…ur de l’étude des paysages anciens : • la gestion des ressources en eau dans un contexte climatique où les précipitations sont généralement irrégulières, voire aléatoires ; • la dominance de l’aridité, mais aussi la présence de milieux aux précipitations plus élevées et plus régu…

…ll games fun; diferent games emphasize diferent types of enjoyment and 2 Land’s reply may be found under Bogost’s blog entry: http://www.bogost.com/blog/gami- ication_is_bullshit.shtml (accessed May 6, 2014). 275 diferent players may even enjoy the same game for entirely diferent…

…s sent from the Fayum, plausibly Naqlun itself, to the north (Kellia); then, in reply, the letter of side 2 was sent from Kellia to Naqlun, re-using the same sheet of paper, trimmed to size for the purpose. One of the monks mentioned in the earlier letter is a “Lord (ⲕⲏⲣⲓ, κύριος…

…on the Wall J.M. Russell, The Writing on the Wall: Studies in the Architectural Context of Late Assyrian Palace Inscriptions (=Mesopotamian Civilizations 9). Winona Lake, IN, 1999 SAA State Archives of Assyria. Helsinki, 1987– SAAB State Archives of Assyria Bulletin. Padua, 1987–…

… I think the general sense of the term can be discerned from the discussion and context. In order to define basic Deleuze and Guattarian terms, I have generally relied on the glossary found 41 Lawlor.indb 41 11/07/2016 08:12:40 from violence to speaking out in Mark Bonta and John…

…ation, ceramic vessels, secondary burning, Late Neolithic, central Balkans. The Context While the archaeological material gathered during pre- The archaeological context of this study is the Late vious campaigns indicates the presence of Late Neo- Neolithic site of Plo~nik near P…

…se encuentra en su artículo: «Karl Polanyi and Markets in the Ancient Ner East: Reply» (Silver 1985a: 135-137), así como en el libro ulterior, Economic Structu- res of the Ancient Near East (Silver 1985b). 23 hegemonía, sí hay una cierta disparidad en los beneficios, esta negativ…

… better understanding of Arthurian Renaissance texts, I shall first explore the context in which they were written. Whether Arthur is portrayed in historical, political, fictional , dramatic, poetic, or religious texts, each text is directly related to various cultural contexts o…

…ng. As researchers on intergenerational relations we work in different cultural contexts. We noticed subtle differences in the use of generational concepts in French and English compared with the original German version. This realization initiated an extended, coordinated and syn…

…‘Jeez, buddy you look dead’. The man asks to see a detective about a murder. In reply to the sergeant’s question ‘who was murdered?’ the man (lifting his face for the first time to reveal top-billed star Quaid) replies ‘I was’. The music ends here and the final part of the segmen…

… better understanding of Arthurian Renaissance texts, I shall first explore the context in which they were written. Whether Arthur is portrayed in historical, political, fictional , dramatic, poetic, or religious texts, each text is directly related to various cultural contexts o…

…guided by unity that were brought forth by humanities in the 19th century. This context also includes the seemingly unsuspicious concept of a “cultural nation”, which imagined the belated German nation as the intellectually superior nation of inner values, namely in a counter pos…

…e publicity. The examination of the Azerbaijani responses is noteworthy in this context. It can be characterized from silliness to sobriety, from neglect of facts to the process of acceptance and interpretation, the examination of which helps to understand the reasons of success …

…tary phys- of those chosen for high school work” [19]. he study indi- ics…To my reply that I did not know any physics at all, his cated that physics was commonly studied in the third year answer was, ‘Anyone who can do well in my Greek can teach of high school, simultaneously wit…

…t-garde: Philips Radio“. In: Kees Bakker (ed.): Joris Ivens and the Documentary Context. Amsterdam: Am- sterdam University Press 1999, s. 72–86. 12 Viz Jörg Schweinitz: „ ‚Wie im Kino!‘ “, cit. dílo. 131 Jak tvrdí Thomas Elsaesser, německé rané zvukové fil- my, zvláště hudební ko…