Moving Image Programme | Royal Scottish Academy

Moving Image Programme | Royal Scottish Academy
RSA200
Moving Image Programme
RSA200
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Tracy Mackenna RSA
Gaps and Slippages
, 2017,
Kate Whiteford RSA (with Alex Graham)
A'
Bheinn
/ The Mountain
, 2009,
Edward Summerton RSA
The Landscape Artist
, 2021,
Dalziel
Scullion RSA
Raven
, 2025 (stills, details)
RSA200: Moving Image Programme
The RSA200: Moving Image Programme
has been curated by painter and filmmaker Ronald Forbes RSA to
showcase
moving image work by Royal Scottish Academicians and RSA award winners. Reflecting artists’ moving image practice in Scotland from the past and present, it includes work from the RSA Collection and work being made today
The programme will be screened at participating venues across Scotland in 2026.
The full programme has eight packages of moving image work on six different themes, with work by 26 artists.
Joyce Cairns PPRSA and Andy Rice
Fragments
2006
(still, detail)
The Moving Sketchbook
Films based on artists’ sketchbooks and artworks in progress.
(Running
ime
37 minutes)
Film is not the means of expression
primarily
used by these RSA
demicians
in their practice
, but
here
they have explored
their ideas and thinking
with support from film and design practitioners.
Will Maclean RSA
and Andy Rice
Casa Berti
, 2012
(16:15)
Victoria Crowe RSA
Inflorescence
2007
(5:00)
Joyce Cairns PPRSA
and Andy Rice
Fragments
2006
(8:06)
Kate Downie RSA
Drawing the Pibroch
, 2010
(6:29)
Will Maclean RSA
, in partnership with graphic designer
Andy Rice
, explores the expansive sketchbook material from his Casa Berti project, producing a musical and poetic experience.
Victoria Crowe RSA
leads us
with simple page-turning
through her exquisitely craft
ed
sketch
book developing her ideas about plants and mythology.
Joyce Cairns PPRSA
is supported by
Andy Rice
in exploring her monumental paintings
, which
contempl
ate
personal family history and the World Wars of the 20
th
century. We are led through finished works and a range of photographic material that was her starting point and inspiration for these works.
Kate Downie RSA
’s film exploits the qualities of time lapse photography to produce a moving
image and time
based experience of the creation of a wall drawing being
made in
the RSA building
that
the viewer, later
would experience as a still and timeless image.
Tim Sandys
North Platte
, 2016 (still, detail)
Culture Above and Beyond: Parts One & Two
Films that centre on rural and wilder places.
In
Culture Above and Beyond Parts One and Two
we have a range of films that have a setting that is rural or coastal, rather than urban. This setting is explored visually,
revealing the fundamental beauty of nature. These works, in
different ways
, also focus on the profound social and cultural effects of the environment, natural and physical.
Part One
(Running time: 32 minutes)
Daniel Cook
Love Letters from Aberdeenshire
, 2022
(20:10)
Tim Sandys
North Platte
, 2016
(10:27)
In
Love Letters from Aberdeenshire
Daniel Cook
relates a narrative of lost love. This is supported by the romantic lusciousness of Elvis' songs, contrasting with the testing living conditions of a northern fishing community.
In
North Platte
Tim Sandys
creates a percussive, rhythmic musical work with crisp sunlit visuals in the unlikely setting of an industrial railway junction
located
at snowbound North Platte, Nebraska, USA.
Dalziel + Scullion RSA
Source
, 2007 (still, detail)
Part Two
(Running time: 53 minutes)
Dalziel + Scullion RSA
Source
, 2007
(14:49)
Edward Summerton RSA
Dighty
Burn
, 2011
(5:08)
Graham Fagen RSA
Baile an Or
, 2011
(8:04)
Kate Whiteford RSA (with Alex Graham)
A'
Bheinn
/ The Mountain
, 2009
(24:12)
In
Source
Dalziel + Scullion RSA
reveal the elemental beauty of rugged coastal nature through the eyes of a young boy. We share his wonder at the orderly communities of creatures and plants from shore to field.
In
Dighty
Burn
Edward Summerton RSA
and
Michael Windle
present the story of a historic tragedy which occurred at the
Dighty
Burn in Angus, Scotland
A folksong on the soundtrack carries the narrative, as the camera presents beautiful images of the water and the surrounding landscape.
In
Baile
an Or
Graham Fagen
RSA
explores the sea, river and land that form Helmsdale and the Strath of Kildonan; the gold that comes from its geology, the living that is made from its land and the legacy of its past.
In
A'
Bheinn
/ The Mountain
Kate Whiteford RSA
takes us on a journey
through the landscape, culture,
time
and poetry of the western isles of Skye, Raasay, North and South Uist,
Benbecula
, Lewis and Harris
, following the life and journeys of the poets Mary
MacClean
and Donald John MacDonald.
John Kellock
Shall Not Lovers Weep
, 2011 (still, detail)
Florence: New Reactions
Running
ime
48 minutes
Each year, the
RSA John Kinross Scholarship
enables ten final year and postgraduate art and architecture students the opportunity to research and develop their practice in Florence for up to three months.
After the completion of the scholarship, each artist deposits a work in the RSA Collection that resulted from their time in Florence
Over the years, most works were in the form of paintings, drawings,
sketchbooks
or photographs
However, in recent times an increasing number of artists have
submitted
moving image works
This is a
selection
of six of those from RSA Collections.
Abigail Dryburgh
The Bargello
, 2015
(3:33)
Sophie
Lunts
Il
Palimpsesto
, 2020
(1:25)
Harry Casey
Nuova
Cronica
, 2012-13
(18:07)
John Kellock
Shall Not Lovers Weep
, 2011
(7:00)
Anna Hughes
Silk Scarves for a Tomboy
, 2015
(4:43)
Rachel
McBrinn
Luigi
Mecocci
, via
dei
Velluti
, Firenze
, 2015
(12:36)
Abigail Dryburgh
uses architectural computer-aided design to reimagine the Bargello;
Sophie
Lunts
explores the palimpsest concept of erasure and reinstatement to reveal Florentine details;
Harry Casey
takes us beyond the great culture and tourist tat in search of the real city;
John Kellock
presents us with an image of the Ponte Vecchio that almost feels like a still image, but for the tiny active figure and the slow progress of the River Arno;
Anna Hughes
presents us with an elegant and witty work contemplating the mysteries of image, translation and gender;
Rachel
McBrinn
offers a sensitive and well-crafted documentary about a dedicated Florentine craftsman.
All these films share personal observations of, and offer us new insights into
Florence.
Alicia Bruce
Sim Scenario
, 2015
(still, detail)
Language, Place and Understanding
Films that contemplate our understanding of, and our relationship with language, time and place.
(Running time: 60 minutes)
We adopt different languages - verbal, literary and visual - to explore and describe our environment, whether it may be physical,
cultural
or ideological
This programme of six films presents us with an intriguing variety of ways of forming an understanding of these varied contexts.
Oana Stanciu
Stai in banca ta/ Behave
, 2021
(7:24)
Ronald Forbes RSA
Behaviour Patterns
, 1977
(5:00)
Tracy Mackenna RSA
Language, Listening and Belonging
, 2017
(8:59)
Rachel Maclean RSA (Elect)
Dr Cute
, 2019
(4:44)
Alicia Bruce
Sim Scenario
, 2015
(6:23)
Katri Walker
Rapture
, 2012
(5:20)
Murray Grigor HRSA
Space and Light Revisited
, 2009
(7:37)
In
Stai in banca ta/ Behave
Oana Stanciu
creates a macro-environment as she grapples with, and becomes embedded in, pieces of furniture. She choreographs these clips into multiples that appear to liberate rather than confine.
In
Behaviour Patterns
Ronald Forbes RSA
uses images of simple street scenes, alongside clips from well-known films. He distorts these through an array of patterns, testing our ability to perceive and
comprehend
In
Language, Listening and Belonging,
Tracy Mackenna RSA
employs a creative toolkit of self, voice, sound, drawing, writing, film, travel, learning,
story
and people in a visually fast-moving sequence that causes the viewer to flit between
different types
of comprehension.
In
Dr Cute
Rachel Maclean RSA (Elect)
uses the context of an academic lecture to examine the meaning of
cute-ness
As the visuals and action become ever more extreme, the authority of the professorial verbal diatribe is
somewhat diminished
In
Sim Scenario
Alicia Bruce
undermines our expectations when we are presented with a sterile medical setting where a medical practitioner
appears to offer
treatment to a patient in a hospital bed. It later becomes
apparent
that the patient is not
real
and this is part of an externally controlled training programme.
In
Rapture
Katri Walker
presents a documentary about a long-established evangelical Christian book shop based in an Edinburgh flat. The family members who own and run it provide a voice-over as the camera meanders around the space and the merchandise.
In
Space and Light Revisited
Murray Grigor
HRSA
uses twin images on screen where his earlier documentary is paired with a more recent examination of the same subject
One shows the early glories of the recently built and occupied architectural masterpiece, St Peter’s Seminary, Cardross, and the more recent work shows its current state of dereliction and decay.
Wendy McMurdo RSA
Olympia
, 2011 (still, detail)
Academicians’ Showcase: Parts One & Two
The Academicians’
Showcase
packages
are not thematic in structure, but rather they
celebrate the diversity of types of moving image works produced by Academicians. This includes works by those for whom film is central to their practice, and others by those who only occasionally use the medium
Each programme offers a viewing experience that varies from light-hearted to complex and profound.
Part One
(Running time: 47 minutes)
Dalziel
Scullion RSA
Raven
, 2025
(19:00)
Wendy McMurdo RSA
Olympia
, 2011
(5:12)
(Also in
Seeing and Believing
Edward Summerton RSA
The Landscape Artist
, 2021
(8:17)
Tracy Mackenna RSA
Gaps and Slippages
, 2017
(4:23)
Kate Whiteford RSA
Wings of Desire
, 2018
(9.42)
Dalziel
Scullion RSA
’s film,
Raven
, follows a pair of ravens over the period of a year, absorbed in the elements of their island home. These intelligent,
mischievous
and darkly beautiful birds appear as emissaries from the past and the future.
Filmed on the island of Lewis where Dalziel
and
Scullion live, this work beautifully melds the physical and the spiritual.
In
Olympia,
Wendy McMurdo RSA
observes
the movements of a beautifully engineered skeletal humanoid robot, where the separate fully realised head articulates to the sounds of the aria
Olympia
from Offenbach’s opera
Tales of Hoffmann
In
The Landscape Artist
Edward Summerton RSA
performs as the landscape artist, spending eight minutes trying to start a petrol-driven lawnmower.
In
Gaps and Slippages
Tracy Mackenna RSA
employs a creative toolkit of self, voice, sound, drawing, writing, film in a visually fast-moving sequence that causes the viewer to flit between
different types
of understanding.
Kate Whiteford RSA
was motivated to produce
Wings of Desire
when she was intrigued to learn that Emily Bronte kept - and was inspired by - a rescued injured hawk.
In celebration of this, she uses
aerial imagery to present the landscape from the human and from the bird's-eye
perspective.
Graham Fagen RSA
Auld Lang Syne c/w The Slave’s Lament
, 2005 (still, detail)
Part Two
(Running time: 44 minutes)
Rachel Maclean RSA (Elect)
The Lion and the Unicorn
, 2012
(11:30)
Graham Fagen RSA
Auld Lang Syne c/w The Slave’s Lament
, 2005
(6:58)
Ken Currie RSA
Stone Circle
, 2025
(12.00)
(Also in
Seeing and Believing
Kate Downie RSA
The Little Bridges of Perthshire
, 2020
(1:55)
Jo Ganter RSA
Guitar Ellipses
, 2020
(0:56)
Ronald Forbes RSA
Hello and Goodbye
, 2025
(5:00)
In
The Lion and the Unicorn
Rachel Maclean
RSA (Elect)
shines an irreverent light on
Scottish-English
relatio
ns, with
the English lion and the Scottish unicorn debating the future of the United Kingdom.
Fou
nd audio is lip-synced by the artist playing the wonderfully costumed range of characters.
In
Auld Lang Syne c/w The Slave’s Lament
Graham Fagen RSA
explores the complex relationship between Scottish and Caribbean history by juxtaposing two of Burns' works, connecting the past with the present through musical reinterpretations, and performed as reggae.
In
Stone Circle
Ken Currie RSA
asserts that he had nothing in mind other than to simply shoot film, and insists that the images are random, fragmentary and
en
tirely improvised. Instead, we the audience are creating a sh
ift
ing reality.
In
The Little Bridges of Perthshire
Kate Downie RSA
explores the subject of the title
by simply
panning and tracking through a richly atmospheric series of pen and ink sketches.
In
Guitar Ellipses
Jo Ganter RSA
creates an engaging abstract geometric musical vision of a guitar theme that is as disciplined and succinct as a haiku.
Ronald Forbes RSA
in
Hello and Goodbye,
pays homage to Shakespeare’s seven ages of man, as animated disembodied men’s suits adopt the colours of the rainbow as they dance throughout their journey. The whole of life distilled into five minutes.
Rachel Maclean RSA (Elect)
DUCK
, 2023 (still, detail)
Seeing and Believing
Films that question our understanding of reality.
Running time
47 minutes
It's particularly
appropriate
at
this time
, when there's wide concern about ide
as o
f truth
fak
news
and the effects of artificial intelligence, that we contemplate and question our
perceptions
of reality. Here we have a programme of four films that deal with such questions.
Rachel Maclean RSA (Elect)
DUCK
, 2023
(16:00)
Wendy McMurdo RSA
Olympia
, 2011
(5:12)
(Also in
Ac
demicians
: Part One
Ronald Forbes RSA
Only Make Believe
, 2014
(12:00)
Ken Currie RSA
Stone Circle
, 2025
(12:00)
(Also in
Academicians
: Part Two
Rachel Maclean RSA (Elect)
’s
DUCK
is a daring deepfake short that follows Sean Connery’s unravelling after he witnesses Marilyn Monroe’s return from the dead
. A
ll
of
this
has been
created using sophisticated AI technology.
All parts
are
played by Rachel Maclea
n,
but presented, through AI, to us as a range of our favourite film stars.
In
Wendy McMurdo RSA
’s
Olympia
the camera glides
balletically
through a
n interior
space observing the movements of a beautifully engineered ske
letal human
oid robot. When
we even
tua
lly see the separate fully realised head we
circle around it
to the sounds of the
aria
Olympia
from Offenbach’s opera
Tales of Hoffmann
, creating an image that is full of both wonder and pathos.
In
Ronald Forbes R
SA
’s
Onl
y Make Believe
a terrorist forces a couple, who bear a caricature likeness to members of the British royal family, to join another couple in their homely imprisonment in a war zone. Who do they think they are? Who do WE think they are? Throughout,
TV clips of pro-war propaganda are interlaced with the absu
rdi
ty of this mysterious scenario.
Ken Currie RSA
asserts that i
In
Sto
ne Circle
he had nothing in mind other than to simply shoot film, and insists that the images are random, fragmentary a
nd entirely
improvised.  However, he uses many cinematic devices, which create dramatic
tensions, and these cause the viewer to weave var
yin
g narratives around the perceived action.  We the audience are creating a shifting reality.
Ronald Forbes RSA
Hello and Goodbye
, 2025 (still, detail)
Curator's Overview
Ronald Forbes RSA
When Sandy Wood, Head of Collections at the Royal Scottish Academy, asked me whether I would like to curate a programme of moving image works from the RSA Collection and by RSA Academicians as part of RSA200, I was immediately enthusiastic. Perhaps I was slightly wary of the magnitude of the task, having curated the Focus on Film exhibition at the RSA Annual in 2014. However, I was very keen to celebrate film-making activity, and to acknowledge the embrace that the RSA has offered in recent times to this and other developments in art practice and activity.
I see a curation such as this as being akin to hanging a large-scale mixed exhibition, such as the RSA Annual. In such an installation I would share the approach that many convenors and curators have taken throughout the years. My intention would be to present an elegant and engaging experience, ensuring a high overall aesthetic, but preserving the integrity, worth and power of each individual work. There would also be the additional and delightful frisson that occurs when the juxtaposition of works forms a new dynamic that would enhance the power of each.
I hope that I have gone some way to achieving these qualities in this curation. The overall programme is divided into a series of eight programmes on six themes. I considered not only content and subject matter, but running time and stylistic factors when making groupings. I have been careful to keep the graphics carrying necessary information, such as titles, simple, and the spacing between films just right to allow us to move on from one film to the next without disrespectful haste. I also hope that the viewer makes the discovery of unexpected relationships between works that has delighted me over the months. Most importantly, I hope that viewers enjoy the rich variety of vision, insight and creativity that these artists offer us.
Stills from the RSA200 Moving Image Programme - left to right:
Oana Stanciu,
Stai in banca ta/ Behave
Ronald Forbes RSA,
Hello and Goodbye
Tim Sandys,
North Platte
Tracy Mackenna RSA,
Language, Listening and Belonging
, Rachel
McBrinn
Luigi
Mecocci
, via
dei
Velluti
, Firenze
, Ronald Forbes RSA,
Only Make Believe
Rachel Maclean RSA (Elect),
The Lion and the Unicorn
, Katri Walker,
Rapture
Edward Summerton RSA,
Dighty
Burn
Artists
RSA Academicians
Will Maclean MBE RSA
(b.1941) is a multi-disciplinary artist and Professor of Fine Art. He was born in Inverness and studied at Grays School of Art in Aberdeen and the British School in Rome. His art is rooted in his knowledge of The Highlands, the people, their history and his own early associations with the sea. He was elected to the RSA in 1978 and became a full Academician in 1991.
Victoria Crowe OBE RSA
(b.1945) is a multi-disciplinary artist and teacher. She was born in Kingston upon Thames and studied at Kingston School of Art and the Royal College of Art. She was elected to the RSA in 1987 and became a full Academician in 2005 and is best known for her portrait and landscape painting.
Joyce Cairns PPRSA
(b.1947) is an acclaimed painter, teacher and the first woman to be elected president of the Royal Scottish Academy, in 2018. Born in Edinburgh, she studied at Gray’s School of Art in Aberdeen and at the Royal College of Art. She is renowned for her autobiographical portrait based practice. She was elected to the RSA in 1985 and became a full Academician in 1998.
Kate Downie RSA
(b.1958) is a multi-disciplinary artist. She was born in America and studied at Gray's School of Art in Aberdeen. Teaching, communal art making and curating are intrinsic to her practice and she was elected as an RSA Academician in 2007.
Matthew Dalziel and Louise Scullion RSA
(b.1957 & 1966) are Scottish-based artists working together with sculpture, photography, video and sound as Dalziel + Scullion RSA, exploring new ways to engage with the subjects of the environment and ecology. They have collaborated together since 1993 and were the elected to the RSA as Academicians in 2012.
Edward Summerton RSA
(b.1962) is a multidisciplinary artist, curator and lecturer in Contemporary Art Practice at Duncan of Jordanstone College of Art and Design in Dundee. His own practice has expanded from painting into photography, sound works, prints, objects, collaborations and the organisation of events and exhibitions. He was elected to the RSA in 1996 and became a full Academician in 2005.
Kate Whiteford OBE RSA
(b.1952) is from Glasgow and studied painting and drawing at Glasgow School of Art and Art History at Glasgow University. Her work spans textiles, video, land art, prints and painting and she is heavily influenced by archaeology. She represented Great Britain at the Venice Biennale in 1990 and was elected as an RSA Academician in 2006.
Graham Fagen RSA
(b.1966) is from Glasgow and studied at Glasgow School of Art and Kent Institute of Art & Design. His practice encompasses video, performance, sculpture, sound and text, reflecting on how contemporary identity and its associated myths and fictions can be expressed and understood. He was elected as an RSA Academician in 2014 and represented Scotland at the 56th Venice Biennale in 2015.
Ronald Forbes RSA
(b.1947) is a painter, filmmaker and teacher whose practice reflects the complex visual languages of modern life while referencing mythology and art history. He studied at Edinburgh College of Art, was elected to the RSA in 1996 and became a full Academician in 2005. He is the curator of the RSA200 Moving Image Programme for the bicentenary of the Royal Scottish Academy.
Tracy Mackenna RSA
(b.1963) is an artist, curator, scholar and educator whose practice and research contributes to the development of visual arts practice and art education. She is also the curator of The Museum of Loss and Renewal - including residency programmes and publishing. She studied at Glasgow School of Art and was elected as an RSA Academician in 2009.
Rachel Maclean RSA
(Elect)
(b.1987) is a multi-media artist. Using film, sculpture, printmaking and photography, she creates outlandish characters and fantasy worlds which she uses to delve into politics, society and identity. She graduated from Edinburgh College of Art in 2009 and was elected as an RSA Academician in 2019.
Wendy McMurdo RSA
(b.1962) specialises in photography and digital media and her work centres around the relationship between technology and identity. She studied at Edinburgh College of Art and the Pratt Institute in Brooklyn, New York, where she first became interested in photography. She was elected as an RSA Academician in 2018.
Ken Currie RSA
(b.1960) is primarily a painter, well known for his unsettling portrayal of the human figure. Born in North Shields, he studied at Glasgow School of Art and was among the group of painters known as the New Glasgow Boys. He was elected as an RSA Academician in 2024.
Jo Ganter RSA
(b.1963) works with traditional and new media to produce limited edition etchings, relief prints, and animations. She was born in Yorkshire and moved to Scotland to study at Edinburgh College of Art. Her work is often collaborative, involving musicians to create graphic scores and using sound as inspiration for abstract composition. She was elected to the RSA in 2004 and became a full Academician in 2005.
Murray Grigor OBE HRSA
(b.1939) is a filmmaker, writer, artist and curator, elected as an Honorary Academician at the RSA in 2014 for his contribution to the Arts. Throughout his career he has championed art, and particularly architecture. His status has been recognised through numerous international awards and by his tenure as Director, then Chair, of the Edinburgh International Film Festival.
RSA Morton Award
An award of £5000 for artists working in lens-based media in Scotland to research, develop and produce a new body of work.
Daniel Cook
(b.1980) is a photographer and filmmaker who lives and works in Glasgow. He won the RSA Morton Award in 2019 and from this award he created
Love Letters from Aberdeenshire
Oana Stanciu
(b.1988) is a visual artist from Romania, living and working in Edinburgh. She won the RSA Morton Award in 2021. Stanciu's practice involves sculpture, performance and photography and from the Morton Award she created
Stai în banca ta/ Behave.
Alicia Bruce
(b.1979) is a working-class artist, photographer, community collaborator and activist. Her photography sits between documentary and staged imagery with an interest in local and global communities. She studied  Photography, Film and Imaging at Edinburgh’s Napier University and won the RSA Morton Award in 2014, from which she created
Sim Scenario
RSA Barns-Graham Travel Award
An award of £2000 to support travel and research for graduating and post-graduate artists,
funded by the Wilhelmina Barns-Graham Trust.
Tim Sandys
(b.1974) is a multi-disciplinary artist who studied at Duncan of Jordanstone College of Art and Glasgow School of Art. He won the RSA Barns-Graham Travel Award
in 2015 and
North Platte
was created as a result.
The John Kinross Scholarship
An award of £3000 made yearly by the RSA to final year and postgraduate artists and architects to spend 6-12 weeks in Florence to develop their practice.
Abigail Dryburgh
(b.1992) was awarded the John Kinross Scholarship in 2015.
The Bargello
was made as a result of her time in Florence.
Sophie Lunts
(b.1997) is a Fine Art and Philosophy graduate from Duncan of Jordanstone College of Art and Design.
Il Palimpsesto
was created during her time in Florence, as the recipient of the John Kinross Scholarship in 2019.
Harry Casey
(b.1987) won the RSA John Kinross Travel Award in 2012.
Nuova Cronica
was created as a result of this award.
John Kellock
(b.1989) is an artist who makes paintings, videos, and music. He won the RSA John Kinross Travel Award in 2011 and
Shall Not Lovers Weep
was created as a result.
Anna Hughes
(b.1990) was awarded the RSA John Kinross Travel Scholarship in 2013.
Silk Scarves
for a Tomboy was made as a result of this time in Florence.
Rachel McBrinn
(b.1991) is an artist and filmmaker based in Edinburgh. Her practice is often collaborative and based upon long term site-responsive and archival research. She was a recipient of the John Kinross Scholarship in 2014.
Luigi Mecocci, via dei Velluti, Firenze
was created as a result of the scholarship.
RSA Residencies for Scotland
An artist-led scheme providing valuable research and development opportunities for visual artists.
Katri Walker
(b.1978) is a visual artist specialising in video installation. She was awarded a residency in 2011 at Stills in Edinburgh as part of the RSA Residencies for Scotland programme.
Rapture
was made as a result of the residency.
Banner image: Stills from the RSA200 Moving Image Programme - left to right:
Oana Stanciu,
Stai in banca ta/ Behave
, Tim Sandys,
North Platte
, Ronald Forbes RSA,
Only Make Believe
, Tracy Mackenna RSA,
Language, Listening and Belonging
, Rachel Maclean RSA (Elect),
The Lion and the Unicorn
, Rachel McBrinn,
Luigi Mecocci, via dei Velluti, Firenze
, Edward Summerton RSA,
Dighty Burn
, Katri Walker,
Rapture
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