Valerio Cappozzo - University of Mississippi
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Valerio Cappozzo
University of Mississippi
Modern Languages
Faculty Member
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Associate Professor -
Co-Editor-in-chief, «Annali d'Italianistica» -
President, Associazione Amici di Leonardo Sciascia
Vice President, American Boccaccio Association -
MLA Forum Executive Committee Member, LLC Medieval and Renaissance Italian -
Executive Committee Member, Centenario Nazionale Centenario Sciasciano -
Member of the Scientific Committee, Fondazione Giorgio Bassani -
Editorial Board Member, Opera Aperta, Edizioni Sinestesie -
Editorial Board Member, Vita Nova Book Series, Le Lettere -
Editorial Board Member, Nova Delphi Academia Publishing House -
Editorial Board Member, Shift-Philosophical Studies, Mimesis Edizioni -
Honorary Associate, Research Group of Manuscript Evidence -
Phone:
+39 3757446075
University of Mississippi
Department of Modern Languages
Bondurant Hall C-115
P.O. Box 1848, University, MS 38677
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Books by Valerio Cappozzo
Giorgio Bassani: Cartoline dal Nord America, (Pollini. Studi sulla contaminazione culturale 1), Firenze, Leo S. Olschki 2026.
Dreambooks in the Middle Ages: A Global Perspective, ed. Valerio Cappozzo (Reading Medieval Sources). Leiden: Brill 2026
This volume explores the intricate art of interpreting dream symbols by tracing the evolution of ...
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This volume explores the intricate art of interpreting dream symbols by tracing the evolution of oneirocritical traditions across Asia, the Middle East, and the Latin West. Spanning the classical, medieval, and modern periods, it reveals how diverse cultures have used dreambooks to translate imagined realities into personal insight. A collection of scholarly essays, this volume vividly portrays humanity’s enduring fascination with dreams as profound sources of knowledge—rooted in the past, experienced in the present, and foreshadowing the future. Also included is the “Conspectus of the Western Manuscripts and Early Printed Editions of the Somniale Danielis,” an essential reference for next generations of scholars.
Contributors are Valerio Cappozzo, Gabriela Cerghedean, László Sándor Chardonnens, Lorenzo DiTommaso, Boyda Johnstone, Jesse Keskiaho, Pierre Lory, Bronwen Neil, Steven Oberhelman, Lotte Reinbold, and Brigid E. Vance.
Boccaccio Internazionale/International Boccaccio, a cura di Valerio Cappozzo, Maggie Fritz-Morkin, Rino Modonutti, Kristina Olson, Leo S. Olschki, Firenze 2025
by
Valerio Cappozzo
and
Kristina Olson
This volume brings together a wide selection of research presented at the fifth triennial confere...
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This volume brings together a wide selection of research presented at the fifth triennial conference of the American Boccaccio Association, the first meeting of the Association on Italian soil (University of Padua, 2022). Organized into five sections, these essays cover the most salient aspects of Boccaccio’s production under examination by scholars across the globe. Boccaccio, i poeti, la poesia, the first section, investigates Boccaccio’s lyrics in broader poetic and cultural contexts. The second section, Decameroniana, reflects on the masterpiece of the Certaldese by revitalizing lines of inquiry and offering new perspectives. Boccaccio latino, the third section of this book, exhibits the area of research that has recently experienced the most fervent scholarly attention: Boccaccio’s Latin culture and his role in the development of early Humanism. Demonstrating Boccaccio’s constant relevance, the fourth section, Geografie della ricezione, explores the relationships between the author and different and distant historical and cultural contexts. This volume concludes with a section titled Digital Boccaccio that showcases the most recent and sophisticated technological research and tools for new exegetical research.
Giorgio Bassani poète. Textes réunis et introduits par Valerio Cappozzo, Cahiers de l'Hôtel de Galliffet (Troisième série), Paris, 2024 [ISBN 978-2919205424]
Les poèmes de Giorgio Bassani (1916-2000) n'accompagnent pas seulement ses romans. Ils en offrent...
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Les poèmes de Giorgio Bassani (1916-2000) n'accompagnent pas seulement ses romans. Ils en offrent la vérité, ou, comme il aimait à le dire lui-même : toute la vérité. En 1961, il écrivait à Michel Mohrt : "Je suis un écrivain lyrique" . Et il ne cessera de le répéter tout au long de sa carrière. C'est pourquoi, de même qu'il avait tenu en 1980 à offrir la version définitive du Roman de Ferrare en rassemblant dans une oeuvre unique ses grands livres de prose (Dans les murs ; Les Lunettes d'or ; Le Jardin des Finzi-Contini ; Derrière la porte ; Le Héron ; L'Odeur du foin), il reprenait deux ans plus tard en un seul volume l'ensemble d'une production poétique dont la composition avait comme enchâssé le Roman de Ferrare : sous le titre d'In rima e senza (Avec et sans rimes), il réunissait Storie dei poveri amanti (1945), Te lucis ante (1947), Un'altra libertà (1951), Epitaffio (1974) et In gran segreto (1978). A l'occasion de la publication en Italie de l'édition complète de ses poèmes et, en France, d'une nouvelle édition, revue et augmentée, d'une large sélection de textes poétiques en traduction française, un colloque consacré à "Giorgio Bassani poète" s'est tenu à Parisle 15 octobre 2021. Les interventions réunies dans ce volume des actes offrent des itinéraires de lecture dans un univers poétique marqué par une surprenante variété de registres : des tonalités plus lyriques des premiers recueils jusqu'aux vers en forme d'épitaphes des années 70, où l'invective la plus mordante alterne avec les notes, parfois amères, d'un mémorialisme désenchanté, teinté d'autodérision.
Dizionario dei sogni nel Medioevo. Il Somniale Danielis in manoscritti letterari [The Medieval Dream Dictionary. The Somniale Danielis in Literary Manuscripts], Biblioteca dell'«Archivum Romanicum» - Serie I: Storia, Letteratura, Paleografia, Leo S. Olschki, Firenze 2018 [ISBN 9788822264954]
"The Medieval Dream Dictionary. The Somniale Danielis in Literary Manuscripts."
The Medieval Dr...
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"The Medieval Dream Dictionary. The Somniale Danielis in Literary Manuscripts."
The Medieval Dream Dictionary is composed of entries coming from Latin and vernacular Italian versions of the Somniale Danielis – known as The Dreambook of Daniel the Prophet – which range from the ninth century to the first printed editions through 1550. This manual illustrates more than 3200 years of the history of dream interpretation from Ancient Egypt to today’s web pages. The Dictionary, which gathers this material for the first time, provides not only a better understanding of the medieval and Renaissance oneiric imaginary, but will also allow a practical introduction to the study of literary and artistic dream symbolism.
Il Dizionario dei sogni è formato da voci in latino e in volgare del Somniale Danielis, in italiano Il libro dei sogni del profeta Daniele, e rappresenta oltre 3200 anni di storia di interpretazione dei sogni dall’Antico Egitto, alla Smorfia Napoletana, alle pagine web di oggi. Questo materiale, così riunito per la prima volta, sarà utile non solo ad avere un quadro più dettagliato dell’immaginario onirico medievale che si tramanda nel Rinascimento, ma potrà anche essere utilizzato praticamente nello studio del simbolismo letterario e storico-artistico.
Boccaccio and His World: Proceedings of the Third Triennial Meeting of the American Boccaccio Association, Duke University, September-October 2016, edited by Valerio Cappozzo, Martin Eisner, Timothy Kircher, «Heliotropia.A forum for Boccaccio research and interpretation» vol.15, 2018 [ISSN 15423352]
by
Valerio Cappozzo
Timothy Kircher
Roberto Risso
Elsa Filosa
Gur Zak
Elena Varotto
, and
Francesco Marco Aresu
The essays in this volume offer a wide range of new perspectives on Boccaccio’s work, its histori...
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The essays in this volume offer a wide range of new perspectives on Boccaccio’s work, its historical time and place, and its legacy. These thirteen contributions, presented by scholars at different stages of their careers, provide insights into his vernacular and Latin writings. While the Decameron is highlighted, readers will find commentary also on the Fiammetta, Filostrato, Corbaccio, De casibus, and other works, including his efforts as a copyist and creator of literary canons. In addition, scholars review carefully the events of his day and his contemporaries, and trace out the ways that his influence has touched writers of our time. The authors presented their initial ideas, as the sub-title notes, at the ABA triennial meeting in the fall of 2016 and then revised their papers for this volume. We have divided the volume into three sections: Literary Contexts; Historical Contexts; and Boccaccio and the Roles of Women and conclude the volume with an epilogue on paleopathology applied to Boccaccio’s novelle and his own death.
Valerio Cappozzo, Il canto della ragione. 19 domande su Francesco De Sanctis, intervista a cura di Valeria Noli, Enciclopedia infinita, Società Dante Alighieri, Roma 2018 [ISBN 978-88-99851-11-8]
I linguaggi della poesia: prosa, musica, pittura, Valerio Cappozzo (guest editor), «L’ Anello che non tiene. Journal of Modern Italian Literature» 29-32, nn. 1-2 (2017-2020), University of Wisconsin-Madison 2021 [ISSN 0899-5273]
Storia e storiografia di Carlo Michelstaedter, edited by Valerio Cappozzo, Romance Monographs (S-6), The University of Mississippi 2017 [ISBN 978-1-889441-27-6]
a cura di Valerio Cappozzo
This is the first edited volume that is being published in the United...
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a cura di Valerio Cappozzo
This is the first edited volume that is being published in the United States on the philosopher, artist and writer Carlo Michelstaedter (Gorizia, north Italy, 1887–1910). Studies on Carlo Michelstaedter in the States started with the influential contributions of Daniela Bini ("Carlo Michelstaedter and the Failure of Language", 1992) and Thomas Harrison ("1910: The Emancipation of Dissonance", 1996), which opened critical discussions and new research perspectives: both authors have contributed to this volume. "Storia e storiografia di Carlo Michelstaedter" originated to full the need for further historical analysis on the authors biography and criticism. The volume opens with Sergio Campailla's memories when, in the 1970s, he rediscovered Michelstaedter's largely overlooked documents. Daniela Bini dedicates her essay to the contemporary proliferation of rhetoric, while Thomas Harrison argues that the philosophical concept of authenticity is the one that became explicit in the words of existentialist philosophers after Michelstaedter. Gabriele Zanello reconstructs the biography of Carlo's father, Alberto, and discusses the relationship he had with his son; Valerio Cappozzo traces the editorial path of his poetry, with propositions for its critical edition; Ilvano Caliaro investigates the cultural environment in which Michelstaedter wrote his thesis with a special focus on its preface; Rosalia Peluso concentrates on the philosopher's historicity of life and discusses a note on history that he wrote during his years in Florence; Mimmo Cangiano shows how la 'persuasione' is the ability to resist a specific historical time, and finally Yvonne Hütter gets to the self-destruction of Michelstaedter's philosophical rhetoric.
The appendix offers a wealth of documents and interviews on the author from Gorizia: an unpublished dialogue that Michelstaedter wrote in 1903, when he was a sixteen-year-old high school student the first published article in the United States, one hundred years ago in 1916, by Raffaello Piccoli; interviews with two influential Italian writers, Claudio Magris and Mauro Covacich, both from Trieste, and the hematic analysis of the last page that Carlo wrote, the one with the material traces of the final gesture with which he ended his life at the age of 23.
Dal particolare all'universale. I libri di poesia di Giorgio Bassani, a cura di Valerio Cappozzo, Giorgio Pozzi Editore, Ravenna 2020 [ISBN 978-88-96117-90-3]
by
Valerio Cappozzo
Rosalia Peluso
Lorenzo Salvagni
, and
Roberta Antognini
Giorgio Bassani si definiva prima di tutto poeta. Pur se il corpus narrativo è prevalente nella ...
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Giorgio Bassani si definiva prima di tutto poeta. Pur se il corpus narrativo è prevalente nella sua opera, l’attività poetica è inscindibile da quella che ha di volta in volta preso forma nei racconti delle Storie ferraresi e nei suoi romanzi. Sin dalle prime poesie, tra il 1942 e il 1951, raccolte nei volumi Storie dei poveri amanti e altri versi (1945 e 1946), Te lucis ante (1947) e Un’altra libertà (1951), alcune poi riproposte in L’alba ai vetri (1963), sono espressi in nuce tutti gli elementi che verranno sviluppati nelle opere narrative: l’amore per la propria terra, l’esclusione, la lontananza, la solitudine, il senso della morte e la memoria. Le due sillogi successive, Epitaffio (1974) e In gran segreto (1978), raccolgono e accompagnano quasi tutti i motivi ispiratori del romanziere Bassani, ma rivelano un “di più” rispetto alle poesie del passato, con un’attenzione a volte ironica, a volte amara, nei confronti del presente.
Questo volume costituisce il primo studio sistematico sulla poesia di Giorgio Bassani con saggi innovativi che, partendo dagli archivi, dai carteggi inediti dello scrittore, dalle frequentazioni con i maestri e amici di una vita, riflettono sulla relazione tra Bassani-poeta e Bassani-narratore, essenziale per inquadrare la sua figura nel Novecento letterario.
Lezioni americane di Giorgio Bassani, a cura di Valerio Cappozzo, Giorgio Pozzi Editore, Ravenna 2016 [ISBN 978-88-96117-57-6]
Published under the patronage of the Italian National Committee Giorgio Bassani (1916-2016)
Gior...
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Published under the patronage of the Italian National Committee Giorgio Bassani (1916-2016)
Giorgio Bassani travelled several times to the United States: first as President of the association Italia Nostra, when he presented the exhibition “Italia da salvare”, then for the publication of his novels in the English language, and finally as Visiting Professor of Italian in California, Illinois, and Indiana universities.
In a letter that he wrote in 1976, Bassani referred to these trips as some of the best moments of his life, that also inspired certain among the most successful poems of the collection In Gran Segreto (1978), which can be read as a poetic journal of his American journeys.
The authors, Roberta Antognini, Valerio Cappozzo, Alessandro Giardino, and Sergio Parussa, discuss different aspects of an overlooked moment in Bassani’s life and literature. Professor Edoardo Lèbano, who invited Bassani at Indiana University in the Seventies, opens this book with his memories, while Linda Nemerow Ulman closes it recalling Bassani as her professor.
Lezioni Americane di Giorgio Bassani tells then not only about what Bassani gave to his American students, but it also evokes America as a source of inspiration for the Italian author.
(Con il patrocinio del Comitato Nazionale Giorgio Bassani)
Fra gli anni Sessanta e Settanta Giorgio Bassani si è recato molte volte negli Stati Uniti: prima come presidente dell’asso ciazione Italia Nostra, per presentare la mostra “Italia da salvare”, poi per la pubblicazione delle traduzioni in inglese dei suoi libri, e infine per tenere corsi di letteratura italiana nelle università americane della California, Illinois e Indiana. Ripensando a quei viaggi, in una lettera del 1976 Bassani scri ve che il ricordo si colora della luce del mito fino a sembrargli uno dei periodi più felici della sua vita – un periodo che gli ispirerà, tra l’altro, alcuni dei componimenti più belli della raccolta In gran segreto, quasi un diario di viaggio americano in forma poetica.
È proprio di questo segreto, biografico e letterario, che si sono occupati gli autori dei saggi qui raccolti: Roberta Antognini, Valerio Cappozzo, Alessandro Giardino, Sergio Parussa, con un ricordo del prof. Edoardo Lèbano che in- vitò Bassani all’Indiana University, e di una sua studentessa, Linda Nemerow Ulman.
Le lezioni del titolo non sono da intendersi solo come una riflessione su quel che Bassani poteva insegnare all’Ameri ca – le mostre, i corsi universitari, le conferenze – ma anche come uno studio di quel che l’America poteva dare a Bassani: la lezione letteraria e morale appresa dallo scrittore ferrarese durante i suoi brevi ma intensi soggiorni oltreoceano.
Indice:
Paola Bassani, Premessa
Edoardo Lèbano, Giorgio Bassani a Indiana University
Valerio Cappozzo, Il viaggio in America di Giorgio Bassani tra poesia e insegnamento Alessandro Giardino, Ellissi eccentriche: Giorgio Bassani, Hermann Melville e Nathaniel Hawthorne
Sergio Parussa, L’odore della poesia. Giorgio Bassani e Henry James
Roberta Antognini, Giorgio Bassani e James Cain. Storia e critica di una traduzione
Appendici
Stelio Cro, Intervista a Giorgio Bassani
Linda Nemerow Ulman, Visual Memory and the Nature of Epitaph: Bassani’s«Epitaffio»
Lettere di Giorgio Bassani a Edoardo Lèbano, 1975-1977
Giorgio Bassani, Dal Campus
Valerio Cappozzo, European Treasure: A. H. Reed's French and Italian Autograph Letters, Dunedin Public Libraries, Dunedin, New Zealand 2015 [ISBN 978-0-473-30044-9]
Catalogue of the the latest Reed Gallery Exhibition, that draws on letters in French and Italian ...
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Catalogue of the the latest Reed Gallery Exhibition, that draws on letters in French and Italian from the Reed Autograph Letters Collection, representing specific moments of European history revealed through the individuality of the writers and recipients. Exhibition of unpublished letters, conserved at the Dunedin City Library Heritage Collections, by: Giuseppe Garibaldi, Vincenzo Gioberti, Camillo Benso Count of Cavour, Giuseppe Mazzini, Carlo Botta, Massimo D'Azeglio, Antonio Canova, Jules Verne, Alexandre Dumas, Louis Blanc, Alphonse Daudet, Louis-Philippe I, Queen Marie Amélie, Adolphe Thiers, Charles Nodier, Felice Pasquale Baciocchi, etc.
[Published in conjunction with the exhibition: “European Treasure: A. H. Reed’s French and Italian Autograph Letters”, in the Reed Gallery of Dunedin City Library, Dunedin, New Zealand, October 23-January 11 2015. Online:
Papers in Medieval and Early Modern Studies by Valerio Cappozzo
The Newly Discovered Italian Tradition of the Somniale Danielis, in Dreambooks in the Middle Ages: A Global Perspective, Valerio Cappozzo ed., Brill 2026, pp. 115-152
Valerio Cappozzo, Dante e l'Islam. L'origine arabo-andalusa della rima, in Dante Alighieri en España. Traducciones, tradiciones y fortuna literaria del Sommo Poeta, Giovanni Caprara y Silvia Datteroni (eds.), Editorial Comares, Granada 2023, pp. 9-20 [Estratto]
Áng el a Co l l ad o s Ais Universidad de Granada Mig u el Dur o Mo r en o Woolf University Fr an...
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Áng el a Co l l ad o s Ais Universidad de Granada Mig u el Dur o Mo r en o Woolf University Fr anc isc o J. Gar c ía Mar c o s Universidad de Almería Cat al in a Jimén ez Hur t ad o
Dante Alighieri en España. Traducciones, tradiciones y fortuna literaria del Sommo Poeta, Giovanni Caprara y Silvia Datteroni (eds.), Editorial Comares, Granada 2023
by
Valerio Cappozzo
and
Silvia Datteroni
La presente monografía, Dante Alighieri en España. Traducciones, tradiciones y fortuna literaria ...
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La presente monografía, Dante Alighieri en España. Traducciones, tradiciones y fortuna literaria del Sommo Poeta, supone un estudio original de la obra de Dante Alighieri en España, llevado a cabo por filólogos, traductores, dantólogos y dantistas con motivo del 700 aniversario de la muerte del poeta. Los artículos que com- ponen el volumen tienen el mérito de ofrecer un retrato exhaustivo del florentino, abordando el estudio desde distintos ángulos que ponen de manifiesto el carácter universal de su poética; de ahí que los estudios presentados abarquen apartados distintos del conocimiento científico, desde las categorías analíticas de la recepción literaria a la intertextualidad y la intermedialidad, pasando por la traductología y los estudios filológicos más tradicionales. Este libro se configura, por lo tanto, como una summa de saberes que convierte el trabajo de los estudiosos implicados en un contendor hermenéutico necesarios a abordar la reconocida transversalidad de la obra del florentino. Dicha monografía, que se publica al cuidado de Giovanni Caprara y Silvia Datteroni, precisa proporcionar al público, y más en concreto a los jóvenes estudiantes universitarios interesados en acercarse al Sommo, una valiosa herramienta crítica para seguir investigando y reflexionando sobre su figura, su tiempo y su poética.
L’interpretazione dei sogni da Costantinopoli a Dante - Konstanti̇nopoli̇s’ten Dante’ye rüyalarin yorumu, in “In cammino con Dante | Dante e l’Oriente”, a cura di Salvatore Schirmo, Nevin Özkan e Barış Yücesan, Edizioni Istituto Italiano di Cultura di Istanbul, 2022, pp. 280-319.
L’edizione di questo volume è stata curata dall’Istituto Italiano di Cultura di Istanbul e dal D...
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L’edizione di questo volume è stata curata dall’Istituto Italiano di Cultura di Istanbul e dal Dipartimento di Lingua e Letteratura Italiana dell’Università di Ankara. Questo volume contiene gli articoli (con le loro traduzioni) presentati durante i cicli di conferenze “In Cammino con Dante/Dante ile Yaşam Yolunda” e “Dante e l’Oriente/Dante ve Doğu” organizzati nel 2021 in Turchia in occasione del 700.mo anniversario della morte di Dante Alighieri.
Yayın İstanbul İtalyan Kültür Merkezi ve Ankara Üniversitesi İtalyan Dili ve Edebiyatı Anabilim Dalı tarafından hazırlanmıştır. Bu kitap, Dante Alighieri’nin ölümünün 700. yıldönümü etkinlikleri kapsamında, 2021 yılında Türkiye’de gerçekleştirilen “Dante İle Yaşam Yolunda/In Cammino con Dante” ile “Dante ve Doğu/ Dante e l’Oriente” başlıklı iki konferans dizisinde sunulan makaleleri ve çevirilerini içermektedir.
L’épaisseur du temps. Mélanges offerts à Jacques Dalarun, réunis par Sean L. Field, Marco Guida et Dominique Poirel (Brepols, 2021)
by
Sean L . Field
Marco Guida
luciano bertazzo
Cécile Caby
Valerio Cappozzo
François Delmas-Goyon
Antonio Montefusco
Timothy J . Johnson
Alfonso Marini
Pietro Messa
, and
Luigi Pellegrini
Membre de l’Institut de France (Académie des Inscriptions et Belles-Lettres) et ancien directeur ...
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Membre de l’Institut de France (Académie des Inscriptions et Belles-Lettres) et ancien directeur de l’Institut de Recherche et d’Histoire des Textes (CNRS), Jacques Dalarun est un des médiévistes français les plus renommés en France et à l’étranger. Ses recherches allient histoire sociale et culturelle, codicologie, philologie et historiographie, en particulier dans le domaine de la sainteté au Moyen Âge, de Robert d’Arbrissel à François et Claire d’Assise, en passant par de nombreux autres saints et saintes, d’Italie notamment.
Je veux commander un exemplaire du livre L'épaisseur du temps (ISBN: 978-2-503-59592-4).
Valerio Cappozzo, Dalla carta al cielo «propter unum principium». Il simbolismo onirico medievale tra agiografia e letteratura, in L’épaisseur du temps. Mélanges offerts à Jacques Dalarun, S. L. Field, M. Guida, D. Poirel (eds.), Brepols, 2021, 369-385
Membre de l’Institut de France (Académie des Inscriptions et Belles-Lettres) et ancien directeur ...
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Membre de l’Institut de France (Académie des Inscriptions et Belles-Lettres) et ancien directeur de l’Institut de Recherche et d’Histoire des Textes (CNRS), Jacques Dalarun est un des médiévistes français les plus renommés en France et à l’étranger. Ses recherches allient histoire sociale et culturelle, codicologie, philologie et historiographie, en particulier dans le domaine de la sainteté au Moyen Âge, de Robert d’Arbrissel à François et Claire d’Assise, en passant par de nombreux autres saints et saintes, d’Italie notamment.
Sa production nombreuse présente trois caractéristiques principales. D’abord, ses recherches se fondent presque toujours sur la découverte et l’édition critique de sources médiévales inconnues: fin de la Vie de Robert d’Arbrissel, statuts originaux de Fontevraud, Vies abrégées de Bernard de Tiron et d’Hugues de Cluny, miracles de Bérard évêque des Marses, de Micheline de Pesaro, de Giovanni Gueruli de Rimini, plusieurs vies liturgiques de François d’Assise, divers poèmes et traités des Clarisses de Foligno, et surtout, en 2014, la Vie de notre bienheureux père François par Thomas de Celano, la 2e plus ancienne biographie du saint d’Assise. Ensuite, elles aiment prendre la forme de vastes entreprises collectives, dans lesquelles Jacques Dalarun manifeste un rare talent pour faire travailler en bonne harmonie les personnalités les plus diverses, dans les disciplines les plus complémentaires, de la codicologie à l’historiographie la plus récente en passant par la critique textuelle, la critique historique, la traduction. Enfin, elles s’accompagnent toujours d’une exigence de réflexion sur les procédures et les méthodes de l’historien médiéviste. C’est dans cet esprit qu’a été conçu le présent volume: les auteurs sont des savants, principalement de France, d’Italie et des Etats-Unis – et aussi du Canada, du Royaume-Uni et d’Israël – qui ont travaillé avec Jacques Dalarun et qui souhaitent apporter, dans les champs d’étude qu’ils ont labourés avec lui, une réflexion originale sur les méthodes dans la recherche, principalement en histoire religieuse et culturelle du Moyen Âge.
Valerio Cappozzo, Editing the Somniale Danielis: The Earliest Italian Version of a Dream Book, in Interpretation and Visual Poetics in Medieval and Early Modern Texts. Essays in Honor of H. Wayne Storey, ed. by B. Arduini, I. Magni, J. Todorović. Leiden-Boston: Brill, 2021, pp. 49-70.
Valerio Cappozzo, Le miroir intemporel. Les rêves de Somniale Danielis du Moyen Âge à nos jours, in Auto/biographie : prémonitions, rêves, cauchemars, Beatrice Barbalato et May Chehab (dir.), «Mnemosyne», n. 14, PUL-Presses universitaires de Louvain, 2021, pp. 153-168.
Au cours de plus de 3200 ans, l’interprétation des rêves est restée étonnamment cohérente, montra...
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Au cours de plus de 3200 ans, l’interprétation des rêves est restée étonnamment cohérente, montrant que lorsque la rationalité est neutralisée, l’être humain se découvre égal à lui-même. Le déchiffrement des rêves a affecté chaque société qui s’efforce de saisir leur potentiel divinatoire et de tirer profit de la compréhension d’un tel événement symbolique. Dans les temps anciens, au Moyen Âge et à la Re-naissance, les rêves servaient à interpréter la réalité environnante, externe à l’individu, tandis que de-puis le XXe siècle, avec l'avènement de la psychanalyse, ils ont été utilisés pour enquêter sur l’inconscient et en diagnostiquer les névroses. Deux directions d'investigation contraires, externe et interne, qui ont pourtant le même but : celle de rationaliser l'irrationnel.
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