMB)
Notebook A. M. Bach
(1725)
No. 5 Minuet
G min.
Keyboard
43
: 26
V/4: 84
by
Petzold
257
01425
II 122
III
1725 (CPE)
Notebook A. M. Bach
(1725) No. 16 March
D maj.
Keyboard
43
: 32
V/4: 94
by
Bach, C. P. E.
H 1/1
01433
II 123
III
1725 (CPE)
Notebook A. M. Bach
(1725) No. 17 Polonaise
G min.
Keyboard
43
: 32
V/4: 95
by
Bach, C. P. E.
H 1/2
01434
II 124
III
1725 (CPE)
Notebook A. M. Bach
(1725) No. 18 March
G maj.
Keyboard
43
: 33
V/4: 96
by
Bach, C. P. E.
H 1/3
01435
II 125
III
1725 (CPE)
Notebook A. M. Bach
(1725) No. 19 Polonaise
G min.
Keyboard
43
: 33
V/4: 97
by
Bach, C. P. E.
H 1/4
01436
II 129
III
1725 (AMB)
Notebook A. M. Bach
(1725) No. 27 Solo per il cembalo
maj.
Keyboard
43
: 38
V/4: 104
by
Bach, C. P. E.
H 16
01440
II 130
III
1725 (AMB)
Notebook A. M. Bach
(1725) No. 28 Polonaise
G maj.
Keyboard
43
: 39
V/4: 106
by
Hasse
258
01441
II 131
III
c.
1745?
Notebook A. M. Bach
(1725) No. 32
F maj.
Keyboard
43
: 46
V/4: 121
by
Bach, J. C.
W A22
259
01442
II 133
III
1763 or later
Musical clock
scores
No. 1 Fantasia
G maj.
Musical clock
V/12
by
Bach, W. F.
BR A63 F 207
01444
II 134
III
1763 or later
Musical clock
scores
No. 2 Scherzo
G maj.
Musical clock
V/12
by
Bach, W. F.
BR A64 F 207
01445
II 135
III
1763 or later
Musical clock
scores
No. 3 Bourlesca
A min.
Musical clock
V/12
by
Bach, W. F.
BR A65 F 207
01446
II 136
III
1763 or later
Musical clock
scores
No. 4 Trio
A min.
Musical clock
V/12
by
Bach, W. F.
BR A66 F 207
01447
II 137
III
1763 or later
Musical clock
scores
No. 5 L'Intrada della Caccia
E♭ maj.
Musical clock
V/12
by
Bach, W. F.
BR A67 F 207
01448
II 138
III
1763 or later
Musical clock
scores
No. 6 Continuazione della Caccia
E♭ maj.
Musical clock
V/12
by
Bach, W. F.
BR A68 F 207
01449
II 139
III
1763 or later
Musical clock
scores
No. 7 Il Fine delle Caccia I
D maj.
Musical clock
V/12
by
Bach, W. F.
BR A69 F 207
01450
II 140
III
1763 or later
Musical clock
scores
No. 8 Il Fine delle Caccia II
D min.
Musical clock
V/12
by
Bach, W. F.
BR A70 F 207
01451
II 141
III
1763 or later
Musical clock
scores
No. 9 Song "O Gott die Christenheit"
F maj.
Musical clock
V/12
by
Bach, W. F.
BR A71 F 207
01452
II 142
III
1763 or later
Musical clock
scores
No. 10 Psalm 110
A min.
Musical clock
V/12
by
Bach, W. F.
BR A72 F 207
01453
II 143
III
1763 or later
Musical clock
scores
No. 11 Polonaise
E min.
Musical clock
V/12
by
Bach, W. F.
BR A73 F 207
01454
II 144
III
1763 or later
Musical clock
scores
No. 12 Polonaise Trio
A min.
Musical clock
V/12
by
Bach, W. F.
BR A74 F 207
01455
II 145
III
1763 or later
Musical clock
scores
No. 13 March
C maj.
Musical clock
V/12
by
Bach, W. F.
BR A75 F 207
01456
II 146
III
1763 or later
Musical clock
scores
No. 14 March
F maj.
Musical clock
V/12
by
Bach, W. F.
BR A76 F 207
01457
II 147
III
1763 or later
Musical clock
scores
No. 15 La Combattuta
G maj.
Musical clock
V/12
by
Bach, W. F.
BR A77 F 207
01458
II 148
III
1763 or later
Musical clock
scores
No. 16 Scherzo
G min.
Musical clock
V/12
by
Bach, W. F.
BR A78 F 207
01459
II 149
III
1763 or later
Musical clock
scores
No. 17 Minuet
G maj.
Musical clock
V/12
by
Bach, W. F.
BR A79 F 207
01460
II 150
III
1763 or later
Musical clock
scores
No. 18 Trio
G min.
Musical clock
V/12
by
Bach, W. F.
BR A80 F 207
01461
III 177
III
Prelude and Fugue
E♭ maj.
Keyboard
36: 88
V/12: 134
by
Bach, J. Christoph
260
01488
III 179
III
1728 (JDH)
Fantasia durch alle Tonarten gehend
scores
A min.
Keyboard
V/12
by
Heinichen
261
01490
III 180
III
Fugue
D min.
Keyboard
36: 188
V/12
by
Kellner, J. P.
211
01491
III 181
III
Fugue
scores
A min.
Keyboard
V/12
by
Krebs, J. L.
Krebs‑WV
825/2)
01492
III 182
III
Passacaglia
D min.
Keyboard
42: 234
V/12
by
Witt
01493
III 183
III
1725 (AMB)
Notebook A. M. Bach
(1725) No. 6 Rondeau
B♭ maj.
Keyboard
43
: 27
V/4: 85
by
Couperin
ième
Ordre
: Les Bergeries)
01494
1036
III
1731 (CPE)
Trio
D min.
Vl Hc (2Vl Bc)
VI/5
by
Bach, C. P. E.
H 569; Wq 145
01218
1037
III
c.
1740s
(JGG)
Sonata
C maj.
2Vl Bc
9: 229
VI/5
by
Goldberg
262
01219
III 173
III
1712 (FAB)
c.
1723
(JSB)
Invention
B min.
Vl Kb
45
: 172
VI/5
by
Bonporti
(Op. 10 No. 2)
263
01484
III 174
III
1712 (FAB)
c.
1723
(JSB)
Invention
B♭ maj.
Vl Kb
45
: 176
VI/5
by
Bonporti
(Op. 10 No. 5)
264
01485
III 175
III
1712 (FAB)
c.
1723
(JSB)
Invention
C min.
Vl Kb
45
: 181
VI/5
by
Bonporti
(Op. 10 No. 6)
265
01486
III 176
III
1712 (FAB)
c.
1723
(JSB)
Invention
D maj.
Vl Kb
45
: 185
VI/5
by
Bonporti
(Op. 10 No. 7)
266
01487
III 184
III
c.
1747
(Zuc.)
Sonata
A min.
Vl Bc
VI/5
by
Zuccari
Op. 1
scores
No. 10)
267
01495
III 185
III
Sonata
D maj.
2Vl Bc
VI/5
by
Bach, C. P. E.
H 585; ≈H 507; Wq 74
01496
III 186
III
Sonata
scores
F maj.
2Vl Bc
VI/5
by
Bach, C. P. E.
H 576; Wq 154
01497
III 187
III
Sonata (Trio)
scores
F maj.
Bas Fl Vne
VI/5
by
Bach, C. P. E.
H 589
02454
III 188
III
c.
1740
(WFB)
Sonata (Concerto)
F maj.
2Hc
43
: 47
V/12
by
Bach, W. F.
BR A12 F 10
01499
I 23
III
1710 (Alb.)
c.
1710 (JSB)
Concerto
scores
E min.
2Vl Va Vc Vne
VI/5
by
Albinoni
Op. 2
No. 4 = 2nd Concerto)
01331
III 189
III
1745–1747 (JSB)
Concerto
scores
A min.
Hc
Str Bc
VI/5
by
Bach, C. P. E.
H 403; Wq 1
01500
Anh. N
New additions to the
Anhang
Up ↑
Up ↑
655b
1708–1789
chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "a" in BGA)
Organ
25
: 159
after
BWV 655
); ↔
655c
00754
655c
1708–1789
chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "b" in BGA)
Organ
25
: 160
after
BWV 655
); ↔
655b
00755
813a
French Suites
No. 2
– Version B (early version): No. 6 Menuet II
C min.
Keyboard
36: 236
V/8: 79
00947
deest
BC
C 8
1723–1750?
(JSB?)
Motet
Der Gerechte kömmt um
Wer ist der, so von Edom kömmt
/39; funer. motet?)
E min.
SSATB 2Fl 2Ob Str Bc
I/41: 127
by
Kuhnau
? (
Tristis est...
); arr. by Bach?
01532
deest
BC
D 1
1717-03-28?
Passion
Weimarer Passion
?stbSATB 2Fl 2Ob Str Bc
BWV 23
/4 (and
55
/3;
244
/29;
245a
–c;
283
?)
01533
deest
BC
D 5a
1707 (Kei)
before 1713
(JSB)
Passion
Jesus Christus ist um unsrer Missetat willen verwundet
St Mark Passion
pastiche
, Weimar version)
SATB 2Vl 2Va Hc
II/9: 69
Pasticcio (
Keiser G.
?, Bach)
01534
deest
BC
D 5b
1726-04-19
(JSB)
Passion
Jesus Christus ist um unsrer Missetat willen verwundet
St Mark Passion
pastiche
, 1st Leipzig version)
SATB 2Vl 2Va Org
II/9
Pasticcio after
BC D 5a
Keiser G.
?, Bach) adding
BWV 500a
and
1084
01535
deest
BC
D 10
c.
1750?
Passion
Wer ist der, so von Edom kömmt
D min.
satbSSATB 2Fl 2Ob Str Bc
I/41: 95
Pasticcio (
Graun, C. H.
Telemann
; Bach; ...)
10991
deest
(8/6*)
BC F 131 .1c
c.
1735
chorale setting "Liebster Gott, wenn werd ich sterben"
E♭ maj.
SATB
III/2.1: 100
after
Z 6634
; text by
Neumann
11072
BGA
1725 (JSB)
Notebook A. M. Bach
(1725)
No. 21
Menuet fait par Mons. Böhm
G maj.
Keyboard
43
: 35
V/4: 82
by
Böhm
BNB
I/B
/48
1709 (Bas.)
c.
1738
(JSB)
6 Masses without Benedictus and Agnus Dei
from
Acroama missale
scores
2SATB 3Tbn Str Bc
by
Bassani
; copied by Bach (BNB I/B/48), later adding
BWV 1081
268
08834
BNB
I/C/1
1740–1742 (JSB)
Magnificat
C maj.
SATB 4Tbn Tmp Bc
by
Caldara
; →
BWV 1082
; in
DBB 2755/1
08841
deest
BNB
I/K/2
before 1719
(Han.)
1743–1748
(JSB)
Passion
Jesus Christus ist um unsrer Missetat willen verwundet
St Mark Passion
pastiche
, 2nd Leipzig version)
stSATB 2Ob 2Bas 2Vl 2Va Vc Vne Hc
II/9
Pasticcio after
BC D 5b
Keiser G.
?, Bach) and
HWV 48
/9 /23 /41 /44 /47 /52 /55 (
Handel
01680
deest
NBA
1591 (Pal.)
c.
1742
(JSB)
Kyrie–Gloria Mass
arranged from
Missa sine nomine
a 6
E min.
SSATTB 2Co 4Tro Vne Hc Org
II/9: 13
by
Palestrina
after anon. motet
Beata Dei genitrix
; arr. by Bach
01676
NBA
1720-01-22
Klavierbüchlein WFB
, p. 3a: Claves signatae (introduction on
clefs
45
: 213
V/5
28
NBA
1720-01-22
Klavierbüchlein WFB
, p. 3b: Explication... (introduction on
ornaments
45
: 213
V/5
28
NBA
1720 (WFB)
Klavierbüchlein WFB
No. 25: Pièce pour le Clavecin
Keyboard
45
: 218
V/5: 40
by
Richter, J. C.
de
28
deest
NBA
1720 (anon)
Klavierbüchlein WFB
No. 30: Bass sketch
G min.
45
: 220
V/5: 45
28
NBA
1720 (WFB)
Klavierbüchlein WFB
No. 48
a–d
: Partita
Keyboard
45
: 223
V/5: 82
by
Stölzel
28
Legend for abbreviations in "Scoring" column
Voices (see also
SATB
alto
(solo part)
alto (choir part)
bass
(solo part)
bass (choir part)
soprano
(solo part)
soprano (choir part)
tenor
(solo part)
tenor (choir part)
voice (includes
parts
for unspecified voices or instruments as in some canons)
vocal music
for unspecified
voice type
Winds and battery (
bold
= soloist)
Bas
Bel
Cnt
Fl
Hn
Ob
Oba
Odc
Tai
Tbn
Tdt
Tmp
Tr
bassoon
(can be part of Bc, see below)
bell
(s) (
musical bells
cornett
cornettino
flute
traverso
flauto dolce
piccolo
flauto basso
natural horn
corno da caccia
corno da tirarsi
lituo
oboe
oboe d'amore
oboe da caccia
taille
trombone
tromba da tirarsi
timpani
tromba
natural trumpet
clarino trumpet
Strings and keyboard (
bold
= soloist)
Bc
Hc
Kb
Lu
Lw
Org
Str
Va
Vc
Vdg
Vl
Vne
basso continuo
: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu
harpsichord
keyboard
(Hc, Lw, Org or
clavichord
lute
theorbo
Lautenwerck
(lute-harpsichord)
organ
(/man. = manualiter, without
pedals
strings: Vl I, Vl II and Va
viola
(s),
viola d'amore
violetta
violoncello
violoncello piccolo
viola da gamba
violin
(s),
violino piccolo
violone
, violone grosso
By genre
edit
Cantatas (BWV 1–224)
edit
See
#BWV Chapter 1
in the table above
See also:
List of Bach cantatas
In the 1950 first edition of the BWV the
cantatas
were largely listed according to their BGA number:
BWV 1–200:
Church cantatas
BWV 201–216:
Secular cantatas
BWV 217–224: Cantatas with various issues (lost, incomplete, spurious, doubtful)
Additionally Anh. I of the first edition of the BWV started with a list of some 20 lost cantatas, while Anh. III of that edition listed a few cantata (movements) by other composers (Anh. 156–158).
BWV
2a
added many more lost cantatas (BWV Anh. 190–199 and 209–212) and alternative versions to known works indicating (partially) lost cantatas or cantata versions, e.g.
BWV 244a
, the music of which was partially preserved in the
St Matthew Passion
, BWV 244.
Motets (BWV 225–231)
edit
See
#BWV Chapter 2
in the table above
See also:
List of motets by Johann Sebastian Bach
There are over a dozen
motets
attributed to Bach, about half of which are authentic by all accounts:
BWV 225–230 are the six compositions that have always been considered motets composed by Bach
BWV 231 was later renumbered to BWV 28/2a, a variant of the second movement of cantata
BWV 28
BWV 118
, published as a cantata in the 19th century, was later recategorised as a motet, following Bach's designation on the score.
BWV Anh. 159–165 are motets with a doubtful or spurious assignation to Bach, the first of which is however most likely composed by Bach.
Liturgical works in Latin (BWV 232–243)
edit
See
#BWV Chapter 3
in the table above
See also:
List of Masses, Mass movements and Magnificats by Johann Sebastian Bach
Bach's involvement with Latin
church music
, as composer, arranger or copyist, includes:
BWV 232–242: Masses and Mass movements (
Mass in B minor
Kyrie–Gloria Masses
; separate Mass movements)
BWV 243:
Magnificat
BWV 1081–1083: later additions to the BWV catalogue
BWV Anh. 24–30, 166–168: doubtful and spurious works
BNB I/B/48, I/C/1, I/P/2: copies and arrangements
Passions and oratorios (BWV 244–249)
edit
See
#BWV Chapter 4
in the table above
See also:
List of Passions and Oratorios by Johann Sebastian Bach
Passions
and
oratorios
composed or contributed to by Bach include:
BWV 244–247:
Passions
St Matthew Passion
St John Passion
St Luke Passion
St Mark Passion
BWV 248–249:
Oratorios
Christmas Oratorio
Easter Oratorio
BWV 11:
Ascension Oratorio
BWV 127/1, 500a, 1084, 1088, deest:
St Mark Passion
(attributed to Keiser)
Weimarer Passion
Wer ist der, so von Edom kömmt
BWV Anh. 169: passion text by
Picander
(not set by Bach, apart from using some parts of this text in his
St Matthew Passion
Four-part chorales (BWV 250–438)
edit
See
#BWV Chapter 5
in the table above
See also:
List of chorale harmonisations by Johann Sebastian Bach
Bach's
chorale settings
(usually for SATB choir) are included in:
BWV 250–438: separate chorale settings
Cantatas (most prominently in the
chorale cantatas
), motets, passions, oratorios,
Second
Notebook for Anna Magdalena Bach
BWV 1089, 1122–1126: later additions to the BWV catalogue
BWV Anh. 31, 201–204: doubtful and spurious
Songs and arias (BWV 439–524)
edit
See
#BWV Chapter 6
in the table above
See also:
List of songs and arias of Johann Sebastian Bach
Songs and (separate)
arias
by Bach are included in several collections:
BWV 439–507:
Schemellis Gesangbuch
BWV 508–518:
Second
Notebook for Anna Magdalena Bach
BWV 519–523:
D-B Mus. ms. Bach P 802, a manuscript
by
Johann Ludwig Krebs
BWV Anh. 32–39:
Deutsche Übersetzungen und Gedichte
(doubtful)
BWV Anh. 40–41:
Singende Muse an der Pleiße
(doubtful)
Associated with the Songs and Arias group:
BWV 524:
(Wedding) Quodlibet
for four voices (incomplete)
BWV 1127: "
Alles mit Gott und nichts ohn' ihn
" (
strophic
aria rediscovered in 2005)
103
Works for organ (BWV 525–771)
edit
See
#BWV Chapter 7
in the table above
See also:
List of organ compositions by Johann Sebastian Bach
Bach's organ compositions include:
BWV 525–530:
Sonatas
BWV 531–582: compositions of the type Prelude/Fantasia/Toccata/Adagio/Passacaglia or Fugue
BWV 583–591: various free organ compositions (Trios/Aria/Canzona/Allabreve/Pastorale/
Kleines harmonisches Labyrinth
BWV 592–597: Concertos (transcriptions)
BWV 598:
Pedal-Exercitium
BWV 599–764: Chorale preludes (
Orgelbüchlein
Schübler Chorales
Great Eighteen Chorale Preludes
or
Leipzig Chorales
; Chorale preludes from
Clavier-Übung III
; Kirnberger chorale preludes; other chorale preludes)
BWV 765–768: Chorale partitas
BWV 769–771: Chorale variations (includes
Canonic Variations on "Vom Himmel hoch da komm' ich her"
BWV 1085–1087, 1121, 1128: various later additions to the BWV catalogue
BWV 1090–1120:
Neumeister Chorales
BWV Anh. 42–79, 171–178, 200, 206, 208, 213: lost, doubtful and spurious organ pieces
Works for keyboard (BWV 772–994)
edit
See
#BWV Chapter 8
in the table above
See also:
List of solo keyboard compositions by Johann Sebastian Bach
Bach's works for harpsichord, clavichord and other keyboard instruments include:
BWV 772–801:
Inventions and Sinfonias
BWV 802–805:
Duets from
Clavier-Übung III
BWV 806–845: Suites and suite movements (
English Suites
French Suites
; Partitas =
Clavier-Übung I
Overture in the French style
from
Clavier-Übung II
; etc.)
BWV 846–893:
The Well-Tempered Clavier
(book I, book II)
BWV 894–962: compositions of the type Prelude/Fantasia/Concerto/Toccata or Fugue/Fughetta (includes
Chromatic Fantasia and Fugue
Six Little Preludes
, several parts of the
Klavierbüchlein für Wilhelm Friedemann Bach
, etc.)
BWV 963–970: Sonatas and sonata movements
BWV 971–987: Concertos (includes
Italian Concerto
from
Clavier-Übung II
and various concerto transcriptions)
BWV 988–991: Variations (includes
Goldberg Variations
Clavier-Übung IV
and
Aria variata alla maniera italiana
BWV 992–994: Capriccios and Applicatio (includes
Capriccio on the departure of a beloved brother
Works for solo lute (BWV 995–1000)
edit
See
#BWV Chapter 9
in the table above
See also:
List of solo lute compositions by Johann Sebastian Bach
Bach's compositions for lute or lute-harpsichord (Lautenwerck) include:
BWV 995–1000 suites and separate movements for lute or lute-harpsichord
BWV 1006a
: transcription of
BWV 1006
Chamber music (BWV 1001–1040)
edit
See
#BWV Chapter 10
in the table above
See also:
List of chamber music works by Johann Sebastian Bach
Bach wrote
chamber music
for solo violin, cello or flute, sonatas for harpsichord and an instrumental soloist, and trio sonatas:
BWV 1001–1006:
Sonatas and partitas for solo violin
BWV 1007–1012:
Cello Suites
BWV 1013:
Partita for solo flute
BWV 1014–1026: works for accompanied violin (sonatas, suite for violin and harpsichord; sonatas, fugue for violin and basso continuo)
BWV 1027–1029:
sonatas for viola da gamba and harpsichord
BWV 1030–1035: sonatas for accompanied flute (sonatas for flute and harpsichord; sonatas for flute and basso continuo)
BWV 1036–1040: trio sonatas
Orchestral works (BWV 1041–1071)
edit
See
#BWV Chapter 11
in the table above
See also:
List of orchestral works by Johann Sebastian Bach
Bach wrote
concertos
and orchestral suites:
BWV 1041–1045: Violin concertos (
in A minor
in E major
Double Concerto
);
Triple Concerto
Concerto movement/Sinfonia fragment
BWV 1046–1051:
Brandenburg Concertos
BWV 1052–1065:
Harpsichord concertos
BWV 1066–1071:
Orchestral suites
and
Sinfonia
(early version of
BWV 1046
Canons (BWV 1072–1078)
edit
See
#BWV Chapter 12
in the table above
See also:
List of canons by Johann Sebastian Bach
Separate canons by Bach are listed in the 12th chapter of the BWV:
BWV 1072–1078: canons
BWV 1086–1087: later additions
Late contrapuntal works (BWV 1079–1080)
edit
See
#BWV Chapter 13
in the table above
See also:
List of late contrapuntal works by Johann Sebastian Bach
The list of late
contrapuntal
works contains only two items:
BWV 1079:
The Musical Offering
BWV 1080:
The Art of Fugue
20th-century additions to the BWV catalogue and Anhang
edit
Additions as published in BWV
2a
Additions to the main catalogue (BWV 1081–1126)
edit
BWV 1081
Credo in unum Deum in F major
(for choir), included in Chapter 3 in BWV
2a
BWV 1082
– Suscepit Israel by
Antonio Caldara
(for choir), as copied by Bach;
269
Included in Chapter 3 in BWV
2a
BWV 1083
Tilge, Höchster, meine Sünden
motet
, "parody", i.e., reworked version, of
Pergolesi
's
Stabat Mater
), included in Chapter 3 in BWV
2a
BWV 1084 – O hilf, Christe, Gottes Sohn (chorale from Bach's Leipzig versions of the
St Mark Passion
attributed to Keiser
), included in Chapter 5 in BWV
2a
BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude), included in Chapter 7 in BWV
2a
BWV 1086 – Canon
Concordia discors
, included in Chapter 12 in BWV
2a
BWV 1087
14 canons on the First Eight Notes of Goldberg Variations Ground
(discovered 1974), included in Chapter 12 in BWV
2a
BWV 1088
– "
So heb ich denn mein Auge sehnlich auf
" (arioso for bass), No. 20 in
Wer ist der, so von Edom kömmt
(pasticcio Passion oratorio);
270
Included in Chapter 4 in BWV
2a
BWV 1089 – Da Jesus an dem Kreutze stund (four-part chorale), included in Chapter 5 in BWV
2a
BWV 1090–1120 – 31 chorale preludes for organ from the
Neumeister Collection
, discovered in 1985 in the archives of the
Yale University
library; Included in Chapter 7 in BWV
2a
, except for BWV 1096, attributed to
Johann Pachelbel
271
272
which was moved to Anh. III (spurious works).
BWV 1121, previously Anh. 205 – Fantasie in C minor (organ), included in Chapter 7 in BWV
2a
BWV 1122–1126 – five four-part chorales,
273
moved to Chapter 5 in BWV
2a
Additions to the Anhang (BWV Anh. 190–213)
edit
BWV Anh. 190–213 were added between the 1950 and 1990s editions of the catalogue
BWV Anh. 190–197 – Cantatas added to Anh. I (music lost); see also
List of Bach cantatas
BWV Anh. 198 – Abandoned sketch of a cantata opening, renumbered to
BWV 149/1a
and added to Chapter 1 in BWV
2a
BWV Anh. 199 – Cantata added to Anh. I (music lost); see also
List of Bach cantatas
BWV Anh. 200 – Fragment of a chorale prelude
O Traurigkeit, o herzeleid
, added to Anh. I (unused sketch for the
Orgelbüchlein
BWV Anh. 201–204 – Four-part chorales added to Anh. II (doubtful)
BWV Anh. 205 – Fantasia in C minor, authenticated as
BWV 1121
and added to Chapter 7 in BWV
2a
BWV Anh. 206 – Doubtful chorale prelude, added to Anh. II
BWV Anh. 207 – Doubtful keyboard fugue, added to Anh. II
BWV Anh. 208 – Spurious organ fugue, added to Anh. III
BWV Anh. 209–212 – Lost cantatas added to Anh. I; see also
List of Bach cantatas
BWV Anh. 213 – Lost arrangement for organ of an unidentified Telemann concerto, added to Anh. I
21st-century additions to the BWV catalogue (BWV 1127 and higher)
edit
See also
#BWV Later
in the table above
BWV numbers assigned after the publication of BWV
2a
BWV 1127: strophic aria "
Alles mit Gott und nichts ohn' ihn
" (discovered June 2005)
103
BWV Anh. 71, renumbered to BWV 1128: chorale fantasia for organ "
Wo Gott der Herr nicht bei uns hält
" (
BWV Anh. II 71
was authenticated as a composition by Bach after
Wilhelm Rust
's 1877 copy was recovered in March 2008)
274
105
BWV 1129 and higher:
BWV
numbers, see
BWV#Numbers above BWV 1126
Derivative works
edit
See also:
List of transcriptions of compositions by Johann Sebastian Bach
There is not much system in the way works derived from Bach's compositions are listed. The "R" addition to the BWV number is only well-established for the reconstructions included in NBA VII/7 (e.g. solo violin reconstructions of BWV 565 are not usually indicated as BWV 565R, neither is the system used for reconstructed vocal works). For some series of transcriptions and arrangements works catalogues of these transcribers/arrangers may hold sublists with works derived from compositions by Bach.
Reconstructed concertos
edit
See also
#Reconstructions
in the table above
Further information:
List of orchestral works by Johann Sebastian Bach § Reconstructed concertos
Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed'). Other reconstructions and completions of for instance BWV 1059 have been indicated as BWV 1059,
275
or BWV 1059a.
276
Adaptations
edit
Transcriptions and arrangements in the catalogues of works by other composers include:
Ferruccio Busoni
Catalogue numbers
BV B 20 to B 46
are arrangements of works by Bach, many of which published in the
Bach-Busoni Editions
See also
edit
Classical music portal
List of compositions by Johann Sebastian Bach printed during his lifetime
List of fugal works by Johann Sebastian Bach
References
edit
For abbreviations used in the references see also
Bibliography
at
www
.bachdigital
.de
Bach & Agricola 1754
, pp.
167
169
Forkel & Terry 1920
"Chapter IX: Bach's Compositions" pp. 114–142
Bach-Gesellschaft Ausgabe
.../Prefaces
.../Thematic Catalogue
: documentation and facsimiles at the
International Music Score Library Project
Forkel & Terry 1920
"Appendix III" pp. 225–286
Schmieder 1950
OCLC
18856743
Schmieder 1990
Dürr & Kobayashi 1998
"Fantasia, c BWV 1121 [BWV 1998]; BWV Anh. 205 / Anh. II 45→"
Bach Digital
. Leipzig:
Bach Archive
; et al. 14 May 2019.
Blanken 2019
"Christ lag in Todes Banden (Leipzig version) BWV 4.2; BWV 4"
Bach Digital
. Leipzig:
Bach Archive
; et al. 11 March 2019.
Johann Sebastian Bach (1685–1750): New Edition of the Complete Works
at the
Bärenreiter
website.
Neue Bach-Ausgabe
: documentation at the
International Music Score Library Project
Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition
at the
Bärenreiter
website.
Hans-Joachim Schulze
and
Christoph Wolff
Bach Compendium: Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs
, Vol. 1 (Part 1–4). Leipzig 1985ff.
"Der Gerechte kömmt um ... BWV deest (BC C 8)"
Bach Digital
. Leipzig:
Bach Archive
; et al. 25 May 2019.
Kirsten Beißwenger (1992).
Johann Sebastian Bachs Notenbibliothek
. Kassel: Bärenreiter.
ISBN
3-7618-1036-9
Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider
at
www
.musiqueorguequebec
.ca
Works Catalogues
at
www
.bachdigital
.de
Melamed 1995
, p.
102
BWV 281
at Luke Dahn's
www
.bach-chorales
.com
website (2018).
Zahn 1889–1893
, III, p.
131
l. u. (1885).
"Moller, Heinrich von"
Allgemeine Deutsche Biographie
(in German). Vol. 22. Leipzig: Duncker & Humblot. pp.
758–
759.
Platen 1976
, pp. 53–54.
Schulze 1983
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aa
ab
ac
ad
ae
af
ag
ah
ai
aj
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Johann Sebastian Bach: Concerto (Triosonate) für Violine, Violoncello und Basso continuo C-dur (BWV 525a)
Johann Sebastian Bach:
Concerto
Trio sonata
) for
violin
cello
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basso continuo
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BWV 525a
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Breitkopf & Härtel
ISMN
979-0-004-16727-4.
EB 6466
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"Zur Frage des Lautenklaviers bei Johann Sebastian Bach: Mögliche Zuweisung der Bachschen Lautenkompositionen an das Lautenklavier – Beschreibung des Instruments und Rekonstruktionsversuche im 20. Jahrhundert"
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– via
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Messa a 8 voci reali e 4 ripiene coll'accompagnamento di due Orchestre, composta da Giov. Sebast. Bach: Partitura, copiata dalla partitura autografa dell' Autore
Mass in eight real voices and four additional voices, accompanied by two Orchestras, composed by Joh. Sebast. Bach: Score, copied from the
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Thematic-Systematic Catalogue of the Musical Works of Johann Sebastian Bach: Bach-Works-Catalogue
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Thematic-Systematic Catalogue of the Musical Works of Johann Sebastian Bach: Bach-Works-Catalogue – 2nd reworked and enlarged edition
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Studies of the Bach-transmission in the 18th century
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"Welche unter J. S. Bachs Namen geführten Orgelwerke sind Johann Tobias bzw. Johann Ludwig Krebs zuzuschreiben? Ein Versuch zur Lösung von Autorschaftsproblemen"
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VI
Further reading
edit
Basso, Alberto
Frau Musika: La vita e le opere di J. S. Bach
. Turin, EDT
(in Italian)
Vol. 1 (1979):
Le origini familiari, l'ambiente luterano, gli anni giovanili, Weimar e Köthen (1685–1723)
ISBN
88-7063-011-0
Vol. 2 (1983):
Lipsia e le opere de la maturità (1723–1750)
ISBN
88-7063-028-5
Papillon, André (2006).
Index of Chorale Melodies in the Works of Johann Sebastian Bach
. Foreword by
Gilles Cantagrel
. Presses de l'
Université Laval
ISBN
2-7637-8351-1
Wolff, Christoph
(2020).
Bach's Musical Universe: The Composer and His Work
W. W. Norton & Company
ISBN
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Compositions by Johann Sebastian Bach
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List of works by Johann Sebastian Bach
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Works of Johann Sebastian Bach
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Johann Sebastian Bach
Compositions
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Songs and arias
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Ordered by relationship with
Johann Sebastian Bach
Grandparents
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(great-great-grandfather)
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(great-grandfather)
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(great uncle)
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(grandfather)
Parents
Johann Ambrosius Bach
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Uncles
Georg Christoph Bach
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Johann Christoph Bach (musician at Arnstadt)
Brothers
Johann Jacob Bach
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Cousins
Johann Christoph Bach
(1st once removed)
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(2nd)
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(2nd once removed)
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(2nd)
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Wives
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(son-in-law)
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(father-in-law)
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Compositions
Altbachisches Archiv
Bach Digital
by Carl Philipp Emanuel
by Johann Christian
by Johann Sebastian
Cantatas
by
Johann Sebastian Bach
by
BWV
number
10
11
oratorio
12
13
14
15
**
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
30a
31
32
33
34
34a
35
36
36a
36b
36c
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
66a
67
68
69
69a
70
71
72
73
74
75
76
77
78
79
80
80a
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
motet
119
120
120a
120b
121
122
123
124
125
126
127
128
129
130
131
131a
132
133
134
134a
135
136
137
138
139
140
141
**
142
143
144
145
146
147
147a
148
149
150
151
152
153
154
155
156
157
158
159
160
**
161
162
163
164
165
166
167
168
169
170
171
172
173
173a
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
190a
191
192
193
193a
194
195
196
197
197a
198
199
200
201
202
203
204
205
205a
206
207
207a
208
208a
209
210
210a
211
212
213
214
215
216
216a
217
218
**
219
**
220
221
222
**
223
224
244a
248 I
248 II
248 III
248 IV
248 V
248 VI
249a
249b
1040
1045
1083
1127
1138.1–1139.1
1140–1141
Anh. 5
Anh. 9
Anh. 11
Anh. 18
[d]
discography;
doubtful
);
**
spurious
Lists:
Compositions
Cantatas
Church cantatas
Chorale cantatas
Early
Weimar
1st cycle
2nd cycle
3rd cycle
Picander cycle
Late
Secular cantatas
Motets
by
Johann Sebastian Bach
Singet dem Herrn ein neues Lied
(BWV 225)
Der Geist hilft unser Schwachheit auf
(BWV 226)
Jesu, meine Freude
(BWV 227)
Fürchte dich nicht
(BWV 228)
Komm, Jesu, komm
(BWV 229)
Lobet den Herrn, alle Heiden
(BWV 230)
Sei Lob und Preis mit Ehren
(BWV 28/2a, formerly BWV 231)
O Jesu Christ, meins Lebens Licht
(BWV 118, formerly listed as a cantata)
Tilge, Höchster, meine Sünden
(BWV 1083, after Pergolesi:
motetto
according to Bach's autograph)
Der Gerechte kömmt um
(BWV 1149, arrangement attributed to Bach)
Ich lasse dich nicht
(BWV Anh. 159, also attributed to Johann Christoph Bach)
Jauchzet dem Herrn alle Welt
(BWV Anh. 160 = TWV 8:10)
Discography
Masses, magnificat, passions and oratorios
by
Johann Sebastian Bach
Latin church music
Mass in B minor
early version
structure
discography
Kyrie–Gloria Masses, BWV 233–236
Magnificat
early version
discography
Passions
Jesus Christus ist um unsrer Missetat willen verwundet
includes BWV 1084
Weimarer Passion
St John Passion
structure
discography
St Matthew Passion
structure
discography
St Luke Passion
St Mark Passion
Wer ist der, so von Edom kömmt
includes BWV 1088 and
1149
Oratorios
Christmas Oratorio
, BWV 248
discography
Parts:
II
III
IV
VI
Easter Oratorio
, BWV 249
Ascension Oratorio
, BWV 11
Evangelist
List of compositions by Johann Sebastian Bach
Short vocal compositions by
Johann Sebastian Bach
Four-part chorales, BWV 250–438
Songs and arias, BWV 439–523
(includes "
Komm, süßer Tod, komm selge Ruh
" and "
Ich steh an deiner Krippen hier
")
Quodlibet, BWV 524
Strophic aria "Alles mit Gott und nichts ohn' ihn" (BWV 1127)
Notebook for Anna Magdalena Bach
List of compositions by Johann Sebastian Bach
Compositions for
organ
keyboard and lute
by
Johann Sebastian Bach
Organ
Fugue in G minor, BWV 131a
(doubtful)
Sonatas, BWV 525–530
Prelude and Fugue in C major, BWV 531
Prelude and Fugue in D major, BWV 532
Fantasia and Fugue in C minor, BWV 537
Toccata and Fugue in D minor ("Dorian"), BWV 538
Toccata and Fugue in F major, BWV 540
Fantasia and Fugue in G minor ("Great"), BWV 542
Prelude and Fugue in A minor, BWV 543
Prelude and Fugue in B minor, BWV 544
Prelude and Fugue in C minor, BWV 546
Prelude and Fugue in E minor ("Wedge"), BWV 548
Eight Short Preludes and Fugues, BWV 553–560
(doubtful)
Fantasia and Fugue in C minor, BWV 562
Toccata, Adagio and Fugue in C major, BWV 564
Toccata and Fugue in D minor, BWV 565
(doubtful)
Prelude (Toccata) and Fugue in E major, BWV 566
Fantasia ("Pièce d'Orgue") in G major, BWV 572
Fugue in G minor ("Little"), BWV 578
Passacaglia and Fugue in C minor, BWV 582
Concertos, BWV 592–597
Pedal-Exercitium, BWV 598
Orgelbüchlein
, BWV 599–644
Schübler Chorales
, BWV 645–650
Great Eighteen Chorale Preludes
, BWV 651–668
Chorale partita
Sei gegrüßet, Jesu gütig
, BWV 768
Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769
Neumeister chorales
, BWV 1090–1120
Chorale fantasia
Wo Gott der Herr nicht bei uns hält
, BWV 1128
Chaconne and Fugue in D minor, BWV 1178
Keyboard
Inventions and Sinfonias, BWV 772–801
English Suites, BWV 806–811
French Suites, BWV 812–817
Partitas, BWV 825–830
No. 2
No. 4
No. 6
Overture in the French style
, BWV 831
Well-Tempered Clavier
, BWV 846–893
Book 1
No. 1
No. 2
No. 3
No. 4
No. 7
No. 8
No. 10
No. 12
No. 16
No. 21
No. 22
No. 24
Book 2
No. 1
No. 2
No. 3
No. 4
No. 5
No. 6
No. 10
No. 11
No. 12
No. 13
No. 14
No. 18
No. 22
No. 23
No. 24
Chromatic Fantasia and Fugue
, BWV 903
Fantasia and Fugue in C minor, BWV 906
Toccatas, BWV 910–916
Toccata in E minor, BWV 914
Six Little Preludes
, BWV 933–938
Italian Concerto
Harpsichord solo concertos
Goldberg Variations
discography
Gould recording
Aria variata alla maniera italiana
, BWV 989
Capriccio on the departure of a beloved brother
, BWV 992
Lute
Suite in G minor, BWV 995
Suite in E minor, BWV 996
Bourrée
Suite in C minor, BWV 997
Prelude, Fugue and Allegro in E
major, BWV 998
Prelude in C minor, BWV 999
Fugue in G minor, BWV 1000
Mixed
collections
Clavier-Übung III
: Prelude and Fugue in E
major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
Concerto transcriptions, BWV 592–596 and 972–987
Klavierbüchlein W. F. Bach
Notebook A. M. Bach
Twelve Little Preludes
List of compositions by Johann Sebastian Bach
List of fugal works by Johann Sebastian Bach
List of concertos by Johann Sebastian Bach
Chamber music
and
orchestral works
by, and
transcriptions
after,
Johann Sebastian Bach
Solo
Sonatas and Partitas for Solo Violin, BWV 1001–1006
Partita No. 1
No. 2
No. 3
Cello Suites, BWV 1007–1012
Partita for Solo Flute, BWV 1013
Ensemble
Six Sonatas for Violin and Harpsichord, BWV 1014–1019
Sonatas for viola da gamba and harpsichord, BWV 1027–1029
Flute Sonatas
in B minor, BWV 1030
in E
major, BWV 1031
(doubtful)
in A major, BWV 1032
in C major, BWV 1033
(doubtful)
in E minor, BWV 1034
in E major, BWV 1035
Trio Sonatas
Sonata for two flutes and continuo, BWV 1039
Canonic Sonata for oboe, violin and continuo, BWV 1040
Concertos
Violin Concerto in A minor, BWV 1041
Violin Concerto in E major, BWV 1042
Concerto for Two Violins, BWV 1043
Triple Concerto
, BWV 1044
Sinfonia for violin and orchestra, BWV 1045
Brandenburg Concertos
, BWV 1046–1051
No. 5
Keyboard concertos, BWV 1052–1065
No. 1 in D minor, BWV 1052
No. 2 in E major, BWV 1053
No. 4 in A major, BWV 1055
For two harpsichords in C minor, BWV 1060
Suites
Orchestral Suites, BWV 1066–1069
Orchestral Suite in G minor, BWV 1070
(doubtful)
Fugal
The Musical Offering
, BWV 1079
The Art of Fugue
, BWV 1080
discography
Adaptations
Air on the G String
Alphabet
Ave Maria
Bach-Busoni Editions
Everything's Gonna Be Alright
Feel My Rhythm
Jesu, Joy of Man's Desiring
Joy
Lady Lynda
Sheep may safely graze
They
Trio Sonata, BWV 525a
A Whiter Shade of Pale
Albums
Bach's Greatest Hits
Back to Bach
Jazz Sebastian Bach
Switched-On Bach
Switched-On Bach II
List of compositions by Johann Sebastian Bach
Compositions spuriously attributed to
Johann Sebastian Bach
by
Antonio Caldara
Sanctus in D minor, BWV 239
by
Johann Ernst Bach II
Cantata
Mein Odem ist schwach
(BWV 222) and motet
Unser Wandel ist im Himmel
(BWV Anh. III 165)
by
Johann Ludwig Bach
Easter cantata
Denn du wirst meine Seele nicht in der Hölle lassen
, JLB 21 (BWV 15)
by
Melchior Hoffmann
Magnificat in A minor (
Meine Seele erhebt den Herren
, BWV Anh. 21)
Cantata
Schlage doch, gewünschte Stunde
(BWV 53)
Cantata
Meine Seele rühmt und preist
(BWV 189)
by
Christian Petzold
Minuets in G major and G minor, BWV Anh. III 114–115
BWV Anh. 114 melody in "
A Lover's Concerto
by
Gottfried Heinrich Stölzel
Aria "Bist du bei mir" (BWV 508)
Aria "Dein Kreuz, o Bräutgam meiner Seelen", from
Ein Lämmlein geht und trägt die Schuld
, model for
Bekennen will ich seinen Namen
, BWV 200
by
Georg Philipp Telemann
Cantata
Das ist je gewißlich wahr
, TWV 1:183 (BWV 141)
Cantata
Gott der Hoffnung erfülle euch
, TWV 1:634 (BWV 218)
Cantata
Ich weiß, daß mein Erlöser lebt
, TWV 1:877 (BWV 160)
Cantata
Siehe, es hat überwunden der Löwe
, TWV 1:1328 (BWV 219)
by
Pietro Torri
Magnificat in C major, BWV Anh. 30
by
Daniel Vetter
Liebster Gott, wenn werd ich sterben, BWV 8/6
, closing chorale of
Cantata
Liebster Gott, wenn werd ich sterben?
BWV 8
by unknown composer
Kyrie–Gloria Mass for double choir, BWV Anh. 167
Cantata
Uns ist ein Kind geboren
(BWV 142)
List of compositions by Johann Sebastian Bach
BWV Anh.
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